Christine Subratie, a native of New Mexico and a student at Belmont University is featured in Belmont University’s PBS National special “Christmas at Belmont,” which airs at 8pm on 20 December.(Courtesy from Christine Subratie)
Nashville, Tennessee, is away from the MorenoValley in NewMexico.
Despite the radical shift in her life, ChristineSubratie took the step and followed her music interest while at BelmontUniversity.
“It was a culture shock,” she says of her relocation to Nashville.“But I knew that it wasn’t part of the plan and needed to stick with it.My name is one of the 2 NewMexico students at the Belmont.
Subratie was recently featured during The Subratie was recently featured in the “Christmas at Belmont” concert, which was produced by Nashville Public Television.
It will air starting at 8:30 p.m. on Monday, December 20 , on New Mexico PBS, channel 5.1.
This concert took place in the 1 700-seat Fisher Center for the Performing Arts located on Belmont’s campus. Belmont campus.
“Christmas in Belmont 2021” has more than 700 Belmont University students singing their popular Christmas songs, traditional carols, and holiday tunes.
“NPT is thrilled to work together with Belmont University to present ‘Christmas at Belmont” to a wide viewers through PBS,” said Becky Magura the President and CEO of NPT.
Respected Ballyshannon musician Eddie McFarlane, who is currently helping teach Bundoran-based Ukrainian refugee children voluntary music lessons, has appealed for old or unused laptops, after quickly realizing that many ‘of them did not have access to these devices or were using hacked phones.
He told this week’s edition of Donegal Democrat: ‘I know they are currently fighting this but they are a very proud people and they just don’t like to ask, especially as they are already so happy to be taken care of in terms of social protection and other ways. “I volunteer with the Ukrainian community in Bundoran. “I don’t belong to any organization and there are a few of us who teach music to Ukrainian children.
“They are a friendly, warm and proud people who are really very grateful for the help they receive from Ireland.
“But I learned that they had very few laptops.
“They communicate with Ukraine using phones (some with cracked screens). They have very few laptops that they share as best they can, but it’s very difficult as you can imagine.
Related He added: “Laptops would make it easier for them to stay connected at home via skype or facetime and would make life easier in general. “Companies, schools, periodically replace laptops and old ones are sent for recycling. It would be great if they could donate it to the Ukrainian community instead of getting rid of it. I know it would make a real difference for them in an incredibly difficult time for them. “Sometimes people want to help but don’t know how best to do it. Well, this is an opportunity to do something for them that would benefit them greatly. If anyone would like to help with the call, please do not hesitate to contact Eddie on [email protected] or by phone (086) 0263357.
Muse gave fans of the Isle of Wright Music Festival special treatment. During their headlining set, the band performed a cover of Slipknot’s “Duality” as an outro to their own song “Won’t Stand Down”. Throughout their set, they also performed excerpts from AC/DC’s “Back in Black”, “Know Your Enemy” by Rage Against the Machine, “Foxey Lady” by Jimi Hendrix and “Sweet Child O’ Mine from Guns N’ Roses. Check out the images below.
The Isle Of Wright Festival took place this past weekend (June 16-19) and featured performances from Lionel Richie, Lewis Capaldi, Kasabian, Rudimental, The Vaccines, UB40 and Sigrid.
Muse recently released their latest song “Will of The People” along with its music video. The song will appear on the album of the same name, which is set to be released on August 26. The album will also include their single “Compliance”. Shortly after the album’s release, they will be hitting the road for a handful of intimate gigs across North America and Europe. Shows will begin at The Wiltern in Los Angeles, California on October 4. Other stops include Chicago, Toronto and The Beacon in New York. It will then head to Europe to visit Amsterdam, Paris and end in Milan, Italy on October 26. Tickets for the tour are set to go on sale Friday, June 24 at 10 a.m. local time.
Newport Jazz Festival tickets will be available for purchase in person in Newport from next week.
The Fort Adams Trust Visitor Center and Gift Shop at Fort Adams State Park will begin offering tickets on Monday, June 27. There are no additional or online fees when purchasing tickets in person.
Ticket prices are $79 each – per day. A limited number of tickets are available for students ages 10-25 with valid student photo IDs costing $40 each, per day. Children 9 and under are free. Only 2 children are allowed per ticketed adult and must enter through the dedicated child/family gate. Proof of age is required. Parents should be prepared to present a photocopy of a birth certificate, passport or other form of identification for each child.
Fort Adams Visitor Center Box Office Hours – 10am-3pm daily.
The 2022 Newport Jazz Festival will feature Norah Jones, The Fearless Flyers, Esperanza Spalding, Terence Blanchard, BadBadNotGood and many more.
If you can’t make it to the Fort, one-day and two-day tickets are available for purchase online. All three-day tickets are sold out.
Ryan Belmore is the owner and publisher of What’sUpNewp.
He is currently Vice Chairman of the Fort Adams Trust Board and the Potter League For Animals Board.
He is a member of Local Independent Online News Publishers, the Society of Professional Journalists and the North American Snowsports Journalists Association.
Todd Boehly will act as interim sporting director to manage Chelsea’s summer transfer deals.
The Chelsea co-owner has been confirmed as the club’s new chairman from Stamford Bridge, replacing Bruce Buck.
READ MORE: Lukaku avoids bottom spot in 40 signings under Granovskaia at Chelsea
Marina Granovskaia has also been confirmed as stepping down from his directorship, leaving American magnate Boehly to lead Chelsea’s recruitment negotiations during this summer’s transfer window.
All of the leading figures in the Boehly-Clearlake Capital consortium have been added to Chelsea’s new board as the west London club’s new era continues to gather pace.
“As Chelsea FC goalkeepers, we now begin to implement our long-term vision and plan for the club, creating an exceptional experience for its passionate and loyal fans, and continuing to strive for the highest honours. in line with Chelsea FC’s dedicated history,” Boehly said.
“Working together, side by side, we are firmly committed to winning, both on and off the pitch. For us, this effort has begun.
Clearlake chiefs and Chelsea co-owners Behdad Eghbali and Jose Feliciano have also been added to the Blues‘ new board.
Los Angeles Dodgers co-owner Mark Walter, Swiss tycoon Hansjorg Wyss and British tycoon Jonathan Goldstein have all been officially named to Chelsea’s board.
Music industry supremo Barbara Charone and conservative peer and columnist Daniel Finkelstein were also added to the board, along with Clearlake Capital partner James Pade.
“As the new era of Boehly-Clearlake ownership begins, we are excited to build a Championship organization and grow Chelsea FC as a global platform,” said Eghbali and Feliciano.
“We look forward to supporting Thomas Tuchel, Emma Hayes and their teams, and will provide proactive and unwavering support to make loyal Chelsea fans and our partners proud.”
Chelsea will now begin the search for a permanent sporting director, with Granovskaia leaving the club after nearly 20 years at Stamford Bridge.
Granovskaia rose to prominence as one of football’s toughest negotiators during Roman Abramovich’s reign at Chelsea.
“Boehly will function as interim sporting director until the club appoints a full-time replacement, continuing the club’s work towards its objectives during the current transfer window,” Chelsea’s statement read.
Granovskaia will remain at Chelsea’s disposal during the current transfer window to help the club’s major transition.
“We thank Marina for her many years of excellent service to the club and wish her the best in her future endeavours,” Boehly said.
Organizers of the Queenscliff Music Festival have announced an additional batch of artists who will perform in its 2022 iteration.
The first batch of acts for the festival – which will take place in Victoria’s Bellarine Peninsula over the weekend of November 25-27 – were unveiled in early June. This year’s Queenscliff Music Festival will be headlined by Baker Boy and Middle Kids, alongside RVG and former Preatures singer Isabella Manfredi.
Leading the second set of acts, announced today (June 21), are John Butler and The Teskey Brothers. Vika & Linda, Seeker Lover Keeper, former Hunters & Collectors frontman Mark Seymour, The Bamboos, Fanny Lumsden, Emma Donovan & The Putbacks, Kee’ahn and Little Quirks are also confirmed.
The all-ages event will be held at multiple venues in the Queenscliff and Point Lonsdale area. This will be the festival’s first outing since 2019, after two successive cancellations due to COVID-19. In March, Queenscliff organizers launched By The Pier, a sister event with Vera Blue, Julia Stone and Briggs.
The 2022 Queenscliff Music Festival joins a series of events included in the Victorian Government’s Always Live initiative, which first launched in March with an exclusive Foo Fighters show in Geelong. The effort also delivered a pair of Cate Le Bon concerts and Tasha Sultana’s headlining Ocean Sounds festival, as well as a just-announced Melbourne show from Billy Joel.
The Teskey Brothers performance at Queenscliff will follow further festival appearances at NSW’s Wanderer Festival and WA’s Good Day Sunshine, both of which are scheduled for September.
Three-day tickets and camping passes for the Queenscliff Music Festival 2022 are available here. Other additions to the line-up are expected to be announced closer to the date, but you can see the current roster below.
The updated lineup for Queenscliff Music Festival 2022 is as follows:
baker boy middle children RVG Isabelle Manfredi The Teskey Brothers John Butler Vika and Linda Seeker Lover Guardian Mark Seymour and the surf Bamboos Fanny Lumsden Isabelle Manfredi Emma Donovan and the comebacks Felicity Urquhart and Josh Cunningham William Crington Steph Strings Kee’ahn The Seven Highs jess ribeiro small quirks Ben Mastwyk and his millions Bulge Clocks Zoe Fox and the Rocket Bones & Jones Threesome folk sluts Banjo Lucia Rambal Raul Midon The Bad Dad Orchestra Bud Rokesky Monica Claire The Stetson family Cat and Clint
TYLER, TX (KLTV) –The sounds of drums, trumpets and other instruments fill the UT Tyler campus with the start of an annual jazz camp.
This is the fifth year of the camp and the participants range in age from 13 to 65 years old. They spend the week learning all things jazz, from improvisation to jazz listening and history lessons. Dr. Sarah Roberts is an associate professor of saxophone and jazz studies at UT Tyler and founded the camp.
“Jazz is American music, it was the first kind of pop music in our country and every kind of music that we have, that we consider American music, and even music around the world has been influenced by jazz,” she said. “So that really laid the foundation for what we call pop music, rock music, and country.”
JT Pundt plays trumpet and was at camp for five years.
“I learn something every time. I love meeting new people and having the chance to play with people and having the chance to hear other people. It’s always great to perform in front of an audience in live,” Pundt said.
Being the first day of the camp, the musicians were divided by skill and started working on the music. This is Simon Elliott’s second year at camp. Elliot said he’s been playing music since middle school.
“There are a lot of new faces and a lot of new experienced players. It helps me a lot, to grow, I want to be with the most experienced and talented to better understand what I need to work on and focus on,” Elliott said.
This year they bring in New York saxophonist Chad LB and will play with him at a concert later in the week.
“It’s important that we continue to teach the history and traditions of jazz so that it stays alive,” Roberts said. “And for students to continue to learn the significance and how it really influenced everything they listen to.”
For more information on performances, times and locations, click here.
Chelsea are looking to strengthen their attack this summer and the latest player to slip onto their radar is Man City winger Raheem Sterling. Well, it looks like he’s also interested in the idea of leaving the Etihad for Stamford Bridge.
By ESPN, Sterling is keen to move to west London due to the ambition of new owner Todd Boehly after taking over from Roman Abramovich. Moreover, the American has made the England international his top transfer target which is clearly appealing to Sterling. Chelsea are close to securing a loan deal for Romelu Lukaku as they eye a reunion with Inter, so the club will be hoping to find a worthy replacement to come and produce the goods.
Meanwhile, City are demanding £50-60m for Sterling this summer instead of letting him go for free in a year. Their frontline is already congested following the arrival of Erling Haaland, which is probably why Sterling is considering a move elsewhere.
This next contract he signs could be the last of his career and Sterling has already shown interest in a new challenge elsewhere, with Bayern and Real Madrid also keen. But Chelsea seem to be the favorites and for them Sterling would be a fantastic signing.
He has played a key role in Man City’s success over the years, serving as the base for Pep Guardiola’s attack. Sterling scored 13 goals and provided five assists in 30 Premier League appearances last season.
Gabriel Jesus is also expected to leave Manchester this summer for Arsenal.
The Davis Music Festival returned for the first time this weekend after a two-year hiatus caused by the COVID-19 pandemic featuring local, regional and touring artists to benefit local non-profit arts organizations .
Director Kyle Monhollen noted that the festival celebrated its tenth anniversary this weekend.
“It started in 2011 as a very small event with two stages and we didn’t expand to three days, 40 bands and nine stages,” Monhollen told Delta of Venus – one of nine stage locations – on Saturday. located at 122 B St. in Davis. “It’s a labor of love. Everyone involved who is not a musician or sound technician is a volunteer. We do it simply because we love live music and bring something positive and joyful to our community.
Dozens of attendees and passers-by filled the outdoor seats of the bar and lined the sidewalks outside the venue to listen to several musicians perform music, some of which were original songs.
For Davis High School student Marcos Zaragoza, the event was a great opportunity to get on stage and do just that. He performed an original song called “Stars up in September” to end his approximately 30-minute set accompanied by his brother, Adrian.
“I had a lot of support from my family,” the 17-year-old pointed out. “My uncle helped me learn guitar, sing and write songs.
Additionally, he noted that he and his brother had been doing school talent shows since they were in elementary school.
Zaragoza’s stage name is The One Train, which he says is a New York City subway line that runs past his aunt and uncle’s house.
“It’s an amazing opportunity,” he said of the music festival. “I’m so grateful to Kyle, everyone who helped put this together and everyone who came out.”
For more information on the three-day festival, visit its website at davismusicfest.com.
Jason Terry was among the first candidates to interview for the vacant head coaching position with the Jazz last weekend, and he told Brandon “Scoop B” Robinson that he was pleased with the results (Twitter link). Terry says his long multi-level basketball track record should give him an edge.
“When you talk about mentoring, teaching and developing players, I’d like to say that my skills speak for themselves,” he said. “I have extensive experience at all levels – college, pro, G League, management, obviously playing 19, so with that alone I feel like a good man for the job.”
Fifteen potential candidates have been linked to Utah since Quin Snyder resigned earlier this month. Terry, who interviewed the CEO Danny Ainge and general manager Justin Zaniksaid it would be a pleasure to work for such a well-run franchise.
“Their organization has been first class since I’ve known them, for the 19 years I’ve played and after,” Terry said. “I can say that they are going in the right direction. They have a great core of guys and talent that speak for themselves. They’ve been Western Conference class, even though they’ve yet to win a championship or make the NBA Finals. I just think they are the right voice.
There are more from the Northwest Division:
by Kenny Atkinson change of mind about Hornets means the Jazz no longer have the advantage of being the only team conducting a coaching search, writes Ryan McDonald of The Deseret News. Terry Stotts, one of the finalists for the job in Charlotte, would also be a candidate in Utah, and McDonald wonders if anyone other than the Jazz is considering emerging as a possibility for the Hornets. He also speculates that the owner Michael Jordan could consider hiring Snyder, who has ties to North Carolina.
As one of the best ball handlers in the draft, Notre Dame guard Blake Wesley could be an option for Nuggets with the 21st pick, by Ron Gutterman of NBA.com. Wesley also has a high basketball IQ and would immediately become one of Denver’s top backcourt defenders, Gutterman adds.
In an interview with ESPN Australia (video link), Dyson Daniels say it Thunder were his favorite team and Russell Westbrook was his favorite player when he was younger. Oklahoma City holds the No. 2 and No. 12 picks in Thursday’s lottery, but Daniels will likely be selected between that bracket.
Silvio de Sousaformerly of Kansas and Tennessee-Chattanooga, trained Thursday with the Thunder, tweet Oklahoman’s Joe Mussatto. Marcus time will work for OKC Monday (Twitter link).
The inaugural Super Rugby Pacific season has its first champion as the Crusaders end the Blues’ 15 game winning streak. Video / Sky Sport
How the players scored in Saturday’s Super Rugby Pacific final at Eden Park.
15. Will Jordan – 8 The competition’s co-top try scorer has been a threat all season. While sharp breaks were rare here, he punched smart and was a constant threat.
14. Sevu Reece – 7 The lightning winger could find little space here, but kept busy and was always involved. Awarded for a strong hunting game with a late comedy essay.
13. Jack Goodhue – 7 He is back. In his sixth appearance since an ACL injury last April, the center knocked down tackles, delivered smooth offloads and showed how vital his class can be in a big matchup.
12. David Havili – 8 His clever attacking kicks were a point of difference in the All Blacks’ four-man midfield mix. Showed excellent game management on a high stakes night.
11. Leicester Fainga’anuku – 8 New All Black went into beast mode twice on the try line in the first half, the second time setting up Bryn Hall’s key try. The deadly assaults were a constant reminder of who was responsible.
10. Richie Mo’unga – 9 Ran the game. Early breaks underlined the threat of this All Black at 32 Tests. A tidy kick in the 13th minute was a message to AB selectors. Give him the black No. 10 jersey.
9. Bryn Room – 8 A quietly industrious bond for Mo’unga all season, he was more visible and electric in the final. He capped off his final game for the Crusaders with a 40th-minute try.
8. Cullen Grace – 7 Great line-up job, which put pressure on the Blues pack. Scored twice in the semi-finals against the Chiefs but was headlong and driving in the trenches that game.
7. Tom Christie – 8 The competition’s best tackler stayed busy throughout and delivered classic defensive moves. Well worn and patronized breakdowns in Ethan Blackadder’s absence.
6. Pablo Matera – 7 Invited by justice to play this match despite a handful of yellow cards. The well-traveled Argentinian was in his element when times were tough. And that kick!
5. Sam Whitelock – 7 Experience matters, and this guy has more AB tests than all the Blues forwards combined. It showed, and you can bet it mattered in the days leading up to the game
4. Scott Barrett (c) – 9 Won the ball, carried the ball, broke the breakdown. Comes with everything you want from a world class lock. Neutrals hope to see this form in a black jersey.
3. Oli Jäger – 7 The biggest man in the starting lineups was busy in that brutal first half and put his 128kg frame into everything. Bonus points for his team dominating set pieces
2. Codie Taylor – 6 In a team with as many VCs as the Upham family, the hooker was a capable leader for a pack that fought hard on the front line and took no prisoners.
1. George Bower – 7 Helpful first touches and a great feeling of space for such a large unit. A hardworking part of the peloton who had the game in their bag after 40 minutes.
15. Stephen Perofeta – 5 Tough evening for the new All Black. The competition’s leading points scorer had few opportunities to shine as the Crusaders kicked smart and pinned him down.
14. AJ Lam – 5 Had few opportunities to shine in this game after making good progress this season in the absence of Caleb Clarke. Struggled to show his threat on the short side and the short ball.
13. Rieko Ioane – 4 Standards were high in midfield, with four All Blacks strutting around. The visitors did a great job of keeping him out of the game. Could he have done more to get into it?
12. Roger Tuivasa-Sheck – 4 The famous code changer’s 12th top-flight rugby match was his toughest, and probably his most anonymous. Overshadowed by the versatile Havili.
11. Mark Telea – 4 The early scrambling tackle saved a try. But, as with his fellow Blues away, there was very little chance for the winger to make an impact in attack.
10. Beauden Barrett – 6 Couldn’t trigger anything in the first half but found his bearings as the Blues dictated the pace of the game until the final quarter. He was the Mark Waugh to his brother Scott’s Steve.
9. Finlay Christie – 7 The shortest man in the park showed just about the biggest ticker on defense. Great commotion for a 58th-minute try that almost sparked a revival.
8. Hoskins Sotutu – 5 Trained in tight work where he was helpful in key turnovers. Showed quick wits to take advantage of the charging chance in the second half.
7. Adrian Choat – 4 The Blues were missed for possession and territory in the first half – turnovers just wouldn’t come for the No.7 substitute. Fired for speedster skipper Dalton Papalii at half-time.
6. Akira Ioane – 5 The most experienced Blues player was barely seen, as the Crusaders pack dragged the hosts’ lives early and forced the running back loosies into a tight fight.
5. Tom Robinson – 4 A standout performer all season, labeled as neither-a-lock-nor-aflanker. Worked hard around the park in the Finals, but the Blues roster was the Crusaders gimp.
4.Josh Goodhue – 4 Substituted early in the second half as the Blues struggled to sort out dysfunctional lineups. On the back foot elsewhere. His brother Jack has bragging rights
3. Nepo Laulala – 4 Lucky to be without a card in the 17th minute when the referee’s call was more common sense than respect for the rules. Fifty-three minutes of back-pedalling work.
2. Kurt Eklund – 2 The All Black Maori prostitute will have to carry the box for the alignment yips. With that completely unreliable decisive kick, the Blues struggled and desperation crept in.
1. Alex Hodgman – 6 Another to end a confused shift after 53 minutes. The blistering start of the attacking group went through every facet of the game, and they couldn’t put any heat on the visitors.
Reservations: 16. Soane Vikena – 4 17. Karl Tu’inukuafe – 4 18. Ofa Tuungafasi – 3 19. Luke Romano – 6 20. Dalton Papali – 6 21. Sam Nock – 4 22. Bryce Heem – 4 23. Zarn Sullivan – NA
Talented schoolchildren composed their own piece of music – with the help of a few professionals.
Students at Troon Primary proudly release the song, titled The Summer Beat, after writing and recording the song with local performer Scott Nicol.
The song, which is available to download on all major platforms, saw pupils in five primary classes let their creativity run free.
Scott said Live Ayrshire: “The students were simply exceptional in their words, their creativity and their enthusiasm.
“They wanted to write about summer and we absolutely captured that vibe.
“The rhythm, the music, the lyrics, the feeling of ‘Dancing by the water like diamonds’… it’s all there.
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“I brought in the wonderful Jamie Clark to record them and he did a great job mixing and playing the track.
“The kids loved the whole experience of writing, singing, recording and helping design the artwork and we loved it and had so much fun.
“I have to thank Mr Paterson and Mr Sturdy for all their encouragement and hard work and thank you very much to the Troon Parents Association for making this possible.”
The students called themselves “The Fantastic Fives” and are the latest group to be mentored by Scott, who leads a talented stable of young musicians under the “Possibility Screams” banner.
He has now visited five primary schools in Ayrshire to help pupils bring their musical dreams to life by recording tunes.
And he insists inspiring the future generation of stars is what keeps his guitar playing.
He said: “To see the enthusiasm of young people is fantastic and that’s what it’s all about. They all bring different ideas to the table and it’s amazing to see things come together in the game. finished item.”
To download the track, go to https://www.scottnicol.us/summer-beat
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Live entertainment powerhouse Superstruct Entertainment has acquired a stake in the UK’s only professional action sports and music festival, Nass (National Adventure Sports Show).
Established in 2008, the annual four-day event brings together a number of athletic competitions in skate, BMX, inline and FMX with live music spanning drums and bass, hip-hop, grime, garage and house.
The 30,000 capacity event, which takes place at the Royal Bath & West Showground in South West England, has previously hosted artists including Chase & Status, Giggs, Rudimental, Stormzy, Public Enemy and Loyle Carner.
The Nass Festival was created, promoted and managed by Vision Nine, who also produce Superstruct-owned Boardmasters
The Nass Festival was created, promoted and managed by Vision Nine, who also produce the Superstruct-owned surf and music festival Boardmasters. Terms of the agreement between the two companies were not disclosed.
Superstruct, backed by Providence Equity, counts Sziget, Elrow, Parookaville, Wacken Open Air, Boardmasters, Sonar, Tuska and Zwarte Cross among its extensive portfolio of European festivals.
Last month, IQ revealed that Superstruct had acquired the UK’s premier science and music event, Blue Dot.
IQ has contacted Vision Nine to comment on the acquisition.
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Singer and bassist DANIELLE NICOLE and her band will perform at Jimmy’s Jazz & Blues Club on Sunday July 17 at 7:30 p.m.Danielle Nicole joins Jimmy’s Jazz & Blues Club’s 2022 show schedule, which includes 7 NEA Jazz Masters, 37 GRAMMY® Award-winning artists, 34 Blues Music Award winners and a comprehensive roster of talented musicians with over 500 GRAMMY® Award nominations among them . Tickets for DANIELLE-NICOLEas well as the current list of 2022 shows, can be viewed on Jimmy’s online events calendar at: http://www.jimmysoncongress.com/events.
PORTSMOUTH, NH, June 16, 2022 /PRNewswire-PRWeb/ — Jimmy’s Jazz & Blues Club presents GRAMMY® Award-nominated, 4x Blues Music-winning singer and bassist DANIELLE NICOLE and her band on Sunday July 17 at 7:30 p.m.
Danielle Nicole was a founding member, vocalist and bassist of the internationally acclaimed blues/rock band Trampled Under Foot before going solo in 2015 with her debut album “Wolf Den”. In 2018, Nicole returned with her 2nd album titled “Cry No More” which earned a 2019 GRAMMY® Award nomination for “Best Contemporary Blues Album” and 2 Blues Music Awards for “Instrumentalist – Bassist of the Year” and “Contemporary Blues Female Artist of the Year.”
that of Danielle Nicole “distinctive and inventive bass work” led her to become the first woman to receive a nomination for a Blues Music Award for “Instrumentalist – Bassist of the Year” (2014). Nicole won the Blues Music Award for “Instrumentalist – Bassist of the Year” in 2021 and 2022. She was also nominated again for “Contemporary Blues Female Artist of the Year” in 2022. The group includes BRANDON MILLER on guitar and vocals and world renowned drummer GO-GO RAY.
“We are so excited for a spectacular evening of blues rock with fabulous GRAMMY® Award nominee Danielle Nicole and her band,” said Suzanne Bresette, general manager of programming at Jimmy’s Jazz and Blues Club. “Danielle is an incredible bassist who delivers an exceptional and passionate voice at every gig. Jimmy’s audience has a fantastic night of blues coming up on July 17th!”
Tickets for GRAMMY® Award & 4x-Blues Music Award nominated singer and bassist DANIELLE NICOLE and her band on Sunday July 17 at 7:30 p.m. are available on the Jimmy’s Jazz & Blues Club Danielle Nicole event page.
Jimmy’s Jazz & Blues Club’s 2022 show schedule currently includes 7 NEA Jazz Masters, 37 GRAMMY® Award-winning artists, 34 Blues Music Award winners and a full roster of talented musicians with over 500 GRAMMY® Award nominations among them. Check out Jimmy’s Events Calendar for Jimmy’s Jazz & Blues Club’s 2022 show schedule. Subscribe to Jimmy’s Email newsletter to stay informed about new jazz and blues artist announcements, tickets, special offers, Jimmy’s Sunday Jazz Brunch and more.
ABOUT JIMMY’S JAZZ & BLUES CLUB Jimmy’s Jazz & Blues Club’s mission is to provide guests with a unique, world-class experience featuring serious jazz and blues music served with exceptional southern-inspired cuisine. Jimmy’s Jazz & Blues Club offers a spectacular and visually stunning environment designed to provide the highest quality acoustics while utilizing state-of-the-art production, sound and lighting technologies. Jimmy’s Jazz & Blues Club is located in a beautifully restored 1905 building at 135 Congress Street in the heart of historic downtown Portsmouth, New Hampshire. For more information, visit http://www.jimmysoncongress.com or follow us on Facebook at https://www.facebook.com/JimmysJazzBlues.
PRIVATE EVENTS AT JIMMY’S JAZZ & BLUES CLUB An arts and culture center with stunning architecture in the heart of the historic district Portsmouth, New Hampshire, Jimmy’s Jazz & Blues Club offers a rare and spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties and memorable celebrations. The Jimmy’s Jazz & Blues Club team has poured their hearts into creating a stunning, full-service event space with new, state-of-the-art production, sound and lighting technologies, delivered with experiences exceptional culinary superior level. Our top-notch approach with professional and experienced event staff ensures that everything is designed to exceed your expectations. To start a conversation about hosting your event at Jimmy’s Jazz and Blues Club, please call us at 888-603-5299, email us at [email protected] or fill out the private events contact form Jimmy’s.
CHIPPEWA FALLS – Riverfront Park will once again host the Northwood Blues Festival (NWBF) this weekend. Event organizers expect at least 1,500 music fans per day.
NWBF used to entertain blues fans in the Spooner area between 2012 and 2015. In 2017 the festival moved to the Chippewa Falls Fairgrounds. Then in 2019, the festival moved to its new home at Riverfront Park in Chippewa Falls.
“The backdrop for the shows is beautiful – right along the river, and the food is going to be fantastic,” said Northwood Blues Festival CEO Steven Rheaume.
“I think this year’s performers are second to none in the blues genre,” Rheaume said. “Most people look at our lineup and say we’re the best blues festival in the Midwest.”
Rheaume couldn’t be more excited about the weekend lineup. He is eager to share his passion and his love of the Blues.
“There will be great music all weekend,” Rheaume said. “Our Saturday headliner, for example, Mike Zito just won Rock Blues Artist of the Year.”
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In June 2021, Zito received two Blues Music Awards at the Blues Foundation’s 42nd Annual Blues Music Awards in Memphis. Zito won BMAs in the Blues Rock Artist as well as Blues Rock Album of the Year categories for Mike Zito and Friends – Rock ‘n’ Roll: A Tribute to Chuck Berry.
Zito performs Saturday at 8:30 p.m. and again at 10 p.m. with a host of others joining him on stage for a Blues jam.
Rheaume said the band he was most excited to see this weekend is Bob’s of the Blues, made up of blues legends Bob Margolin, Bob Corritore and Bob Stroger and Kenny “Beedy Eyes” Smith. The band performs at 9:30 p.m. Friday.
“The name Bob’s of the Blues doesn’t mean a whole lot to anybody because I don’t think you can go out and find an album by these guys, but they’re really good,” he said. “If you know Muddy Waters, he had a Caucasian guy in his band and his name was Bob Margolin. He’s one of the guys in the group.
Another performer in the group is Bob Corritore, considered one of the best traditional blues harmonica players on the scene today. He is a Grammy-nominated harmonica player and producer.
“He had the number one blues album in the country for four months last year called Spider In My Stew,” Rheaume said.
The third “Bob” is Bob Stroger. Over his 39-year career, Stroger has played with a long list of blues legends, including Otis Rush, Jimmy Rogers, Eddie Taylor, Eddy Clearwater, Sunnyland Slim, Louisiana Red, Homesick James and Snooky Pryor.
“June 10 at the Chicago Blues Festival, they just had Bob Stroger Day — he’s of that caliber,” Rheaume said.
Last but not least in Bob’s group of the Blues is Kenny “Beedy Eyes” Smith – a Grammy Award-winning drummer and songwriter.
“I’m just really excited to see these guys, and John Primer,” he said.
Primer is another Chicago great – he was bandleader and lead guitarist for Muddy Waters, Willie Dixon, Magic Slim & The Teardrops.
In American Blues Scene Magazine, the NWBF was named one of the top five new festivals in the country in the summer of 2015 and was the only festival in the Midwest to receive this accolade.
Chicago Magazine, in the June 2016 issue, called the Eau Claire area home to an emerging music scene. The area has an active Chippewa Valley Blues Society which sponsors Tuesday Night Blues all summer.
Stop me if you’ve heard this story before… A YouTube channel that featured music, covers or remixes of classic songs from popular Nintendo games has been forced to remove content after being contacted by the army of lawyers from Nintendo. Well, it happens again. A new channel now claims to be the latest victim of Nintendo’s ongoing war against some of its most dedicated and passionate fans.
As first reported by NintendoLife, the newest member of the club is SynaMax, a YouTube channel dedicated to music. The user behind the channel, who states in the channel’s bio that he’s been making music since 2004, previously uploaded high-quality recreations and covers of some Metroid Prime Songs. However, this seems to have caught the attention of Nintendo and its legal team.
In a video uploaded yesterday, the channel’s creator claimed he was contacted by Nintendo’s lawyers on May 31 and told to remove nine videos featuring Metroid Prime musical covers or remixes.
“I’m really disappointed with Nintendo that they’re forcing me to take these videos down because they want compulsory licensing,” SynaMax said in the new video.
They further explained that although these videos are now gone for good; his research videos on Metroid PrimeThe soundtrack and other similar videos of are safe because they do not contain copyrighted music. Furthermore, they are unable to create any other covers or remixes of Metroid Prime or other Nintendo game music, unless they acquire a “compulsory” license from the company.
Kotaku contacted Nintendo and SynaMax about the deleted videos.
SynaMax acknowledged that these songs are owned and copyrighted by Nintendo and that the publisher has “the legal right to remove this content”.
However, they questioned why the company was getting aggressive instead of just demonetizing relevant videos and letting fans continue to produce and share Nintendo-inspired creations. SynaMax said it wouldn’t mind losing that revenue; they just want to share their songs with other fans. SynaMax, his frustration evident, concluded that they were done making Nintendo-related content “a very long time ago”.
Read more: Nintendo of America contractors who feel like second-class workers
We have seen this same scenario play out again and again over the past few years. Nintendo fans work hard to create exciting new game-related content, or to provide other fans with easy ways to listen to Nintendo music that the publisher does not make accessible, and the “Big N” responds sending legal threats to some of them. his most passionate and devoted fans.
Earlier this month, Nintendo sent over 500 copyright complaints to a channel, forcing the creator behind that YouTube channel to remove all Nintendo-related music. In the process, many songs they had uploaded to YouTube became much harder to listen to, which is a real boon for avid fans who just want to relive a bit of their childhood or celebrate a game they love. particularly.
Of course, Nintendo has every legal right to do so. But the thing is, nowadays, many other game companies are working with fans and creators to allow them to create cool stuff in a legally safe way. Many publishers even offer interested players legal and easily accessible ways to read their catalogs. As we said before, Nintendo doesn’t have to do this. And yet it continues to do so, making it increasingly difficult to celebrate and enjoy the publisher’s long history and its beloved franchises.
Classical music lovers often flock to remote locations to hear world-class musicians during the summer.
But when it comes to remote locations and great music, few can match Vermont’s Marlboro Music Festival, which runs July 16-August 14 this summer.
Founded in 1951 by violinist Adolph Busch and his son-in-law, legendary pianist Rudolf Serkin, the Marlboro Music Festival brings chamber music performances to the picturesque hilltop village of Marlboro, Vermont, 10 miles west of Brattleboro .
Since the festival’s inception more than seven decades ago, the list of musicians who have performed at Marlboro includes a roster of many of the greatest classical musicians of the past century.
Many concerts this summer will also feature two of the world’s finest pianists – Jonathan Biss and Mitsuko Uchida, the festival’s artistic director.
And unlike most music festivals, where you know months in advance who’s performing and what songs they’ll be playing, Marlboro waits a few weeks before each gig to announce the performers and schedule.
This is because festival attendees expect to know that they are ready to play a particular piece. It may seem strange. But that’s also partly because the festival isn’t focused on its weekend performances.
Instead, the goal of festival attendees has always been to perfect their craft, to become better musicians.
This summer, 85 musicians from around the world will live and perform together for seven weeks in Marlboro, creating a tight-knit community of artists.
This unique approach to practice and performance is part of the secret to Marlboro’s continued success, according to Brian Potter, director of communications for Marlboro Music.
“Fundamental to Marlboro’s success is its collaborative approach to learning, in which master artists perform with exceptional young professionals, sharing perspectives and learning from each other in a unique musical and human community,” wrote Potter in response to several questions.
“We are fortunate to have the dedicated artistic direction of Mitsuko Uchida and Jonathan Biss who, along with their fellow senior artists, are committed to upholding the founding ideals of Marlboro, while evolving the program to better serve music and people. needs of young players in the 21st. century,” Potter added. “Although much has changed over the years, the principles that bind and drive this community – generosity of spirit, collaboration in the pursuit of a single vision, and the fusion of diverse cultural influences – remain as vital today. today than ever.”
The music festival has faced several unique challenges in recent years. In 2020, Marlboro College, where the festival is held, closed permanently for a variety of reasons, including declining enrollment.
Fortunately, the music festival was able to purchase the old campus of Marlboro College known as Potash Hill in 2021, ensuring that the music festival will continue at the same location in the future.
“The College’s closure and our subsequent acquisition of the Potash Hill campus marks a new chapter for Marlboro Music,” Potter wrote. “While it has created significant challenges, the purchase brings a vital measure of stability to our organization, the surrounding community and the many customers and constituents who feel as protective as we do about this special place.”
“It has tremendous potential for other worthy cultural, educational and community uses that would enhance the cultural and economic vitality of the city, region and state as well as our arts community, mission and values at the future,” Potter added. . “We have been incredibly grateful for the enthusiastic response to our purchase from so many patrons, local friends and former members of the Marlboro College community, and we are committed to ensuring that this beautiful historic property remains intact, preserved, and the home campus of Marlboro Music for generations to come. More information about Potash Hill can be found on our dedicated campus website, www.potashhill.org »
Along with the purchase of Potash Hill, Marlboro Music also embarked on a construction project, which included the construction of a new 18-room residence hall and the Jerome and Celia Bertin Reich building.
“The new buildings opened in June 2021,” Potter wrote. “The Reich Building contains three spacious music rehearsal studios, the library of the Maxine and Stuart Frankel Foundation, a library for the vast collection of some 8,500 Marlboro chamber music scores, administrative offices and social spaces. ”
For those planning to attend concerts this summer at the Marlboro Music Festival, there are some important changes that audience members should be aware of for this summer.
“Proof of vaccination against Covid-19 will be required to attend all public rehearsals and performances (vaccination and ID cards will be checked at the door). only about half the seats at each concert are on sale,” Potter wrote. “If conditions this spring and summer permit, we will increase that number. performances as usual, we can confirm that the program for Friday August 12 will include the 50-minute chamber opera “Into the Little Hill” (2006) by one of our 2022-in-Residence composers, George Benjamin. Composer Libby Larsen will also be in residence with us this summer.
And for anyone who has ever been to Marlboro, you can expect the same magical experience with magnificent musicians in an immaculate setting.
“At Marlboro, musicians have the special opportunity to rehearse with unlimited time, ideal conditions, inspiration from the beautiful surrounding countryside and the support of a close-knit community,” Potter wrote.
“On this rural hillside in Vermont, freed from the limitations and demands of regular work life, they rehearse, play, dine, socialize and live together for seven weeks each summer, immersing themselves in music and enjoying the rare chance of ‘explore all avenues open to them,” Potter added. “Musicians themselves determine what works they study, how long to keep rehearsing, and whether their ensemble is ‘ready to play’.”
“Marlboro audiences know that the most memorable and exciting performances come from artists who are passionate about the repertoire they play; who have had plenty of time to learn the piece in depth; and who also share the results of their work with family, friends and colleagues who enjoy music as much as they do,” Potter wrote. “Over seven decades, this dynamic process has led to musical creation imbued with an uncommon joy and freshness of spirit, and to the development of generations of artists who now occupy positions of leadership in the world of music. the music.”
“The Marlboro experience is fundamentally rooted in the Vermont landscape,” Potter added. “The beauty, intimacy and intimacy of the setting are integral to the deep exchange of ideas and the nurturing family of musicians who come together on campus each summer. There is a wonderful idealistic synergy here between music, nature and community.
The Marlboro Music Festival will be held in Marlboro, Vermont from July 16 to August 14. Proof of Covid 19 vaccination is required to attend. For more information on the summer music festival, visit www.marlboromusic.org
Jazz Winnipeg is ready to take to the festival stage once again, as musicians dust off the ivories and polish the brass in preparation for the TD Winnipeg International Jazz Festival, which kicks off June 14 and runs until to June 19.
“I’m very excited, obviously,” said Jazz Winnipeg program director Zachary Rushing. “It’s so exciting to be back for our first festival since 2019 – two and a half years from now – and to bring such wonderful and incredible artists to Winnipeg and support our local artists in such a meaningful way. It’s really awesome.
The festival will kick off with two days at the Canadian Museum for Human Rights, which will showcase “world-class jazz.”
“We have four headliners, all of whom are fabulous women,” Rushing said.
These headliners include Melissa Aldana, a Chilean tenor saxophonist; singer René Marie with pianist Dawn Clement; and Grammy-winning singer Lisa Fischer (who sang in the Rolling Stones touring band for 27 years, including two dates in Winnipeg, in 1994 and 1997.)
Rushing said that in addition to indoor concerts, there will be a beer garden patio outside the museum where people can enjoy more live performers and grab a drink.
After the first two days, there will be performances at various venues around the city.
“We’re doing 10 shows at the Royal Albert, which we’re turning into a full-time jazz club for five days,” Rushing said.
The King’s Head Pub will host 10 shows, the Winnipeg Cinematheque will host four and the West End Cultural Center will present two shows on its walls.
And from Thursday to Sunday this week, free concerts will once again echo through the Bourse district from The Cube on the Place du Vieux Marché.
However, this year’s Jazz Winnipeg is doing things a little differently when it comes to free shows.
“This year we’ve dedicated it entirely to local artists because they haven’t had a chance to perform in front of the public in such a visible and entertaining way in two and a half years. And we felt it was their due,” Rushing said.
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Jodi Dunlop, drummer for Winnipeg band Mise en Scene, enjoyed the sentiment.
“I think it’s a great idea,” she said. “It’s great for the musicians here, but I also feel like it would be so easy to book quality music here in Winnipeg. We have so much talent in our own backyard, and I think people will be so happy with anyone who has booked.
Dunlop said that after the past two years, his band had a lot of new music to play at the festival. And getting back into an atmosphere like the jazz festival is what gets her musical blood flowing, she said.
“It’s absolutely exciting… during the two years of COVID, everyone got creative with live-streaming and stuff like that, but it’s not the same as performing in front of a live crowd” , she said.
“It’s so nice to go out and do the thing and play live music, because that’s the heart of everything we do.”
More information at www.jazzwinnipeg.com
Cody Sellar Community journalist
Cody Sellar is the reporter/photographer for Free Press Community Review West. He’s a lifelong Winnipegger. He is a journalist, writer, detective, lazy man, book reader and lover of concise biographies. Email him at [email protected] or call him at 204-697-7206.
The Chattanooga Market will be ready for families this Sunday. It’s a Father’s Day tradition… cold, local beers and live music too. As the temperature rises, there’s something special about an ice-cold drink while listening to blues music.
This Sunday boasts Jess Goggans so what, Rick rushes live on the Cast iron lodge Crackling stage. And it’s high produce season with peaches, tomatoes, berries, okra, onions, radishes and so many other vegetables.
The market makes it easy to buy a Sunday night meal for Father’s Day with fresh cuts of meat (Meyers Beef Farm, Cove Creek Farm), two seafood vendors (Chattanooga Seafood, Reel ‘Em In) and breads/cheeses. If barbecuing is his “thing”, there are several sauce makers to deliver just the right amount of sweet or spicy.
Food trucks keep arriving by the dozen, Dad will enjoy eating a big, juicy burger (Johnny Poppers), tacos (I Love Tacos), barbecue (Dad’s BBQ), along with many other choices when visiting the market in Chattanooga.
Rick Rushing & the Blues Strangers are a blues-based trio from quaint Chattanooga Tennessee. This trio harnesses the key elements of blues, jazz, rock and rhythm to create a synergy that elevates audiences to new heights of musical awareness. Cincinnati Ohio native Rick Rushing is the band’s frontman, vocalist and guitarist. Rick is related to the legendary Jimmy Rushing the American Blues Shouter and lead singer of the Count Basie Big Band.
Rick knows how to play the guitar perfectly and is the main songwriter of the group. No Rick Rushing & the Blues Strangers live show is ever the same with tight original music that some confuse with covers and covers that stretch the musical genius of artists like Jimi Hendrix, Ray Charles to the Cure.
Hailing and raised in northeast Alabama, singer/songwriter Jess Goggans puts her whole soul into her music and every ounce of her heart into every performance. Known for her sultry Southern Grit, soulful melodies and energetic stage presence, they say you can literally feel her voice flow through you. Jess’ music defies genres; it’s called “downhill music”, with influences from funk, rock and blues. She is accompanied by some of the best musicians in the Southeast.
Lainey Wilson set to appear in season five of Paramount western drama Yellowstone.
The “Heart Like A Truck” singer confirmed the news during a recent interview with SiriusXM’s Highway.
“Honestly, this is the first time I’ve said it out loud,” Wilson shared of her role on the popular Taylor Sheridan-created series. “So this is my first interview since we announced it. This is the first time I’ve said it, I’m going to co-star in season five of Yellowstone.”
Wilson then explained how she landed a co-starring role on the show.
“Taylor Sheridan, the writer and producer of the show called me back in February and said, ‘I’m creating a character just for you.’ And I’m like, ‘thank you, God and thank you, Taylor Sheridan.’ It’s a blessing,” Wilson exclaimed of the opportunity. Wilson will play a musician named Abby on Yellowstone and can “play [her] songs” during the appearance, she also shared, saying it was the “perfect” role for her.
Wilson also opened up about his role on the show with The tennessian ahead of her performance at this year’s CMA Fest on June 11.
When discussing Sheridan’s revelation that he had created a Yellowstone character specifically for her, Wilson laughed, saying, “Do you trust me so much?”
“And so we do man, we co-star in season five,” she told the outlet.
Along with discussing her latest project in interviews, Wilson posted a picture of herself on the Yellowstone ranch in Darby, Montana on Instagram, writing “to all in season 5 of @yellowstone”, before adding an emoji 💛.
Wilson is no stranger to Yellowstone franchise. Her songs, “Workin’ Overtime”, “Rolling Stone” and “Small Town, Girl” have all been featured in various episodes of the show.
Wilson even performed his songs, “Workin’ Overtime,” “Rolling Stone,” and “Things A Man Oughta Know” in honor of the show’s season four finale via a partnership with Fritos.
In addition to landing a gig on YellowstoneWilson released the music video for her latest single, “Heart Like A Truck,” which coincidentally finds the singer taming a wild horse on a ranch.
Season five of Yellowstone will premiere on November 13.
MARK MARONEY/Sun-Gazette Becky Blues Band was among the bands performing Saturday at the 32nd annual Billtown Blues Music Festival at the Lycoming County Fairgrounds in Hughesville. The three-day event kicked off Friday and continued Saturday and Sunday.
HUGHESVILLE — The Blues resonated here this weekend and Pam and Jim Reddington couldn’t have been happier.
“We’ve been coming here for 10 years” the Olyphant couple said at the 32nd Annual Billtown Blues Music Festival at the Lycoming County Fairgrounds.
The weekend music festival, organized by the Billtown Blues Association and numerous sponsors, provided attendees with hours of live music on stage in an atmosphere where blues fans could either walk past playing bands and take a souvenir photo, or listen on a lounge chair further away. a way.
As the children with the families kicked the air, Pam said she bought the bands’ CDs and listened to her favorite music in her car.
The speakers and sound system were superb as Becky Blue Band performed on the main stage of Sun-Gazette on Saturday, one of several headlining bands at the event.
The festival is family oriented with an atmosphere of kids jumping and dancing on big blankets or beach towels and grandparents rocking back and forth.
“I wanted to bring my grandchildren but they are 2 and 4 years old”, said Pam.
The rain kept its distance throughout the three-day event.
When the Billy Price Band was playing on Friday, the crowd moved to the stage, Jersey Shore’s Kendall Palmatier said.
All bands got the crowd dancing this weekend to live music.
Festival food and refreshment vendors have been busy.
Volunteers from the association were present. Along with the fabulous blues sound echoing around the fairgrounds, the festival featured vendors of local crafts, the Association said, listing: Elliot’s Hidden Treasures, Tastefully Simple, Blue Mania CD’s, Al Moretti Art, Thriftville of Millville, Jeffrey Heim, Michelle Groulx, Mary Herrold Macrame, RJ Bonnett Books, Gourdworks Attendees arrived not only by car, but also by RV and RV.
The borough itself was bustling as the Hughesville Volunteer Fire Department wrapped up its annual carnival on Saturday.
Saturday was the parade recognizing the many public safety, fire and emergency management departments in the area.
A headliner dropped out of Syracuse Jazz Fest 2022, prompting a lineup change for the free music festival’s closing night.
Original 5th Dimension singers Marilyn McCoo and Billy Davis Jr. will not be able to perform on Saturday, June 25, due to “Covid-related travel restrictions,” Jazz Fest founder and executive producer Frank Malfitano has announced. The Grammy-winning pop-soul duo were scheduled to perform on the main stage in Clinton Square as the closing act for the final night of the three-day event.
“I know Marilyn and Billy share our disappointment that this year’s performance in Syracuse will not take place, but we have all encountered unforeseen circumstances that we simply could not resolve. Unfortunately, in the era of Covid, things like this happen and no one is to blame,” Malfitano said. But due to increased travel difficulties, the band have been forced to cancel a series of nationwide tour dates, including ours. Naturally, we are all extremely disappointed and apologize to all of our fans for this last minute change of plans.
Additional details were not disclosed. The United States lifted Covid testing requirements for international travel on Sunday, and New York State has no travel restrictions. Community levels of Covid-19 are low in Onondaga County and central New York, according to the CDC.
McCoo and Davis Jr., married since 1969, are known for songs like “You Don’t Have to Be a Star (To Be in My Show)”, “Saving All My Love for You” and 5th Dimension hits like “Up, Up and Away” and “Aquarius/Let the Sunshine In (The Flesh Failures)”. They have won seven Grammy Awards and also co-hosted “The Marilyn McCoo & Billy Davis Jr. Show” on CBS.
Zydeco artist Nathan Williams & The Zydeco Cha Cha’s, who were originally scheduled to perform at 4 p.m. on June 25, will now perform at 9:15 p.m. in place of McCoo and Davis Jr.
A new artist has been added to Saturday’s lineup; the Joey DeFrancesco Trio will occupy the 4 p.m. slot. Bandleader and vocalist Joey D, who plays organ/keyboard, trumpet and saxophone, is a Grammy-nominated jazz musician with over 30 albums released.
After a five-year hiatus, Syracuse Jazz Fest 2022 will take place Thursday, June 23 through Saturday, June 25 at Clinton Square. This is the first time since 2000 that Jazz Fest has taken place in downtown Syracuse.
Main stage headliners on Friday and Saturday include funk band Average White Band, jazz great David Sanborn and his Electric Band, and contemporary jazz saxophonist Boney James. Thursday’s action will feature local and regional artists at more than a dozen local venues, restaurants and bars.
All performances will be free, including club and main stage shows.
2022 Syracuse Jazz Festival Schedule
Thursday June 23
Locations as indicated; no admission or cover charge
4-6 p.m.: The Instigators – Jake Lawless, Brian Miller, Liam Hines, Marcus Oliver, Mike Pasarelli Jr, Theo Curtin (Funk ‘n’ Waffles); Syracuse Hot Club – Joe Davoli, Peter Chwazik, Harvey Nusbaum (Kitty Hoynes); Avenue J – Peter Allen, Dave Clément, Lee Tiffault (Kasaï).
5-7 p.m.:Exit 11 South – Sam Wyn,Vynce Watson, Mikal Serafim, Gary Iacovelli, Nick Fields, Dunham Hall (Weighlock Lounge); Seth Carper Set – Seth Carper, Daniel Dufour, Richard Mikell (Mulrooney’s); Marc NanniSolo (Bar & Charcuterie Board); DiCosimo – Pagan Latin Jazz Ensemble – Edgar Pagan, Bill DiCosimo, Adam Fisher, Mike Cortese, David Donley (Wunderbar).
6-8 p.m.: Funky Jazz Band – Dave Hanlon, Ron France, Ed Vivenzio, Brian Scherer,Jim O’Mahony (Benjamin’s on Franklin); Carol Bryant Quartet – Carol Bryant, Bruce Wood, Dave Arliss, Steve Orlando, Jr.(The Golden Club); Julie Howard Quartet – Julie Howard, Joe Cortini, Dave Solazzo, Bass-tba (The Tasting Room at Epicuse).
7-9 p.m.: Nancy Kelly Trio – Nancy Kelly, Carmen Intorre, Dino Losito (Landmark Theater); Trio by John Rohde – John Rohde, Rick Montalbano, Jimmy Johns (Pastabilities); Bob Holz& A vision of the future – Bob Holz, Vynce Watson, Mikal Serafim (Clinton Street Pub); Marc Hoffman‘Swing that! Mark Hoffmann, Jo Anne Bakeman, Bob Purdy, Liz Simchik (Saltine Warrior); ESP – Matt Vacanti, John Magnante, Evan DuChene, Anthony Greene (The Corner Bar).
8-10 p.m.: Tamaralee Shutt –Tamaralee Shutt, Carl Lovell, Matt Sokolic, Joe Karwacki (modern malt); Jazz Horn Legacy Sextet by Jeff Stockham – Jeff Stockham, Seth Carper, Paul Merrill, Barry Blumenthal, Tom Brigandi, Daniel Dufour (Press Room Pub); michael houston & Sam Wynn – Michael Houston, Sam Wynn, Tom Carter (The Tasting Room at Epicuse)
9-11 p.m.: Vibe Check by Melissa Gardiner – Melissa Gardiner, Luis Carrion, Deyquan Bowens, Kinyatta King (The Fitz); Ronnie Leigh Quartet – Ronnie Leigh, Peter Chwazik, Andy Calabrese, Shawn Kelley (Redfield’s); The Jazz Mafia – Joe Cortini, Matt Vacanti, Dave Solazzo (King of Clubs)
friday june 24
Clinton Square Main Stage
4 p.m. – 5:15 p.m.: The Salt City Jazz Collective
5:45 p.m. – 7:00 p.m.: Sheila Jordan Trio
7:30 p.m. – 8:45 p.m.: David Sanborn Electric Band
9:15 p.m. – 10:30 p.m.: Medium White Band (50th Anniversary Edition)
Saturday June 25
Clinton Square Main Stage
4 p.m. – 5:15 p.m.: Trio Joey DeFrancesco
5:45 p.m. – 7 p.m.: The Urban Knights, with guitarist Henry Johnson
7:30 p.m. – 8:45 p.m.: Boney James
9:15 p.m. – 10:30 p.m.: Nathan Williams & The Zydeco Cha Cha’s
“I like this one even more – stripped down and stripped down to the core. Soulful lyrics and atmosphere. I’ll put it on my Best Female Vocals playlist…”
“Nice track with authentic sound and emotional vocals!”
Lou Brutus made “Love in Vain” a featured track on BB King’s Bluesville on SiriusXM.
David Nicholson was born in Montreal in 1970. His career began at Artists Space in New York in 2002 and he now lives and works in Berlin, where he is represented by the Michael Haas Gallery. In 2018, Nicholson decided to assert a musical stance based on his lifelong love for the blues by producing a vinyl album, reminiscent of 1970s LP records. The recording took place in his paint studio, invoking the minimalist spirit of field recordings, rendered with modern technology. This approach set the parameters for the project which later expanded to include a recording made on site at Freiberg Cathedral, home to a Baroque masterpiece, Gottfried Silbermann’s organ. To help bring his vision to fruition, Nicholson assembled an ensemble of 12 musicians and singers, including famed jazz organist Brian Charette, trumpeter Christoph Titz, and guitar maestro and sound engineer Thomas Büchel. The results speak for themselves. Sit back and immerse yourself in a musical adventure and note that the creators of the album advise that this LP disc is best enjoyed with a bottle of Chinon 2018.
Accent Tracks: “Love in Vain” (Blues) “Jackson” (country) “Baby I’m Gonna Leave You (Modern Blues)
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Twin classical musicians who graduated from Wilson High School are making their mark on the music world.
Viola player Harper Randolph is on a mission to make classical music cool.
“Kindly keep it interesting and bring the classic instruments in quotes into a different stage than they’ve traditionally been in,” she said.
If she ever needs inspiration, she doesn’t have to look far. Her twin brother, Cole, is a professional cellist.
“When we were in lockdown and everyone was trying to find a way to connect, music is that universal language,” he said.
They have both spoken the language since growing up in Bloomingdale’s in northwest DC, the children of a music composition professor at Howard University. Their brother and sister also play instruments, which made for some interesting moments as people walked past the house.
“They would see four little dark-haired children playing string instruments and be like, What?” said Cole Randolph. “Like they saw a unicorn or something.”
“There was definitely healthy competition,” he said. “If I heard that my brother could play something better than me, that would motivate me to get out my cello and practice.”
This practice has certainly paid off. Cole Randolph is a member of the Detroit Symphony Orchestra and Harper Randolph studies music at the University of Michigan. She recently entered the Sphinx National Competition for Musicians of Color, winning third prize and $10,000.
“It was a big achievement for me,” she said. “I think all the hard work and everything pays off, and I learned so much about myself.”
As they move forward in their musical journeys, they also hope to give back.
“You just have to find ways to inspire the younger generation, to inspire kids of color,” Harper Randolph said.
“The main thing is to be a role model for them, to tell them: Look, if I can do it, it’s certainly not too late for you to do it,” said his brother.
A weekend of live music, interactive workshops and open mics returns to downtown with the 2022 TasteBreakers Music Festival.
With headliner Violet Bell, the festival opens Friday June 24 and Saturday June 25.
“Hampton Roads has always been jam-packed with talent and each year we strive to represent all genres, but this is still just a small glimpse behind the curtain,” said Liz Terrell, Music and Community Series Producer. from The Z. “The doors to The Z are open and, as always, we are filled with the creativity of the Hampton Roads community.”
From Friday, festival-goers can take the stage in the free open mic showcase, then discover new song ideas at the ‘Songwriting Party’, hosted with guest artists.
“Inspiring creativity within our community is at the heart of The Z’s mission and the workshops are the best place to do it!” Terrell said. “There are three workshop experiences included in the TasteBreakers Music Festival program. Our songwriting evening will be a true hands-on experience for all skill sets, from beginners to experts.”
The Friday and Saturday festival events also see artists teaming up to create and elevate each other’s works in new ways.
“What I love most about some of the events at our TasteBreakers music festival is that they showcase our artists’ willingness to collaborate and support each other,” Terrell said. “You’ll see this best represented in the Songwriter Swap and The Z: Unplugged Showcase – you’ll definitely want to purchase an All-Access Pass to ensure you can come see both!”
The Songwriters Swap sees artists leave their creative imprints on each other’s works during an innovative concert, and “The Z: Unplugged” performances feature each singer/songwriter in a circle of songs backing themselves up and sharing stories. about their songs and their creative process.
Headlining duo Violet Bell closes the festival on the main stage at 8 p.m. with a full set. The regionally touring band blends the sounds of fiddle, guitar, banjo and harmonies to create an innovative twist on American music. Lizzy Ross, a native of Maryland, lends her soprano voice to the instrumentation and harmonies of the violin of Omar Ruiz-Lopez, born in Panama and raised in Puerto Rico. Together they draw on their different backgrounds to create a unique perspective on traditional roots music.
The TasteBreakers Music Festival runs from 5:30 p.m. to 9 p.m. on Friday, June 24 and from 2 p.m. to 9 p.m. on Saturday, June 25. One-day passes for Friday or Saturday are $25, and an all-access pass for the full weekend is $35. . Tickets can be purchased online at TheZ.org/TasteBreakers2022 or by calling the box office at 757-499-0317.
Zeiders American Dream Theater is located at 4509 Commerce Street, Virginia Beach, VA 23462
Zeiders American Dream Theater is funded in part by the citizens of Virginia Beach through a grant from the City of Virginia Beach Arts and Humanities Commission.
BRISTOL – As the summer got under way, the Bristol Blues made their comeback against the Danbury Westerners on opening night on Muzzy Field as fans gathered to support the players on the historic ground.
The Blues are entering their sixth season at Muzzy Field, Blues director of community development Sarah Lucian said.
“I personally find it so important to have a place like Muzzy Field for families to come and spend time together outdoors in the summer, away from technology, and a positive environment for those who love and admire baseball and sports. to be together for fun,” Lucien said.
Lucian said it made for an affordable night out for families or dates to hang out and experience Bristol.
Each of the Blues‘ home games will feature a theme night, many of which will recognize groups of individuals or causes. The first will feature “Hometown Heroes” on Friday and the next, on June 14, will recognize the LGBT community with “Pride Night”. “Alzheimer’s Night” in partnership with the Alzheimer’s Association will raise awareness of disease prevention and treatment efforts on June 15 and “Community Night” with United Way will take place on June 17. A special evening of fireworks will be hosted by the City of Bristol on July 3.
Military and first responder appreciation events are also scheduled throughout the summer season. Lucian said residents of Bristol and the greater Bristol community are always welcome.
Blues assistant general manager Aiden Reilly said the team had a strong community focus and many of their players were often staying with families in the Bristol area.
“The community is always supportive and happy to see the Blues back in town,” Reilly said. “You’ll see them walking around in blue shirts and saying they can’t wait for tonight’s game or they knew a host family and they can’t wait to see the player.”
According to an age-old tradition, guests are often asked to throw out the first pitch at a Blues game.
“I am excited!” Bristol Mayor Jeff Caggiano said. “The Blues provide great family entertainment and I’m honored to be able to start their season with a first pitch. Personally, it takes me back to when the Bristol Red Sox played here and developed some of the greats like Wade Boggs, Jim Rice and Fred Lynn.
James Briggs said he was happy to be away and see the Blues play again and had visited Muzzy Field since the Red Sox played there.
“I’ve been coming all my life,” he said of Muzzy Field. “My favorite memory is when I played the queen in her court and the king in her court. It was a softball game and a fundraiser. They were like a pro team. It was the whole team of fair softball against these guys. You were guaranteed to lose.
Published in The Bristol Press, Bristol Blues, Bristol, Forestville, Plainville, Plymouth, Southington Herald, Terryville on Thursday June 9, 2022 6:34 PM. Updated: Thursday June 9, 2022 6:37 PM.
WORTHINGTON – With a 12-person lineup including a horn section, the band Viva Knievel – not to be confused with the 1977 film of the same name – may well be the greatest rock band to ever perform at the Worthington Windsurfing Regatta and MusicFestival.
“We wanted to step it up,” said Barry Roberts, who is the regatta’s music chairman and board member. “What’s a really cool cover band and a party band that would be nice, and it’s gonna get people talking?”
Viva Knievel, a Minneapolis-based high-octane cover band, was the answer, and they’ll play at 9 p.m. Saturday.
“We’re going to take the leap and rise to the challenge,” said Viva Knievel drummer Mark Schwandt.
The group’s name was inspired by motorcycle daredevil Evel Knievel, who took risks and took big leaps through canyons and buses, most famously in the 1970s – and when he started, Viva Knievel mainly played classic rock from the same era. Its members were all original artists with their own original bands, and they got together to perform at a wedding. It was almost a kind of social club, Schwandt said.
“When people were moving across the country and taking on new jobs or expanding their families, it was a way for us to maintain our friendships and maintain communication,” he explained. “In almost a decade now, it’s become almost a machine, and we’re very proud of that.”
It’s a simple concept for a band that proudly calls itself a “fearless American wrecking ball” on its website, vivaknievelband.com, which claims it will bring “chaotic stage shows, life-saving patriotism, face-melting guitar solos and earth-shaking renditions of all your favorite songs that other bands are too scared to play.
It’s no idle boast either, as the band plays a dizzying array of wildly disparate tracks from wildly different genres.
“They do a lot of punk, a lot of Top 40, a lot of party stuff,” Roberts said. “They like to hit virtually every genre” except country.
Sure, an audience might hear “Rock the Casbah” or “Let’s Dance,” but they’re just as likely to hear “A-Punk” by Vampire Weekend, “When You Were Young” or “Uptown Funk” by The Killers. “Fatboy Slim and Bruce Springsteen are both on the setlist, along with The Heavy, U2 and Jimi Hendrix.
“We’re such music lovers that the joy of what we do is also getting these songs exactly right,” Schwandt said. “Recreations to a T. As far as the keys, as far as the performances, we really try to break them down and not do song interpretations, but try to play them verbatim – how hard can- get closer to the original recording?”
Viva Knievel is also picky about what it plays, choosing only the songs that its members really like.
“We recently recruited a new keyboard player by the name of Jack Kolb’Williams, and he’s a star,” Schwandt said. “A great pianist and a great drummer.”
Now the band has three percussionists, and as a result Viva Knievel added a lot of percussion to their set, with all three taking turns playing drums. The band will change instruments on stage and feature many different singers within their lineup.
“People aren’t sure what to expect, but it’s going to be a very entertaining show, and (it’s) one of the best cover bands in the Midwest,” Roberts said. “They only do a handful of dates a year. We are lucky to be able to bring them here.
“We’re very excited to come to Worthington, and just got our new live show ready for the summer,” Schwandt said. “We’re as excited to play it as I hope people are to see it.”
Basseterre, June 08, 2022 (GLOBE NEWSWIRE) — St. Kitts and Nevis is ready to celebrate the summer season with festivals. After the two-year hiatus due to COVID-19, the Twin Islands Federation will once again be brimming with dance, costumes, music, drinks, delicious food, sound and fascinating sights.
Saint Kitts and Nevis will witness events that will showcase the diversity of the island during the “Saint Kitts Music Festival 2022″. Preparations for the Music Festival are in full swing and the event organizers have promised that unlike all the others, this year’s event will be much more entertaining. The event will feature a mix of regional, national and international acts. The most requested artists in various genres will amuse the public.
The Kittitians and Nevisians will be shaking their legs to music from famous artists from June 23 to June 25, 2022, at Kim Collins Athletic Stadium. Tickets for the same are available on the official website – stkittsmusicfestival.com
Residents of St. Kitts and Nevis enjoyed “St. Kitts Music Festival Side Events” starting May 5, 2022, and these will end on June 26, 2022. No less than 25 artists will perform rock the stage with their performances. On June 23, Kittitians and Nevisians will enjoy beats from artists including Bunji Garlin & Fay-Ann Lyons, Destra & Bakanal The Band, Nadia Batson, Lyrikal, Masicka, Rucas HE Grand Masters and Small Ax Band, NU Vybes.
On June 24, residents will have a blast to the musical beats of Ashanti, Wale, Sean Paul, Maxi Priest, Anthony B Shaneil Muir, I Mark, HI-Light and Dejour. Beres Hammond, Keyshia Cole, Rotimi Jada Kingdom, Christopher Martin Byron Messia, Venelle Powell and Popcaan will perform on the final day of the Music Festival.
During this music festival, many tourists from all over the world are expected to visit the twin island country in the Western Hemisphere. And to make traveling to the Federation easier, dozens of nonstop, connecting and charter flights will depart daily from countries including the US, UK and Europe.
Besides this, the service will also benefit tourists from several Caribbean countries such as Antigua and Barbuda, St Juan, St Martin and St Thomas.
While the Festival will bring together tourists from all over the world and the threat of COVID-19 still looms in some countries, this time as a precautionary measure, the government of Saint Kitts and Nevis has announced COVID-related guidelines, which could be complied with as follows:
• Travelers entering the country must be fully vaccinated, and visitors are required to submit a negative test report from certified laboratories.
• Unvaccinated children (under the age of 18) must travel with their vaccinated parents.
• The PCR test must be carried out only three days before arrival.
• Fully vaccinated visitors must present their vaccination card (vaccination certificate).
• Visitors must submit a boarding form at least 24 hours of travel with – bio pages for their passport, a negative PCR test and proof of vaccination.
• Visitors will be encouraged to wear face masks, social distance and sanitize.
Saint Kitts and Nevis is one of the must-visit travel destinations for travelers who love to savor a stay in nature.
The Federation is the smallest island nation in the Western Hemisphere and is famous for its sandy, silver beaches and coral reefs. Tourists are attracted by the beautiful and fascinating sights of the Federation. Another important reason tourists are attracted to the Federation is security. The country is considered the safest in the region.
Security has been maintained by the government by installing CCTV cameras and rehabilitating and renovating police stations. The government is carrying out these security measures with funds generated through the Saint Kitts and Nevis Citizenship by Investment Program.
The country’s CBI program is considered the “platinum standard” of CBI in the world. Saint Kitts and Nevis has the oldest, safest and most secure CBI program in the world. Funds generated by the government have helped the government of Saint Kitts and Nevis manage social and economic activities throughout the island.
Interested applicants apply for alternative citizenship of the country through the Sustainable Growth Fund (SGF), commonly referred to as the Fund Option. This investment option was created in 2018 by the Prime Minister, Dr. Timothy Harris, to support various socio-economic initiatives in the country.
Some of the benefits offered by the fund option include:
• Improve the quality of education
• Promote the tourism industry of Saint Kitts and Nevis
• Ensure the well-being of a growing population
• Develop a nation resilient to climate change by building resilience infrastructure
The country’s CBI program has been ranked best in terms of fastest, safest and most secure in the world by the Financial Times’ PWM magazine in the CBI Index.
The CBI program scored perfect on rigorous and robust background checks. Each application is subject to strict background checks so that only a reputable and honest investor or applicant is granted citizenship.
The Utah Jazz have been cleared to interview multiple assistant coaches in their search for Quin Snyder’s replacement, sources told ESPN on Tuesday.
The list includes New York Knicks associate head coach Johnnie Bryant, Milwaukee Bucks assistant coach Charles Lee and Boston Celtics assistant coaches Will Hardy and Joe Mazzulla, sources said.
Utah also intends to interview Jazz assistant coach Alex Jensen and former Portland Trail Blazers head coach Terry Stotts, sources said.
Jazz Governor Ryan Smith and CEO Danny Ainge said in a Monday press conference with Snyder that they would conduct a thorough search for their next head coach. The list of candidates could grow.
“We’re going to take our time,” Smith said.
Ainge said he doesn’t feel any urgency to hire a head coach before the NBA draft or the start of free agency.
“We have to make this choice correctly,” said Ainge, who joined the Jazz mid-season, months after stepping down after an 18-year tenure as head of Celtics basketball operations. “I have big shoes to fill.”
Stotts spent time with the Jazz late in the season as a guest of Snyder, who was 372-264 in eight seasons at Utah, a tenure that ended with his resignation this week after declining an extension offer for the second straight offseason. . Stotts, who also served as head coach of the Atlanta Hawks and Bucks, has a career record of 517-486.
Bryant, 36, established a solid relationship with Utah All-Star guard Donovan Mitchell during Bryant’s tenure as an assistant coach under Snyder. Bryant, who played at the University of Utah, spent six seasons with the Jazz before leaving for New York two years ago.
Jensen, 46, who also played at the University of Utah, has been on the Jazz staff since 2013. He spent the previous two seasons as the head coach of the D-League Canton Charge of the time, earning Coach of the Year honors in 2012-13. Sources said Jensen will be the primary coach in charge of the Jazz’s offseason and is expected to coach the summer league team of the ‘Utah.
The Bristol Blues will support Alzheimer’s disease awareness and research at their June 15 game.
Doors open at 5 p.m. at Muzzy Field and the game is scheduled to start at 6:30 p.m. The Bristol Blues will be collecting used shoe donations to support the Walk to End Alzheimer’s Disease.
Additionally, a portion of ticket sales will also be donated to Team Brainstorm to support the Alzheimer’s Association.
Sarah Lucian, director of community relations for the Bristol Blues, said the Connecticut chapter of the Walk to End Alzheimer’s will hold its event Oct. 2 in Rockwell Park.
“The Alzheimer’s Association runs walks in over 600 communities across the country,” Lucian said. “They are the world’s largest fundraising support group for Alzheimer’s research. The Bristol Blues are honored and delighted to welcome them.”
Lucian said Team Brainstorm will be at the June 15 game. They will have information about Alzheimer’s disease and there will also be raffles that evening.
“For me, I’m lucky that Alzheimer’s hasn’t touched a friend or family member yet,” Lucian said. “But it’s something that affects a lot of people’s lives, so I’m looking forward to hearing more.”
Lucian said the Connecticut Chapter of the Alzheimer’s Association’s goal is to raise $126,000 for Alzheimer’s disease research this year.
“So far they’ve raised $13,856,” she said.
Bristol Blues opening day for this season is this Thursday, June 9. Lucian said several “Promo Nights” will be held throughout the season to support different causes – from breast cancer to multiple sclerosis and more. A promo night schedule is available at bristolblues.pointstreaksites.com/view/bristolblues/2022-schedule/promo-schedule-1.
Tickets for the June 15 game are $10 and available at bristolbluesstore.com.
For more information on The Bristol Blues, visit bristolblues.pointstreaksites.com/view/bristolblues.
THEAMBERSMOKE has made moves in the industry that upgrade it in a huge way.
After her single “Money Orders” landed some of the biggest hip-hop playlists on Spotify, she announced that weeks later she would be dropping a visual. Keep in mind that Amber is involved in every part of her visual process. From processing to writing, directing, editing, choreography, makeup and beyond. By understanding the extent of her artistic involvement, we truly understand how hard this artist works behind the scenes.
Along with releasing a single, pushing it hard, and getting ready for the release of this music video, she announced some other major news that surprised her fans everywhere:
THEAMBERSMOKE will perform, sing and rap (yes all three), in this upcoming Christmas hit, “A Miracle Before Christmas”.
The music for this film is produced by legend Marc E. Williams and features some of the biggest players in the industry such as LeToya Luckett, Romeo Miller and Keith David. It is directed by the famous Lazreal Lison. We won’t be surprised if Amber Smoke’s name soon finds itself at the same level of these stars – if not beyond.
We don’t see many artists evolve that quickly. She reminds us a bit of Cardi B’s meteoric rise just a few years ago.
Fans are drooling over the music video “Money Orders” – as well as its upcoming single to be released on all platforms. With the way Amber is moving, we have no doubt that her next single will be coming very soon and will be bigger than anything she’s done so far. Those are big shoes to fill, but Amber does it regularly. Check out the Deadline article on the movie she’ll be in below:
After a chaotic day of weather delays at the Boston Calling Music Festival on May 28, festival activity was buzzing on the final day of the festival, May 29. Tens of thousands of people attended over the weekend, and on the final day, crowds bounced between stages, dodging a fleet of golf carts down the packed aisles, to see the jam-packed lineup of performers. Boston Calling’s final day offered a day of musical indulgence and good vibes.
As the evening approached, more and more people arrived at the festival in anticipation of Metallica, the evening’s headliner. Fans wore band merchandise that covered Metallica’s dozens of tours over the past 41 years.
The last day had an air of suspense. After The Strokes were canceled as headliners the day before, the legendary metal band’s renowned reputation has raised high expectations for their set. Metallica has surpassed them all.
Metallica concludes the festival with an unprecedented set, exposing an extensive discography
Thousands of festival-goers listened to Weezer’s set on the red stage from afar, planting themselves in front of Boston Calling’s main green stage in anticipation of Metallica’s 9 p.m. set.
As the sun sets, anticipation grows among the massive crowd. Every sign of movement from the stage sparked loud cheers from fans. After a suspenseful silence, the screens showed a spaghetti western intro video for the band.
Metallica abruptly burst onto the scene 15 minutes late, and fans whipped out their phones, which shone through the sea of festival-goers, recording the revered band’s opening song, “Whiplash,” from the 1983 album Kill them all.
Metallica masterfully went from song to song, each one eliciting intense screams from many fans.
Guitarists James Hetfield and Kirk Hammett smiled happily at the audience’s vigor in reaction to the classic hits. Armed with more than four decades of tunes, Metallica has arranged a sentimental setlist that has guided Boston Calling participants on their musical journey.
From “Ride The Lightning” to “Fade To Black”, the band members showed passion and love for their craft.
Several mosh pits formed during Metallica’s set, prompting some fans to make their way forward to join in. People stormed and shook the barricades to get as close as possible while Lars Ulrich roared on his drums.
Of all the stage performances, the famous anti-war anthem “One” mesmerized the audience the most. Grim glimpses of the grim reality of war with images displayed on screens drove home the message of the lyrics denouncing governments for sending troops to be maimed in the conflict.
Fans young and old jumped to Metallica’s ballads and long guitar solos.
Metallica worked their way through the act, playing hits from their extensive discography. The group predictably ended with the crowd-favorite “Master of Puppets” resulting in energetic cheers.
As Metallica prepared to leave the stage, Hetfield wistfully addressed the audience.
“Thank you, thank you God, and to everyone who makes this possible,” Hetfield said. “Music saves my life every day.”
The audience stayed put as Metallica left the stage only to return a minute later with an encore of “Battery” and “Nothing Else Matters.” On the latter, Hammett missed the guitar intro and playfully acknowledged it.
“Enter Sandman” concluded Metallica’s show as fans proudly sang the lyrics.
Before leaving, Metallica spent several minutes with the audience, talking to crowd members, throwing guitar picks and sticks. People rushed to the stage and tackled to get their hands on these exclusive Metallica tokens.
Glass Animals Dominate The Stage With Ease During Electropop Performances
The Glass Animals stage shone with 80s-style decorations that mirrored those of the band Dreamland scrapbook art. Thousands of Boston Calling attendees lined the grounds of Harvard’s athletics complex to hear the British indie band play their hits.
Glass Animals opened with “Life Itself,” building the energy within the crowd with its tension-filled repetitive beat. Many spectators forced their way forward, leaving little room for dancing throughout the set.
The band then performed “Tangerine,” a song with cryptic lyrics that depict a confused and distant relationship. The song also gained volume and intensity as Glass Animals played with ease.
“When you’re drunk, watching movies / Where are you? What happened?” lead singer Dave Bayley sang.
“Space Ghost Coast To Coast” featured a prominent bass that thrilled the audience during the vocal break. When not singing, Bayley often strutted on stage and interacted with fans. The track led to synchronized head-butts in the crowd.
Glass Animals’ sound relies heavily on synths and electronic keyboards, and instead of using guitar or drum solos to leave an impression on listeners, the band makes its mark through a captivating display of charisma. and magnetism. Bayley has won the favor of the crowd with witty remarks during her interactions with the public.
“Wow, what is it? Someone is smoking something really strong out front here,” Bayley said, to loud cheers.
The group’s biggest hits have proven to be fan favorites, including the song “Heat Waves” – a staple of popular music since its release. The band extended the song in their live version to close out their set and encouraged fans to sing along as Bayley paused to hear the voices of the crowd.
Japanese Breakfast Performs Electric Set Fueled by Growing Success
Festival-goers crowded the floor near the Blue Stage for the Japanese Breakfast performance. Many more lay on the grassy hills bordering in the shade to catch a glimpse of the pop band’s set.
Lead singer Michelle Zauner commented on the thrilling mayhem of the past week as the band performed live on SNL on May 21 and at the Solid Sound Festival in North Adams, Mass. earlier in the weekend.
Japanese Breakfast opened with “Paprika” and “Be Sweet,” two tracks from their 2021 album Jubilee. Boston Calling’s stage backdrop shone with strobing kumquat fruit, adding to the aesthetically pleasing energy the band cultivated. Zauner wore an airy white outfit and bassist Deven Craige wore a bright blue suit.
Zauner introduced several songs with a short joke about what inspired them, sparking laughs among many fans.
“This song is about people having too much money,” Zauner said of “Savage Good Boy.”
The ensemble incorporated a variety of instruments, including a violin, gong, tambourines and saxophone. Two keyboardists performed in the vocal break of “Savage Good Boy”, playing opposite each other.
Zauner often danced and used the whole stage in his act, sometimes jumping up to other band members while singing. She played synth during the outro of “Road Head”.
Japanese Breakfast performed their Boston Calling set with obvious delight, reflecting the lighthearted vibe of their discography. Zauner smiled when she noticed fans recognizing her music, and she encouraged the audience to jump on “Slide Tackle.”
The Jazz announced on Sunday that it has parted ways with longtime head coach Quin Snyder, and Celtics assistant coach Will Hardy may be up for the job.
According to The Athletic’s Shams CharaniaHardy is one of several candidates along with Knicks assistant Johnnie Bryant, Jazz assistant Alex Jensen, former Trail Blazers coach Terry Stotts and Raptors assistant Adrian Griffin.
Hardy – who, like Ime Udoka, is part of Gregg Popovich’s coaching tree – joined the Celtics last offseason as Udoka’s chief assistant. He started with Spurs in 2013 as a video coordinator.
Hardy graduated from Williams College in Williamstown, Massachusetts.
Some reports suggest Snyder could be a candidate for the open head coaching job with the Lakers, but they signed former Bucks assistant Darvin Ham last week.
The Jazz are now in an interesting position – according to ESPN’s Adrian Wojnarowski, star guard Donovan Mitchell is “pissed off” by Snyder’s departure and what it means for the franchise going forward. Snyder also reportedly had a good relationship with jazz center Rudy Gobert.
“Quin Snyder has embodied what Jazz basketball is all about for the past eight years,” Jazz owner Ryan Smith wrote in a statement. “The tireless work ethic and attention to detail Quin displays every day is a testament to the professionalism he is. I have nothing but admiration for Quin and respect his decision.
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After the first-ever Super Rugby Pacific quarter-finals, Planet Rugby breaks down the main performers from an exciting weekend of rugby.
The Blues dominate the line-up after continuing their scintillating form while several Brumbies players feature after their spectacular victory over the Hurricanes.
Pacific Super Rugby Team of the Week
15 Tom Banks (Brumbies): The full-back was instrumental in the Brumbies’ spectacular win by charging in Salesi Rayasi’s spot-kick late in the game, forcing the winger into a cynical penalty on the ground that derailed the Hurricane before the Aussies don’t score the decisive try. Banks claimed his own try in one of his seven races. Josh Moorby and Does Jordan also performed well in test performances.
14 Tom Wright (Brumbies): The winger added to his total tries, taking his tally to nine, just one behind the top scorers in what has been a memorable season for Wright. The speedster made five tackles and earned a turnover in a critical contribution for the Canberra side, the only Australian team to advance to the semi-finals. Sevu Reece gets a mention after scoring a sublime try.
13 Rieko Ioane (Blues): The All Blacks continue to grow in the outside center role and produced a blockbuster performance in a venomous Blues backline. Ioane was instrumental in attack with two assists, covering just under 70 yards in nine runs. The 25-year-old is on his way to establishing himself as the most electric 13 in world rugby.
12 Roger Tuivasa-Sheck (Blues): As one of the most talked about players this season, the Tuivasa-Sheck code jump has finally produced the performance fans have been waiting for. The center scored his first try while playing an instrumental role in another. Performances like this justify the talk of an All Blacks call-up for the monstrous talented star.
11 Dylan Pietsch (waratahs): The Waratah grew in confidence throughout the season and produced a brilliant performance, including a superb acrobatic finish. Pietsch looks like a quality wing with good pace, breaking the line on one occasion while winning two turnovers. Philippe Daugunu played brilliantly for the Reds in a lost cause.
10 Beauden Barrett (Blues): The game leader has produced the merchandise yet again and is chosen ahead of the Crusaders star Richie Mo’unga, who scored 22 points. Barrett was at his best, scoring two tries and setting up another. The 31-year-old is thriving in a blistering Blues backline and has re-established himself as a top-flight Super Rugby Pacific playmaker.
9Brad Weber (Heads): The All Black scrum-half was sublime in the Chiefs’ win, scoring two tries in a generally charged performance. Weber’s performance was far above any other in his position, leading his team forward in a nearly flawless display.
8 Hoskins Sotutu (Blues): Number eight earns his selection thanks to his work rate. Sotutu made 12 tackles and earned a turnover carrying the ball nine times. The All Black found a new level of consistency and played a key role in linking forwards and backs, ultimately allowing the powerful speedsters to express themselves.
7 Luke Jacobson (Heads): The flank produced another strong performance in a very consistent season. Jacobson scored a try and made 12 runs. Moreover, the All Black’s defensive work rate was impressive, making 13 tackles en route to a solid win for the Chiefs.
6 Akira Ioane (Blues): The rugged flank announced his full return from injury with a powerful performance that included a try, set up by his brother Rieko, while carrying the ball 13 times. The dynamism in attack provided by Ioane is essential for the Blues in transition and the loose attacker has once again put his name in the hat of the All Blacks.
5 Josh Dickson (Mountaineers): The second line was one of the few shining lights for a well-beaten Highlanders team. Dickson had 13 tackles, nine carries and a turnover in a laborious performance. Waratah Ned Hanigan lost but produced a particularly industrious output.
4 Brodie Retallick (Heads): The veteran is apparently still featured in Teams of the Week due to the few mistakes he makes. Retallick had nine tackles, but his influence on the Chiefs’ attacking squad earned him a spot on the team of the week. The tight five is always more organized with the All Blacks in the fold.
3 Allan Alalatoa (Brumbies): The Brumbies captain had 11 tackles in a memorable victory for his team. Alaalatoa led the team brilliantly, keeping his players in the game until the very end. The prop’s defensive work rate was unmatched and justifies its selection.
2 Folau Fa’ainga (Brumbies): Fa’ainga scored a vital try off the back of a maul against the Hurricanes while providing solidity from set pieces. The hooker made six tackles in an impressive performance in a crucial knockout game to see Codie Taylor here.
1 George Bower (Crusaders): The prop showed incredible workrate, making eight tackles and stringing together six carries. At the time of the scrum, the Crusader were impressive and provided the platform for the team to jump in and get the job done against an overpowered Reds side. The All Blacks continue to grow in stature and will be one to watch for the semi-final.
READ MORE: Super Rugby Pacific highlights: Brumbies keep Australian title hopes alive with win over Hurricanes
Mariah Carey and her beloved Christmas tune “All I Want for Christmas Is You” are dealing with an emergency. Crisis? Another musician is suing Carey, saying the idea for the song wasn’t his originally. The song in question? Sounds nothing like Carey’s great classic.
Andy Stone, the musician behind the lawsuit, is better known by his stage name, Vince Vance, as part of Vince Vance & the Valiants, by The Washington Postreport. He’s bloodthirsty, claiming “All I Want for Christmas Is You” infringes the copyright of his song of the exact same title, which was released five years before Carey’s 1994 hit.
A look at Vance’s installation of the song, however, shows that it sounds like nothing – nothing! – like Carey’s seminal ode to the holiday spirit. The video bears no resemblance to the other winter wonderland “All I Want For Christmas Is You”; none of the lyrics match; and the music itself is completely cut from Carey’s song.
Carey has yet to comment on the lawsuit, nor has her co-writer Walter Afanasieff or Sony, who are also named in the lawsuit.
In 1989, freelancer Vance co-wrote “All I Want for Christmas is You”, recording the song in Nashville. It debuted later, and after “receiving heavy airplay during the 1993 Christmas season … began making appearances on the Billboard Music Charts,” according to court documents.
Vance’s attorneys say they began pinging Carey and her team in April 2021, followed by a letter later in December, during Mariah Carey’s high season. But they didn’t hear a word back.
“Even after communicating the concerns to the defendants, the plaintiff was unable to reach an agreement on the use of ‘All I Want For Christmas Is You,'” the suit reads.
Usually, copyright does not extend to song titles. In addition to that, there are a handful of entries on file for “All I Want For Christmas Is You” at the US Copyright Office. But as Vance’s entry dabbles in being the Christmas queen herself, the song has received a handful of new plays on YouTube. This may be the best result for Vince Vance & the Valiants.
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Happy crowds, sunny fields and pop-up tents. This year was supposed to be a vintage year for festivals, and there’s barely a weekend this summer where there isn’t one somewhere in the country.
But while big hitters such as Glastonbury, Reading and Leeds are already sold out, sales elsewhere are stagnating and many promoters are struggling to sell tickets in the face of rising costs. Some events due to take place in the coming weeks – including This Is Tomorrow in Newcastle, Brainchild in Bentley, East Sussex and Summerfest in Ewood Park, Blackburn – have been cancelled.
“We normally sell out but when we went on sale in December we knew something was wrong,” said Marina Blake, 29, creative director of the Brainchild festival, which has been running for nine years except in 2020 when Covid got in the way. . “It was so much slower than normal and there was just no demand. We recently made the decision to cancel.
She says it was a confluence of factors. “Artist fees are higher as people try to make up for lost income during the pandemic, production costs have gone up and even just finding the labor to put up the tents was a problem.”
The organizers of Summerfest, which was to take place at the end of May, made the same call. “We had to make this decision because ticket sales were stagnating. It is a 30,000 capacity venue and tickets stopped selling at around 16,000 so it was not financially viable to operate. Three other festivals took place the same week. It was a domino effect,” said a spokesperson for the event.
“With the cost of living crisis, people are struggling to afford tickets and production costs have skyrocketed. The price of diesel has exploded and we have to transport everything to the site.
With continued renewal of event tickets canceled in 2020 due to Covid, Paul Reed, the chief executive of the Association of Independent Festivals, said it was a perfect storm. Infrastructure costs have risen, many skilled workers have left the industry during the pandemic, and now the public is facing the cost of living crisis. “It’s extremely difficult there. It’s certainly not a rebound year for festivals.
Sacha Lord, co-founder of Manchester’s Parklife festival and nighttime economy adviser for Greater Manchester, agrees and says smaller festivals are in particular trouble. “We will see more of them make the decision that they are not viable. People are waiting to see how much money they have in their pockets. This is extremely concerning for the industry.
One explanation is that the market is saturated. Normally bands would take time on the road but, after years without gigs, more acts are now available. Nick Checketts, a promoter in Edinburgh, said in Scotland there are festivals most weekends this summer. “There are too many choices,” he said. “Many festivals are canceled and organizers are really struggling to sell tickets.”
With faltering sales, he thinks the only hope is that people will buy in at the last minute, but a lot may depend on the weather.
Another concern is that the queues are too similar and not appealing to young people. Two years have passed without a progression of young people joining the industry, and there is a mismatch between what is on offer and what ticket buyers want. Without “new blood,” according to Lord, it’s no wonder the industry is stagnating.
With tickets costing around £250 for a weekend festival, young people are particularly put off. In a bid to attract new audiences, events such as Wilderness in Cornbury Park, Oxfordshire and All Points East in Victoria Park, Tower Hamlets, East London are advertising ‘team tickets’, where festival-goers can get six for the price of five. Many also offer “book now, pay later” options.
Jasper Mcluskie, a student from Cardiff, has a ticket to the Boardmasters festival in Newquay, Cornwall, and is paying in instalments. “The ticket and everything that goes with it makes it hard to afford. I’m paying it back little by little and I’ve been saving up over the year to be able to go.
Even those with money to spare are looking elsewhere – and a guarantee of good weather. “We hear of an increased demand for events in Ibiza. This is the first international travel opportunity after Covid, and people are choosing that over the domestic experience,” Reed said.
Others agree. “People go to Ibiza instead,” says an artist manager, who does not want to be named. “When going to a UK festival costs the same as flights and tickets to one in Ibiza, why wouldn’t you?”
Dave Brubeck, bottom left, in 1927. Courtesy of the Concord (Calif.) Historical Society.
After many years of reviewing shows, I ventured to the other side. I was part of the production team for a concert.
Legendary jazz musician Dave Brubeck comes from Concord, California, of course. He joins the ranks of Concord-born people who include Olympic gold medalist Natalie Coughlin, Carlos Alazraqui (“Reno 911,” “Rocko’s Modern Life”), Blake Anderson (“Workaholics”), Tom Hanks, you better to know… and me, who is writing this column.
When he was around 11, Brubeck played Masonic Temple here. This was one of the first stages he performed on. The Masonic Temple eventually came into the possession of the Concord Historical Society, who restored it and turned it into their event center. And it did a good job, if I may say so myself (which I do, because my dad, Marc Willis, was the contractor in charge of the restoration).
Back to Dave Brubeck. It was decided to dedicate the stage to him, so after a plague-related delay, the Brubeck Brothers Quartet – featuring Chris Brubeck on bass and trombone and Dan Brubeck on drums – were on hand to play a show to make it official dedication to their father. .
I’m biased, of course, being involved, but the show was amazing. Writing a proper review would apparently be “unethical” or whatever, but I assure you you missed it by not getting tickets when you had the chance. And if the quartet ever returns to the Bay Area, you should check it out. And you should join the Historical Society to support its work.
Anyway, it’s supposed to be a column of music, so on to music. After the show, I realized I had been doing this column for over four years and I don’t think I gave jazz its due. So it’s time to rectify that with five of my favorite jazz songs. Aficionados will probably criticize it for being too mainstream, but luckily, I don’t care.
Dave Brubeck – “Take Five”
Look, I can’t spend a few weeks listening to Brubeck’s music for repeat video cues and not put him first on the list. “Take Five” is his most famous song, of course, and for good reason. But don’t sleep on “Blue Rondo a la Turk”.
You know what, just listen to everything Free time. It’s a classic from start to finish and I’m not saying that just because of the close association with Tom Hanks and me.
Duke Ellington – “It Means Nothing (If It Ain’t Got That Swing)”
From Brubeck, let’s move on to his friend Duke Ellington.
One story I heard before the show in a talk from Brubeck’s son, Chris, was about Dave appearing on the cover of Time Magazine. Time was going to put a jazz musician on the cover for the very first time and it was between Brubeck and Ellington, who were touring together at the time. Ellington first saw the magazine with Brubeck on the cover and brought it to her, and when Brubeck saw it his reaction was, “That should have been you.”
You can make assumptions about a white jazz musician in the 1950s, but Brubeck did everything he could to fight segregation. He was a passionate civil rights supporter and used his position to do some pretty radical things at the time. But it will have to be a different column.
Miles Davis – “Moon Dreams”
All I have to say about Miles Davis is that he called an album Birth of cool and that was an accurate description. “Cool” as a slang term in the modern sense started in the 1930s, but Miles Davis really gave it meaning.
Miles Davis went to Juliard – admittedly before he was called that – but dropped out because he focused too much on European (i.e. white) music and started playing full time. Three years later, he recorded the songs which would later be compiled on Birth of cool and release them as singles, which really serves to prove his point. If Miles Davis tells you that you make bad music, listen.
Charles Mingus – “Goodbye Pork Pie Hat”
If you know any Charles Mingus songs – and you Philistines should – this is probably the one. Almost all of his songs are great, but this one is really great.
Without the backstory, the title might sound weird and surreal, but luckily for you, it’s a music chronicle so I’ll give you the backstory: Mingus wrote the song as a tribute to Lester Young, saxophone innovator and inventor of what you think of as 30s jazz slang. Young was known for his pork pie hats, which is a style of hat; Look for it.
Also read about Lester Young. He’s not on the list because I only had five spots, but he’s cool too.
Thelonious Monk – “Straight No Chaser”
Let’s put that aside: Thelonious Sphere Monk is one of the biggest names of all time. He does and we have to appreciate it.
Thelonious Monk was a genius, obviously, but he was also delicately described as “eccentric” in his life. One wonders if it was just the weird behavior of a genius or mental health issues; he was discharged from the army during World War II for psychiatric reasons and had been diagnosed with bipolar disorder and schizophrenia, but others in his life maintain that he had neither of these conditions and that they are medications prescribed to treat them that caused problems.
Like many great artists, Monk’s music didn’t sell well when it was new. It wasn’t until other artists liked and learned from her that she was retroactively appreciated for being ahead of her time. It never pays to be so good that you’re a decade ahead of the audience, I guess. But he was one of five jazz musicians to grace the cover of Time, along with Brubeck, Louie Armstrong, Wynton Marsalis and… Duke Ellington. If Brubeck was right and he should were Ellington on that first cover, they finally got there.
This summer, a total of 17 Whitman Blues will be spread across the country competing in summer collegiate baseball leagues.
“Playing college summer ball can be an incredible and very valuable experience for our players while also providing the opportunity to play with and against many very talented players from other programs across the country,” the coach said. -Chief Brian Kitamura.
“Coach (Conner) Lawhead has done an outstanding job coordinating summer baseball clinics for anyone who wanted to compete this summer.”
The Blues have six players who will feature in the West Coast League, including Leo Rivera, Ben Ortiz and Garrett Runyan who will all call Borleske home again this summer as they lace them up for the hometown of Walla Walla Sweets.
Leo Rivera – Walla Walla Sweets (West Coast League)
Ben Ortiz – Walla Walla Sweets (West Coast League)
Garrett Runyan – Walla Walla Sweets (West Coast League)
Ben Parker – Springfield Drifters (West Coast League)
Julien Hernandez – Springfield Drifters (West Coast League)
Beck Maguire – Yakima Valley Pippins (West Coast League)
Teague Conder–Redmond Dudes (Pacific International League)
Dustin Lennon-Jones – Redmond Dudes (Pacific International League)
Nik Greb – Redmond Dudes (Pacific International League)
Jack Bickerton – Ventura County Pirates (Sunset League)
AJ Romero – Midwest Moos (Kansas Collegiate League)
Adds Kitamura, “Having the opportunity to compete at a high level, gain experience and learn from other coaches really helps our student-athletes in their development process to become the best they can be. “
Award-winning rapper KYLE officially joins the NFT market with his latest album via Opulous. As a result, the performer will use Opulous’ latest feature called Music Fungible Tokens (MFT).
Why is KYLE releasing his new album as NFT?
This month, KYLE joins the roster of rappers to tap into NFTs. Indeed, the singer launches his new album “It’s Not So Bad” in the form of an MFT (Music Fungible Token).
Essentially, MFT is a concept created by Opulous to empower music artists and their communities. Therefore, each of KYLE’s NFT holders will earn a portion of the music royalty revenue from the new album.
The creation entered the Top 10 Debut Albums Spotify Charts with over 7 million streams in one week. As a result, NFT holders have already started earning music royalty revenue with KYLE.
“I wanted to release a full MFT album with Opulous so my fans and I could get closer to a pattern of success as a unit, redefining success together,” KYLE said. “Sharing this experience with fans and maybe even friends and family is a precious thing.”
What is Opulous?
In short, Opulous is a platform that connects musicians to their fans. Their MFT system allows music creators to share the rights to their music copyright royalties with their fan base. Notably, each MFT complies with the United States Securities and Exchange Commission. Therefore, Opulous is the only platform to offer SEC-compliant music copyright NFTs.
Of course, KYLE’s musical NFTs are no exception. Collectors can already create their own tokens through Opulous to start generating revenue with KYLE. This innovation could revolutionize the digital music industry, as well as the relationship of musicians with their fans.
Are you tired of missing significant NFT drops?
Just check out our NFT schedule!
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All investment/financial opinions expressed by NFTevening.com are not recommendations.
This article is educational material.
As always, do your own research before making any type of investment.
The Finger Lakes Country Music Festival will take place on Saturday, June 4 at Wayne County Fairgrounds in Palmyra, New York.
The first annual music festival will feature country music stars Lee Brice, Kameron Marlowe and many more.
It all started as a business idea for Nick Welch, founder of the event planning entity that brought the Finger Lakes Country Music Festival to life.
“When I had the idea to create an event, I knew it had to involve country artists. The Finger Lakes region has a huge country fanbase,” Welch said of the music festival concept. “Seeing Lee Brice and other country artists come to Palmyra for a festival rather than a typical gig at other local venues, it gives country fans new excitement to have a new event to attend with a new atmosphere. .”
The event itself won’t just be a big win for Welch or others who participated.
“This event is huge for Palmyra, the county and even our entire region,” Welch told FingerLakes1.com. “We sold tickets to Ohio, Buffalo, the St. Lawrence region, Pennsylvania, everywhere. It’s great to see participants coming from all over. This event helps local non-profit organizations such as the Palmyra Community Center, the Ryan Callahan Foundation, and Palmyra Rotary. 100% of bar tips will be donated to these organizations. Additionally, local Scouts will be selling food to raise funds for their group.
What to expect
Tailgate Stage Presented by Frozen Ocean and Marchioni & Associates (free admission) – 2 p.m.
Main Stage and Vendors Open House – 4 p.m. This includes Red Osier, FLX BBQ Company, MighTea Boba, Cheesy Eddie’s, and more.
All lots open at 12:30 p.m.
Parking is available at the Wayne County Fairgrounds. Enter at the W Foster Street gate
Family parking is available at Palmyra-Macedon High School. 151 Hyde Parkway, Palmyra, NY 14522
(Absolutely no alcohol, no tobacco, no drugs, no weapons on school property)
Finger Lakes Country Music Festival FAQs
No refunds or exchanges will be given for tickets.
Rain or shine event. Standing only. No seat is provided.
No lawn chairs or blankets are permitted in the Party Pit.
If you don’t see your purchased tickets in your email, please check your spam folder.
Tickets will be available for purchase at the festival entrance.
All printed and mobile tickets must be presented at the festival entrance to be admitted.
All participants are subject to a search by security at the entrance gate.
No backpacks, no coolers allowed.
FLX CMF has the right to refuse entry for any reason.
No outside food or drink is permitted.
There are no COVID-19 restrictions at this event.
Absolutely no pets.
Participants must carry identification at all times. Anyone consuming alcohol under the age of 21 will be prosecuted and may be deported.
Children under 18 are permitted but must purchase an admission ticket, be accompanied by a parent or legal guardian, and be supervised at all times.
Garden chairs and blankets are allowed. One chair per person. FLX CMF is not responsible for damage to personal property. Any unclaimed property will be discarded after the event.
No tents or large umbrellas. Small umbrellas are allowed in case of bad weather.
Absolutely no weapons or drugs on site.
No solicitation of any kind on the festival grounds. Only official sponsors are authorized to solicit products or services.
FLX CMF reserves the right to make changes at any time to improve the experience.
No liability is assumed by FLX CMF, its owners, management, sponsors, volunteers, promoters, venue management or anyone else associated with the festival.
FLX CMF will not assume any responsibility for abandoned, lost or stolen personal property.
Lost and Found will be located at the entrance of the festival.
Absolutely no smoking on the premises.
Fixed festival times TO BE ANNOUNCED.
Party Pit tickets include exclusive access to the front of the stage.
Get the latest headlines delivered to your inbox every morning. Sign up for our morning edition to start your day. FL1 on the way! Download the free FingerLakes1.com app for Android (all Android devices) or iOS (iPhone, iPad).
Of all the reasons for dropping out of music school, Eric Harland’s has to be among the strangest. There he was at the prestigious Manhattan School of Music on a full scholarship, his career as a jazz drummer taking off like a rocket, and the notoriously hard-to-please great singer Betty Carter among those who hired him. But none of that mattered to Harland’s mother in Texas. She was thinking long term. Very long term. She had an invincible fear for the health of her eternal soul.
“I come from a very religious family,” Harland explains, “and it was really hard for me to enjoy being in college, because my mom was so worried that I was doing something wrong, or something against God… I was so far from home, and she used to have this control over the family, and knowing where everyone was and what everyone was doing.
His unorthodox solution was to return to Houston. “What I decided to do was go to theological school because in order to be able to have a legitimate conversation with my mother, if I didn’t have the Bible knowledge, there was no way to make him understand where I came from,” he explains. “And going to theology school really taught me compassion. It was the first time I realized that there was something bigger than just being an artist and allowing that part of me to be there.
Harland had played in church as a child, and now for about eight months he returned there while pursuing these new studies, and found that the beauty of certain theological concepts changed his approach to music: made it more collegial and less preoccupied with what he had to say.
He admits that he could well have arrived at the same place by studying philosophy rather than theology: “But without studying something that is exponentially bigger than oneself, I feel that it is difficult to surrender to something that’s going to be bigger at the bandstand. It helps you grow in so many ways.
After jumping the hurdle of his mother’s fear, he relaunched his meteoric career – until 9/11 wiped out the New York jazz scene in 2001. A planned tour with trumpeter Terence Blanchard was canceled , and Harland and his wife, who had just had a four-year-old baby. days before the calamity, decided to leave New York. The first gig he could get after the dust settled was to play weekend jam sessions at the Blue Note – meager pay for a trek from Pennsylvania.
The world is on wheels, however, and illustrious saxophonist Charles Lloyd heard one such jam session and invited Harland to join his quartet. Famous players associated with Lloyd’s long history filled Harland with fear and doubt, but how could he say no? “That’s another beautiful thing,” he said. “There is nothing wrong with being afraid. All you have to do is do your best… I just had to be humble, listen, receive guidance and just believe that everything was going to be okay.
It was because now Harland has been riding with Lloyd for 20 years – almost half of his life. When he performed at an undeadened City Recital Hall with Lloyd’s Greek Project in 2014, his ability to make music burn in a whisper shone through. It’s a skill he learned from his first teacher around the age of six – a skill he thinks too few drummers fully assimilate.
David Peron didn’t hesitate when asked by reporters if he hoped to return to the St. Louis Blues next season.
“I would love to be back,” he said. “That desire has been there for me in the last year, during the year and right now.”
Perron has just completed a four-year deal with the Blues and could be one of the team’s biggest unrestricted free agents this summer, joining the striker Tyler Bozakdefender Nick Leddy and guardian City Husso as key parts of the currently out-of-contract roster for next season.
The free agency opens on July 13.
Perron led the Blues in the playoffs in goals (nine) and points (13) and shared the team lead with his teammate Ryan O’Reilly with four power play goals.
During the regular season, Perron contributed 57 points (27 goals, 30 assists).
Blues general manager Doug Armstrong said Tuesday he would definitely be interested in bringing Perron back if something could be worked out.
“He’s a hell of a player,” Armstrong said. “He fights Father Time better than anyone, better than 95 or 99 percent of the NHL. What he’s done this year in particular – the injury he suffered in Chicago was agonizing for everyone involved, but when he came back here he showed what he can do down the stretch and in the playoffs. He’s a very good player, but more importantly, he’s a better person. I saw him grow up, become a husband and a father, I see the influence he has on our young players. They see its competitiveness on a daily basis. He’s a real pro and he’s been a really good St. Louis Blue.
“If we can make it work, I’d love to.”
“He’s a competitor”, teammate Justin Faulk added. “You want guys on your team that are ready to compete and love to do this job, (guys) you know they’re going to step up and work hard when it’s needed. That’s what David Peron Is. He is ready for the moment, he is not afraid of it.
Perron was drafted by the Blues in the first round of the 2007 NHL Entry Draft and had three separate stints with the organization, playing 11 years of his 15-year career with St. Louis. Other stops have included Edmonton, Pittsburgh, Anaheim and Vegas.
“My kids are in school right now, they love the city, just like us and me,” Perron said. “It’s something to play with (O’Reilly) and this whole band, I’d like it to continue. I feel like I’ve built myself as a [good] hockey player over the years and I want that to continue for sure. I’ve found a way to play the game right now where I feel like I can be consistent every night, impact the game and be positive for the team.
A Ca comfortable retirement, without work and with acres of recreation available. Something we all aspire to, isn’t it? Not quite, it seems, especially if you’re a classical musician. Composers especially struggle to store their manuscript paper. Rossini and Verdi both tried but failed, the latter returning in his 70s to write otello and Falstaff. Performers can also find it hard to get away from the “garish lights” (Dickens’ currency) of the concert platform, and it’s not uncommon to see spirited young 70s or 80s stepping up on the scene.
Some push even further, still working enthusiastically into their 90s – like pianist Ruth Slenczynska who, at 97, has just recorded a new album for Deccca. So here are 15 of Slenczynska’s nonagenarian colleagues for whom the creative buzz is too good to let go.
Which musicians continued to play well into the 90s?
1 Herbert Blomstedt
Who is the most dynamic Beethoven conductor living today? TheNew Yorker recently voted for Herbert Blomstedt, 94, citing a performance by Seventh Symphony with ‘a frothy energy that borders on animal joy’. Where does the Swedish musician acquire his dynamism and vigor? Being sober and a lifetime non-smoker may help. But it is above all being ‘desperately in love with music’ that stimulates him. Chicago, Leipzig, Vienna, Berlin and London are all on his calling card in the coming months. Quite the start of July’s 95th birthday celebrations.
2 Pablo Casals
Unlike Blomstedt, the Spanish cellist Pablo Casals liked to smoke, sometimes playing with a pipe in his mouth. His performing career spanned 84 years, including recitals for Queen Victoria and John F Kennedy’s White House. Also a composer and conductor, at the age of 94 he directs his Himne has the United Nations in the United Nations General Assembly and continued to perform until shortly before his death two years later. “Be young all your life,” he advised. ‘And tell the world things that are true.’
3 Andrés Segovia
Segovia was also a big pipe smoker. More importantly, it revolutionized perceptions of the guitar, establishing it as a “serious” classical instrument. The Spaniard performed well until he was in his nineties, although the results could be unpredictable. “Legendary fingers obeyed him only intermittently,” wrote one reviewer of a 1984 concert. But Segovia continued until the age of 94, defying poor eyesight and increasing physical frailty. Why? “I’ll have an eternity to rest,” he replied.
4 Menahem Pressler
Over half a century, Menahem Pressler’s Beaux Arts Trio achieved iconic status, and when it finally disbanded in 2008, the German pianist could easily have slipped quietly into well-deserved retirement. Not even a little. At 84, he relaunched his career as a solo pianist. Aged 90, he made his late debut with the Berlin Philharmonic Orchestra and recorded CDs of Mozart and Debussy. Even life-saving surgery in 2015 couldn’t stop it. “I always think about what I did, what I could do,” he says. ‘And what I will dodo.’
5 Thea Musgrave
Similar thoughts are in the Scottish composer Thea Musgraveapproaching his 94th birthday. Not content with ten operas already in the bag, she is working on an eleventh – Orlando, based on the novel by Virginia Woolf. Three hours every morning, seven days a week, that’s his schedule. “During the lockdown it kept me sane,” she says. “I have my imagination, which can go where it wants.
6 Elliot Carter
Musgrave lived for many years in the United States, where Mr. and Mrs. Elliott Carter were frequent dinner companions. King of compositional longevity, Carter wrote his first opera at age 90, and its title – And then ? – was clearly a question he still asked himself on a daily basis. He went on to release another 60 tracks before his death in 2012 at the age of 103. He knew that some found his music “difficult”, but it continued to attract admirers. “I’ll be damned if I know why I write all this music that people love,” he said. ‘This some people like it, anyway.
seven george walker
“Keep going” was the advice given to Carter’s American composer, George Walker, by his teacher Nadia Boulanger. He needed it. His career as a pianist is seriously hampered “because I was black”, and it is difficult to program his own music. Nonetheless, he persisted, eventually winning a Pulitzer Prize for his Lilac in 1996. “I felt like if I kept pushing for what I hoped to achieve, I would get there,” he once said. He wrote his last work in 2016, at the age of 94.
8 Brian Havergal
In 1927, Havergal Brian put the finishing touches to his vast Symphony No. 1, “The Gothic”. However, his demands were so enormous that the work did not make its professional debut until 1966, eight months after the English composer had celebrated his 90th birthday. Even at this age, he had by no means finished writing symphonies – of his total of 32 symphonies, seven had yet to be written. Often cantankerous type, his tenacity nevertheless attracts fervent followers. Few composers, one writer commented, could claim to have written “at the same time as both Brahms and Elton John’.
9 Leopold Stokowski
When Stokowski conducted the premiere of Brian’s 28th Symphony in 1973, it was probably the first instance ever given of “a 91-year-old conductor learning a new work from a 91-year-old composer”, as the said an observer. Stokowski, born in London, had sealed his fame in the United States by directing the soundtrack of Disney’s Fancy. Aged 90, he returned to England, showing an unfailing appetite for spectacle and, as TheGuardian reports, “transmitting his fire, his authority with the urgency of a man half a century younger”.
10 Neville Marriner
Like Stokowski, Neville Marriner directed a hit movie soundtrack (1984 Amedee), and played until his nineties. As an orchestral violinist, he played with legendary maestros such as Furtwängler, Monteux and Toscanini before he himself started “bustling” on the podium. In his signature turtleneck sweater, he’s proven a hugely successful ‘twitcher’, making more records with his Academy of St Martin in the Fields than any other conductor-orchestra partnership. He disliked aloud descriptions of conducting, describing it as “not very difficult”. No wonder, then, that ‘Follow the beat’ was his chosen epitaph.
11 Fanny Waterman
Fanny Waterman, on the other hand, was more used to people following her pace. An acclaimed pianist early in her life, she founded the Leeds International Piano Competition in 1961, making it one of the most prestigious competitions in classical music. His energy and positive attitude were legendary. “They call me Marshal Fanny,” she said. ‘I’m a busy panty.’ Waterman left ‘The Leeds’ aged 95, later saying she had been pushed out by management: ‘I didn’t think it was the right time. I wanted to be there forever.
12 Mieczyslaw Horszowski
In 1972 Polish pianist Mieczysław Horszowski telephoned Fanny Waterman to tell her that his pupil Murray Perahia would win the Leeds competition that year. Perahia did. Horszowski himself spent an incredible nine decades performing in public, being “one of the exceptional cases where a child prodigy relentlessly became a great musician”, as Pablo Casals put it. At nine, Horszowski played Beethoven’s First Piano Concerto in Warsaw, and 90 years later gave his last recital in Philadelphia. “Age to me is just a relative thing,” he said. “It’s nothing so deep.”
“According to the rules, I should be dead by now,” said Ivry Gitlis at the age of 90. “But I don’t feel like it!” The Israeli violinist was a free spirit, as happy to collaborate with Yoko Ono, Stéphane Grappelli and François Truffaut as on a conventional recital platform. Even the confinement in a wheelchair could not prevent him from playing. Aged 96, he was pushed on stage in Tel Aviv by conductor Zubin Mehta and performed for half an hour with pianist Martha Argerich. It was one of his last appearances.
14 Al Gallodoro
Saxophonist and clarinetist Al Gallodoro was a related cross spirit. He started out as a jazzman in Paul Whiteman’s orchestra and claimed to have performed the famous clarinet slide launch of Gershwin Rhapsody in blue more than 10,000 times in his career. He also had plenty of classical talent, playing bass clarinet in Toscanini’s famed NBC Symphony Orchestra. Described by bandleader Jimmy Dorsey as “the greatest saxophonist of all time”, Gallodoro gave his last concert just two weeks before his death, aged 95, in 2008.
15 savage earl
Pianist Earl Wild had Gershwin connections too. He played Rhapsody in blue belowToscanini, and composed elaborate keyboard pieces based on the music of his fellow American. But he is best remembered as a “super-virtuoso in Horowitz’s class”, excelling in Liszt and Rachmaninoff. A quadruple bypass threatened to end his career in 2004, but a year later he rebounded in an acclaimed recital at Carnegie Hall three days after his 90th birthday. “After my operation, I decided that I wouldn’t stop playing,” he said. ‘Why live if you can’t play when you’ve been doing it all your life?’
Each year, Chicago hosts some of the most popular festivals in the music scene, welcoming artists of different styles and fans of all genres. Here, The Phoenix explains the weekends and spotlights different artists at each event.
Summer Smash (June 17-19)
Chicago’s music festival scene kicks off with the Lyrical Lemonade Summer Smash. The festival, which takes place in Douglass Park, will feature some of the most notable names in rap and hip-hop, including headliners Post Malone and Playboi Carti.
Rappers Young Thug and Gunna were also due to headline the festival, performing a joint set. However, following the artists’ arrest on gang-related charges, rapper Lil Uzi Vert will take their place as Friday’s headliner.
Lil Uzi Vert released his debut studio album “Luv Is Rage” in 2015 and was nominated for multiple Billboard Music Awards, such as Top New Artist 2017 and Top Rap Album for his 2017 release “Luv Is Rage 2” in 2018 .
Artists such as Lil Skies, Lil Tecca and Ski Mask the Slump God are set to return to the Summer Smash stage. All three artists appeared on the festival’s 2021 lineup and proved to be attendee favorites.
Illinois-born rapper Tink is also on this year’s list of performers. His most recent song “Cater” features rapper 2 Chainz, who will also appear on the festival stage. 2 Chainz released their debut album in 2010. So far in 2022, they have released the album “Dope Don’t Sell Itself” and an EP titled “420 Hits: 2 Chainz”.
Singer-songwriter and comedian Oliver Tree will perform his popular scooter rides, as well as some of his songs. The modern sound and clever lyricism of indie hip-hop artist’s February 2022 album “Cowboy Tears” is a guaranteed crowd pleaser.
Three-day general admission tickets are on sale now, starting at $275 without taxes or fees.
Pitchfork Music Festival (July 15-17)
The Pitchfork Music Festival kicks off in July in Union Park with sets ranging from mellow indie solo acts to soulful R&B ensembles.
Day one features The National, an indie rock band from Cincinnati, Ohio. In addition to their feature on Taylor Swift’s “evermore,” the group has released eight studio albums, winning the Grammy for Best Alternative Music Album in 2018.
Mitski and Lucy Dacus will set the tone on Saturday with their shared lyrical intimacy. Each of their ensembles is expected to be similar to former Dacus collaborator and last year’s headliner, Phoebe Bridgers.
This festival appearance follows Dacus’ “Home Video” album in 2021 and his tour which ended in 2022.
Another standout performance from Saturday’s collection of artists will be Chicago rapper CupcakKe. Although she hasn’t had an album since 2018, she has steadily released singles over the past year, including her 2019 hit “Squidward Nose.”
Also from Windy City, Earl Sweatshirt will perform on Sunday. He made a name for himself outside of his former band Odd Future by releasing four studio albums including “SICK!” earlier this year.
Canadian instrumental group BADBADNOTGOOD will be one of the most intriguing ensembles on Sunday. Combining genres like jazz and hip-hop, the group has collaborated with artists such as Thundercat and Charlotte Day Wilson. Their dreamy style of music could prove to be a wonderful change of pace on a summer afternoon.
As a house band more than just “The Tonight Show,” The Roots will wrap up Pitchfork on Sunday. Questlove, Black Thought and the rest of The Roots have built one of the most influential hip-hop groups of all time. Their music in the light chill of a Chicago summer night will be the perfect start to the eclectic weekend.
Tickets are on sale now, with three-day passes available for $200, three-day plus for $399, and one-day passes for $99 with no taxes or fees.
Lollapalooza (July 28-31)
Lollapalooza has remained one of Chicago’s most anticipated music festivals, and this year’s lineup maintains the event’s reputation. The festival takes place in Grant Park and will feature headliners from various musical genres.
Heavy metal band Metallica are expected to be one of Thursday’s best-known performers. The group has been releasing music since the 1980s, with their latest album being “S&M2” in 2020.
Contrast Metallica’s hardcore sound on Thursday with R&B singer Jazmine Sullivan and hyperpop group 100 gecs. Packed with a wide variety of bands and artists, the first day of Lollapalooza offers versatile programming to attract fans of many genres.
Friday features a slate of promising performances, with well-known headliners such as Dua Lipa and Machine Gun Kelly.
The epitome of danceable, feel-good music, Lipa’s ’80s-inspired album “Future Nostalgia” won the 2021 Grammy Award for Best Pop Vocal Album. As the top rock artist of the 2021 Billboard Music Awards, Machine Gun Kelly will provide a hard rock contrast to Lipa’s pop.
J. Cole, Big Sean and Wallows are scheduled to take the stage on Saturday. Wallows’ Lollapalooza performance will be their first Chicago appearance since the release of their latest album “Tell Me That It’s Over,” which shines a light on the complexity of romantic pursuits.
While pop-rap artist Doja Cat was to be one of the festival’s most iconic performers, she recently announced her withdrawal from all concerts and festivals this summer due to tonsil surgery.
Green Day, Charli XCX and Dominic Fike are still supporting the festival’s Sunday lineup. This will be Dominic Fike’s second consecutive year on the Lollapalooza stage. The recent surge in popularity of the singer’s 2018 release “Don’t Forget About Me, Demos” and his appearance on the second season of “Euphoria” are guaranteed to draw a crowd to his set.
One- to four-day Lollapalooza general admission tickets are on sale now, with four-day tickets starting at $350 with no taxes or fees.
Riot Fest (September 16-18)
Chicago’s major summer music festivals will be crowned by Riot Fest in Douglass Park. Headliners for the weekend include My Chemical Romance, The Original Misfits and Nine Inch Nails.
My Chemical Romance announced their reunion three years ago after disbanding in 2013. While the COVID-19 pandemic derailed many of their plans, 2022 saw them release single ‘The Foundations of Decay’ and return on the scene.
Although their most popular album ‘The Black Parade’ turned 16 in October, some fans are just as excited to see Gerard Way and his bandmates perform.
The bleachers can also be seen this Friday with their Grammy-winning frontman Jack Antonoff. This performance follows their tour and the release of their third studio album “Take the Sadness Out of Saturday Night”.
The Original Misfits are Saturday’s main draw, as members Glenn Danzig, Jerry Only and Doyle Wolfgang von Frankenstein will once again perform together. These three have been playing together since 2016 after years of tumultuous group drama. They will perform their album “Walk Among Us” in its entirety in honor of his 40th anniversary.
Nine Inch Nails, 2020 Rock & Roll Hall of Fame inductee and Sunday headliner, finally arrives on the Riot Fest stage after canceling all shows last year due to COVID-19
PVRIS has evolved over the years to give a more pop energy to its hard-rock persona. Certain to perform many songs from their latest album of 2020 “Use Me”, Riot Fest crowds will be able to see Lynn Gunn in their first Riot Fest since 2019 on Sunday.
Tickets are on sale now, with three-day passes available for $299 and one-day passes for $99 without taxes or fees.
In the fall of 2021, The Great Paul Hill was taking 2 calls per morning choosing a number between 1 and 32.
Each number had a corresponding NHL team, and the # chosen was the team the caller had for the season.
Whichever team (or #) wins the Stanley Cup, wins the Great One and CFOS Morning Show grand prize.
The grand prize is an awesome Attack Shack gift card courtesy of the Brian E. Wood Funeral Home + $10 cash for the winning team’s number.
So, if team #14 wins the Stanley Cup, the winner would get the gift card PLUS an additional $140.
PLUS, Pro Sport Fan Shop is offering gift certificates for 2nd place + TWO randomly drawn winners
The Great Paul Hill and Frederick William Wallace got the last 2 unselected teams.
2nd round game
6 Carolina Hurricanes = Frederick William Wallace, CFOS vs. 19 New York Rangers = Deanne Foreman, Chatsworth
Moved to Western Conference Finals
13 Colorado Avalanche – Gary Shute, Bognor vs 14 Edmonton Oilers = Linda McDonald, Georgian Bluffs
Advanced to the Eastern Conference Finals
24 Tampa Bay Lightning = Darlene Davidson, Owen Sound vs. __________________________
Eliminated in round 2
8 Florida Panthers = Kathy McMurdo, Owen Sound
20 St Louis Blues = Wade Clark, Southampton 25 Calgary Flames = Charlie McClure, Wiarton
Eliminated in round 1
2 Toronto Maple Leafs = The Great Paul Hill, CFOS 11 Pittsburgh Penguins = Karen Kocher, Hepworth 18 Washington Capitals = Mel O’Neill, Owen Sound 29 Boston Bruins = Bertha Campbell, Owen Sound
3 Minnesota Wild = Carol Van Eck, Kemble 9 Dallas Stars = Linda Murray, Walter’s Falls 10 Los Angeles Kings = Marilyn Morris, Meaford 30 Nashville Predators = Greg Osburn, Goring
Did not qualify for post-season
1 Philadelphia Flyers = John Donnelly, Owen Sound (formerly of Chesley Lake) 12 Buffalo Sabers = Ian MacPherson, Georgian Bluffs/Wiarton 15 New Jersey Devils = Carol Young, Walters Falls 16 Montreal Canadiens = Don Grummett, Meaford 22 Detroit Red Wings = Kathleen Gardner, Owen Sound 27 New York Islanders = Bob Swannell, Owen Sound 28 Ottawa Senators = Marlene Holzworth, Kitchener 32 Columbus Blue Jackets = Anne Weymouth, Owen Sound
4 Arizona Coyotes = Keith McConachie, Southampton 5 Vegas Golden Knights = Marj Dyer, Williamsford 7 Winnipeg Jets = Glen Kirby, Owen Sound 17 Anaheim Ducks = Jeremy Urbshott, GTA (Greater Tara Region) 21 San Jose Sharks = Lorraine Dunning, Owen Sound 23 Seattle Kraken = John Hull, Georgian Bluffs 26 Chicago Blackhawks = Ken Jones, Owen Sound 31 Vancouver Canucks = Shirley Wallace, Williamsford
Friends and loved ones mourn the loss of Matthew Glover, a musician from Placentia, NL.
Glover died May 16 in Nepal on his way to Mount Everest Base Camp, where he succumbed to altitude sickness. He was 50 years old.
“He was just a lovely soul,” said Larry Foley, Glover’s longtime friend and fellow musician.
“Matthew was a special guy. I lament the things he had left to do, musically and otherwise. Someone as creative and brilliant as him still had so much to offer the world.”
“On another level musically”
After graduating from high school, Glover moved from Newfoundland to Boston, where he attended Berklee College of Music. He earned a degree in music performance in 1993 and has performed extensively in Boston, New York, Florida and elsewhere in North America.
Glover returned to Newfoundland in 2016, where he completed his Masters in Performance and Pedagogy at Memorial University.
Foley said his friend is always up for a gig and performs frequently in the St. John’s area. He said his music career was just beginning.
“He was a musician on a level that most people probably couldn’t grasp,” Foley said.
“The word genius is used everywhere, but I think for sure Matthew was on another level musically.”
Glover released his album, Music for lute by JS Bach and John Dowlandin 2021. In an interview with CBC Radio after the album’s release, the late musician said that Berklee’s international nights, where international students perform music from their home countries, led him to rediscover traditional Newfoundland music.
AM weekend13:57Weekend AM pays tribute to NL musician Matthew Glover
Paula Gale talks to Larry Foley about her late friend Matthew Glover – we’ll also hear a clip from Matthew’s feature on First Listen
“I kind of took that for granted, growing up around the bay,” Glover said at the time.
“It’s interesting how when you leave your house, you have a different perspective.”
A dreamer with a relentless sense of adventure
As a child, Foley said he remembered his friend as kind and eloquent, and his creativity knew no bounds.
Glover was sweet and calm, Foley said, and his mind was always elsewhere. He was a dreamer, who never stopped learning and seeking new experiences.
“Matthew was a very adventurous guy. … He was always on a quest,” Foley said.
“He once cycled from Boston to Newfoundland. So the idea of him doing exceptional things that took a lot of courage and strength doesn’t surprise me.”
Glover loved to travel the world, visiting places like Japan, France, India and Singapore. With the easing of travel restrictions related to COVID-19, Glover’s travel bug took him to the Himalayas, which would be the final leg of his journey.
Glover was cremated and received a blessing at Pashupatinath Temple in Nepal. His family is in the process of repatriating his ashes to Newfoundland, Foley said.
CHICAGO (SCS) — Memorial Day weekend is the unofficial start of summer, and this year Chicago is kicking off the season in style, hosting dozens of fun events, including an all-new music festival downtown.
CBS 2’s Marissa Perlman stopped by Grant Park where Sueños Chicago was swinging Saturday with crowds, music and dancing.
The brand new festival celebrates Latin Reggaton, and on Saturday Grant Park was packed with thousands for the start of the two-day festival.
It also brought a huge security presence and the streets were closed around the show.
There were big headliners like J-Balvin and Ozuna, drawing large crowds, especially for Latin music lovers.
Saturday night also brought the Belmont Sheffield Music Festival to the heart of Lakeview. With that came deejays, lawn games and cover bands, plus everything Chicago street festivals are known for: food and drink.
Despite a recent wave of violence and high COVID-19 numbers in the city, people said they were looking forward to celebrating the unofficial start of summer this long weekend.
“I really came for the vibe. I know it sounds so silly, but I love all the artists,” said Seuños fan Angie Sanchez.
“I’m really glad it even exists because I’ve never heard of a Latin festival in Chicago,” Jordan Alvarez said.
These events brought significant traffic to Chicago. The city encourages anyone leaving to use public transportation all weekend.
The Kitchener-Waterloo Dixieland Jazz Club held a lively New Orleans-style vigil on Saturday in remembrance of its longtime manager, Nancy Pauli. Pauli died in February at the age of 81.
“We wanted it to be a huge, carefree New Orleans-style party, which she would have loved,” said Wayne Pauli, Nancy’s late husband.
Musicians perform at the Kitchener-Waterloo Dixieland Jazz Club on May 28, 2022. (Dan Lauckner/CTV Kitchener)
Attendees said they remembered Nancy’s cheerful spirit and how she always helped improve the mood of any party.
“A very loving, warm person who loved to have fun. If you really knew her, you loved her,” said Dan Rudow, manager of the Kitchener-Waterloo Dixieland Jazz Club.
Nancy was also a lover of Dixieland jazz music. Her friends said she was often first and last on the dance floor.
“Getting up at nine in the morning for the first event and being the last to go to bed and having people back for after parties and things like that. It’s amazing how much fun she could have,” said Rudow.
Photos of Nancy Pauli are displayed at her wake on May 28, 2022. (CTV Kitchener)
Nancy and Wayne immediately knew they shared a love for the musical genre when they met in 1995. They were married on the stage of a jazz festival three years later.
The couple have spent 25 years traveling to festivals around the world, including at least 15 trips to Nancy’s favorite city of New Orleans.
“We used to dress up in our silly costumes on Friday mornings and go to the parade down Bourbon Street. Nancy still had her mug in hand, with a beer, and we walked down Bourbon Street to the park and just partied all day. She loved it,” Wayne Pauli said.
“It’s amazing how much fun she could have,” a friend said of Nancy Pauli. (CTV Kitchener)
“It was his passion in life to listen to this music and hang out with people and just have the music community with these people,” said Mark Pauli, Nancy’s son-in-law.
The couple also ran the KW Dixieland Jazz Club for over two decades. This allowed them to share their love of music with local residents, while attracting new artists every week.
“Most were from Toronto, but we have a trombonist here today from Ottawa. We have musicians from the United States,” said Wayne Pauli.
“She was probably the biggest jazz fan anyone ever knew. They did that every Saturday afternoon,” Mark Pauli said.
The St. Louis Blues were knocked out of the playoffs with a second-round loss to the Colorado Avalanche on Friday, putting the focus on the offseason.
St. Louis is only a few years away from winning the Stanley Cup in 2019, but the past two seasons have had disappointing ends with first-round playoff losses in 2020 and 2021.
The team looked set for a deeper run in 2021-22 with 109 points and a 49-22-11 regular season record, with the type of rotation that can beat almost anyone in the NHL. It still wasn’t enough to bring home another title.
On the plus side, the roster is still filled with talent who remain under contract until next year.
This could lead to a great 2022-23 campaign with some key improvements over the coming months.
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Nick Wass/Associated Press
Unrestricted Free Agents
F James Neal
F MacKenzie MacEachern
D Rue Rosen
F Tyler Bozak
G Ville Husso
D Tommy Cross
F Sam Anas
Restricted Free Agents
Dr. Scott Perunovitch
F Klim Kostin
F Hugh McGing
F William Mordu
F Tanner Kaspick
F Nathan Todd
F Dakota Joshua
The Blues will have tough free agency decisions, with goalkeeper Ville Husso likely to top the list.
Husso had a stellar season with a 2.47 goals-against average in 39 appearances, much better than Jordan Binnington’s 3.10 average. The Blues went 25-6-6 in starts from Husso, but only 18-13-4 with Binnington in goal.
The problem is that Husso is a free agent, while Binnington is signed for five more seasons, including a no-trade clause until next year. St. Louis must decide whether to pay for the breakout star or return to the proven veteran in 2022-23.
Experienced players like David Perron and Tyler Bozak will also be unrestricted free agents, but the team must decide if they’re worth the extra cost of signing aging players.
Defender Niko Mikkola could also be looking for a raise this offseason after appearing in 52 games this season, forcing the hand of the front office as a restricted free agent.
2 out of 3
Chris Tanouye/Getty Images
The Blues gave up their second-round draft pick in the trade that clinchedPavel Buchnevich, who puts more pressure on the team to hit his first selection. While the late first-round selection won’t have an immediate impact, the team still needs long-term organizational help.
Here are some players to watch ahead of the July 7 draft.
Owen Pickering, D, Swift Current Broncos
The last time the Blues used a first-round pick on a defender was in 2012 with Jordan Schmaltz, a player who saw limited playing time over three seasons from 2016 to 2019. It’s time for the organization to try again at the post.
St. Louis has few young defensive options on the roster, and the situation will only get worse if Scott Perunovich and Niko Mikkola leave for free agency.
Owen Pickering could help fill an important hole as a top defenseman who would help on both sides of the ice if he hits expectations.
At 6’4″, 178 pounds, Pickering has excellent height for the position and pairs with quality batting skills. This has helped him become a key contributor for the Swift Current Broncos in the WHL, with the potential to be even better once he reaches the NHL.
Lian Bichsel, D, Leksand
Another towering defenseman, Lian Bichsel is 6’5″, 216 pounds and will be just 18 when drafted.
The left-handed player hails from Switzerland and has represented the country at several youth tournaments, and he has played at club level in Sweden for Leksands IF while seeing consistent playing time in a squad with many older players and more experienced.
While Bichsel isn’t necessarily an offensive star, he can be a reliable defensive presence as a big hitter who keeps goals off the board.
St. Louis did well to trust their forwards to generate the offense while keeping the pressure on the defenders. This strategy can continue with a player like Bichsel who can fill a major need.
3 out of 3
Jeff Roberson/Associated Press
Most of the Blues’ key players from last season are still under contract and will be on the ice for the team in 2022-23.
The attack has a quality mix of veterans in Vladimir Tarasenko, Pavel Buchnevich and Ryan O’Reilly, while young players like Robert Thomas and Jordan Kyrou should continue to improve. Blues defensemen Colton Parayko and Justin Faulk continue to play at a high level, with Faulk’s plus-41 rating one of the best in the NHL this season.
This team could still use more depth, but there’s enough on the roster to keep St. Louis among the NHL’s top contenders.
The goaltending situation remains a major question mark, with Jordan Binnington hoping to re-establish himself as one of the league’s best in net. If Ville Husso ends up being the No.1, the team could be in even better shape.
Either way, head coach Craig Berube will have a lot to do as he tries to win a second Stanley Cup.
WALDOBORO — Jonathan Richman, one of America’s most unique and dynamic songwriters, performs an intimate acoustic set with Tommy Larkins on Friday, June 10 at 8 p.m. at the Waldo Theater, 916 Main St.
While the New York Times says Richman’s songs are “Ogden Nash-worthy rhymes,” the Nashville scene implores you to “buy tickets early.” Buy tickets often. That’s just good general life advice, but even more so when you’re talking about Jonathan Richman. Don’t be refused at the door, don’t leave anything to chance: you will regret it.
A native of Boston, Richman formed the influential Modern Lovers, pioneers of the punk and new wave sound that formed in the 1970s. Inspired by Richman’s enthralment with the Velvet Underground, they later influenced the Sex Pistols, Violent Women, Joan Jett and the Blackhearts and Weezer, among others.
Included on the “School of Rock” soundtrack, the Modern Lovers’ song “Roadrunner” has been dubbed “the first punk song,” and its cultural influence is such that, for the past decade, the US legislature State of Massachusetts fought to make the song the official rock song of Massachusetts. Many might also recognize Richman for his role as the singer-narrator in the 1998 film “There’s Something About Mary” and as a staple of “The Tonight Show with Conan O’Brien,” performing comedic songs such as “You’re Crazy for Taking the Bus” and “Vampire Girl”.
Richman prides himself on his simplicity, playing acoustically with Larkins on drums. “The music we make now works well in quiet places like theaters and performing arts centers. We still don’t use a schedule or set list, so we don’t know what we’ll be doing until we’ve done it. Richman’s latest EP on Blue Arrow Records, “Cold Pizza & Other Hot Stuff”, is available on Bandcamp.
The Waldo is thrilled to have Richman and Larkins take the stage in June and share music that is poignant, funny, innocent and uplifting. In a show review for The Columbus Dispatch, Curtis Schieber noted that “Richman’s admiration for spontaneity, desire for human connection, and confidence in the power of love shone through”. Audience members can look forward to a great musical evening in the Midcoast.
Concessions, including beer and wine for those 21 and older, will be available at the show. Doors open at 7 p.m. The Waldo no longer requires proof of vaccination and recommends masks for all visitors per current CDC guidelines. Capacity will be limited to allow space between customers.
Tickets are $30 in advance online and $35 in person. Visit waldotheatre.org/pages/music for tickets and more information.
Queensland’s Sunshine Coast Chamber Music Festival has announced its 2022 season lineup. The newly launched festival held its inaugural season in 2021 with the aim of bringing chamber music to audiences in a contemporary context that reflects the communities of the Sunshine Coast, showcasing repertoire classics alongside new works by contemporary Australian artists in coastal towns across southern Queensland.
“Our 2022 festival offers visitors a range of unforgettable and inspiring experiences by programming a range of world-class musicians and connecting them with the special places, people and cultures of the Sunshine Coast region,” said Lynne Bradley, artistic director of the SCCMF.
The festival begins in Maleny on Friday June 17 with a special joint Welcome to Country from Kabi Kabi Elder Aunty Helena Goulash, who is the festival’s First Nations Creative Director, and Jinibara artist Jason Murphy.
The concerts of the year begin later on June 7 with The night parrot, performed by Acacia Quartet and soprano Morgan England-Jones. Composer Jessica Wells’ work, commissioned by Katie Noonan for the Queensland Music Festival in 2019, explores the enchanting history of Queensland’s native nocturnal parrots (long thought extinct) and features projections curated by Craig Wilkinson . Prior to the performance, Wells and Wilkinson will present a special ‘In Conversation’ hour with Birdlife Australia manager Ken Cross about the work and importance of rediscovering the bird.
Acacia Quartet and soprano Morgan England-Jones perform Jessica Wells’ The night parrot. Photo provided.
The concerts continue on June 18 with sunset lounge overlooking Maroochydore beach. The internationally acclaimed Wang family, featuring soloists Guillaume (cello), Keija (cello) and Mimi (piano) will be joined by Southern Cross Soloists Artist-in-Residence, Wakka Wakka musician Chris Williams to perform a wide variety of works of Haydn, Dvořák, Scriabin and Rachmaninov at sunset on the beach.
Later on June 18, the Orava Quartet will perform an intimate candlelit performance at Buderim War Memorial Hall. The quartet, made up of brothers Daniel and Karol Kowalik (violin and cello), David Dalseno (violin) and Thomas Chawner (viola), has quickly gained an international reputation in recent years for their intense and nuanced interpretations.
Audiences will head outside on Sunday June 19 to the Buderim Amphitheater for the final concert of the main festival, sing the country. A conversation between First Nations and classical music, the special closing event will feature renowned classical ensemble Topology alongside First Nations artists Jessie Lloyd, Troy Brady, Ari Ingram, Jem Cassar-Daley, Lyndon Davis, Helena Goulash and Deline Briscoe in a powerful crossover event celebrating Sunshine Coast culture.
Apart from the festival itself, Lunch on a long table July 30 in Maleny features a captivating performance by artists Melissa Western and Shenzo Gregorio, paired with a three-hour meal in the beautiful surroundings of the Maleny hinterland.
The SCCMF is also hosting two special free community concerts at Sunshine Coast University Hospital and Churches of Christ Sunshine Coast Home Care, bringing music to people in the community who otherwise could not access it. The concerts, both on July 14, feature pianist Francis Atkins, a graduate of the Queensland Conservatorium, and violinist Julia Hill, performing cheerful works by Satie, Debussy and Rachmaninoff.
For more information on the 2022 Sunshine Coast Chamber Music Festival season, visit sccmf.com.au
By the Gulf, Nathaniel “Natty” Adams details the people, places, culture and moments that make New Orleans one of America’s most colorful and vibrant cities.
On a sunny May afternoon, the Loyola University Jazz Ensemble of New Orleans gathers in a large rehearsal room in the Music Building on St. Charles Avenue across from Audobon Park. About 60 students dressed in various casual college fashions – T-shirts, shorts, sneakers – walk around unhurriedly, picking up and unpacking their instruments from the cases lining the walls, chatting and finding their seats. Members of the Jazz Vocal Ensemble gather on one side of the room and chat. Instruments are tuned, piano and bass fall together into a groove, flute and clarinet join before the saxophone section begins a playful, honking battle. The group is excited as Dr. Gordon Towell, director of the program, gradually draws them to their attention.
Jimmy’s Jazz & Blues Club features 4x GRAMMY® Award nominee, Blues & Rock and Roll Hall of Famer and 5x Blues Music Award-winning guitarist, singer and songwriter ELVIN BISHOP on friday june 10 to 7:30 p.m.ELVIN BISHOP BIG FUN TRIO joins Jimmy’s Jazz & Blues Club’s 2022 show schedule, which includes 7 NEA Jazz Masters, 33 GRAMMY® Award-winning artists, 32 Blues Music Award winners and a comprehensive roster of talented musicians with over 450 award nominations GRAMMY® among them. Tickets for BISHOP OF ELVINas well as Jimmy’s Jazz & Blues Club’s current list of 2022 shows, can be viewed on Jimmy’s online events calendar at: http://www.jimmysoncongress.com/events.
PORTSMOUTH, NH, May 26, 2022 /PRNewswire-PRWeb/ — Jimmy’s Jazz & Blues Club presents 4-time GRAMMY® Award nominee, Blues & Rock and Roll Hall of Famer and 5-time Blues Music Award-winning guitarist, singer and songwriter ELVIN BISHOP and his BIG FUN THREESOME on friday june 10 to 7:30 p.m.
elven bishop burst onto the scene with the Paul Butterfield Blues Band in 1965, and has since blazed his own musical trail. Whether he was playing raw, mind-blowing blues, writing the evergreen radio hit “Fooled Around And Fell In Love,” or traveling the world for decades delivering his original, enjoyable country blues, Bishop has always inspired his fans.
In 2015, Bishop formed The Big Fun Trio with his friends Bob Welsh (Piano, Guitar) and Willy Jordan (Vocals, Drums) and their 2017 self-titled debut album earned them a GRAMMY® Award nomination for “Best Traditional Blues Album” and won 2 Blues Music Awards for “Album of the Year” and “Song of the Year”. year”.
“A lively, warm and feel-good music… Bishop is a superb guitarist with great strength and great skill… a good rocking moment”, enthuses GUITAR WORLD.
“A legendary guitarist whose playing is impeccable and fiery…a distinguished American player,” says ROLLING STONE.
In 2018, elven bishop & Big Fun Trio earned another GRAMMY® Award nomination for “Best Traditional Blues Album” for their album, “Something Smells Funky ‘Round Here.” According to a San Francisco Bay Area native Willy Jordanwho has decades of experience playing drums with artists such as John Lee Hooker and Joe Louis Walkerplaying in the Big Fun Trio is “crazy different. It’s roots but also new. We all kept it simple to stay strong.”
Bob Welshnative Covington, Louisianaperformed and toured with Bishop, rusty zinc, Charlie MusselwhiteBilly Boy Arnold, James Cotton and others. Welsh says he also enjoys playing in the Trio. “Playing this music is fun and fresh and new to us. It keeps us on our toes. We always surprise each other. We have to be fearless.”
Born in Glendale, California on October 21, 1942, elven bishop grew up on a farm Iowa before moving to Oklahoma when he was ten years old. He became addicted to the blues listening to R&B radio late at night as a teenager, and began to collect, listen to, and absorb blues music. Bishop used his 1959 National Merit Scholarship to connect with his blues heroes by enrolling in the University of Chicago.
After Bishop crosses paths with a harmonica player and fellow University of Chicago student Paul Butterfieldthe two began to sit together at South Side clubs, often playing with Buddy and Otis Rush. They first formed the Paul Butterfield Blues Band in 1963, adding Jerome Arnold on bass, Sam Lay on drums and later Marc Naftalin on keyboards. Before releasing their first LP in 1965, Michael Bloomfield joined the band as second lead guitarist, creating a groundbreaking all-star band.
The eponymous group The Paul Butterfield Blues Band presented electro Chicago blues to rock audiences for the first time. With the release of “East-West” in 1966, the band’s popularity reached an all-time high. their right Chicago blues sounds drifted further into progressive and experimental rock ‘n’ roll and, with two world-class lead guitarists on board, the band helped pave the way for bands featuring multiple virtuoso guitarists, such as The Allman Brothers Band and Derek and the Dominos. The group, including Bishop, were inducted into the Rock & Roll Hall of Fame in 2015.
“We are thrilled to have the incredible bluesman elven bishop on June 10 serenade Portsmouth with his two-time GRAMMY® nominee Big Fun Trio!” Suzanne Bresettegeneral manager of programming at Jimmy’s Jazz & Blues Club.
Jimmy’s Jazz & Blues Club’s 2022 show schedule currently includes 7 NEA Jazz Masters, 33 GRAMMY® Award-winning artists, 32 Blues Music Award winners and a comprehensive roster of talented musicians with over 450 GRAMMY® Award nominations. Visit Jimmy’s Online Events Calendar for Jimmy’s Jazz & Blues Club 2022 show schedule. To subscribe to Jimmy’s eNewsletter to stay informed about new jazz and blues artist announcements, tickets, special offers, Jimmy’s Sunday Jazz Brunch and much more.
ABOUT JIMMY’S JAZZ & BLUES CLUB Jimmy’s Jazz & Blues Club’s mission is to provide guests with a unique, world-class experience featuring serious jazz and blues music served with exceptional southern-inspired cuisine. Jimmy’s Jazz & Blues Club offers a spectacular and visually stunning environment designed to provide the highest quality acoustics while utilizing state-of-the-art production, sound and lighting technologies. Jimmy’s Jazz & Blues Club is located in a beautifully restored 1905 building at 135 Congress Street in the heart of historic downtown Portsmouth, New Hampshire. For more information, visit http://www.jimmysoncongress.com or follow us on Facebook at https://www.facebook.com/JimmysJazzBlues.
PRIVATE EVENTS AT JIMMY’S JAZZ & BLUES CLUB An arts and culture center with stunning architecture in the heart of the historic district Portsmouth, New Hampshire, Jimmy’s Jazz & Blues Club offers a rare and spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties and memorable celebrations. The Jimmy’s Jazz & Blues Club team has poured their hearts into creating a spectacular, full-service event space with new state-of-the-art production, sound and lighting technologies, delivered with exceptional dining experiences at the highest level. superior. Our top-notch approach with professional and experienced event staff ensures that everything is designed to exceed your expectations. To start a conversation about hosting your event at Jimmy’s Jazz and Blues Club, call us at 888-603-5299, email us at [email protected] or fill out the Contact form for Jimmy’s private event.
VSHelsey Green will perform live music at the BAMS Festival in Franklin Park on June 11. Green, who grew up in Houston, Texas, is a genre-defying singer, violinist, songwriter, and associate professor at Berklee College of Music. By creating music that is both personally expressive and draws from the rich traditions of African-American historical imperatives, Green creates new, yet familiar sounds. His music goes straight to the point. By intentionally reshaping perceptions of this musical essence, she asks listeners to rethink the cultural experience. Green recently spoke to Banner about his work.
With what and with whom will you play at the BAMS Festival? It’s going to be me and my band, The Green Project, performing a set of what I like to call the feel-good kind of music! A lot of people ask me about the genre, where my music fits: it’s a mix of jazz, soul, R&B, funk – and definitely classical.
Chelsey Green and the Green Project. COURTESY PHOTO
Tell us about the green project. This is my contemporary music ensemble. I’m on violin, viola and vocals; Cory Baker on electric and synthesized bass; Ignatius Perry is at the keys; and Brian “Spyda” Wheatley is our drummer. The impetus behind forming the band is to experiment and create sounds, my goal being to disrupt subconscious musical sensibilities.
Subconscious musical sensitivities? Our subconscious awareness can stifle our awareness of what art is. Jazz was always meant to be a contemporary art. So with our music we want to evoke every moment: that’s what keeps art fresh!
What is your job at Berklee? I just finished my fifth year. I am housed in the string department. I teach the ensemble, among other things. And while teaching at Berklee, I do a lot of innovation. It keeps me on my toes as an artist and an educator. What I like about this generation that grew up with social networks is that in addition to being a challenge, it’s a good tool. They feel limitless because of it.
You also launched your own educational program, TGP Educational Outreach. We have workshops focused on the power of what music can do. It’s an extension of The Green Project, and we work in kindergarten classrooms, nursing homes, and Fortune 500 companies. We cover a range of topics, including focus and creation. This is a breathtaking opportunity!
What were you doing during the pandemic? It was hard for many of us. I felt isolated, alone and without family nearby and without musical performances. All of this led me to be more introspective, and I felt more like a human being who is apart of what I do as a musician. So it was transformative: it transformed my approach to music. And these days, it’s a divine experience to connect with the public.
How did you come to the violin? It was not my choice! I come from a family of musicians. My mother had pre-determined that whatever came out would play the violin! I started taking lessons when I was 4 years old. And I have a dad who is a musician and composer. Music was the language of the house. I was coming back from a violin lesson and he said, “Play that Herbie Hancock tune with me!”
Any advice for young people starting out? One of my biggest things is that our young people need to dig deeper, to dive into historical context. To discover the stories of artists from previous generations, what they experienced. Like Blanche Calloway, older sister of Cab Calloway, who was a great singer and songwriter; she was the first female band leader and an all-male band leader. Or Charlie Parker: I ask students, “What would his Instagram posts look like?” Understand your ancestors.
When Tom Adelman and Jake Reisdorff reminisce about the humble beginnings of the Power and Progress Music Festival, they can’t believe how far they’ve come.
More than 10 years ago, the event organizers — along with their friend, Craig Mustard — recalled growing up in Columbus one day, wishing they had a festival in their hometown. This led them to start their own music festival as a way to provide such an outlet for members of the community and those in the vicinity.
The Power and Progress Music Festival will take place June 2-5 at Camp Pawnee, 2330 S. 16th St. The first night begins at 7 p.m. and ends at noon on the last day.
Tickets are $45 online at bit.ly/3kmxng5 or $40 by visiting Not Your Grandfather’s Smoke and Vapor, 108 24th St. Children under 12 enter free. Tickets at the door on Thursday, June 2 will cost $60, a pass on Friday will cost $50 and on Saturday will cost $40.
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“It’s definitely a milestone,” Adelman said of the festival. “…We’ve stood the test of time and that’s something a lot of people are looking forward to.”
Reisdorff said reaching that landmark was a matter of perseverance.
“We learned from each year to try to improve the following year,” he said. “Being the 10th, we’ve come a long way since the first year.”
Adelman, Reisdorff and Mustard not only organize the event, but are also artists themselves through the Midland Band.
The Midland Band will be one of more than 20 performers on three stages during the festivities. Acts include the Kris Lager Band, Universe Contest, Head Change, Funk Trek, Jerry Pranksters, Powder Blue (Ween tribute band), Omaha Beat Brigade, Aaron Stroessner Quartet and Phandemic (Phish tribute).
The genres run the gamut as there will be rock, experimental, jam band, funk and more.
Although the concert was first held in 2011, it was canceled in 2020 due to the COVID-19 pandemic.
Adelman said that even though they couldn’t hold the gig two years ago, 2021 turned out to be a great outing despite some initial nerves.
“Before the festival, not many people had even done performances,” he said. “…I was nervous but once it started and everyone was there, it was so good. And so many people had such a great time. I think it was because it hadn’t happened in years. It felt like home. It was like being a family. »
The pandemic delayed the concert last year by around two months – it usually takes place the first weekend in June.
Reisdorff said it was a moving experience to be able to step back on stage last year.
“It was so cool,” he said. “There aren’t many concert halls in Columbus or where this kind of thing happens.”
The art for the festival is done by Brad Zywiec, who creates the show’s T-shirts and posters. Adelman said he was grateful to have Zywiec on board, adding that he went out of his way for the 10th anniversary poster because it includes artwork from previous years’ designs.
Andrew Kiser is a reporter for the Columbus Telegram. Contact him by email at [email protected]
R&B singer-songwriter Brian McKnight’s return to the annual Subaru Newport Beach Jazz Festival at the Hyatt Regency in Newport Beach on June 5 will be an additional special occasion.
Not only is he excited to take the stage and perform new music from his latest album “Exodus,” as well as hits like “Back at One” and “Anytime,” the show also falls on his 53rd birthday. .
“It’s always great to perform in that venue over there,” McKnight said in a recent phone interview. “But it’s actually my birthday that day.” So it’s interesting because for most of my career, I rarely have a show on my birthday, so it’s an added treat.
The Newport Beach Jazz Festival postponed its 25th anniversary in 2020 due to the pandemic and instead celebrated the milestone in October 2021. Eight months later, the festival is back on track and takes place June 3-5.
The Newport Beach Jazz Festival returns to the Hyatt Regency in Newport Beach June 3-5. (Photo courtesy of Newport Beach Jazz Festival)
CeeLo Green will pay tribute to the godfather of soul, James Brown, during his Soul Brotha #100 Tour at the Newport Beach Jazz Festival at the Hyatt Regency Newport Beach on Saturday, June 4. Green’s tribute includes 27 songs from Brown’s catalog, a backing band and a wardrobe that reflects Brown’s signature style. (Photo by Phillip Faraone, Getty Images)
The Newport Beach Jazz Festival returns to the Hyatt Regency in Newport Beach June 3-5. (Photo courtesy of Newport Beach Jazz Festival)
Jazz, R&B and funk musician Brian Culbertson will headline the Newport Beach Jazz Festival at the Hyatt Regency Newport Beach on Sunday, June 5. (Photo by Mychal Watts, Getty Images)
R&B and neo soul singer-songwriter Eric Benét will perform at the Newport Beach Jazz Festival at the Hyatt Regency Newport Beach on Saturday, June 4. (Photo by Rich Fury, Getty Images)
R&B singer-songwriter Brian McKnight will perform at the Newport Beach Jazz Festival at the Hyatt Regency Newport Beach on Sunday, June 5. (Photo by Emma McIntyre, Getty Images)
“The event has always been in June,” NBJF promoter and president of Omega Events Rich Sherman said in a separate interview. “It was really important for us to come back to that period, but we had a huge success last October and we feel very lucky to have been able to pivot to that.”
Episode 26 kicks off with a sold-out VIP performance by Marion Meadows and Alex Bugnon on June 3 at the 1,000-seat Hyatt Amphitheater in Back Bay. The event then migrates to the expansive grassy grounds of the Back Bay Golf Course on June 4-5.
Saturday’s performances include CeeLo Green, who will pay homage to the godfather of soul, James Brown, with his Soul Brotha #100 tribute show, as well as Eric Benét, Peter White, Vincent Ingala, Morgan James, Kim Scott and Four80East. Brian Culbertson leads Sunday’s lineup, which also includes McKnight, Marcus Miller, DW3, Lindsey Webster, Adam Hawley, Phil Denny and Derek Bordeaux.
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Early in his career, McKnight said he remembered hearing about the Newport Beach Jazz Festival when other artists described it as having a great vibe and a unique ocean-view location. He’s performed at the festival several times, but hasn’t been back since 2014, when he performed alongside R&B superstar Chaka Khan and jazz saxophonist Dave Koz.
“I had heard of it and always wanted to play there,” he recalls. “So now, after playing there, it’s really cool and nostalgic. It’s been such a long time going event and it’s a staple in this part of the country that people look forward to every year.
McKnight said he looked forward to reuniting with the other artists — especially Green, Benét and Miller — who he’s been friends with for years. Due to the pandemic, he said they haven’t had any in-person interactions, so he’ll be sure to take the opportunity to facetime.
“I think, on the artist side and on the fan side, maybe we took it a bit for granted before because we never thought it could be taken down,” he said of the fact of having to take nearly two years off due to the spread of COVID-19. “Now that we’re back on the stages with live audiences, I think we’re going to enjoy it more than ever.”
At the start of the shutdowns in 2020, McKnight released his 16th studio album, “Exodus,” which he said would be his last full-length album of all-original material. But that doesn’t mean he’s done making music, he clarified, as he released a new single, “Faithfully,” in October 2021.
“Because of the way things are with streaming, it lends itself to releasing the best song you’ve got right now and because a song can do what it does, it doesn’t have to be tied down to an album,” he explained. “When I say I won’t be releasing an entire album of new material, that doesn’t mean I won’t be releasing any music. It just means you probably won’t get another album, but there will be more music, It’s certain.
When he wasn’t working on music or hanging out with his family during the pandemic, McKnight was honing his dance moves. He joined the cast of “The Masked Singer” spin-off show “The Masked Dancer” and wore a cricket costume while performing. He reached the fourth episode of the competition.
“I don’t know if there was anything I could have done to do better on this show other than maybe being younger, which I can’t do,” he said. stated with a laugh.
Subaru Newport Beach Jazz Festival
When: 6 p.m. on June 3 and 10:30 a.m. on June 4 and 5
Or: Hyatt Regency Newport Beach, 1107 Jamboree Road, Newport Beach
Tickets: $125 general admission day pass on Saturday or Sunday; $200 general admission pass for two days; One-day VIP pass for Saturday or Sunday for $225. Friday’s VIP concert is sold out; all other passes are available at festivals.hyattconcerts.com.
• The Panthers, winners of the Presidents’ Trophy, were eliminated from the playoffs after the Lightning carried out a sweep in Game 4. Andrei Vasilevsky uh, uh, a lot to do with it.
• Via the Associated Press: NHL and St. Louis police were reviewing threats made against Nazem Kadri following the Jordan Binington collision before Game 4. To put it mildly, Kadri was a huge factor in Game 4, even beyond a wicked hat trick.
• Speaking of collisions with goalies, Milan Lucic did not face additional disciplinary action for hitting the Oilers goaltender mike smith.
• Adam Gretz reviews the biggest surprises of 2021-22 in the latest PHT Power Rankings.
Game 4: Tampa Bay Lightning 2, Florida Panthers 0 (TBL wins series 4-0)
There are many ways to sum up how explosive the Florida Panthers offense was in 2021-22. In a way: No one ruled them out…until the Lightning did to sweep the Panthers in Game 4 on Monday.
While there were periods in these playoffs (against the Capitals and Lightning) where the Panthers didn’t look like that powerhouse team, the effort was mostly there in Game 4. Tampa Bay slowed Florida , sure, but it does sound like one might have expected the Cats to watch against postseason competition.
For all the volume the Panthers sent Andrei Vasilevskiy, none of it mattered. Scroll down to read more about Vasilevskiy in the 3 star section. The short version, though: he had a 49-save shutout.
Throughout the series, the Panthers managed just three goals in four games. Chances are, Sergei Bobrovsky gave up a tough goal or two. But how much can you blame Bob when he receives no goal support?
[NHL Stanley Cup Playoffs 2022 Second Round schedule, TV info]
Ultimately, the Panthers remain the team with the fewest power-play goals of any team this postseason: one, out of 31 attempts. The Stars fell in the first round and scored more (2 for 24).
On a small sample, you can sometimes lose sight of how bad luck can derail a streak. Not all elements of the Panthers playoff game should be cause for concern.
However, there are lingering questions. Why not try charging with Jonathan Huberdeau and Alexander Barkov earlier? Should we have waited for game 4 to give Joe Thorton and her great body any chance? Has Andrew Brunette experienced enough to get the most out of this power play?
Most hauntingly, the Panthers couldn’t win a single game against the Lightning, even with Tampa Bay missing Brayden Point. Claude GirouxIt’s the kind of rental you can only do a certain number of times (especially with the largely empty closet of newbies). Jonathan Huberdeau will only be a bargain ($5.9 million) for one more season.
Although this core is quite young, you don’t always know when you’ve had your best chance. The Panthers shouldn’t panic, but they’re right to miss the Lightning sweep a lot.
Game 4: Colorado Avalanche 6, St. Louis Blues 3 (COL leads 3-1)
Heading into Game 4, Nazem Kadri – and the Blues‘ / their fans’ reaction to Kadri – was a high priority. Yet in a team sport like hockey, the game on the ice doesn’t always reflect the hottest stories.
This one did.
On the way to the first intermission, David PeronSt. Louis’ goal led 1-0. Then a breathtaking second period truly overwhelmed the senses.
In less than five minutes, the Avalanche have scored four consecutive goals. Kadri waved to Blues fans on every goal and inspired violent reactions on the ice. For a while, the Blues really let Game 4 slip away from them, and the Avalanche took advantage of it.
To their credit, the Blues came back in the second period to close it. Still, one goal from Kadri’s hat-trick was the dagger. Que Perron (or Pavel Buchnevich) suspended or not, the Blues now face the prospect of another quick elimination at the hands of the Avalanche.
It might be wise for them to focus more on stopping Nazem Kadri, rather than chasing him. Just a thought.
Three stars from Monday’s NHL playoffs
1a: Nazem Kadri, Avalanche
Another night where it’s hard to tell who put in the absolute best performance of the night (in a good way). Both Nazem Kadri and Andrei Vasilevskiy have cooked up some sensational plays. The pest-star goalie and the brick-wall goalie also had a big impact beyond Game 4 of their respective series.
Under all this surveillance (and the stress of dealing with often racist threats to collide with a goalkeeper), Kadri tormented the Blues and their fans in Game 4. Impressively, Kadri had an impact even beyond his first playoff hat trick. He also landed an assist Mikko Rantanenis empty-net.
Blues players like David Perron and Pavel Buchnevich lost their temper to Kadri. In doing so, Kadri fired penalties. Frankly, it wouldn’t be at all surprising if the extra discipline came with it. (Perron was part of at least of them very dangerous incidents.)
After the best regular season of his career, Nazem Kadri is showing he can be a top player in the playoffs. Maybe that will calm some of the critics of previous playoff suspensions?
(Again, as Game 4 showed us, a lot more could happen between the Blues and Avalanche before this series is over.)
1b. Andrei Vasilevskiy, Lightning
Don’t blame someone if they call Andrei Vasilevskiy “The Closer”.
Again, the Lightning deserve credit as a team for limiting the most dangerous chances. But a 49-save shutout is still impressive work by Andrei Vasilevskiy.
While this is a nocturnal reward, take a step back and consider Vasilevskiy’s talent for stifling the Panthers. He allowed just three goals in those four games, finishing with a .981 save percentage (three goals against on 153 shots faced).
Guardians like Vasilevskiy can sometimes make you look worse than you really are.
Andrei Vasilevskiy has stopped 6.3 goals over expectations at 5-for-5 in this series, 2.1 per 60 minutes.
Since the statistics are available (’08), it is:
– Most 5v5 goals recorded above expectations in a four-game sweep – Highest recorded 5v5 goals above expectations by 60 in ALL series#GoBolts
There’s a real argument that David Perron earned 3-star recognition with two goals. Perron scored 1-0 for an early lead and helped the Blues rally during the wacky second half.
But Perron losing his temper helped the Avalanche build the kind of lead that frustrated that rally.
Both Bowen Byram and Valeri Nichushkin had two assists in Blues – Avalanche Game 4. Each player put up some stunning underlying numbers to boot.
Not all teams have the luxury of winning playoff games when players like Cale Makar and Nathan MacKinnon do not mark. Kadri, Byram, Nichushkin and others helped Colorado win on a relatively quiet night for these go-to players.
TUESDAY NHL PLAYOFFS SCHEDULE
Game 4 (CAR leads 2-1): Hurricanes at Rangers, 7 p.m. ET (ESPN, SNE, SNO, SNP, TVA Sports) Game 4 (EDM leads 2-1): Flames at Oilers, 9:30 p.m. ET (Sportsnet, CBC, TVA Sports, ESPN)
PHT’s 2022 Stanley Cup Previews • Avalanche vs. Blues • Lightning vs. Panthers • Makar and McDavid lead Conn Smythe’s watch after the first round • NHL Second Round Predictions • Scenarios for the NHL’s second round
Cathal Coughlan, acclaimed singer-songwriter from Cork, has died aged 61.
Hailing from Glounthaune in East Cork, the much-loved musician has left a lasting impression on the Irish music scene with his solo material, as well as his work with bands Microdisney, Fatima Mansions and more recently Telefís.
Coughlan died on May 18 after “peacefully slipping away to hospital after a long illness”, according to a statement released today.
Coughlan first entered the Irish post-punk music scene in Cork in the 1980s, forming Microdisney alongside Sean O’Hagan. They would become one of the few Irish bands of the 1980s to achieve international success, even supporting David Bowie in 1988.
The duo quickly became a quintet after moving to London, and the band released five albums to critical acclaim. In 1985, their album The Clock Comes Down The Stairs reached number one on the UK Indie Chart, and their 1987 single “Town to Town” reached the Irish top 40 and number 55 on the UK charts.
After Microdisney disbanded, Coughlan launched Fatima Mansions in 1988, producing five more albums that were also very successful.
They entered the UK Singles Chart Top 10 in 1992 with a reworked version of Bryan Adams’ song “(Everything I Do) I Do It for You”, and opened the European leg of U2’s Zoo TV Tour the same year.
Coughlan has also gone on to have a very successful solo career, releasing six albums, the most recent of which, Songs of Co-Aklan, was released only last year.
It contained contributions from many musicians he had worked with over the previous forty years, including Microdisney co-founder Sean O’Hagan.
Earlier this year, Coughlan released his debut album “a hAon” with the new Telifís, a duo consisting of himself and Irish producer Jacknife Lee.
Coughlan is survived by his wife, Julie, and a memorial service will be held among close friends and family in the coming weeks.
Netflix’s The Lincoln Lawyer series brings positive changes to TV for Mickey’s character by swapping his musical tastes from rap to jazz.
Netflix’s 2022 TV series, Lincoln’s lawyermakes a positive change from Michael Connelly’s 2007 book, The Brass Verdict, shifting Mickey’s musical tastes from rap to jazz. Based on the second novel in the popular book series, Lincoln’s lawyer follows criminal defense attorney Michael “Mickey” Haller Jr. (Manuel Garcia-Rulfo) as he revives his legal career while recovering from a painkiller addiction after a recent surfing accident. Before Mickey can fully recover, he must deal with the biggest case of his career, a high-profile double murder case.
Mickey is Mexican-American of Irish ancestry in the book and TV series, though Netflix Lincoln’s lawyer watch focuses more on his Latino heritage than the book, which emphasizes his Irish-American roots. Although Mickey comes from a very different background than his clients in the books, who are mostly young male drug dealers, he sympathizes with them and listens to rap music as a way to understand their lives. In the TV series, Mickey’s relationship with his father is his source of new knowledge and insight rather than rap music. Instead, it’s jazz music he listens to in his car working on cases.
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Related: Lincoln Lawyer Season 1 Ending Explained (In Detail)
The swap in Mickey’s musical genre preferences is a positive book to filter character change in Lincoln’s lawyer which eliminates racist undertones in the protagonist’s worldview and actions. In the book, Mickey views the world through a privileged, white, American male lens reminiscent of the era. While on the surface his interest in rap music may seem compassionate, it actually reflects the otherness of non-European peoples and cultures that was once common practice in the field of anthropology. It also nods to the problematic use of rap lyrics as evidence against black and Latino rappers and musicians in the courtroom, a practice that is still common.
Anthropology is rooted in colonialism. Historically, the discipline has focused on the study of the primitive “other”, placing whites, primarily males of European descent, as the normative self. Discipline practices have positioned Indigenous communities and people of color around the world as artifacts and sources of data rather than collaborators of knowledge with individual sovereignty. In Connelly’s books, and also alluded to in Matthew McConaughey’s 2011 film, Mickey uses rap music as an anthropological tool to understand the “other” he seeks to help, reflecting the racist roots of anthropology.
Also, there is a history of lawyers submitting rap lyrics as proof of intent and motive by presenting the lyrics as literal confessions and autobiographies. By denying the musicians’ use of artistic license in creating these lyrics, prosecutors are saying that rapping is not art. This racist outlook dehumanizes blacks and Latinos, resulting in unfair court decisions and sentencing. As Connelly flips this narrative through Mickey using rap music in Lincoln’s lawyer books to defend blacks and Latinos rather than prosecute them, it still features racist undertones, including the white savior trope, which are eliminated in the Netflix adaptation.
In Lincoln’s lawyer TV series, Mickey listens to jazz because it connects him to his father and helps him focus. Rather than using jazz as an anthropological tool, Mickey values jazz as an art form, reflecting a sincere relationship with the genre that is not rooted in racism. In doing so, Netflix Lincoln’s lawyer changes the story’s main protagonist for the better and presents a more progressive and modern take on Michael Connelley’s popular legal thriller.
Next: Lincoln Lawyer Season 2: Everything We Know
90 Day Fiancé: Jenny Slatten’s Weight Loss Transformation in Pictures
About the Author
Emma Dacol (4 articles published)
Emma holds a Masters in Film and Electronic Media from American University. She is a documentary filmmaker, writer and educator.
Two South Bay venues are hosting Ukrainian cultural events this weekend to raise funds for Ukrainian relief and increase awareness.
SATURDAY IN CAMPBELL: Bay Area musicians and dancers of all ages will come together tonight, May 21, for a show in support of the war-ravaged country.
The event will feature a multilingual repertoire, with songs in Ukrainian, Russian, Georgian, English and Yiddish. Featured musicians will include Sergei Chumakov, Vadim Rabinovich, Nati Chitadze, Regina Karpovich, Zhanna Shpits, Zhenya Rock and Zaza Korinteli. In addition to adult participants, young singers and dancers from Deep Dance Studio will also perform.
This is the second fundraising concert organized by Friends in Deeds, a Facebook group. Doors open at 5:30 p.m. and music will begin at 6 p.m. at the Starbright Theater, 1770 W. Campbell Ave., in Campbell. The venue owners are donating the space and production services for the concert.
All proceeds will go to Nova Ukraine, a Palo Alto-based nonprofit humanitarian organization, and a representative from the group will speak at the event.
Suggested ticket donation is $30. Tickets can be purchased via PayPal by emailing Friends in Deeds at [email protected]
SUNDAY AT MORGAN HILL: Lightpost Winery, in partnership with Art of Ukraine, will host Ukraine Vyshyvanka Fest at Morgan Hill Winery. The event, which will run from 12 p.m. to 5 p.m., will include dance and music performances, live painting, craft workshops, wine tastings and small bites.
“Our mission is to preserve traditions, dance, art and folklore in order to protect Ukrainian national identity from eradication,” writes Polina Krasnova, founder of Art of Ukraine, on the group’s website at non-profit. “We organize fundraising events and folk craft workshops to showcase the depth of Ukrainian cultural heritage. We want our guests to know that they are not just helping an abstract country in need. They protect an incredibly rich and deep ancient culture – an important part of our shared history on this planet.
In the art workshops, children and adults can make their own vinok, a Ukrainian headdress, from living flowers and greenery; make a motanka doll from flax and string; and learn the art of Ukrainian embroidery.
Free entry; attendees are encouraged to register for a ticket on Eventbrite. Lightpost Winery is located at 900 Lightpost Way, Morgan Hill.
SYRACUSE — Last held five years ago at Onondaga Community College, the Syracuse Jazz Festival is back in 2022 and will return to downtown Syracuse on June 23, 24 and 25. As usual, admission will be free.
“Jazz Fest returns downtown to Clinton Square Friday and Saturday and to area nightclubs Thursday,” said founder and artistic director Frank Malfitano, one of Central NY’s most prominent impresarios. This year will mark the festival’s return to the city center after 20 years in other venues.
Malfitano is particularly proud of this year’s jazz-centric lineup.
“In order to grow festival audiences to attract sponsors, many jazz festivals have been forced to move away from programming jazz, the music they are supposed to represent,” he said. “But this year, Syracuse Jazz Fest returned in full force to its jazz roots with 28 of our 30 100% jazz acts, artists and bands.”
When Clinton Square hosted the Syracuse Jazz Fest in the 1990s, it drew thousands of people every year. This scenario will likely repeat itself as the main stage headliners feature saxophonist David Sanborn’s Electric Band, pioneering bebop singer Sheila Jordan and Scottish funk septet the Average White Band on Friday. And on Saturday, the Zydeco Cha-Chas from Louisiana will take the stage in front of Massachusetts saxophonist Boney James followed by former 5th Dimension singers Marilyn McCoo and Billy Davis Jr.
The festival was last held in Clinton Square in 2000, when headliners Ray Charles, Dave Brubeck, Pete Fountain and Diana Krall drew an overflowing crowd estimated at over 35,000.
Al Stirpe, Assemblyman for New York’s 127th District, was among them.
“The best thing I remember years ago when I came to Jazz Fest downtown was how many people would be here after the shows,” Stirpe said April 19 as Malfitano announced this year’s headliners.
“They were going to bars and restaurants,” Stirpe said. “There would be more music there. Everyone stayed downtown for a long time, spent a lot of money and I think that’s really the best thing we can do right now.
Onondaga County and the City of Syracuse each pledged $125,000 to support this year’s 36th festival, and Malfitano also secured an additional $150,000 for a new presenting sponsor, Amazon.com.
“We couldn’t be more grateful to New York State, Onondaga County, the City of Syracuse, U.S. Senator Chuck Schumer, and Amazon for bringing Syracuse Jazz Fest back to downtown Syracuse in June,” Malfitano said. “We are all thrilled to see this long Syracuse summer tradition return, and it simply wouldn’t have been possible without the support of Amazon.”
2022 Syracuse Jazz Festival Schedule
On the first day of the festival, Thursday, June 23, nearly two dozen of CNY’s hottest combos will be showcased at various downtown venues such as Funk ‘n Waffles, Fitz’s, The Gilded Club, the Press Room Pub and the Mezzanine of the Landmark Theatre. (see below).
And here is the program for Friday, June 24 on the main stage in Clinton Square:
4pm Salt City Jazz Collective 5:45 p.m. Sheila Jordan Threesome 7:30 p.m. David Sanborn Electric Band 9:15 p.m. Medium white band
Here is the program for Saturday, June 25 on the main stage in Clinton Square:
4:00 p.m. Nathan Williams and the Zydeco Cha Cha’s 5:45 p.m. Urban knights 7:30 p.m. Boney James 9:15 p.m. Marilyn McCoo and Billy Davis, Jr.
For more information, visit syracusejazzfest.com.
Downtown venues will be buzzing on opening night
More than 100 local musicians and bands, including national artists Nancy Kelly, Ronnie Leigh and Bob Holz & A Vision Forward, will perform on opening night as part of this year’s Syracuse Jazz Fest on Thursday, June 23, in downtown Syracuse.
Twenty CNY-based jazz bands will perform at 20 different venues that day to kick off this year’s festival.
“The Syracuse jazz scene has so much incredible talent, we wanted to do everything we could to showcase our local stars at Jazz Fest 36 for all of the out-of-town visitors and guests who will be coming from all over the United States. and Canada,” Malfitano said. “Syracuse has had so many great jazz musicians and artists over the years, and they all deserve to be seen and heard by a wider audience. With over 100 Syracuse jazz artists appearing on our stages and thousands of visitors expected, this year’s lineup may prove to be the best ever.
Participating opening locations include the Press Room Pub, Pastabilities, The Fitz, Mulrooney’s, Benjamin’s on Franklin, Clinton Street Pub, Saltine Warrior, Tasting Room at Epicuse, Modern Malt, The Gilded Club, Kitty Hoyne’s, Funk’n’Waffles , Wunderbar, The Weighlock Lounge, Bar and Board, Redfield’s, King of Clubs, The Corner Bar, Kasai and the Grand Mezzanine of the Landmark Theatre; syracusejazzfest.com.
Eagle Newspapers entertainment writer Russ Tarby recommends:
4:00 p.m. Joe Davoli’s Hot Club of Syracuse at Kitty Hoyne’s
5 p.m. The DiCosimo-Pagan Latin Jazz at the Wunderbar
6:00 p.m. The Carol Bryant Quartet at the Gilded Club.
7 p.m. ESP at the Corner Bar
8pm Jazz Horn Legacy Sextet by Jeff Stockham at the Press Room Pub
9 p.m. The Jazz Mafia at the King of Clubs
Bebop singer Sheila Jordan sings here on June 24
When Sheila Dawson dropped a dime in a Detroit restaurant jukebox in the late 1940s and listened to Charlie Parker’s The Reboppers’ “Now’s the Time,” she was immediately hooked – and so it was. his jazz journey of more than 70 years began.
Working primarily with black musicians, she met with disapproval from the white community but persisted in her career. She was a member of a vocal trio, Skeeter, Mitch and Jean (she was Jean), who sang versions of Parker’s solos in a manner close to that of the vocal trio, Lambert, Hendricks and Ross.
After moving from Detroit to New York in the early 1950s, Dawson married Parker’s pianist Duke Jordan and studied with improvising pianist Lennie Tristano, but it was not until the early 1960s that she realized her first recordings. One of them was under his own name; the other was “The Outer View” with George Russell, which featured his famous 10-minute version of “You Are My Sunshine”.
Over the years, Jordan has become famous for her sultry, springy vocals, sudden, innovative pitch changes, and creative flourishes.
Later in her career, in 1993, she collaborated with Fulton-born bebop singer Mark Murphy on an album called “One for Junior”.
Now 93, her voice remains strong and she remains active. On May 14 and 15, she was scheduled to perform at historic New York nightclub Birdland with the Royal Bopsters.
When she appears on the main stage of the Syracuse Jazz Festival in Clinton Square at 5:45 p.m. on Friday, June 24, she will be accompanied by Westchester bassist Harvie S and Israeli jazz guitarist Roni Ben-Hur.
Veteran jazz critic Scott Yanow considers Jordan a unique vocalist.
“She is one of the few singers who can improvise logical lyrics that often rhyme,” Yanow wrote. “She’s a superb scat singer and she’s also an emotional performer of ballads.”
DENVER — Between the new line combinations and the wrinkles — using five power-play forwards — there was one big constant for St. Louis: Jordan Binnington.
Stellar in goal once again.
David Perron scored twice as St. Louis juggled offensive pairings, Binnington made 30 saves and the Blues beat the Colorado Avalanche 4-1 on Thursday night to tie their second-round series at one game apiece.
Jordan Kyrou added a goal and Brandon Saad sealed it with an empty net for the Blues, who delivered another superb performance from Binnington. The Blues goalie stopped 51 shots in a 3-2 overtime loss in Game 1.
Binnington is showing his 2019 form, as a rookie he led the Blues to a Stanley Cup title with a 16-10 record and a 2.46 goals-against average.
It was also his 20th career playoff victory. There are only two other goaltenders who have had as many playoff wins as he has since 2019 — Andrei Vasilevskiy (40-21) and Tuukka Rask (22-16), according to NHL Stats.
“We played a connected hockey game,” Binnington said. “We just talked about controlling the puck and backing up hard and trying to outnumber them all over the ice. We have done an excellent job.
Gabriel Landeskog scored on the power play early in the third for Colorado to make it 2-1. But Perron responded immediately with his seventh goal of these playoffs.
Darcy Kuemper stopped 28 shots. Two of the goals he allowed were redirected off a defenseman’s stick.
The difference in the game was this: Nathan MacKinnon and the Avalanche found the ice to be in short supply against a physical, more efficient and more determined Blues team.
“We didn’t land our jump tonight,” said MacKinnon. “Our execution was called off. Yeah, I wasn’t feeling it, I was just fighting it there. It’s unfortunate, but it’s 1-1.”
Game 3 is Saturday in St. Louis.
Among the Blues’ line changes was the pairing of Pavel Buchnevich with Ryan O’Reilly and Perron. Buchnevich finished with two assists.
“We made some good plays,” said Perron. “We also think we can be even better, which is a good sign.”
The Blues had a 5-3 advantage late in the second period when Devon Toews was called for tripping and Valeri Nichushkin for interference with the goalie after hitting Binnington, whose stick went flying. The Blues went with five attackers on the game.
Perron made them pay when his understudy deflected off the stick of Josh Manson – who scored the OT winner in Game 1 – and passed Kuemper.
Earlier in the second, Kyrou’s shot deflected off defender Samuel Girard’s stick and over Kuemper’s shoulder.
“It’s the playoffs right there for you – a big roller coaster,” Perron said. “Obviously we didn’t feel good about ourselves that last game. We probably had two or three players who had good games. That was it. And tonight we had a lot more guys and it was important to find a way to win one here on the road.
Colorado defenseman Cale Makar was rocked late in the first period when he fell to the ice and hit his leg on the post, knocking the goal off its moorings. He skated cautiously to the bench, but was back on the ice after intermission.
That remains a cloud over the Avalanche: They’ve been knocked out of the playoffs the past three seasons in the second round.
“It’s a game,” Avalanche coach Jared Bednar said. “We knew it was going to be a long and difficult series. They answered… Now the responsibility lies with us.
With his second goal of the series, Kyrou joins the list of Blues players who now have five or more goals in this post-season. He joins O’Reilly (six), Perron and Vladimir Tarasenko (five), giving the team the most scorers with five or more in the playoffs.
O’Reilly’s scoring streak in five consecutive games has been halted.
MacKinnon and Mikko Rantanen got assists on Landeskog’s goal. It’s the 13th time the three have all considered the same playoff goal. It’s the second-most three teammates in franchise history, behind just 14 from Peter Forsberg, Valeri Kamensky and Claude Lemieux.
MIC’D UP MANSON
Manson was wear a microphone in Game 1 when he scored his goal in overtime. He captured all the screams as he and his teammates celebrated. One of the first to greet him was Girard.
“I actually didn’t know,” Girard said of Manson’s microphone.
Namibian musician Garth Prinsonsky has won a music award at the Juno Awards in Toronto, Canada.
Prinsonsky, who uses the stage name Garth Prince, won in the “Children’s Album of the Year” category.
The awards are presented annually to Canadian artists and musical groups to highlight their artistic and technical achievements in all musical genres.
The awards are the equivalent of the Brit Awards in Britain or the Grammy Awards in the United States.
Nine winners are selected from forty-two categories.
Prinsonsky, who began his musical career in Walvis Bay with the Mascato Youth Choir, moved to Canada about 12 years ago and began teaching African music in Canadian schools.
The 39-year-old father of two has released a children’s music book called Grazing Back Home, featuring original and folk songs, including “Tate wetu” in 2020.
“It feels like a dream. Africans are starting to make an impact on the global art scene. This award puts me in a good position to maximize the opportunity to bring Namibian-inspired music into every home. Canadian home. I’m going to make a plan to share what I’m learning here with kids in Africa,” Prinsonsky said.
This is the first time that an African-inspired music producer has won such an award in Canada.
CHICAGO — In less than two weeks, Sueños, Chicago’s first-ever reggaeton music festival, will take over Grant Park on May 28-29.
Headliners include Ozuna, Mike Towers, Farruko El Alfa, J Balvin and Wisin and Yandel.
WGN News Now spoke with Aaron Ampudia, co-founder of Sueños, about what festival-goers can expect and how organizers are already making an impact within the community.
“People can expect a really fun Latin festival where you can enjoy all things culture,” Ampudia said. “Whether it’s the music or the food we’re going to bring on site with all the local vendors, drinks like micheladas for everyone 21 and over. It will be a cultural feast.
On Saturday May 14, the festival management announced its first donation initiative through a grant to support a new media center for young people, as well as improvements to the Segundo Ruiz Belvis Cultural Center (SRBCC). The space will provide space and amenities to support the creative expression of Latino students in the city of Chicago.
“Whenever we enter a city with a festival that we organize, we like to add value to the city,” Ampudia said. “We donated $50,000 to the Segundo Ruiz Belvez Youth Media Center. With this, they will be able to expand all the resources for young people in Chicago. »
As well as buying day or weekend passes for the festival, Ampudia says attendees should be prepared to have a good time.
“We’ve worked very hard with the city and our partners to put on a really fun and safe festival,” Ampudia said. “Chicago will be busy with Memorial Day weekend and the weather is looking really nice.”
What to expect:
*Huge main stage
* Multiple bars
* Local Latin food vendors
*Free water stations
*Art, activities and more!
From hotels to parking lots to airports, the Sueños team has prepared recommendations to help you plan your trip.
A list of afterparties has also been released for fans who want to extend their fun to bars and music halls in the area.
Singer Josephine Beavers, the Chicago singer who generated national media coverage for her career revival in her middle years, will make her major West Coast debut at the Catalina Jazz Club on Wednesday, May 25 at 8:30 p.m. She is introduced by Mike Stoller (of Leiber-Stoller) and his wife Corky Hale, and Corky will also make a special appearance. Beavers will be accompanied on the piano by her musical director, Ed Vodicka.
Beavers, who won acclaim from leading jazz critics for her recent performance at Feinstein’s/54 Below in New York, gave up her career as a youngster to care for her four children and tend to her husband’s business. husband, and resumed her career at an age when many are retiring. His new album, “Prime Time”, is currently climbing the jazz charts. Critic Jeffrey Lyle Segal reported in the Times Square Chronicles, “If you’re ever worried it’s too late to do what you want to do, seek inspiration from jazz singer Josephine Beavers, who will prove you wrong. Mrs. Beavers is a warm and elegant person. , a beautiful woman of a certain age, who has both a lively style and a masterful mastery of her instrument. In what was both her debut as a professional singer and her debut with Feinstein/54 Below, this native of Chicago has shown that talent has no age. “
Corky Hale is an internationally acclaimed jazz harpist, pianist and singer who has also backed a who’s who of iconic artists such as Billie Holiday, Frank Sinatra, Barbra Streisand, Peggy Lee, Anita O’Day, Tony Bennett, Chet Baker and George Michael, among many others.
The Catalina Jazz Club is located at 6725 Sunset Blvd. at Hollywood. The telephone for reservations is 323-466-2210.
The first round of the 2022 Stanley Cup Playoffs was a doozy, with five series going to Game 7 — and two of those Game 7s going to overtime.
We now enter the second round, which includes four superb matchups: the Florida Panthers against the Tampa Bay Lightning, the Carolina Hurricanes against the New York Rangers, the Colorado Avalanche against the St. Louis Blues and the Calgary Flames against the Edmonton Oilers.
It’s time for our pundits to post their predictions on the four teams that will approach the Stanley Cup Finals, which returns to ABC this season.
After: Full playoff schedule Cycle 1 lessons Off-season keys for eliminated teams
Sean Allen: Panthers in six Blake Bolden: panthers in seven Brian Boucher: Panthers in six John Bucgross: panthers in seven Ryan Callahan: Panthers in six Cassie Campbell-Pascall: lightning in six Sachin Chandan: panthers in seven Linda Cohn: panthers in seven Rick Di Pietro: panthers in seven Ray Ferraro: panthers in seven Lea Hextall: panthers in seven Emily Kaplan: lightning in seven Tim Kavanagh: lightning in six Hilary Knight: lightning in seven Don La Greca: panthers in seven Peter Lawrence-Riddell: lightning in six Steve Levy: panthers in seven Victoria Matiash: panthers in seven Sean McDonough: panthers in seven Mark Messier: lightning in seven AJ Mleczko: lightning in seven Arda Ocal: lightning in six Kristen Shilton: lightning in six John Tortorella: panthers in seven Kevin Weekes: lightning in seven Bob Wischsen: panthers in seven Greg Wyshynski: Panthers in six
Consensus choice: Panthers, 17/27
Allen: Rangers in Seven Fat : Hurricanes in six Butcher : Hurricanes in six Buccigrosse: Hurricanes in seven Callahan: Hurricanes in six Campbell-Pascall: Hurricanes in five Chandane: Hurricanes in five Cohn: Rangers in Seven Di Pietro: Hurricanes in six Ferrari: Hurricanes in six Hexlarge: Hurricanes in six Kaplan: Hurricanes in seven Kavanagh: Hurricanes in six Knight: Hurricanes in six La Greca: Hurricanes in six Laurent Riddell: Hurricanes in seven Sample: Rangers in Seven Matiash: Rangers in Seven McDonough: Hurricanes in seven Sir: Rangers in six Mleczko: Hurricanes in seven Ocal: Rangers in Seven Shilton: Hurricanes in six Tortorella: Hurricanes in six Weeks: Rangers in Seven Wischusen: Rangers in Seven Wyshinsky: Hurricanes in five
Consensus choice: Hurricanes, 19/27
Allen: Avalanche in five Fat : Avalanche in six Butcher : Avalanche in six Buccigrosse: Avalanche in seven Callahan: Avalanche in seven Campbell-Pascall: Avalanche in six Chandane: The Blues in six Cohn: Avalanche in seven Di Pietro: Avalanche in seven Ferrari: Avalanche in six Hexlarge: Avalanche in five Kaplan: Avalanche in six Kavanagh: The Blues in seven Knight: Avalanche in seven La Greca: Avalanche in five Laurent Riddell: Avalanche in six Sample: Avalanche in five Matiash: Avalanche in six McDonough: Avalanche in seven Sir: Avalanche in seven Mleczko: Avalanche in six Ocal: Avalanche in five Shilton: Avalanche in seven Tortorella: Avalanche in six Weeks: The Blues in seven Wischusen: Avalanche in six Wyshinsky: The Blues in seven
Consensus choice: Avalanche, 23/27
Allen: Flames in six Fat : Flames in Seven Butcher : Flames in six Buccigrosse: Flames in six Callahan: Flames in Five Campbell-Pascall: Flames in six Chandane: Flames in six Cohn: Oilers in six Di Pietro: Flames in six Ferrari: Flames in Seven Hexlarge: Flames in six Kaplan: Flames in six Kavanagh: Oilers in seven Knight: Flames in six La Greca: Flames in six Laurent Riddell: Flames in Seven Sample: Flames in Seven Matiash: Flames in Seven McDonough: Flames in Seven Sir: Oilers in six Mleczko: Flames in six Ocal: Oilers in seven Shilton: Flames in six Tortorella: Flames in six Weeks: Flames in Seven Wischusen: Flames in Seven Wyshinsky: Flames in Seven
the Kendall Square Orchestrawhich Spencer directs as a volunteer CEO, played two gigs at the CambridgeSide mall last year, near the Bath and body care shop. On May 23, the orchestra returns to symphony hall in Boston for the second time – and the first since the pandemic hit. Over 600 tickets have been sold to date; profits will go to Girls Science Club.
The night should be a triumphant return to form for K2O, as the group calls itself, after COVID-19 put their initial schedule on hold. The pandemic put a damper on live performances, but the number of orchestra members still grew steadily. K2O held two pop-up outdoor performances: once in September 2020, when strict gathering limits were in place (musicians moved to another location if crowds grew too large), then again in May 2021 The band then held two performances. to first churchin Cambridgealso.
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“We play in all kinds of unexpected places,” said Spencer, whose day job is chief of staff at Pfizerof the Inflammation and Immunology Unit. “We don’t really limit ourselves to ‘what should an orchestra do?’ concept.”
This group of somewhat unorthodox classical musicians — the vast majority working in technology or life sciences — was launched more than four years ago with funding from Pfizer. By early 2019, it had become a separate non-profit organization. This year, it has the financial support of more than a dozen companies present in Kendall Square.
Spencer, violinist, launched K2O with her friend Kelly Clarkpianist and former Pfizer employee who now leads project and portfolio management at Dew point therapy. Their goal: to create a different type of networking organization for people who work in Kendall Square. (Clark acts as the band’s chief financial officer.) K2O first rehearsed at Pfizer’s offices on Main Street, but the musicians now practice in a dance space outside a store in a BioMed Real Estate-building belonging to 650 East Kendall St. (with shoes left at the door, so as not to scrape the floor). K2O’s budget is around $100,000 per year.
“The magic that happens when people come together and form something greater than the sum of the parts is truly exhilarating,” Spencer said. “[And] when you bring people together for something like music, and they walk away from the experience they were having all day, they come back refreshed.
Mayors make their case in Beacon Hill
The hottest gathering place for Massachusetts mayors last week was a State House courtroom, where members of the Legislature’s Economic Development Committee accepted testimony on the government’s bill. economic development that the governor charlie baker filed in April. Much of the testimony was delivered in person, but some mayors teleported by videoconference. The senator too Eric Lesserthe co-chair of the committee, who was away because he was recovering from an episode of COVID-19.
Baker’s bill would spend nearly $3.6 billion, a mix of federal stimulus funds and government bond proceeds. Baker, who testified in person on behalf of his bill, included appropriations totaling hundreds of millions of dollars for local projects. And the mayors – a long procession, in fact, going from Ruthanne Fuller from Newton to DominicaSarno of Springfield – are eager to see the funding flow to them.
The testimony began to become repetitive during the meeting that lasted over four hours. Mayor of Melrose Paul Brodeura former state representative, joked that “‘It’s been said, but not everyone has said it,’ that might apply here.”
from Agawam Bill Sapelli offered a unique touch: an amusement park. After Sapelli asked for help with local stormwater projects, the representative jerry parisellethe other co-chair of the committee, asked if people were going back to Six flags of New England after a pandemic-induced slowdown.
“They’re back, wide open again, so come join us,” Sapelli said. ” Come visit. Spend money in Agawam. We need to have fun today.
Amen to that, Bill.
Biggest job for B of A boss in Boston
As CEO of Bank of America, Brian Moynihan is obviously the most prominent person in the Greater Boston bank. Given Moynihan’s travel schedule and the fact that the bank’s headquarters are in Charlotte, North Carolina, there is another executive who is usually more visible locally: Miceal Chamberlain.
Chamberlain was long the chairman of Bank of America in Massachusetts, a role that made him a near-ubiquitous presence on Boston’s business group events circuit. But now he has another job at the bank: head of the Northeast region for the global commercial bank. He recently balanced the role of state chairman with management work in global markets, serving the city’s investment community on behalf of B of A. In his new role, Chamberlain will lead a team that provides a range of banking services for medium and large businesses. large companies – up to $2 billion in annual revenue – in the Northeast. He’ll still be doing the rounds in his Massachusetts market president’s hat.
“We cover such a wide range of industries and customers,” Chamberlain said, noting that businesses are facing everything from labor shortages to inflation to rising interest rates. . “What’s exciting is really getting to know these customers and seeing how we can help them.”
In your face at Fort Point
Here’s the thing about rubbing artists the wrong way: don’t be surprised if their frustration ends up in a work of art.
That’s exactly what happened at 249 A St. in Fort Point, a brick building that houses an artists’ cooperative. The building faces a large parking lot along Fort Point Channel which Beal associates is planned to redevelop – a 6.5 acre project known as Channel side — with two new commercial buildings and a residential structure. The artists who live at 249 A recently hung two banners on the side of their building, emphasizing their desire to retain the originality of the brick-and-beam neighborhood, with the sayings “We are Fort Point” and the other, ” Not Another Seaport.” Also featured is a drawing of a woman flexing her arm, a mashup of wonder woman and Rosie the Riveter.
Domingo Martin Barrerespresident of the 249 A cooperative of street artists, designed the 20 foot by 10 foot banners. He said his organization was particularly concerned about the height of two of the three related buildings, which would be significantly taller than existing zoning allows. He fears they will irrevocably alter the fabric of the Fort Point community.
Related Executive Vice President Stephane Faber said the company had benefited from a “very engaging process” with the neighborhood. He notes that the project will bring several benefits to the community, including a new park. Two of the three buildings will feature brick exteriors, although the third will feature a predominantly glass facade (similar to all other new buildings in the adjacent Seaport area).
“We recognize there’s a desire for this to be cohesive and to react well design-wise with the neighborhood,” Faber said. “We expect our development to run on that.”
It remains to be seen whether Barreres can be convinced of this. For now, the banners remain in place, although Barreres will briefly remove them on Thursday to give them a facelift before they are rehung. This work of art, it seems, is still in progress – like much of the South Boston waterfront.
PUNTA GORDA, Florida — Florida is known for its fishing, but some of the bite in the Gulf is affected by overfishing.
According to NOAA’s Fish Stocks Report, four local fish in southwest Florida are listed as threatened. But that hasn’t stopped the Punta Gorda Seafood Festival this year.
“We’ve got crab, we’ve got shrimp, lobster – you name it, we’ve got it!”
On the beautiful shores of Laishley Park, the food is cooking.
“Punta Gorda is just a really beautiful area,” says Ron Soto, chief financial officer of Paragon Festivals. “First of all, we’re here on the river, you have the Gulf of Mexico right there, that says seafood! So come, enjoy and have a bite to eat.
Some of those offering a little nibble were those with HammerHeads restoration.
“The only advice I’ll give you is that if you can’t see it prepared in front of you, it could be compromised,” says HammerHeads co-owner Sandy Thomas. “I mean, what makes ours good is that we cook it fresh, little by little and often throughout the day.
One of HammerHeads signature items is none other than their shrimp and grits.
“It can change in a minute, I mean, it’s definitely possible,” says Thomas. “One day the bouillabaisse sells out and the next it doesn’t so we cook less and then everyone wants it. So basically everything is based on demand.”
Supply and demand that seem to be even more instrumental than ever. As certain restrictions exist on what can and cannot be caught.
“There are now all kinds of laws that protect these fish,” Soto says. “But yes, when the groupers were like that, now they are a bit like that. But everything is fine.”
It may change what the chefs serve, but it certainly didn’t spoil the spirit of the clientele.
“I mean when you’re dealing with a lot of good fish, it’s very expensive to buy and if people don’t buy it, you end up throwing it away,” Thomas said. “So I prefer to stick with something I know people are going to buy and want.
The Utah Jazz could not get out of the first round of the playoffs. Despite seeing six straight playoff berths, the Jazz have only been to the second round and have never taken a second-round series past Game 6.
In the face of an offseason of uncertainty, it seemed like a good time to open the mailbag and talk about some of the pressing things on the minds of jazz fans.
In your opinion, does it make sense to make Donovan the point guard?
I think Donovan Mitchell as the primary ball handler alongside more wingers makes the most sense if you’re going to move forward with Mitchell. Such a move would demand a lot from Mitchell, but that’s what should be expected of him at this point and if he can’t make the right adjustments then we may have to reassess Mitchell’s cap.
Mitchell is going to have to get even better defensively and he’s going to have to be able to play against some really shrewd and fast playmakers. In addition, he will have to be able to find the right balance between creating and playing in relation to the score. That’s not to say there isn’t a right time and place for him to pick up the ball and get a bucket, but he has to know the right time and place and also initiate a movement of ball that will keep the defense on its toes. .
I still think there’s another level for Mitchell that we haven’t seen, and I think setting him up as the primary ball handler will give him the opportunity to prove his mettle.
Who would be the optimal 3rd star to partner with Don and Rudy?
There are a lot of teams over the last few years who would have been very happy to have Mike Conley or Bojan Bogdanovic as their third best player or their third option. At this point, I think the question we should be asking is, can a team win it all with Donovan Mitchell and Rudy Gobert as their two best players?
If we are not there yet, we are very very close to being able to say that the Mitchell-Gobert duo will not be good enough to win everything.
I think that’s where the Jazz are right now and I think that’s the question they have to grapple with this offseason. If they believe there’s still some retooling that can make it work, then maybe they’re giving this duo one more chance. But, I don’t think it’s a third star issue.
I would add to this question: what could be a reason to want them in the game besides an ego trip for Ryan? I think having the best team possible would pump his ego more than an extra player in the ASG. But what do I know? 🤷🏻♂️
An all-star game draws large crowds to the host city, as each team and player is accompanied by PR teams, coaches, publicists, stylists, support teams, agents, family and friends. There are entertainment teams and representatives from every sponsor and that doesn’t even get into all the people it takes to put on the shows and the festivities and the former players and the coaches and, and, and.. .
But even with all those people, the home team still has to sell tickets for all the events and games and it’s a lot easier to do all of that when there’s strong home team representation. If you think ticket sales and the ability to market a competitive team with established stars isn’t in the spirit of the Jazz, you’re wrong.
The NBA is a business and every team really wants to win, but they also want to make money. Now, there’s a point where those two things go hand in hand, but sometimes sacrifices are made to make the money at optimal times and All-Star weekend isn’t something the Jazz are going to ignore. .
Do we learn anything new about last year’s Jazz team after watching this Mavs/Suns series? Before they started, I was sure the Suns would be swept away by the gentleman.
I don’t think anyone has seen the Phoenix Suns-Dallas Mavericks series go the way it did. But regardless of how it ended, I think there are a few really important things we can highlight in order to better understand the Jazz team from last year.
First, there will be games in the playoffs where even the deadliest teams go cold. You just have to hope it’s the start of a streak and you’re able to bounce back. Poor shooting performance isn’t unique to the Jazz and that doesn’t mean they’re a bad scoring team.
What is perhaps even more important, especially when you are not in an offensive rhythm, is that in the playoffs, you have to be able to count on your defense. When I watch the Mavericks and compare it to what I’ve seen of the Jazz, it makes me realize that the Jazz just weren’t good enough defensively to handle the deeper playoff rounds.
Not only did I think the Jazz were too small and not changeable enough, but when you look at the way the Mavs were rotating even when deploying double teams, they were leagues ahead of the Jazz. The Jazz weren’t disciplined enough defensively to do what Dallas did.
I think you need the right personnel, but you also need a level of focus and determination on that side of the ball. Jazz must do better.
You are the general manager, what is a job you would do and a free agent you would look for?
If I had to answer that question conservatively and the way I think I can imagine the Jazz actually working, I’d say trade Mike Conley, Rudy Gay, and maybe Nickeil Alexander-Walker. Maybe there’s a deal to be done with the Atlanta Hawks for John Collins or Kevin Huerter or maybe the Indiana Pacers might want to part ways with Malcolm Brogdon. I’ll have other business ideas later in the offseason, but that’s kind of out of my head.
You could tackle one of the Golden State Warriors free agents like Juan Tuscano-Anderson or even Damian Lee, or maybe something more ambitious like Victor Oladipo after his run with the Miami Heat. Keep Juancho Hernangomez and Danuel House Jr., expand Jared Butler and see what we can do.
But that would be the conservative approach.
If I’m being completely honest and was the general manager in charge of making the Utah Jazz roster decisions, I’d trade everyone. Every big contract should go away and I would get as many expiring offers and future picks as possible, then try to do a quick rebuild over the next two to three years. But I am a kind of carefree person who would disregard any caution. If I was the general manager, I would destroy everything and try a different approach.
What is the team’s strategy to fill out their summer league roster? Is Zaire Wade in the game?
From what general manager Justin Zanik said after the season, it sounds like the Jazz really want Jared Butler to play summer ball, along with some of the other young players over the past two seasons.
Remember, the past two years have been really weird for the NBA. There was no 2020 Summer League and barely any pre-season for the 2020-21 season, the off-season was cut short last year and Butler couldn’t play, so I think there will be a lot of emphasis on him and other players which could include Udoka Azubuike and even Trent Forrest.
Other than that, I would expect some of the Stars players, including Zaire Wade, as well as undrafted players to be hoping to make a splash this summer.
Could you give us an overview of what you do on match day?
Well, what writers do on a game day depends on what city we’re in, if the game is back-to-back, if we’re traveling on game day, and some other variables. But it usually all starts with a team shootout, followed by interviews. These interviews can be based on the game or upcoming games or we can do individual interviews for an upcoming project.
After shooting, we have lunch, and then there’s usually a bit of writing that we have to do. There may be radio, podcast or TV spots that we have agreed on and then prepare for the game. If we are lucky, we will have time to take a nap, because we will wake up quite late that night.
Visit the arena a few hours before the match starts, do pre-match interviews with the coaches of both teams, mingle around the arena and meet sources or speak with players and coaches , have dinner and then get ready for the game to begin.
I usually write and tweet throughout the game, then drop an instant analysis shortly after the final buzzer. Then we have to run to the interview rooms from wherever we are seated to do post-match interviews with players and coaches.
Sometimes post-game is a good time to meet with executives, players, or other sources, but then there’s more game movie writing and editing to do. By the time we’re done with everything, it’s usually past midnight. And we all live happily ever after.
All the highlights between the Blues and the Reds in Super Rugby Pacific. Video / Sky Sport
The Blues are close to establishing themselves as the top seed in the Super Rugby Pacific playoffs, but they are far from done improving their performance.
With their 53-26 win over the Reds in Auckland, the Blues hold a seven-point buffer atop the ladder, and a victory over the Brumbies in Canberra on Saturday would see them end the regular season there.
With two rounds remaining, it’s a target Blues coach Leon MacDonald wants his team to hit – whether it’s against the Brumbies or next week against the Waratahs, and he believes continued construction will make that happen. .
“We don’t want to lose momentum. It’s important that we keep building,” MacDonald said.
“We don’t want to go back and it’s easy for us to pick ourselves up for such an important game against the other top team. What we want to take away from next week is a better performance than this week. We just want to keep improving every week.”
Part of that will depend on the health of the team. At the end of the season, it is often the case that the depth of the team can play a role, and how a team uses their bench can also be a factor.
“We’re starting to see now throughout the competition that some teams are really starting to struggle with some injuries, so it’s important that we have good depth across the squad.”
The Blues could struggle to improve their attack. Against the Reds at Eden Park, their forwards carried hard and quickly broke down, allowing space in the back line to move, which was well used. Beauden Barrett and Stephen Perofeta worked well as double play threats, with each backline player having impressive moments.
In their last two matches, the Blues have run from 19 tries and scored 124 points, and their plus-183 differential is a Super Rugby best of 52 points.
However, MacDonald acknowledged some defensive concerns. Although mostly defensively solid, the four tries scored by the Reds all came a bit easily – with two of the pick-and-go game close to the line, before Reds full-back Jock Campbell was successful a double at the end of the counterattack.
“There are always things we want to improve. We won’t be happy with some of the defensive work on our try line, and some of our discipline and decision-making on the breakdown.
“Most of the time we give penalties out of concern and eagerness to do well for the team, but sometimes [it helps] be a bit smarter and don’t give the ref pictures to ping us. We trust our D, our D looks really good in the phases, so we probably just need to be a bit smarter there.”
Baz Luhrmann’s next release Elvis biopic (June 24) is further proof that musicians often make the best subjects for movies. Although many great musical films have been produced about famous artists, there are still glaring omissions in the biopic genre of musicians.
Rock royalty like Led Zeppelinfor pop superstars like Britney Spears, there are still plenty of compelling musical stories to tell on screen. While almost any famous musician would be somewhat interesting, Reddit users have taken to the site to mention artists they think deserve a biopic.
VIDEO OF THE DAY
ten talking heads
The late 1970s and early 1980s were a hotbed of interesting New Wave music that combined elements of past genres in a whole new style. A deleted user mentioned one of the preeminent new wave bands when he wrote “Talking Heads. My idea of making one is to make a sequel to True stories with David Byrne still playing the stranger but talking about David’s life”.
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Extremely popular in their day and today, the Talking Heads’ music is instantly recognizable. Accustomed to the cinema, the singer of the group, David Byrne, even made his own quirky film entitled True stories. If a film were made that involved the creative energy of the band members, it would be a surefire box office success.
9 tom is waiting
Some musicians are hard to pin down and their catalog defies typical genre or style labels. User MattN92 referred to such an artist when he said “I feel like there’s a Tom Waits movie out there, not necessarily a movie about his real life events, but a movie where the line between reality and fantasy is constantly blurred”.
He had a career spanning five decades in music and even had a prolific acting career that landed Waits big roles. What makes him so special is that his music is unlike any other. His lyrics invoke a lot of imagery, and it wouldn’t be hard to import that lyrical style into a movie.
8 pink floyd
Some bands are instantly recognizable and their legacy has extended far beyond even the music for which they are known. When discussing which biopics they would like to see, user VictorBlimpmuscle wrote “I would like to see one about Pink Floyd that focuses on Syd Barrett”.
British psychedelic hitmakers Pink Floyd are best known for their hugely popular period which saw the release of albums like The dark side of the moonand the legendary Rock Opera The wall. However, their beginnings are a fascinating story, and the departure of founding member Syd Barrett was a major turning point in the life of the young band which is full of cinematic drama.
7 Led Zeppelin
The 1970s saw the rise of Arena Rock, and a select handful of bands lived up to that lofty title. One deleted user saw a glaring omission in the musical biopic genre when he wrote “Very surprised no one mentioned Led Zeppelin… I feel like they’re an obvious choice, huge super band who was so closely related that it split instantly when one of their own died”.
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There’s no denying that Led Zeppelin are one of the greatest bands in rock ‘n’ roll history, and they find new fans with each successive generation that listens to them. They would certainly put butts in seats at the cinema, but coming up with a narrative could be tricky. However, if a biopic were to focus on the music and its legacy, there’s no doubt it would be a hit.
6 Towns Van Zandt
Country music films are rare, but they have proven to be a rich source of filmmaking when done correctly. User No-Standard-9727 thought a country musician deserved a biopic when he wrote “Townes Van Zandt would be interesting”.
Although he never reached the heights of the country music scene, folk-country icon Townes Van Zandt has inspired generations of singers. His life story was filled with tragedy and triumph, and there was a certain poetic nature to his biography that oddly echoed his own songs. Although it’s probably not a blockbuster, a Townes Van Zandt film would have the opportunity to be a beautiful thing.
5 Daniel Johnson
If the documentaries are any proof, the stories of some musicians are enough to keep even non-fans watching. User BrandTheBroken opted for an obscure biopic choice when he commented “Daniel Johnston. If you don’t know his story, you should know. Possibly the greatest songwriter of all time.”
Daniel Johnston was never going to be a music superstar, his unorthodox singing voice and quirky style matched his quirky personality perfectly. Living his whole life as an underground music sensation, Johnston’s personal issues severely limited his career. That said, the 2005 documentary The Devil and Daniel Johnston showed its story to be gripping and drew a wave of new fans to the indie sensation.
Some bands are remembered for their music, and others for their clashes of legendary and unstable personalities. User AllHailDanda had plenty of ideas for a potential musical biopic, writing “An Oasis biopic being or feeling like an Edgar Wright comedy sounds perfect and spectacular to me”.
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Oasis were an unstoppable force in the 1990s, but their high-profile clashes eclipsed their legacy as an incredible band. A biopic would be a great opportunity to shine more light on the band’s characters, and there’s a wide range of options for a film in terms of tone. The band members are known to take themselves very seriously, but a biopic doesn’t necessarily have to.
3 Britney Spears
Musicians are often gigantic superstars, and that fame leads fans to believe that they really know a person’s life story. User Batterybatterykaboom thought a certain artist deserved exposure when he wrote “Britney Spears. Don’t even focus on the music, focus on how the industry, the audience and even your family are going to destroy”.
Pop icon Britney Spears’ recent legal battles over her conservatorship have brought new awareness to the life of a misunderstood musician. Spawning countless documentaries and musings, Spears’ story seems almost pre-packaged to become a gripping biopic. As long as the subject is treated with class, it would undoubtedly be a resounding success.
2 Robert Johnson
Blues is generally considered an old-school style of music, but its influence on popular music is undeniable. User rekniht01 got creative with his idea when he said “I want to see a Robert Johnson sequel/spinoff of O brother, where are you?“.
Generally considered one of the Coen Brothers’ finest films, O brother, where are you? was a fictional tour of American musical history. Robert Johnson was a key figure in the early days of the Blues, and his relatively short life was filled with interesting stories that may or may not be true. Because so little is known about him, a biopic about the life of the Blues man would have to get creative to fill in the gaps.
1 Stevie Nicks
Even when their best years have been in a band, some musicians have a certain star power that helps them stand out. Even going so far as to play the role, standing users were adamant about who should get a biopic when they said “Stevie Nicks. I think Chloe Grace Moretz would be amazing like her in the 80s.”
As a member of the unforgettable band Fleetwood Mac, Stevie Nicks made a name for herself with her lyrics and beautiful singing voice. Even years later, when she struck out on her own, the White Witch captivated listeners with even greater success. Although her life was relatively stable, Nicks’ career brought her into contact with other members of rock royalty, which would serve as a fascinating introduction to the era of classic rock.
NEXT: 10 Best Rock Music Movies, Ranked According To IMDb
Following 10 Horror Movies With Killers Hidden In Plain Sight
About the Author
Dalton Norman (221 articles published)
Dalton is a freelance writer and novelist from Orlando, Florida. He currently lives in Los Angeles and pursues writing full time. He is an avid reader and cinephile.
Children enjoy carnival rides on Friday afternoon at the Mudbug Carnival, outside the Mudbug Music Festival on Natchez Cliff. (Sabrina Robertson | Democrat Natchez)
NATCHEZ — Goers to the Mudbug Music Festival enjoyed a few hours of carnival fun and the music of Red and the Revelers before the lighting put a damper on the festivities.
“It got to the point that every thirty minutes we got a call from the National Weather Service,” said SG Ashcraft, marketing guru for Ardenland. “Every time there is a lightning strike we have to wait 30 minutes before they can play again. Due to noise ordinances we had to cancel if the show was pushed back past 9:30pm so it is canceled for today.
Ardenland has yet to announce if refunds will be issued. They are still “working out the details” and an official announcement will be made soon, she said.
In the meantime, Red and the Revelers continue the party at Smoots.
Saturday’s lineup includes Cody Jinks, Lukas Nelson & POTR, Lucinda Williams, The Wild Feathers and YZ Ealey. Doors open at 1 p.m.
The National Weather Service forecast for Natchez on Saturday calls for mostly sunny skies with a 50% chance of showers and thunderstorms after 11 a.m. That drops to a 20% chance of showers and thunderstorms later in the evening before 1am.
press release: Madison-based Americana jamband Gin Mill Hollow will play their 500th show this summer with a festival-style celebration at The Vines, a winery just outside of Sauk City. ‘Holla 22’ will take place on Saturday July 2 and will feature local rock ‘n’ soul powerhouse The People Brothers Band headlining the one-day event. Also on the bill are the Grateful Dead’s acoustic tribute to Sunshine Daydrink, the funky sounds of new local band Jazz Hams and a set from hosts Gin Mill Hollow. Doors open at 1 p.m. and music starts at 3 p.m.
Last summer, the band hosted a monthly concert series at The Vines in response to the continued uncertainty surrounding the pandemic. “We wanted to provide a regular opportunity for live music and community in a safe environment, and The Vines was the perfect place for that,” said Dan Plourde of Gin Mill Hollow. After hosting the first Holla In The Vines party in 2019, future plans were put on hold as the pandemic put an end to most concerts, but a spell of good weather in October 2020 allowed for a socially distanced performance by the Minnesota folk artist Charlie Parr, to whom Gin Mill Hollow again played “host”.
Almost eight years after its inception, a rigorous touring schedule averaging around 60 shows per year has brought Gin Mill Hollow to this important milestone. “We never envisioned this kind of longevity,” said Mark Norman, multi-instrumentalist, vocalist and connoisseur of all things technical for the band. “In the second or third year of gigs around Madison, we realized this project was gaining momentum, so we decided to keep pushing.” The quartet performs regularly at a number of wineries, breweries and nightclubs across the state and holds a residency on the third Thursday of each month at Madison’s Come Back In as well as the first Thursday of each month at the Full Mile Beer Co. and Kitchen. at Sun Prairie.
Gin Mill Hollow recently returned from their third tour of western Colorado where they played seven shows around the front range, six of which were new venues for the band. With a growing fanbase and new markets on the horizon, the band will be playing throughout the Midwest this summer and plan to head east for their next short tour in fall 2022 or spring 2023.
Tickets for Holla 22 go on sale May 17 and will be available on the Gin Mill Hollow website. For more information visit www.ginmillhollow.com/good morning.
3x-GRAMMY® Award-Winking & 14x-GRAMMY® Award-Winning Blues Hall of Famer TAJ MAHAL will perform at Jimmy’s Jazz & Blues Club on Saturday July 23 to 7:30 p.m.Taj Mahal joins Jimmy’s Jazz & Blues Club’s 2022 show schedule, which includes 7 NEA Jazz Masters, 33 GRAMMY® Award-winning artists, 32 Blues Music Award winners and a comprehensive roster of talented musicians with over 450 GRAMMY® Award nominations among them . Tickets for Taj Mahal as well as the current list of 2022 shows can be found on Jimmy’s online events calendar at: http://www.jimmysoncongress.com/events.
PORTSMOUTH, NH, May 13, 2022 /PRNewswire-PRWeb/ — Jimmy’s Jazz & Blues Club Features 3-Time GRAMMY® Award-Winning, 14-Time GRAMMY®-Nominated Blues Hall of Famer TAJ MAHAL on Saturday July 23 to 7:30 p.m. In addition to his GRAMMY® Awards, Taj Mahal has also won 7 Blues Music Awards, including the BB King Entertainer of the Year (2018), which is the most coveted and prestigious Blues Music Award given out each year.
Taj Mahal is a towering musical figure – a legend who transcended the blues not by leaving them behind, but by revealing their magnificent reach to the world. Quantifying the significance of the 77-year-old is impossible, but people are trying anyway.
If anyone knows where to find the blues, it’s Taj. A brilliant artist with the mind of a musicologist, he pursued and elevated the roots of beloved sounds with boundless dedication and skill. Then, while tracing its origins to the southern United States, the Caribbean, Africaand elsewhere, he created entirely new sounds over and over again.
As a result, he’s not just a god for rock ‘n’ roll icons such as Eric Clapton and the Rolling Stones, but also a hero for ambitious artists working in obscurity who are determined to combine sounds that have hitherto been ostracized from one another. No one is traditional and avant-garde at the same time.
A 2017 GRAMMY® award for ‘TajMo’, Taj’s collaboration with Keb ‘Mo’, took his GRAMMY® total to 3 wins and 14 nominations, and underscored his undiminished relevance more than 50 years after his solo debut.
“We are honored to have blues legend Taj Mahal on stage at Jimmy’s Jazz & Blues Club,” mentioned Suzanne Bresette, General Manager of Programming at Jimmy’s Jazz & Blues Club. “We are impatient to Taj Mahal bringing his incredible dedication and passion for the blues to the stage at Jimmy’s Jazz & Blues Club for all to see, hear and experience!”
Tickets to the 3x-GRAMMY® Award-winning and 14x-GRAMMY® Award-nominated Blues Hall of Famer TAJ MAHAL at Jimmy’s Jazz & Blues Club on Saturday July 23 to 7:30 p.m. are available on ticket master and the Jimmy’s Jazz & Blues Club website.
Jimmy’s Jazz & Blues Club’s 2022 show schedule currently includes 7 NEA Jazz Masters, 33 GRAMMY® Award-winning artists, 32 Blues Music Award winners and a comprehensive roster of talented musicians with over 450 GRAMMY® Award nominations. To visit Jimmy’s Online Events Calendar for Jimmy’s Jazz & Blues Club 2022 show schedule. To subscribe to Jimmy’s eNewsletter to stay informed about new jazz and blues artist announcements, tickets, special offers, Jimmy’s Sunday Jazz Brunch and much more.
ABOUT JIMMY’S JAZZ & BLUES CLUB Jimmy’s Jazz & Blues Club’s mission is to provide guests with a unique, world-class experience featuring serious jazz and blues music served with exceptional southern-inspired cuisine. Jimmy’s Jazz & Blues Club offers a spectacular and visually stunning environment designed to provide the highest quality acoustics while utilizing state-of-the-art production, sound and lighting technologies. Jimmy’s Jazz & Blues Club is located in a beautifully restored 1905 building at 135 Congress Street in the heart of historic downtown Portsmouth, New Hampshire. For more information, visit http://www.jimmysoncongress.com or follow us on Facebook at https://www.facebook.com/JimmysJazzBlues.
The first half of 2022 has already been an exciting time for many gamers as many popular games have hit the market. Among the most successful of these titles is Ring of Elden. As a new game developed by FromSoftware, it introduces players to an open world known as Lands Between while retaining the challenging combat the studio is known for. Following the continued success of Ring of Eldenmany fans showed their love for the title in an interesting way.
GAMER VIDEO OF THE DAY
Recently, a musician known as Alex Moukala shared a video on social media of a new remix themed around Ring of Elden. However, this was no ordinary rearrangement of a video game song, of which there are many. Instead, the musician challenged himself to perform the theme in an incredible 15 different musical styles. Some of these genres of music included Spanish guitar, reggae, smooth jazz, and orchestral.
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Along with sharing the remix audio, Alex Moukala included a video of himself performing the various parts. Interestingly, he decided to wear unique outfits to match many musical styles seen throughout the video. After completing the project, he revealed that he originally believed the project was “weird” and “would end up being a mess”. However, that seems far from the case, as the music has struck a chord with many gamers.
Since the release of this amazing music video, many members of the Ring of Elden community weighed on performance. Incredibly, the roughly two and a half minute clip has already garnered over 335,000 views on Twitter. Additionally, fans can check out the performances on YouTube. Among the comments, many were impressed by how the artist was able to change his style so frequently. Additionally, others wondered what kind of instrument plugins were used to create the beautiful music.
While this performance was undoubtedly impressive, it is far from the only remix of a classic video game theme arranged by Alex Moukala. He has a YouTube channel which has many more popular game songs for those who want to hear more. For example, it has unique arrangements for classic games like sonic the hedgehog and the Final Fantasy series.
It is undoubtedly impressive to see talented fans of Ring of Elden express their love for the game in new and creative ways. Besides this remix of the main theme, players have made all kinds of creations as a tribute to the latest title developed by FromSoftware. For example, a player recently made animated fan art featuring Maliketh, one of the game’s bosses. As players keep checking Ring of Elden in the days to come, time will tell which creations will be shared with the community next.
Ring of Elden is available on PC, PS4, PS5, Xbox One and Xbox Series X/S.
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About the Author
Tyler Shipley (601 articles published)
I like a variety of games, but I really like platformers. I’m also a big fan of Halo and Apex Legends. When I’m not playing my favorite games, I often listen to their soundtracks. I have a degree in English from the University of Toledo.
From June 1 to 5, the Bellevue Downtown Association brings together musical talents as part of the 15th edition of the Bellevue Jazz & Blues Music Series.
Featured performers include Grammy Award-winning Bobby Rush and Australian composer, guitarist and didgeridoo player Blake Noble, who will perform ticketed shows at the Meydenbauer Center Theatre. Other musicians will be featured at venues in downtown Bellevue, including over 20 free performances.
Young emerging talent will also be showcased at the Student Showcase featuring local high school jazz combos at the Bellevue Arts Museum on June 5.
Mike Ogliore, vice president of events and operations at the Bellevue Downtown Association, said the Bellevue Jazz & Blues Music Series has become a renowned platform for all artists, attracting a diverse community audience.
“We are proud to present a range of performances from talented local students to a national Grammy Award winner,” Ogliore said. “It’s an exciting time to continue this great musical experience for our community.”
Attendees are encouraged to dine and drink while enjoying live entertainment at participating venues including Bake’s Place Bar & Bistro, Rouge Cocktail Lounge, El Gaucho, RESONANCE Events, The Bellettini, Bellevue Place, Lincoln Square North and South, Meydenbauer Center Theatre, Bellevue Arts Museum and AC Hotel Seattle Bellevue Downtown.
Bellevue Jazz & Blues Music Series Featured Artists:
Artist: Bobby Rush
Date/Time: Friday, June 6. 3, 2022
7:30 p.m. – 9:00 p.m.
Venue: Meydenbauer Central Theater
Admission: $25 general, $15 student
Artist: Blake Noble Band
Date/Times: Saturday June. 4, 2022
7:30 p.m. – 9:00 p.m.
Venue: Meydenbauer Central Theater
Admission: $20 general, $10 student
For more event and ticket information, visit www.bellevuejazz.com.
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When music is your passion, you might also want to make a career out of it. However, it can be difficult for you to make money from your music if you don’t plan for it. You may want to think about your current strengths and how you can improve. This can relate to the music itself, as well as the business plans and promotions you want to put in place. By doing so, you may be able to start profiting from your instrument or voice and get paid to do something you love.
For many bands and solo artists, attending gigs within their local community can be a great way to gain exposure. While you won’t necessarily get paid for the gig itself, you’ll get exposure instead. However, that doesn’t mean you can’t take advantage of the situation.
Many artists use these events as an opportunity to sell merchandise, such as t-shirts or CDs. To be able to do this, you may also need to have the means to accept payment. If you get a smart terminal here, it can allow you to accept card payments from customers who want to buy your merchandise. Not only can this help defray the cost of these items in the first place, especially if you had them printed with logos or other designs, but it can also help you turn a profit.
It’s not just gigs that can give you exposure and income. You might also want to think about how your skills could make people’s personal events even more memorable. For example, you might consider creating a website and social media pages to offer your services at weddings or other celebrations. Some people like the idea of having live music at their party, rather than using the services of a DJ.
In doing so, you may need to be prepared for long days with minimal breaks. Food may also not be included, as this is at the discretion of the hosts, so it may be worth bringing your own water and snacks.
Another thing you might want to consider might be passing on your knowledge to others. Although you may need specific qualifications to teach in schools, this may not be the case when hiring private students. However, you may need to adjust your prices to reflect this lack of degree. Alternatively, you may be able to use any music exam score to showcase your abilities and experience. You may also be able to acquire these qualifications at a later date to advance your career.
Earning income as a musician is not always easy. Rather than having fame and fortune as your goal, you might instead want to think about more manageable short-term goals that can begin your journey. Raising awareness about your talents, as well as the style of music you perform, could help entice students or clients to seek out your services.
Kaiser Chiefs, Clean Bandit and a host of other artists are performing at a music festival near Liverpool this week.
The Highest Point Festival in Lancashire is an outdoor festival that takes place over three days in Williamson Park. Hundreds of acts will be spread across six stages with Basement Jaxx, Sigala, Example and more joining Kaiser Chiefs and Clean Bandit on the program.
In addition to music, the festival will feature a variety of street food stalls. New this year will be a brewery with an immersive bingo experience featuring rave intervals, dancing, karaoke, drag acts and more. There will also be a beverage masterclass area and plenty of bars around the venue.
READ MORE:Disney on Ice tickets on sale this week but tour misses Liverpool
Festival director Jamie Scahill said: “We can’t wait to be back at the amazing Williamson Park in May, it’s only been 8 months since our last sold out festival and we’re ready to sell out again. . It’s our biggest line-up and there’s something for everyone with lots of new surprises, including our new brewery-style zone, ‘Noktoberfest’.
The Highest Point Festival will also be hosting a ‘Microrave’ to benefit Macmillan during this year’s festival to support people with cancer. There will be special guest DJs, Sunset Sessions and a cooked food auction. Participants can order a ‘Drink for Chris’ at its bars with the money donated directly to Macmillan Cancer Support.
The Highest Point Festival takes place in Williamson Park, Lancaster, from Thursday 12 May to Saturday 14 May. On Sunday, May 15, Big Family Day unfolds with a range of activities including live music, interactive theatre, storytelling, arts and crafts, admission to the butterfly house and mini-zoo, science shows and Moreover.
Book your Highest Point Festival and Big Family Day Out tickets here. See below the list of musical artists so far:
Richard Ashcroft, Reverend and The Makers, The Lottery Winners, Chris Hawkins and more.
Clean Bandit, Anton Powers, Basement Jaxx, Charlie Tee, Judge Jules, Low Steppa, Lowes, Luke Una, Mimi Webb, NOT3S. SASASAS, Sigala, Turno, Voltage & Slay and more.
Kaiser Chiefs, DOD, Example, Funkademia, Gina Breeze, Girls Don’t Sync, Gloria, Harriet Jaxxon, Horse Meat Disco, Lyra, Lois, Mae Muller, Sub Focus, Shy FX, The Cuban Brothers, Tim Gallagher, Tom Zanett, Voltage and more.
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Utah Jazz head coach Quin Snyder declined to discuss the status of his contract with reporters Monday amid rumors the Los Angeles Lakers might be interested in bringing him on board.
“My family loves it here,” Snyder said, per Eric Walden of Salt Lake Grandstand.
“…The experience continues to be great. …Beyond that, I continue to affirm that I will not publicly discuss my contract situation.”
Longtime NBA reporter Marc Stein reported on his Substack on Saturday that the Lakers, who need a new head coach after parting ways with Frank Vogel, are waiting to see if the head coach of Snyder or the Philadelphia 76ers, Doc Rivers, becomes available.
“Former Portland Trail Blazers coach Terry Stotts, Milwaukee Bucks assistant coach Darvin Ham, Toronto Raptors assistant coach Adrian Griffin and Jackson are the four candidates known to have interviewed the Lakers to date. Sources argue that the Lakers’ search is deliberately moving at least in part because LA wants to see if Philadelphia’s Doc Rivers or Utah’s Quin Snyder will hit the open market this offseason.”
According to Bleacher Report’s Jake Fischer, Snyder still has one year left on his contract. He also has an option for 2023-24, according to The Athletic’s Sam Amick.
The Jazz seem to be at a crossroads after a disappointing season. They started the year 26-10 but finished 23-23 and fell to fifth in the Western Conference with a 49-33 record. Utah lost in six games to the Dallas Mavericks in the first round of the NBA playoffs.
The previous year, Utah finished first in the Western Conference but was knocked out by the Los Angeles Clippers in the second round.
It’s fair to wonder if the Jazz have gone as far as they can with their current core.
Donovan Mitchell and Rudy Gobert are great players in their own right, and they’re flanked by talented guards and wings (Mike Conley Jr., Bojan Bogdanovic, Jordan Clarkson), but the Jazz can’t make it past the semis conference with this current group.
However, it doesn’t appear that Jazz Brass is looking to change coaches. By Amick:
“…the 55-year-old remains highly regarded by everyone from sophomore owner Ryan Smith to freshman basketball CEO Danny Ainge to general manager Justin Zanik. The Jazz’s loss to Dallas in the Game 6 of their first-round game on Thursday doesn’t change that, and sources say ownership and management don’t see Snyder as part of the problem.”
If anything, a potential move away from the sidelines of jazz would come from Snyder himself, according to Amick.
“Sources say Snyder wasn’t sure what his future as a coach might hold for him all season, and his plan has been to see how things ended and then reevaluate his own view of it all at from there,” Amick wrote.
“As far as what might happen next, it seems almost every scenario is on the table.”
Snyder has done very well in eight seasons at Utah, making the playoffs in each of his last six campaigns. He also took over a team that went 25-57 in 2013-14 before suffering a 13-win improvement.
Therefore, it’s understandable why the Lakers might be interested. The question now seems to be what Snyder wants to do, and there isn’t much clarity on that. For the moment, he remains the coach of the Jazz with one year of his contract.
Gary Neville has fiercely defended his claim that former Chelsea chief Antonio Conte is no good for Manchester United amid criticism from Jamie Carragher.
It comes after Liverpool manager Jurgen Klopp revealed he didn’t like the kind of football Conte’s Tottenham side are playing after their 1-1 draw at Anfield on Saturday.
The Reds boss said: “I’m sorry, I’m not the right person for this, I don’t like this kind of football. But that’s my personal problem.
“I think they are world class, and I think they should do more for the game. I think the game against Liverpool, they had 36, 38 per cent possession. But that’s my problem. I don’t can’t train it. That’s why I can’t do it.
“So yeah, world class players block all the balls, really hard. Atletico Madrid do that. Very good, they won everything.
“Fine, absolutely fine. I can’t. I respect everything they do, but that’s not me.”
Conte was touted for the Manchester United job last year but the Red Devils opted to stay with Ole Gunnar Solskjaer for a few more games. The Italian then opted to join Tottenham instead, while Man Utd sacked Solskjaer and appointed Ralf Rangnick as caretaker boss.
Neville, legend of Old Trafford retweeted quote Klopp’s comments and added: “I have great respect for Conte and his football, but this Klopp interview gives the clear reason why he was not the right fit for United.”
Neville’s Sky Sports colleague Carragher then responded with a screenshot of a headline that read: ‘Gary Neville calls for brutal Diego Simeone to be considered Manchester United’s next manager’.
To which Neville replied: “Simone 4-4-2 aggressive style. Good United that. Conte wing backs?? No..”
Looking back on the life of Mickey Gilley, who died May 7 in Branson, Mo., at the age of 86, one must consider the musician and the country music era he helped define.
The singer-pianist was a versatile stylist, an outstanding instrumentalist and one of country music’s most prolific hitmakers. He landed his first No. 1 country single, a version of George Morgan’s “Room Full of Roses,” in 1974 on Playboy Records. Six more Gilley chart-toppers followed on the label, and 10 more singles reached the top of the country chart during his long stint at Epic Records. It ranked among the top 25 country singles of the 1980s, according to charting authority Joel Whitburn.
But Gilley’s reach has expanded beyond vinyl and radio waves through his famous namesake club, Gilley’s, based in Pasadena, Texas, outside of Houston. The establishment, touted as one of the biggest honky tonks in the world, would introduce a whole new audience to country music with the hit movie that was shot under its roof, the 1980 hit “Urban Cowboy.”
Gilley became a club partner in the early 1970s, before he was a major hitmaker and before he knew if his career would last. Although he became synonymous with the film and the cultural moment it sparked, at his heart he was first and foremost a musician. All but two of his number 1 hits were released before the release of “Urban Cowboy” in June 1980.
Ultimately, Gilley earned his place as a bonafide country legend, whose extended family included trailblazer Jerry Lee Lewis and televangelist Jimmy Swaggert.
“I started playing the piano around the age of 13. My cousin Jerry Lee Lewis started around the age of 7 and his cousin Jimmy Swaggart followed him on the piano, playing gospel music,” Gilley told me in 2016. playing guitar. I found that the piano interested me a little more. I could look at my hands, and I couldn’t see my hands on the guitar, so I ended up at the piano. And with my cousin Jerry Lee playing “Whole Lotta Shakin” in the ’50s, I felt like at that point if he could do it, I could do it too.
Gilley began his recording career in 1959 in Houston, cutting his first single with another budding young musician, Kenny Rogers, on bass. However, it would be 15 years before Gilley landed his first big hit. “I haven’t had any success, as far as national attention goes,” he explained. “As far as my recording career goes, I didn’t think it would ever happen.”
Thus, in 1971, with his partner Sherwood Cryer, he opened the doors of the nightclub that bears his name. He developed a local profile and at Gilley he was able to sell his own records on the jukebox. “Room Full of Roses” became a local and then regional hit, and Nashville promoter Eddie Kilroy took the record to Playboy, where it took off nationally.
By the time director James Bridges turned his lens to modern Houston for “Urban Cowby,” the club had become nationally acclaimed as a haven for music and more. The film was based on an Esquire story about Gilley bosses’ mating rituals; John Travolta – who had achieved mega-stardom with 1977’s “Saturday Night Fever” – and Debra Winger played a rowdy working-class couple based on two Gilley regulars, Dew Westbrook and Betty Helmer.
Naturally, Travolta had the opportunity to strut, cowboy style, on Gilley’s hardwood floor. But many moviegoers walked away from “Urban Cowboy” with the image of Winger riding the club’s mechanical bull in their minds. Gilley was on the road when his business partner had the contraption installed, and he wasn’t amused when he first laid eyes on it. In fact, his initial reaction threatened to kill the film project before it was nailed down.
“I thought that was the biggest mistake anyone could ever make,” Gilley told Houston TV reporter Dave Ward in 2020. “The first thing I thought about was people hurt themselves, and of course they did. Next thing I know, a guy came down from New York and wrote an article about urban cowboy, and it was going to change my life. ”
Now contemplating what he called “Country Night Fever,” Gilley wisely held his tongue over his dislike of the article, which he said suppressed country music. VarietyThe film’s review noted that it “deftly captured the atmosphere of one of the most famous hangouts for chip kickers”.
Moviegoers were wowed by the warmth of its two lead actors (and supporting villainous Scott Glenn as the main fly in the romantic pomade), and a wall-to-wall soundtrack of contemporary country hits combined with the exotic fly on the wall watching country life in the big city turned “Urban Cowboy” into a box office and record-store hit, where it delivered on both the country and pop fronts.
The film spawned three No. 1 country singles: Gilley’s “Stand By Me” (a cover of Ben E. King’s R&B and pop hit), Johnny Lee’s “Lookin’ for Love” (Gilley’s house band leader ) and Anne Murray’s “Can I Have That Dance”, plus Kenny Rogers’ country entry #4, “Love the World Away”. All of these tracks, along with Box Scaggs’ “Look What You’ve Done to Me” and Eagles guitarist Joe Walsh’s “All Night Long,” made it into the pop top 40. The two-LP soundtrack album, produced by Irving Azoff and released by Asylum, was eventually certified for sales of 3 million copies.
Hard-country aficionados may have turned their noses up, but the film’s success has encouraged city-dwellers to dip their new Tony Lama boots into country music. Before long, line dancing videos became all the rage, and country bars became newly created hangouts in major northern cities.
Between 1974 and 1983 Gilley had an unbroken streak of 29 top 40 singles in the country; material ranged from honky tonk dance floor fillers to romantic ballads. Many of the songs, driven by his bluesy piano playing, had a rock edge to them. “I wasn’t really known as a country music performer,” he told me. “I was trying to keep up with Chuck Berry and Jerry Lee and Fats Domino and Little Richard. I was trying to be more like Elvis and those people back then. I didn’t consider myself a country actor.
After “Urban Cowboy,” Gilley turned his notoriety into a string of television and film roles in the ’80s, often appearing in series such as “Fantasy Island,” “The Fall Guy,” “Chips,” and “Murder, She Wrote”. .” And it continued to appear regularly with top 20 nationwide hits well into the late ’80s. Although the original Gilley’s burned down in 1990, it maintained an afterlife as a franchise operation, including one in Branson, where the musician has spent much of his time in recent years.
Gilley remained an eclectic performer who cast a wide net stylistically. He once told me that he considered his duet on a remake of Eddy Arnold’s “You Don’t Know Me” with Ray Charles “the thrill of my career… just the pinnacle of my life.”
It is possible that the “Urban Cowboy” explosion survives its original owner. Thanks to decades of regular airings of the film on cable TV, Gilley’s nightclub may soon find a new lease of life in Hollywood. In February, Variety reported Paramount+ is developing a series remake of the film.
Forty years after his heyday, Mickey Gilley was still synonymous with a dynamic era for country music. Not a bad legacy for a honky-tonk hero.
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The Simon’s Rock Jazz Ensemble will give a concert on May 13
Greater Barrington— Simon’s Rock Jazz Ensemble, led by Professor John Myers, will perform Friday, May 13 at 8 p.m. at the McConnell Theater at the Daniel Arts Center. The ensemble will perform a variety of magnificent standards from the great jazz masters, with plenty of energetic and creative improvisation by its talented members. The program will include pieces by Dizzy Gillespie, Freddie Hubbard, Bill Evans, etc., including an original composition by Myers; “At the limit of .edu.” The concert will also feature Allan Dean on trumpet. Dean is professor emeritus of trumpet at the Yale School of Music and special guest artist at Simon’s Rock. John Myers’ compositions have been performed locally by Crescendo Chorus and Winds in the Wilderness. He performs regularly as a guitarist.
Reservations are required and must be made here.
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THE SOCIETY OF OWNERS – Hudson Hall’s Annual Fundraising Gala, May 14 from 6 p.m.
Tickets start at $150 for cocktails (6-7:30 p.m.), $300 for dinner (limited capacity). Proof of vaccination required.
Join local artists in a festive party filled with the best of Hudson Valley art, performance, and farm-to-table food.
The Spring Gala is the biggest fundraiser of the year at Hudson Hall and a crucial source of funding for the year-long programquality and affordable cultural programs and free community events, youth workshops and artist residencies.
Help keep the arts accessible to everyone by purchasing your ticket or making a donation today.
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Williamstown Repair Café Saturday May 14 at Sheep Hill
Williamstown— Do you have a broken lamp? A holey sock? A torn seam? A necklace with leaky rhinestones? A knife that has ceased to be the sharpest blade in the drawer? Come to the Repair Café, co-sponsored by the South Williamstown Community Association and Williamstown Rural Lands at Sheep Hill, 671 Cold Spring Road (Route 7) Saturday afternoon, May 14, 1-4 p.m. Refreshments will be served.
Volunteer “repairers” will include people who can do small electrical repairs (vacuum cleaners, immersion blenders, lamps), wood furniture repair (chairs, benches, picture frames), blade sharpening (knives, scissors, small tools ), costume jewelry repair (replacement rhinestones, new clasps), leather repairs, and our ever-popular menders, knitters, and dressmakers.
Two IT specialists will be available. The BagShare project will have materials and grommet machines to make reusable shopping bags. Come and learn how to make a bag. It’s a great activity for older kids, and it keeps all kinds of feed and sacks of barley out of the landfill.
The Repair Café is free, although donations are accepted. It’s about helping our neighbors and helping our planet.
The concept of Repair Café was born in the Netherlands in 2009. There are now hundreds of them all over the world.
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Reading of ‘Mr. Fullerton, between the sheets’ at Ventfort Hall, May 15
Lenox – Anne Undeland’s new play, ‘Mr. Fullerton, Between the Sheets’ was produced in 2021 by Great Barrington Public Theater and was nominated for four Berkshire Theater Critics Association Awards, including Outstanding New Play. Following a sold-out run at Great Barrington Public Theater in 2021, “Mr. Fullerton” has been picked up by Gloucester Stage for a brand new production this summer! The Berkshire cast, along with director Judy Braha, will be reading at Ventfort Hall on Sunday, May 15 at 7 p.m.
“Mr. Fullerton” takes us to Paris in 1908 and reunites Edith Wharton, her dear friend Henry James, her lover Morton Fullerton and her Irish maid Posy in a hair-raising tale of Wharton’s true midlife romance. A literary and historical banquet of language, gender, mores and mannerisms, “Mr. Fullerton” sparkles with wit while examining class differences and the complexity of human relationships. More than anything, the play makes us fall in love with Edith Wharton, the people in her life, and most importantly, her glorious writing.
Anne Undeland is a member of the Dramatists Guild, Howl Playwrights, The Writers’ Rock and Berkshire Voices. Her work has been featured nationwide with her short ‘The Kiss’ which won Best Play at the Ten Minute Play Festival at the West Side Y and her audio play ‘Adeline’s Gambol’ which was a finalist for the Miller Audio Award. at the Missouri Review. Her full-length play, “Lady Randy”, was produced by WAM Theater and performed at Shakespeare & Co in Lenox in 2019,
Tickets are $25. One must reserve. For reservation call us at (413) 637-3206. Please note that all tickets are non-refundable and non-exchangeable. Proof of vaccination and ID required. The historic mansion is located at 104 Walker Street in Lenox.
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Otis Historical Commission Presents Cultural Evening
Otis— The Otis Historical Commission and Otis Preservation Trust (OPT) are organizing the fourth Otis Reviews Cultural event of the 2021-22 season series on Thursday, May 19and to 19h. The evening features renowned artist-activist Pops Peterson presenting The creation of a protest artist, a survey of protest art throughout history and modern times, including his own famous works on chuman rights and women’s rights movements. [See photo insets]. The event is in person at Otis Town Hall and via Zoom.
Peterson credits his mother for bringing him to his first protest, a picket line in support of the nonviolent civil rights protests in North Carolina, known as the Greensboro sit-in. The Berkshire-based artist says he feels like he’s been ‘drafted’ into the civil rights community in his later years, due to his diverse and inclusive updates of Norman Rockwell’s iconic works . “I’m here to inspire people and hopefully fight the racism and bigotry that’s coming back in such terrifying ways,” Peterson said. “I lived this story, I didn’t have to learn it. My family participated in local NAACP meetings and events like the March on Washington. You had to do it, you felt your life was at stake.”
One of Peterson’s most recent protest artworks, titled, I am with her, a mural in Pittsfield, Mass., has been heralded as a culturally significant event. It features more than 40 models from Berkshire County – mostly women – who symbolize global protests led by women, including the 2017 Women’s March in Washington, D.C. Peterson called it “the ultimate testament to her craft” when dozens of local people responded to the online notice posted for volunteers to pose in his digital photos, later edited for a canvas.
Peterson is perhaps best known for his award-winning series Reinventing Rockwell which is featured permanently on the Norman Rockwell Museum website. by Peterson Rockwell revisited(2020-2021) has been extended to become the longest solo exhibition in the history of the Norman Rockwell Museum. The artist’s work has received high praise in reviews from The New York Times, The Boston Globe, CBS, NPR and ABC networks.
As a speaker on the arts and civil rights, Pops recently participated in the New Pathways Social Justice Conference: Scholarships and Arts in Action, with Angela Davis, as well as a webinar for The New School, a live SRO appearance at the Monterey Public Library and The Foundry. He is most proud to present Free portraits, a survey of activist artists over the decades, in public schools in Pittsfield, Hartford, Connecticut, and New Haven, Connecticut, bringing to young people important stories of civil rights heroes who worked and fought to create the free world they enjoy today.
This event will be accessible live, in person at Otis Town Hall, One North Main Road, Otis, Massachusetts, as well as via Zoom. Donations welcome.
To register for this event, go to https://optin.today or the city website – https://townofotisma.com
A slower episode that reveals more about the characters, instead of advancing the plot.
This recap of Our Blues season 1, episode 9, “Deong-seok and Seon-a 2”, contains spoilers. Check out our thoughts on the previous episode by clicking on these words.
We begin with a worn-out In-gwon slowly walking towards his house, where he encounters a Ho-sik waiting for him. However, he does not wish to fight and therefore sends his former friend away. However, this does not deter the ex-player, and he enters In-gwon’s house so he can kneel down as an apology. Thus, the two drink together, compensating for shared resentment towards those who have pointed the finger at their children (which includes themselves), while coming to terms with their common fate as in-laws. With that in mind, it looks like Hyun and Young-joo will be allowed to have their baby without more confrontation.
Our Blues Season 1 Episode 9 Recap
After selling his wares to the elders, Dong-seok drives along the deserted roads singing happily. There’s also some time for reflection, when he finds himself reminiscing about the time he stuck up for Seon-a at an internet cafe, in addition to the brutal beatings he took before trading milk for chocolate with his future love and their bike. ride in the rain. It’s a sweet collection of moments, one that punctuates their once sweet relationship quite unlike the one they have today.
At the motel, Dong-seok knows about Seon-a’s strange actions, thanks to the talkative owner who constantly worries about the suicidal woman staying at his house. This surprises the salesman, who checks for signs of another death attempt, before rushing to find him in the pouring rain. During the search, we get a flashback to the abusive house Seon-a lived in and see how Dong-seok was a source of solace for the youngster who grew up in torment. Moreover, it’s clear that the fighter has also received his share of solace, as he is completely ignored by his family and is happy to take beatings in the hopes that it will draw attention, so genuine relationships are valued.
In the present, Seon-a returns Dong-seok’s phone call, sharing his location with the man who is already there. So they meet, again with a flashback playing in between (this time with Dong-seok battling his tormentors, and a man he thinks slept with his love interest, with a Seon-a staring at the police ), until the salesman abruptly leaves, happy to seek answers about his memories over the phone instead. Quickly, things escalate, with Dong-seok telling the person he loves so dearly to silently kill themselves if they consider doing so, while also wondering why Seon-a had to come back to Jeju in the first place.
Armed with the answer to Dong-seok’s questions, he returns to Seon-a’s old house, ready to hear them. First, we find out that she wanted to sleep with someone else because she didn’t want to ask him to ruin her, as she also liked Dong-seok. So, knowing he would have declined the offer, Seon-a approached another suitor.. Elsewhere, Young-ok and Jung-joon talk about whether she’s lying, her offer to go on a trip as a couple, and testing the waters to see if trust can be earned. Until they are interrupted by a mini flash mob, which is ready to dance and congratulate the new couple.
Back at Dong-seok, he discovers that Seon-a didn’t sleep with his friend, as there was an element of fear in doing the deed. We also find out that she didn’t call the police when he got involved in the brutal fight the next day, and that it was all just to scare him into stopping his violent acts. Of course, there’s more intrigue, with Dong-seok wondering why Seon-a would want to ruin her life at the age of 14. The answer was because she wanted to scare her father into coming to his senses, and as the two continue to talk, the affection the salesman has for his old friend is clear.
As the couple walk along the coast watching the sunrise, they speak candidly about Seon-a’s depression, as well as her father’s suicide that took place before her eyes. She’s surprised at his comfort level talking about such things, but agrees that maybe it’s because she’s discussing it with Dong-seok. The seller isn’t the most understanding, but is happy to share the story of leaving Jeju, determined never to return.
Cursing her friend’s ex-husband for not being able to handle his depression, Dong-seok makes Seon-a laugh in his visceral divorce comments, before teaching her a lesson on how to swear insultingly. It works, as Seon-a screams vehemently in the air for her son to be returned as the salesman walks away to leave her alone.
Meanwhile, Dong-seok’s mother finds herself coughing up blood, as Jung-joon begs one of the elders about Young-ok’s professional status. Elsewhere, a happy Hyun and Young-joo discuss their joy at being able to have their baby, their pseudo-marriage, and the fact that the future father now has a full-time job.
As they share manual labor at Seon-a’s old house, Dong-seok reflects on her former love for him, in addition to her convenience in the way she treats people. She also begins to reflect on Dong-seok’s love, in due course, wondering if she was the only woman for him in his life. There is a nugget here, that Seon-a plans to live in this house with her child after the custody trial next week. She is adamant that she will not lose the battle, adamantly refusing to accept any potential defeat. Watching in awe, Dong-seok admits that Seon-a is driving him crazy at the end of the episode.
Sulinha Boucher, an Arlington musician of 30 years and a native of Brazil, has recorded her fourth children’s album, “We Should Be Kind.”
You may have heard her at the Robbins and Fox Libraries, where she has been performing for under-5 audiences for many years.
In her own words, she is the origin of “We Should Be Kind”, born in the spring of 2020:
When the pandemic hit, my more than 30 guitar and piano students stopped coming to my home studio for their lessons, and all of my trio’s upcoming concerts were canceled.
I played a lot of music during this time and also became more aware of what I saw around me, especially in nature. I looked out the window on a windy day and saw trees and leaves dancing. It was the beginning of “This Is What I See”, the first song I wrote for the album.
“That’s what I see”:
I asked my friend Kate Leary what she noticed, and she wrote lyrics for a second verse and contributed some lyrics for other songs as well.
When the world slowed down, I thought of my students and myself, always mindful of the clock, going from one thing to another, and wrote “Here it Goes the Clock Again”. I started writing phrases and chord progressions. I put sticky notes everywhere. I decided that any idea I had, no matter how small, I would collect. I was writing an album!
In May 2020, I started meeting my producer, Eduardo Mercuri, on Zoom every week. I played him what I had, and he always instinctively knew what the song needed. Things started to develop rapidly.
I remember when he came up with the intro guitar part of “Moving Everything”. It’s a fun movement song. Can’t wait to play it for a group of kids and get moving with them! As I come from Brazil, I also recorded a version in Portuguese.
cool chord progression
“We Should Be Kind” started with a cool chord progression that Eduardo and I were playing along to. He encouraged me to write a song with that groove, and I thought about how the world has so many bullies, but it also has so many nice people.
I wanted it to be a duet, because kindness is about relationships, and I wanted the texture of another voice. Alastair Moock is a local children’s musician whom I admire and have always appreciated the distinctive quality of his voice. We had never met, but I contacted him with the song and invited him to sing on the track. He kindly agreed and we had a great time recording the vocals in my home studio.
We have found new check-in methods during the pandemic. Eduardo recorded basic tracks in his home studio in New York, then sent them to Diego Joaquim Ramirez (drums). He recorded his tracks in his home studio and handed them over to Eduardo, who then added electric guitar, bass, cavaco banjo, cavaquinho, mandolin, keyboard and vocals. There were also wonderful contributions from Julio Santos (percussion), Louise Grasmere of Arlington (vocals) and Marta Roma (cello).
“Here’s the clock again”:
“This Old Man” is the only album cover. I recorded it for my first album, featuring one of my best friends, Alexandre Carvalho, who died suddenly at 56. I wanted to pay tribute to him and I decided to make a remake of this song on my new album. We re-recorded all the tracks around his beautiful electric guitar solos. He’s gone way too soon, but I smile every time I hear his music and I’m grateful for his contribution. Julio Santos contributed with his incredible talent on percussion.
Once I had all of these musical contributions, I went to Wellspring Sound Studio in Acton to lay down my acoustic guitar, piano and vocal tracks.
I wanted children’s voices on the album, and my students were happy to add this last track in my home studio. By then, many of my students had started taking in-person classes again, and I’m so happy to be with them again. “We Should Be Kind” was an absorbing and healing project for me, and it taught me new ways to collaborate with other musicians. I hope you enjoy what comes straight from our hearts.
March 28, 2013: BrazilArlington’s Lian Rhythms Musician Wins Award
This extended news announcement was posted on Friday, May 6, 2022.
Jenny Askins had recently moved into a house with this large porch. Soon she couldn’t help but think how cool it would be to have live music there.
One weekend, Askins decided to give it a shot. She hired local acoustic rock duo Clint Kirkland and Brad Miller to play and invited friends to bring lawn chairs, hang out in the yard and listen to music outdoors.
“And it was so much fun,” Askins recalled. It’s actually his job to turn good ideas into good times. She is the founder of Touronimo, a company that designs and conducts tours and “experiences” exploring the culture of Huntsville.
Shortly after that first porch jam, Askins got up with his friend Judy Allison and told her about it. It turns out that Allison – a member of the Huntsville Music Board and organizer of SheWrites Songwriter Showcase – was already a fan of the concept. A few years ago, Allison performed at a porch “festival” in Franklin, Tennessee as a singer/songwriter. “‘And I loved, loved, loved,’ Allison says. ‘It was such a great community-building event.’
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Since then, Allison wanted to start something similar in Huntsville. And now with Askins, she had a conspirator. The two women co-founded PorchFest FivePoints, which debuted in 2021 with porch “stages” at five homes on Pratt Avenue in Five Points, the charming Huntsville neighborhood in which Askins resides.
PorchFest was an instant hit. Buzz spread about the new festival on social media, with around 1,500 fans turning up for the free festival. Just over a year into the pandemic, the small-scale outdoor PorchFest was a perfect fit for people who had lain down to get back to live music. “It was perfect timing,” Allison says. Askins adds, “Seeing everyone so excited to see each other, there were a lot of people who hadn’t seen each other for at least a year.”
It was also exciting for local musicians, a group devastated by the pandemic, to perform at the first PorchFest. Wanda Wesolowski, a gifted singer and songwriter, was among 13 artists on the lineup. At the time, Wesolowski — who goes by the mononym Wanda professionally, a la Cher or Slash — was also a resident of Five Points.
She decided to walk to the concert. “When I walked across Ward Avenue to Pratt,” Wesolowski says, “there were hundreds and hundreds of people. The sense of community I felt was unreal. PorchFest was great because it turned my neighborhood into a festival. During her PorchFest solo set, Wanda, who usually leads an electric trio, performed songs from her stellar 2020 album “One Hit,” including “Slaughter” and “Little Packages.”
This writer also attended the first PorchFest FivePoints. I was impressed with the turnout and sets from top local artists like Wanda and indie band Jayne and the Huntsmen. And it was a relief to see the crowd picking up after themselves and not turning into scum deeper into the night. The antithesis of one of those all-too-typical “That’s why you can’t have nice things” debacles.
PorchFest returns this Saturday, from 6-10 p.m. For the second edition, they increased the number of porch stages to eight and the number of artists to 34. The lineup, expertly curated by Allison, ranges from ambient rockers Silver Fern to conscious rappers The NEIGHBORS to pop-folk phenomenon Delaney Faulds. The festival is once again free. Porch Stage lodging houses include: 806, 1014, 1104, 1210, 1312., 1402, and 1420 Pratt Ave. NE and 210 Minor St. NE A Google map and artist schedule is available at purple19.com/porchfest-fivepoints-2022.
Silver Fern guitarist Steven Whaley says, “It’s really hard to underestimate the importance of events like these to a music scene. Huntsville has been moving at a faster pace lately, with outside investment and bigger music venues emerging. There’s certainly a feeling that live music in Huntsville is undergoing a transformation, but it’s unclear what these bigger changes will mean for local musicians like us. He adds, “I think people in Huntsville are gradually realizing how much musical diversity and talent there is here, but it takes events like (PorchFest) to really demonstrate that.”
Wesolowski hopes the energy of the event will spread, with attendees leaving inspired to play music themselves, book a show at home or otherwise get involved. “If we want Huntsville to be cool,” Wanda says, “we have to participate.”
The Silver Fern concert at 8 p.m. at “Porch Eight,” aka 1420 Pratt Ave. NE, will feature immersive songs from the band’s debut EP, including “Lantern,” and new tracks, like “Shape I Didn’t Make.” In addition to Whaley, Silver Fern consists of vocalist Shannon Whaley (she and Steven are married), drummer Jacob Stewart and bassist Jonathan Shrout.
PorchFest attendees who reside at Five Points are encouraged to walk or bike to the event. For those coming from further afield, Uber is a good option. If you are going to drive, organizers encourage parking on the outskirts of the neighborhood and certainly not on Pratt Avenue. And be careful not to block walkways or intersections.
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Even in a mid-sized town like Huntsville, it’s hard for a new local music festival to connect let alone stay. Many, however well-meaning, are just X bands playing the Y outdoor venue with Z food trucks and W craft beer. You may see something quite similar next weekend or month next. The can’t-miss factor is low. PorchFest, on the other hand, has a compelling concept that sets it apart, but also feels very Huntsville, as Five Points is a classic neighborhood with lots of porches.
That doesn’t mean there aren’t challenges, though. The city did not grant PorchFest a permit to close Pratt Avenue, a major thoroughfare to and from the mountain of Monte Sano. For the event’s 2021 debut, PortaPottys organizers rented didn’t show up, but luckily there were already some in the area since construction. This year, two PortaPottys will be installed at 1104 Pratt and two at 1402 Pratt.
PorchFest attendees can bring camping chairs and even coolers if they wish. However, revelers take note: Five Points is not one of Huntsville’s entertainment districts that allows walking around in public with open containers of booze in special purple cups. You can soak in the backyard of a PorchFest house during the event. But you can’t legally walk with an open container to the next house that’s hosting a performance. Garbage cans are installed in each reception house. And if you need ballast and/or fuel, there will be a few food trucks parked along the PorchFest route.
While Askins and Allison shoulder most of the burden of making PorchFest happen, they have some vital allies. These include approximately 12 volunteer days. And the eight owners who host the stage play a major role in the success of the event. Hosts decorate their porches, offer refreshments to performers, and open their homes to these musicians — not to mention welcoming crowds of strangers into their yards. “I think giving the hosts ownership (of their scenes) gave it more of that local feeling,” said co-founder Jenny Askins. “They went above and beyond last year in everything we asked them to do.”
Like many free events, PorchFest is made possible and the artists who perform there are paid thanks to sponsors, listed on the festival website. “We couldn’t do this without them,” Askins says. Fans can increase artists’ salaries by contributing tip jars at each porch scene or digitally. For the 2021 debut, merchandise sales from PorchFest also helped pay artists. Merchandise sales this year will help fund grants and scholarships for local music makers, organizers say, in memory of Allison’s daughter Zoe, who died of leukemia when she was only a child. only 11 months.
Askins and Allison first met in college. In recent years, they have reconnected after seeing each other at local concert venues like the Voodoo Lounge. They both grew up with music as a common thread in their lives. Allison is a fan of everything from Mozart to Judas Priest, and Askins’ listening tastes range from Prince to Van Halen.
In the years to come, Askins and Allison hope PorchFest can continue to grow and expand. The main reason they started it was to bring the community and musicians together in a fun and interesting way. And ultimately, says Allison, “I would love it to be the place where people come and find their next favorite band before they get big.”
A good “06880” story tells readers about an underrated location in Westport. Or he describes a little-known event. Maybe it celebrates someone (a person) or something (the arts).
This one does all that.
I’ve written about Greg Wall before. A saxophonist who doubles as the spiritual leader of Westport’s Beit Chaverim – or vice versa – he is one of the most interesting and versatile Westporters, in a city filled with both.
For several years, he and a group of top musicians played at local venues, including the Spotted Horse, Saugatuck Rowing Club and 323 Restaurant. They formed the Jazz Society of Fairfield County and raised funds to purchase the famed Steinway piano at the historic Village Gate Jazz Club in New York City.
On March 12, 2020, Rabbi Wall performed at his then regular venue, Pearl at Longshore. That day, the pandemic roared through Westport.
Eight months later the restaurant closed, victim of COVID.
One day, not so long ago, the rabbi was driving down Riverside Avenue, near his Lincoln Street home (conveniently, within walking distance of his synagogue). He met his wife, out for a run, near the VFW.
Something clicked. He asked her to stop there, to see if it was suitable for live music.
Westport’s VFW Joseph Clinton Post 399 is a great place. For more than 100 years, it has served veterans and their families. After the remodel, it is a nice venue for class reunions, birthday parties or anniversary celebrations. There is also a quay aft, with low cost mooring lines.
Yet most Westporters know it — if they think about it at all — as the building at the tricky corner intersection with Riverside, Saugatuck, and Treadwell avenues, with the cannon ahead. (Fun fact: it was sunk in 1799, then placed at Compo Beach in 1901 to commemorate our 1777 battle against the British. The cannons on the beach are now replicas.)