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Sharing music – Albuquerque Journal

Sharing music – Albuquerque Journal

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When you’re poor or have no credit score You can still apply to most of the loan options we’ve provided the reader in this piece. These lenders are experts in providing credit for those with poor credit scores because they know they will get their money back once you pay bridgepayday.com!

Christine Subratie, a native of New Mexico and a student at Belmont University is featured in Belmont University’s PBS National special “Christmas at Belmont,” which airs at 8pm on 20 December. (Courtesy from Christine Subratie)


Nashville, Tennessee, is away from the MorenoValley in NewMexico.

Despite the radical shift in her life, ChristineSubratie took the step and followed her music interest while at BelmontUniversity.

“It was a culture shock,” she says of her relocation to Nashville. “But I knew that it wasn’t part of the plan and needed to stick with it. My name is one of the 2 NewMexico students at the Belmont.

light pointSubratie was recently featured during The Subratie was recently featured in the “Christmas at Belmont” concert, which was produced by Nashville Public Television.

It will air starting at 8:30 p.m. on Monday, December 20 , on New Mexico PBS, channel 5.1.

This concert took place in the 1 700-seat Fisher Center for the Performing Arts located on Belmont’s campus. Belmont campus.

“Christmas in Belmont 2021” has more than 700 Belmont University students singing their popular Christmas songs, traditional carols, and holiday tunes.

“NPT is thrilled to work together with Belmont University to present ‘Christmas at Belmont” to a wide viewers through PBS,” said Becky Magura the President and CEO of NPT.


Belmont University students Belmont University perform for the TV special “Noel A Belmont”. (Sam Simpkins / Belmont University)

The concert will feature 15 musical groups of students comprising BelmontSymphony Orchestra, Jazzmin (vocal jazz group) and Belmont Chorale (traditional choir) singing a variety styles. Students sing an arrangement “Carol of the Bells” which includes a little of a holiday mix songs. Amazing performances in an evening of wonderful music, including a bluegrass version of “It is Christmastime All Over Again” as well as a rendition of gospel that includes “Glory to God/Go Tell It On the Mountain” and a rendition of “!Navidad! by the percussion group with a lot of syncope and verve as well as some musical surprises.

“I perform the transverseflute in the orchestra of the symphony,” says Subratie. “They strive to have as more bands as they can in the school as they can. It’s an excellent chance and they have one guest artist.

The music was always around when Subratie is growing as a child. His father is an accomplished professional musician.

At the time that sixth grade came around she started playing with the orchestra of the school.

In her first school year in Cimarron’s HighSchool she was a member of TheNew Mexico All-StateBand. She graduated in the year 2020.

“I am the only to do this at the school I attended,” the girl says. “I gave up sports to focus on music. After being accepted at Belmont I have chose music education as my specialization. I’d like to pass on to others what I been teach. I am able to be apart of a community that was strong due to music. Now , I’m determined to help others. I had great instructors, and I’d like to express my gratitude to them for inspiring me to think big.

The subratie and her fellow students recorded the show for two full days – beginning at 8a.m. until 11p.m.

“It has been 2 very long time,” she says. “It is also awe-inspiring to watch the process of making an e-show such as this.”

“Christmas at the Belmont” is recorded in the early months of December, with an audience that was only invited with COVID-19 protocol in effect.

“The joy of Christmas is beautifully reflected in a myriad of songs this time of year and I’m looking forward to showcasing the talent of the students before an audience of national television,” said by GregJones who is vice president at Belmont University.


Faculty Lecture Focused on Jazz Dance History and Racism in the United States – SALVEtoday


McKillop Library will host another faculty conference with Lindsay Guarino, Associate Professor and Chair of the Department of Music, Theater and Dance. Titled “Whiteness and the Fractured Jazz Dance Continuum,” the talk will explore how jazz dance, an Indigenous American art form rooted in Black American people and culture, is often mislabeled and misunderstood.

The conference will take place on Thursday, October 6 from 4 to 5:30 p.m. on the first floor of the McKillop Library. To register for the event, go here.

Guarino edited “Rooted Jazz Dance” which focuses on the themes that will inspire his lecture.

Arguing that the history of jazz dance is intertwined with the history of racism in the United States of America, Guarino will present the obscure history of how normalized whiteness permeated the form so that today , performers and audiences unknowingly participate in an erroneous appropriation of art. Capital city. To see jazz clearly, one must deconstruct historical narratives by considering who the storytellers were, what biases may have been present, and what parts of the narrative were left behind.

To that end, Guarino will share his research on how Africanist aesthetics and cultural values ​​are the foundation of American jazz but have been historically devalued and systematically invisible. She will also provide specific examples of how and where jazz dance separated from its black American roots.

By tracing jazz from its roots in West Africa, to its origins in African-American culture, and to its myriad manifestations today, one can see more clearly how jazz reflects and subverts American values. and offers unlimited potential to better understand the complexity of American identity.

Guarino is an artist, educator and scholar. She facilitated the dramatic growth of the dance program, including its new major focused on jazz studies. Guarino’s historical and embodied research interrogates the impacts of whiteness on jazz history and practice through an anti-racist lens, and investigates the intersections of jazz pedagogy, Africanist aesthetics, history, American identity and culture.

As an educator and leader, Guarino prioritizes community at the heart of her practice and seeks to cultivate spaces where individuality is celebrated and recognized as essential to personal and collective growth.

The conference will take place on Thursday, October 6 from 4 to 5:30 p.m. on the first floor of the McKillop Library. To register for the event, go here.

Blues History: The Golden Vision


Of all the Everton greats, Alex Young was arguably adored more than any other.

A sublime artist of incomparable grace, Young’s cult following half of Merseyside during the Swinging Sixties bordered on hysteria.

When legendary manager Harry Catterick left Young sidelined to bleed a promising centre-forward named Joe Royle in 1966, the Everton manager was pushed around in the Blackpool car park by his own supporters. Brian Labone, no less, was once booed by the home crowd because he accidentally injured Young during a practice session.

So why all the fuss?

In sum, Alex Young is perhaps as close as any player to embodying the essence of the club’s famous school of science ethos.

He stroked the ball instead of kicking it. He slid through even the heaviest of surfaces, squeezing his way in and out past obstructed defenders before effortlessly firing shots past bewildered goalkeepers.

His nickname – The Golden Vision – first coined by former Tottenham Hotspur midfielder Danny Blanchflower, describes him best.

Former Spurs midfielder Danny Blanchflower

The view we have every Saturday of a more perfect world, a world that has a pattern and is finite. And that’s Alex – the Golden Vision.

A deep centre-forward, he was never in the same mold as traditional Everton number nines like Dean, Lawton and Hickson, but he possessed an incredible spring and could hang in the air to meet forward crosses. ‘send ball heads with a sound. blond halo.

Signed in November 1960 by Hearts for £40,000, Scottish pundits felt Young was too inconsistent and peripheral to cut him in England.

They turned out to be spectacularly wrong.

He peaked in the 1962/63 Championship side, when his striking partnership with Roy Vernon was the bane of Premier League defences. Young scored 22 goals and created countless more for his skipper as Everton claimed their sixth league title.

He was also an integral part of the 1966 FA Cup-winning side, the team that became the first to overturn a two-goal deficit to win at Wembley. And Evertonians studying the videotape of that game today are still puzzled as to why he didn’t receive a penalty in the first half!

Despite suffering painfully from blistering feet throughout his playing career, Young amassed 273 appearances for Everton.

Alex’s wife, Nancy Young

Before he played his feet were bound with foam, bandages and plasters and anything they could think of would help ease his pain, but by the time he got home his socks were stuck to his feet with some blood.

His 87 goal return in those matches was more than respectable – but it was his almost mythical appeal, rather than mere statistical successes, that endeared him to Everton supporters.

He left Goodison to become player-manager of Irish side Glentoran in 1968, before briefly returning to English football at Stockport County.

Young died after a short illness in February 2017, but his legend will live on forever at Everton.

>>> Click here to browse all The Story Of The Blues entries

Chasing ‘Ultimate Rock,’ Titus Andronicus Performs at Columbia’s Jam Room Music Festival | News about concerts and music


When New Jersey indie rock band Titus Andronicus take the stage to perform at the Jam Room Festival on October 1, their new album will only be one day old.

This album, “The Will To Live”, is probably the biggest the band has yet to release. That’s saying a lot for a band that released a five-act rock opera (“The Most Lamentable Tragedy”) in 2015. The new 12-track version features no less than 14 musicians and the heaviest, beefiest sound in the world. group to date.

Bursting with layers of roaring guitars and a chorus of gruff vocals, the album, co-produced by singer, songwriter and guitarist Titus Andronicus Patrick Stickles, is an epic pursuit of what he calls “Ultimate Rock “.

“Ultimate rock is a concept and an ideal that an artist could eventually strive for,” Stickles said. “But I think that’s just an ideal, it’s not really a goal because the Ultimate Rock record, I believe, hasn’t been recorded yet. And many have tried and done a great job.

Stickles looked to these artists when creating “The Will To Live”. He referenced revered bands and their equally revered albums like Def Leppard’s “Hysteria”, Metallica’s “Black Album” and The Who’s “Who’s Next”.

“There are several records in that mold that have inspired us through this process,” he said, “(there are) all these different attempts by some of these big bands over time to make the biggest and most efficient version and makes it the ultimate version of their sound and sonic vision or mission.

So, how are we going after the “Ultimate Rock” sound? Well, you pull out all the stops.

Stickles, the band, their co-producer Howard Bilerman and engineer Shea Brossard subscribed to the theory that bigger is, in all cases, better. The band didn’t put any limits on themselves when it came to the density of this album, Stickles said.

“The sky was the limit and we put aside any pretense of modesty. And it was great to do that. It’s cool to be free in this way to build an elaborate fantasy world for the listener,” said said Stickles.

This fantasy world that Stickles is talking about is actually a concept album. “The Will To Live” is a remarkably ambitious tale of both a metaphorical and literal journey through hell – a linear tale different from what they’ve done in the past in that the album was designed around those themes, Stickles said.

New Elgin BirdsNest Grille restaurant opens in Random Tap space

Now, whether or not the listener gleans the meaning of “The Will To Live” is another matter altogether.

Stickles concedes that some people might enjoy the album on the surface, absorbing the heavy rock and anthemic melodies but not understanding the overall concept.

“The listener will have a choice if they just want to stomp their feet or clench their fists, or go there with the windows down,” he said. “And that’s very good. It’s intended for that. But as with all of our records, I try to provide enough literary value that if the listener wants to dig a little deeper on subsequent listens, they will hopefully get something out of it beyond just rocking the music.

Fans can expect to hear about half of “The Will To Live” at the Jam Room Festival, time permitting, but Stickles is quick to add that Titus Andronicus will be digging deep into their seven-album catalog. He explained that for each tour, they play at least one song from each of their albums.

“We make sure you know we play the hits; we’re not one of those bands that hates playing the hits. We like to give people what they want at least a little, so everyone walks away hoping they’ve heard at least a few of their favorites,” Stickles said. “But the new material, it’s exciting (and) fresh for us – and I hope the public will agree.”

At Bistreaux by Fleur De Licious, the owners emulate New Orleans through the cuisine and ambiance

Jam Room Music Festival

Sun Ra Arkestra, The Shaniqua Brown, Clap Your Hands Say Yeah, Titus Andonicus, plus more. October 1st. Main Street. free. jamroommusicfestival.com.

Sue Mingus, who championed her husband’s jazz legacy, dies at 92


Sue Mingus, who founded jazz ensembles, published music books and produced Grammy-nominated albums as part of a determined four-decade campaign to promote the legacy of her late husband, the brilliant and mercurial composer , bandleader and double bass virtuoso Charles Mingus, died September 24 in a Manhattan hospital. She was 92 years old.

His death was confirmed by his son, Roberto Ungaro, who said his health was declining but did not give a specific cause. She died 15 years to the day after her brother Richard A. Graham, founder of the National Organization for Women and inaugural member of the Federal Equal Employment Opportunity Commission.

A former Midwestern debutante who rebelled against her conventional upbringing — her friends included poet Allen Ginsberg as well as literary critic Harold Bloom — Ms Mingus has often downplayed the impact of her years defending the music and image of her husband. “Charles’ music is Charles’s music,” she told the Washington Post in 1999, two decades after she died of a heart attack at age 56. “Maybe I sped the process up,” she continued, referring to a composer whose songs were recorded. by artists such as Leonard Cohen, Joni Mitchell and Keith Richards, “but that’s it”.

Yet, for many jazz historians and musicians, she played a crucial role in shaping her husband’s legacy, whose music combined traditional blues and gospel with complex harmonies, free melodies and abiding love. collective improvisation. His popularity rose and fell during his lifetime as he battled depression, alienated audiences and collaborators with his tantrums, and battled amyotrophic lateral sclerosis, also known as Lou Gehrig’s disease.

“If it weren’t for Sue Mingus, her music wouldn’t be as revered as it is today,” journalist and critic Nat Hentoff told the Post. “What she did was keep Mingus’ music alive, literally.”

As Mrs. Mingus recounted, she knew next to nothing about jazz when she met her husband in 1964 when she first saw him in concert. She starred in an underground film directed by Robert Frank, “OK End Here”, which was to feature a soundtrack by saxophonist Ornette Coleman. A friend working on the film decided to introduce her to the city’s jazz scene and brought her to the Five Spot in Lower Manhattan, where she sat at the bar during intermission and sipped a gin and tonic while watching Mingus eat alone at his table, “as intense and private as a holy man meditating on his chakra”.

“I loved him immediately,” she wrote in “Tonight at Noon: A Love Story” (2002), a memoir about their relationship. “I liked his solitude in the tumultuous room, his concentration on the oversized beef bone at hand.”

When Mingus came for a bottle of wine, she asked him if he had seen Coleman, then explained that the musician was writing music for a movie she was in. “Are you in a movie?” Charles answered with surprise. “With those teeth?”

They quickly struck up a relationship. After a few years, she recalls, they were “married” by Ginsberg, a Buddhist who presided over an impromptu ceremony while chanting to the couple for over an hour. They were legally married in 1975 – it was Charles’s fourth marriage and Ms Mingus’s second – this time by a justice of the peace.

By this time, Charles had begun contributing to Changes, a New York arts magazine founded by Ms Mingus, as she booked her tours and helped her music publishing company. After his death in 1979, she traveled to India and, at his request, scattered his ashes in the Ganges. When a tribute concert was held in his honor later that year, she assembled a band called Mingus Dynasty, made up of musicians who had played with him during his lifetime, including drummer Dannie Richmond and trombonist Jimmy Knepper.

“I had no idea what I was doing,” she told The New York Times in 2007, recalling that she pieced the set together by calling musicians credited on the back of her albums. The group continued to perform at jazz festivals across the country and served as a model for later ensembles formed by Ms. Mingus, including the 10-piece Mingus Orchestra.

In collaboration with musicologist Andrew Homzy and composer and conductor Gunther Schuller, she produced the 1989 Lincoln Center premiere of Charles’s monumental composition “Epitaph”, using a 500-page, 15-book score that has was located and assembled after his death. Musicians from the Mingus dynasty and the “Epitaph” orchestra were later chosen for the Mingus Big Band, a 14-piece ensemble she created to ensure her music was regularly performed.

To Ms Mingus’ surprise, the band became a New York institution, initially playing weekly gigs at the Fez Under Time Cafe, a nightclub where seats were often taken by people in their twenties born after Charles’s death. . “There’s really no explanation for the popularity,” she told The Times in 1994, three years after forming the band. “But I think Charles would be tickled.”

Much like her husband, Mrs. Mingus could be petulant towards the band’s musicians, sometimes teasing them for playing too loudly or playing solo for too long. But in general, “she treated her musicians like her extended family,” her son said in a phone interview, and drew praise from music critics for the lineups she put together and the albums she put together. has produced, including the Grammy-winning Mingus Big Band’s “Live.” at Jazz Standard” (2010).

“When someone like Glenn Miller or Artie Shaw dies and a sideman takes over the band, it’s called a ghost band because it’s just not the same,” Hentoff told the Post in 1999. “But with the Mingus Big Band – and I’m not exaggerating – you can feel Mingus. It’s because of Sue. She knows which musicians to choose, she knows who understands the music.

The eldest of three children, she was born Sue Graham in Chicago on April 2, 1930. She grew up in Milwaukee, where her parents filled the house with classical music; his mother, a housewife, played the harp and his father dreamed of becoming an opera singer before working as a mathematician and engineer.

Ms Mingus was educated in all-girls schools, and after graduating from Smith College in 1952, she moved to Paris to work as a journalist. She eventually landed a job in Rome at Pan Am’s inflight magazine and married an Italian sculptor, Alberto Ungaro, before returning to New York with her husband in 1958. They separated after a few years.

After Charles Mingus’ death, Mrs. Mingus helped organize his papers and donated his archives to the Library of Congress. She has also published books including “Charles Mingus: More Than a Fake Book” (1991), which included 55 of her original scores; produced a documentary, “Charles Mingus: Triumph of the Underdog” (1998); and campaigned against bootleggers who released pirated recordings of her husband’s concerts. At times, she stole counterfeit albums from record stores, eventually starting her own music company, Revenge Records, to reissue recordings of her concerts.

Ms Mingus started a nonprofit, Let My Children Hear Music, to promote her educational efforts, which have grown to include an annual festival and high school jazz competition. This year, coinciding with the centennial of Mingus’s birth, the National Endowment for the Arts awarded him its 2023 AB Spellman NEA Jazz Masters Fellowship for Jazz Advocacy.

Survivors include two children from his first marriage, Robert and Susanna Ungaro; four grandchildren; and two great-grandchildren. Her son described her as ‘a ball of fire’ who ‘didn’t care what other people thought’, recalling that for a time Mrs Mingus spent her summers in the Hamptons on an old houseboat, who sank in a hurricane, and drove to the beach “with a clam rake sticking out of the sunroof” of her Bentley automobile, which she bought used.

Ms Mingus continued to work until five years ago, although she began handing over control of her husband’s tribute bands in the late 1970s.

“The shame is that you finally learn everything and then you die,” she told The Times in 2007. Yet she added: “The important thing is that if I walked away today, all of this would survive .”

Corky Siegel’s Blues Tears Down Musical Boundaries | Way of life


(AP) — For more than half a century, Corky Siegel has brought new colors to the blues. “MORE Different Voices” is the composer/arranger’s latest attempt to bridge musical genres and cultural divides, making the world slightly smaller and kinder.

Siegel has long favored classic flavors, and here he pairs his distinctive harmonica work with a string quartet, the result akin to a collaboration between Big Bill Broonzy and Borodin. Kalyan Pathak’s tabla and a parade of guests make stylistic boundaries even more elastic. Not everything works out, and at least a few cuts go on too long, but Siegel’s adventurous approach challenges the idea that the blues is a formula.

“Hine Ma Tov Blues” quotes “Mannish Boy” while featuring an even older Jewish melody. “Joyful Jambalaya” is an instrumental jam with quivering strings and a gonzo harp solo. Even the 12-bar blues form becomes unpredictable on “Twisted” when the strings sound as if they could launch into Beethoven’s “Grosse Fugue.”

Throughout, Siegel keeps us guessing what’s next. Tracy Nelson sings a powerful rendition of her piano ballad “Down So Low,” and even 45 minutes into the album, it’s something of a surprise when the classical strings come into play.

They sound good. Break the news to Tchaikovsky.

Holy Synod – Encyclicals – Inauguration of the “Sunday of Church Musicians”


October 2, 2022
Protocol 10/001

To the clergy, monks and faithful of the Orthodox Church in America,

My beloved children in the Lord,

“Rejoice in the Lord, O righteous! Praise befits upright men. Sing him a new song, skillfully play the strings, loudly. (Ps. 33:1, 3). Music permeates the scriptures, from the first pages of the Pentateuch. In the fourth chapter of Genesis we read about Jubal, ‘the father of all who play the harp and the organ’ (Gen. 4:21). Songs of holy people are found throughout the Old Testament and the New: the songs of Miriam, Moses, Deborah, Hannah, David, Habacuk, Isaiah, Jonah, the three children, Zechariah and the most holy Theotokos, to name a few. cite just a few. .

But of course, even before the formation of the first father Adam, when the physical world began to exist, the scriptures speak of music: “the morning stars sang together and all the angels shouted for joy” (Job 38: 7 ). “Praise the Lord, O sun and moon,” says the psalmist (Ps. 148:3). Music is, in some mysterious way, part of creation and part of redemption, so even the sky is filled with song. “With the song of the angels we cry out to you, Almighty: You are Holy, Holy, Holy, O God” (troparion from the Morning Prayers). And this song, though it begins in time, extends beyond time, and is taken up by angels and saints forever. As such, the Apocalypse of Saint John the Theologian is perhaps the most musically rich text of all Scripture, replete with hymns and invocations of hymns: “And they sing the hymn of Moses, servant of God, and the song of the Lamb, saying: Great and marvelous are Your works, Lord God Almighty; righteous and true are your ways, you King of saints” (Rev. 5:9, 14:3, 15:3).

Today in our churches we carry on the tradition of sacred song, so to speak bridging the gap between the ancient songs sung by the prophets and patriarchs and the eternal song sung by angels and saints. Our church music traditions are both a continuation of the ancient worship of the Old and New Covenant and a participation in the celestial liturgy. This is why the Holy Synod of Bishops of the Orthodox Church in America has set aside the Sunday following the feast of Saint Roman the Melodist for an annual celebration of church music, to honor singers, choirmasters , composers, arrangers, singers, readers, bell-ringers, hymnologists, translators, hymnographers, and all who help our parishes and their congregations to make “a joyful sound unto the Lord” (Ps. 98 :4) so ​​that our temples resound with the praise of God.

I encourage all of our parishes and institutions to take this opportunity to honor those who contribute to church music, and I urge all church leaders to help foster vocations in this area. May we all, at all times, according to our own vocation, praise the Lord with ‘psalms and hymns and spiritual songs’ (Eph. 5:19). And may he in turn be pleased with our sacrifice of praise, and rejoice in us, and calm us with his love, and sing for us in his joy (Zephaniah 3:17).

With the blessing of the Lord, I remain truly yours in Christ,

Archbishop of Washington
Metropolitan of All America and Canada

Yungblud, Wolf Alice and more at the Firefly Music Festival


The Firefly Music Festival, which is a multi-day music festival, is happening this weekend in Dover, Delaware.

The Firefly Music Festival put on another stellar day on Saturday with performances from Yungblud, Wolf Alice, The Bleachers, Matt Maeson and headliners of the day, Green Day.

The weather was perfect as other artists such as Haim, The Head and the Heart, Sueco and Porter Robinson took to different stages at the festival.

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Sunday, the last day of the festival, will close with Dua Lipa.

See our photos from Saturday below!

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A jazz keyboardist without borders arrives in Maine


Jamie Saft, acclaimed jazz pianist and composer, at home in Alna. Ben McCanna / Personal Photographer

Shortly after moving to Maine last year, jazz keyboardist Jamie Saft called up the Casco Bay Tummlers, a Portland band that plays Jewish klezmer music.

Over the past 30 years, Saft has established a reputation as one of the most versatile and skilled keyboardists in jazz and avant-garde music, playing with the best musicians in these genres and teaming up with rockers Iggy Pop, Bad Brains and the B-52s, among many others. He has lived most of that time in New York or a few hours from New York and usually plays in Europe several times a year.

But since making his home in the rural Lincoln County town of Alna, Saft has sought to play with local musicians and at local venues whenever he can. He will perform with the Casco Bay Tummlers on October 28 at Mayo Street Arts in Portland, and in November he will release a new album called “Jamie Saft Trio Plays Bill Evans”, featuring musicians from Maine. He played a benefit at the Hidden Valley Nature Center in Jefferson in late August, and in early September he played Space on Congress Street, opening for jazz guitarist Joe Morris and saxophonist Ken Vandermark.

“It’s incredibly inspiring to see a musician of Jamie Saft’s stature and experience move to Maine and immediately want to connect with the music community in a very real way,” said Peter McLaughlin, who plays drums in the Casco Bay Tummlers and also organizes concerts for Espace. “I wouldn’t blame him one bit if he just set up his studio in the sticks and worked from there, traveling back and forth to Europe. But it was clear from the first conversation we had that he wanted to be here. He wants to work with and hire local musicians.

Jamie Saft, who has earned a reputation as one of the most talented and versatile keyboardists in jazz and avant-garde music, calls Alna home. He moved to the rural town, where his wife grew up, last year. Ben McCanna / Personal Photographer


Saft, 51, moved with his wife and three teenagers to Alna, near Wiscasset, a year and a half ago. For years they had talked about moving to Alna, where his wife grew up, and often wondered “remind me again why we don’t live in Maine?” whenever they were stuck in traffic or faced with other hectic aspects of city life. When the pandemic canceled all of her concerts in New York and abroad, Saft saw no reason to stay in the New York area.

At this point in his career, he doesn’t need to be near a major city. His European commitments have resumed and he is adjusting to leaving Portland and changing flights at other airports. In October, he played in half a dozen European countries with acclaimed drummer Hamid Drake. He records in his home studio in Alna.

“I can’t fly to too many parts of the world from here without changing planes, but it’s a great compromise,” Saft said. “I’m thrilled to be here in Maine where there are so many super strong and talented musicians interested in discovering new music. It’s a very open scene.

Saft has recorded around forty albums, either with his own bands or as a sideman for others. Early in his career he worked with John Zorn, a composer and saxophonist who, like Saft, defies categorization and genre. In recent years he has recorded with well-known jazzmen like Morris, saxophonist Dave Liebman, bassist Steve Swallow and drummer Bobby Previte, as well as the late drummer Jerry Granelli, best known for playing on the soundtrack of “A Charlie Brown Christmas” with the Vince Guaraldi Trio.

Along with being known for his musical chops, Saft stands out for his versatility and eclectic selection of genres, said Dave Cantor, editor for jazz magazine DownBeat. In addition to playing jazz, reggae, rock and mid-20th century experimental music, he composed film scores, including for the 2005 documentary “Murderball,” about athletes competing in wheelchair rugby. .

“Saft is as likely to rehash an Ellington-Strayhorn composition as it is to play with avant-garde luminaries,” Cantor said. “He plays with a very light, flowing touch on the acoustic piano and can translate that to the keyboard, but still gets a little rowdy when needed.”

Cantor said Saft seems like a musician who chooses his tracks on the “whims of his own desire” but is such a smart and strong musician that “it almost always works”.


Saft grew up in and around New York in a conservative Jewish family and started playing the piano at the age of 3. His parents were not musicians – his father was a lawyer and his mother a writer – but encouraged his talent. He gave his first concert, in front of a large crowd in Bridgeport, Connecticut, when he was 4 years old. He studied for years with a Connecticut piano teacher named Burton Hatheway, whom he considers a mentor and who opened his eyes to the importance of physics in playing the piano.

“His ideas about technique were about physics, harnessing gravity to do all the work,” Saft said.

Although his early piano studies were largely centered on the interpretation of classical pieces, Saft grew up as a fan of all kinds of music. He said Hatheway encouraged his interest in pop music and he was soon playing The Beatles, Bob Marley, Bob Dylan and Stevie Wonder. He was also a fan of bands like Black Sabbath, ZZ Top and AC/DC and played his favorite rock songs by ear.

As a teenager, the father of a friend offered him in 1963 the album “Monk’s Dream” by jazz pianist Thelonious Monk. He says the album “changed the way I understood what you could do with improvised music” and led him to study jazz intensely. As a 16-year-old college student in New Haven, Connecticut, he regularly played gigs with professional jazz musicians.

He decided to study jazz at the New England Conservatory of Music in Boston, with its impressive jazz faculty, including bassist Cecil McBee, among others. At the same time, he enrolled at nearby Tufts University and earned a degree in English while earning his jazz performance degree from the New England Conservatory, both in 1993.

He got his first paid gig at Portland’s Cafe No, on Danforth Street on the edge of the Old Port, replacing one of his teachers who had been booked to play there but was unable to attend. After that he played several times at the club – which has long since closed – and was grateful for the way owner Paul Lichter treated him and the other young musicians.

“He paid us well and treated us with respect and let us develop our music,” Saft said. “You don’t see that anymore.”

In the mid-1990s, Saft was living in New York, where he met his wife Vanessa, an early childhood therapist and teacher as well as a musician, who grew up in Alna. They lived in the town for 14 years before moving to the Woodstock area, about two hours away. He got to play with “a lot of my heroes” in New York and started touring Europe, where he says there’s a bigger demand for live jazz.

Jamie Saft performs at Space in Portland in early September. Brianna Soukup/staff photographer


A fan of all kinds of music, he says he probably saw Bob Dylan play 100 times and ZZ Top 30 to 40 times. In 2006, he released an album of Bob Dylan covers and a few years later he formed the New Zion Trio, a group that mixes reggae, dub, improvisation and classic jazz. He played on the 2007 album “Build a Nation” by hardcore punk pioneers Bad Brains.

In 2017, he released “Loneliness Road”, which featured Swallow, Previte and legendary rocker Iggy Pop, known as “the godfather of punk”, on vocals. His upcoming album “Jamie Saft Trio Plays Bill Evans” features the music of the famed jazz pianist and composer.

At Space in September, Saft performed solo for about an hour on a 1970s Fender Rhodes electric piano. He performed the 1948 piece “Dream” by avant-garde music icon John Cage, but then mixed his own improvisations with parts of other tracks by some artists who worked in the mid-20th century, including Monk’s “Ruby, My Dear”. , “After the Rain” by saxophone legend John Coltrane and “The Sun” by pianist and harpist Alice Coltrane (wife of John Coltrane).

Sometimes Saft’s improvisations were quiet and brooding. At other times, his notes exploded and clashed, hinting at his penchant for heavy metal and punk. He says his improvisation is based on “the structure, the architecture” of the pieces he uses and is aided by his years of playing with great musicians.

“I’m not interested in borders or limits or ways of playing,” Saft said. “I want the concert experience to be transcendent, to take me somewhere when I’m listening and when I’m playing.”

In October and November, he will be on tour with Hamid Drake as part of Drake’s “Turiya: Honoring Alice Coltrane” project. They have concerts scheduled in Germany, Macedonia, Finland, Poland, Italy, Portugal and Lithuania, as well as in US cities starting in April. He is also working on several new albums planned over the next year, including a solo piano recording with music by John Cage, Arnold Schoenberg, Charles Ives, Thelonious Monk and Billy Strayhorn, mixing classical and jazz compositions.

For his album Bill Evans, due out in November, he formed a trio with Maine musicians Jim Lyden on acoustic bass and Gary Gemmiti on drums. Gemmiti, who plays drums in rock band Rustic Overtones as well as roots reggae band Royal Hammer, met Saft last year when Saft invited him and other local musicians to play at him.

Gemmiti said he felt connected to Saft after “just a few bars” of playing together. He was impressed by Saft’s openness, both in the way it welcomes new collaborators and different types of music.

“He’s a guy who plays so many different styles and enjoys each one, tries to be authentic in all of them, and I feel the same,” said Gemmiti, who lives in Limerick. “He’s so open to what different players bring to the table.”

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Logan Brown’s late goal gives Blues 5-4 win


St. Louis Blues coach Craig Berube on Friday, September 23, 2022 discussed the team’s first preseason game against the Arizona Coyotes in Wichita, Kan. Video courtesy of the St. Louis Blues.

WICHITA, Kan. – Blues hockey is back, in south-central Kansas of all people.

With a very young team on the ice, the Blues defeated the Arizona Coyotes 5-4 Saturday at INTRUST Arena.

Thirteen of the Blues’ 20 players in their preseason opener were in minor or junior hockey at the end of last season. But with eight exhibition games this year more than usual, Saturday night was a time to watch prospects and veterans trying to squeeze their way onto a roster that’s pretty well primed to enter camp.

Two players who appear to be vying for third-row spots up front, Jake Neighbors and Logan Brown, scored two goals apiece, with Brown scoring the winner with 4:10 left in the game.

Look who’s back

For the first time since Nazem Kadri crashed into Jordan Binnington in Game 3 of the Western Conference Semifinals last May, resulting in a series-ending knee injury, the Blues goaltender was back in the game. the game. Binnington took the start on Saturday, much to the delight of the crowd at INTRUST.

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He only played in the first period, stopping seven of the Coyotes’ eight shots. Arizona’s goal came on the power play, with Blues prospect Landon Sim missing for hanging. Nick Ritchie scored a backdoor for the Coyotes on a pass from Barrett Hayton with 4:51 left in the period.

Joel Hofer took over in the second period and finished the game; he is expected to be the No. 1 goaltender this season for the Springfield Thunderbirds of the American Hockey League.

Getting the start for Arizona in goal was a (somewhat) familiar name to Blues fans – Jon Gillies. With Binnington sidelined with COVID and Ville Husso injured, Gillies started a game Dec. 12 against Anaheim last season. The Blues lost 3-2 in overtime, but Gillies at least earned the Blues a point.

Three days later, Binnington returned from the COVID roster and Gillies was traded to New Jersey for “future considerations.” He’s now with Arizona on a two-way contract.

Fastest shot in Wichita (or anywhere)

The Blues signed striker Martin Frk on July 15 to add organizational depth and compete for a place in the ‘big club’. A native of the Czech Republic, Frk was a second-round draft pick from Detroit in 2012, which never really made its way to the NHL.

He played 124 games for Carolina, Detroit and Los Angeles over the years, scoring a career-high 11 goals for the Red Wings in 2017-18. But all told, he only has 20 career NHL goals. After scoring 40 goals last season for Ontario’s AHL reign, the Blues thought they’d give him a shot.

And it’s a hit – by Frk, that is. At the 2020 AHL All-Star Classic, Frk won the toughest shooting contest with a slap shot at 109.2 miles per hour — the fastest ever in hockey.

Frk threw a few rockets in the second period on Saturday, which caused oohs and ahs from the crowd at INTRUST.

The first of the two was tipped by Neighbors on the power play early in the period. The Blues signed Frk to a two-way deal, but he gets $500,000 if he ends up in the minors, which is a ton for an AHL player.

Big Events in Wichita

Wichita pulled out all the stops — or at least most of them — for what was not just Wichita’s first NHL game, but Kansas State’s first. Already.

And it was a festive atmosphere. A good crowd, with fans wearing NHL jerseys from the Boston Bruins, Chicago Blackhawks, Colorado Avalanche, Dallas Stars, Detroit Red Wings and Pittsburgh Penguins. … And of course, all kinds of Les Bleus jerseys.

Arizona, unable to play preseason games at home while its new building in Tempe is under construction, was technically the home team on Saturday. But that was just the name. As former “The Voice” runner-up Chris Mann finished the national anthem, it was the “Land of the Free and Home of the Bluuues!”

When the starting lineups were presented before the game, the loudest cheers were heard – of course – when Binnington was announced as the starting goaltender.

And it wasn’t too long into the opening period before the first chants of “Let’s go Blues!” have been heard.

The signs along the ice level were filled with advertisements purchased just for this game. Ads for the two Zambonis were also purchased for Saturday’s game only.

Things we noticed

The pace was fast, too fast for some players – Blues and Coyotes alike – who skated the puck too much or made hasty passes.

Blues prospect Keean Washkurak is small but fast and fiery.

Zachary Bolduc, he scored 63 goals last year among juniors, was rather calm during the first two periods but perked up in the third.

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Blues forward St. Louisan Logan Brown relishes Albert Pujols’ 700th home run

Ryan O’Reilly starts the Blues season without Perron, and without a new contract

Mural honoring musician Gil Scott-Heron unveiled in downtown Jackson


JACKSON, Tenn. — The Jackson community honors a world-renowned musician.

A new mural was revealed in downtown Jackson honoring Gil Scott-Heron Friday morning.

Before becoming a musician, author and poet, Gil Scott-Heron spent most of his formative years here in Jackson, where he was one of the first three African-American students to attend Tigrett Middle School.

Wendy Trice Martin, president of the Society for African American Cultural Awareness (SAACA), declares her passion behind the celebrations.

“We’re just excited, excited to be able to celebrate it and to be able to make it an annual event,” Trice Martin said. “Because he, when young boys and girls, from Jackson, Tennessee, they need to know, to know the name of Gil Scott-Heron, and what he did, for the contributions he made to this city.”

James Cherry, president of the Griot Collective of West Tennessee, recounts the example set by Scott-Heron.

“Anything is possible in your life, if you make the right decisions, do what you’re supposed to do, and work hard, the world is big and full of possibilities,” Cherry said. “So Gil Scott-Heron is an example of that. He comes from a time when it was segregated, but yet he was, he used his talent that he had, he was very good at writing and it won him university scholarships. So, thanks to these scholarships, he went on to become an artist.

Rose Newhouse is the mural artist, and she shares what this project has meant to her.

“I feel like I’m part of the story,” Newhouse said. “And my children, grandchildren and great-grandchildren are going to say, ‘My grandmother painted this of this historic man, and so mom, grandmother and great-grandmother are part of the story too .'”

The celebrations will end with a concert at The Amp starting at 5 p.m. on Saturday evening.

For more news in the Jackson area, click here.

Weekend Flyer: Pretty Woman, Festival Format, Trae Crowder, Demolition Derby and more


War on Drugs/Courtesy

Well, could you look at the calendar. It’s still Friday.

The Hog football team will be in Dallas to take on the old lame Texas A&M Aggies in the Southwestern Classic this weekend, but there’s a ton going on in Fayetteville this weekend. The game kicks off at 6 p.m. Saturday and will be televised by ESPN.

Walton Arts Center is putting on a big Broadway show all weekend with a musical adaptation of the hit movie, A pretty woman. There’s a chance to catch the show this weekend, and there aren’t a ton of tickets left, but we spotted a few still available online. Here’s where to get them.

Still performing, this is the last weekend to check out TheatreSquared’s hit comedy He came from outer space (and take advantage of the pop-up rooftop bar.) Here’s ticket information and a schedule of remaining shows.

There’s a huge music festival happening up north this weekend. Formats festival, which takes place on private land in Bentonville, will include performances by War on Drugs, Beach House, Herbie Hancock, The Flaming Lips, Rufus Du Soul, Khruangbin and many more. Here’s more on that.

George’s will kick things off this weekend with a happy hour show featuring Leah & The Mojo Doctors on Friday night, followed by the people of 1 Oz. Jig, Green Acres and Cole Birmingham Band for the late night show. George’s ticket information is here.

Smoke & Barrel Tavern has music Friday with Front Porch, and they’ll host Rachel Ammons’ No Man Band on Saturday. On Sunday there is an On The Map show at the venue featuring Daniel Romano’s outfit with support from Carson McHone. Here’s more on that.

Also on local tunes, Rue des Prairies live also has a show this weekend with the residents of Dandelion Heart and Country Jesus on Saturday night.

You can also watch longtime local musician Jed Clampit at a Razorback watch party and benefit from a food bank at a new venue on the White River. Here’s more on that.

Actor Trae Crowder, aka the Liberal Redneck, is in town for a weekend of shows at the Grove Comedy Club in Lowell. Here is more information.

The drivers will compete until the last car is at the Ozarks Demolition Derby at Parsons Stadium in Springdale. Get tickets here.

There’s more below. Have fun, everyone.

friday september 23

Saturday September 24

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NBA 2K23: Utah Jazz Ratings and Lineup


One of the franchise’s best-selling titles, NBA 2K23, is available to play on Nintendo Switch, Xbox, Playstation, and Epic. The recent episode features many amazing teams, all with great potential for this year. One such team is the Utah Jazz in NBA 2K23. Being part of the main campaign, it is important for players to know the ratings of Utah Jazz.

Before going any further, be sure to check out the NBA 2K23 best shooting badges, where you will find the top 5 badges to improve your gameplay. Additionally, we have formulated a complete guide on the best dribbling moves as well as the best badges and styles to help you in the game.

It is important to know the team you are dealing with. In the championship, each team creates strategies with one goal in mind to win.

To hoist Larry O’Brien when the season realistically comes to an end, there are now plenty of powerhouse teams available. To see the players who could help you win the championship, be sure to check out our guide to the best NBA 2K23 players of the year.

After getting started and getting used to the basics of NBA 2K23, the first thing you should do is check the ratings of all the teams and players you’ll be interacting with. We discussed the best Jumpshot in another guide where we discuss the most suitable badges, best settings, and crafting options for this one.

Our guide today will discuss in detail the Utah Jazz team ratings and all the best team players you can play in the game.

Utah Jazz Team in NBA 2K23

The great American professional basketball team that comes from Salt Lake City, Utah Jazz, competes in the NBA. As a member of the league’s Western Conference, it plays most of its home games at Vivint Arena.

The team was founded in 1974. In addition, the Utah Jazz team was able to play in the NBA Finals twice. However, they are yet to win the NBA title. While you’re at it, be sure to check out all the changes to my team in NBA 2K23.


The most recent appearance we see from the Utah Jazz was 24 years ago in the NBA Finals. They faced the Chicago Bulls, led by famous basketball superstar Michael Jordan. The match took place in 1998, and unfortunately, Utah Jazz were defeated in the final. We’ve also created our guide to the best defense badges in NBA 2K23, so be sure to check it out while you’re at it.

In the guide, you will be able to take a closer look at Utah Jazz and the versatile roster of players it offers. You will also be able to see a proper analysis of their statistics so that you can use the players in the best possible way. Have you read our guide to the best dunkers in NBA 2K23 yet? If not, be sure to check it out to see where the top 15 Dunkers are this season.

It’s important to know the duo’s new rankings in the league’s backcourt and the team positions that could perform well with an upgrade in MyNBA Eras. Additionally, we have curated a guide on the best camera settings for NBA 2K23 which will walk you through setting the correct angles.

Utah Jazz Most Outstanding Player

As for NBA 2K23, the team is ranked 28e best overall in the league from the 32 teams available in the game. Additionally, there are two players in the team who are rated 80 and above in the game. The team also features the best teammate in the year 2019 in the NBA.

Mike Conley Utah Jazz Notes in NBA 2K23
Mike Conley

Before we go any further, check out the best NBA 2K23 games and see which Utah Jazz players might be a good fit for your team.

Mike Conley is considered the best player, with an 82 OVR rating. The Point Guard is a very powerful player in the game and can lead you straight into championships. While you’re at it, be sure to check out the top rated players and see what makes them the best in the game.

Bojan Bogdanovic comes second. He’s also a great player if you’re looking for a stable PF/SF. Finally, we have Collin Sexton, an excellent PG and SG. We’ve also formulated a guide on the best advanced build, so be sure to go check it out.

Utah Jazz Starters and Bench Notes

Below you will find all the rankings for each player you will be able to play with in Utah Jazz. Moreover, we have also mentioned the positions of each player for your convenience.

NBA 2K23 Utah Jazz standings
NBA 2K23 Utah Jazz standings
player name OVR Position
Mike Conley 82 PG
Bojan Bogdanovic 80 SF
Collin Sexton 78 SG
Uduka Azubuike 72 VS
Stanley Johnson 72 PF
Rudy Gay 75 PF
Talen Horton Tucker 74 SF
Ochai Agbaji 73 SG
Malik Beasley 75 SG
Jordan Clarkson 77 SG
Jared Butler 74 PG
Lauri Markkanen 78 PF
Jarred Vanderbilt 78 PF

Also be sure to check out all of the awesome NBA 2K23 finisher badges for your players.


With that, our NBA 2K23 Utah Jazz Rating guide comes to an end. After reading our guide you will have a better idea of ​​the players and their potential and the best way to use Utah Jazz players.

Also, using the best players on the team with the right strategy will help you a lot in the late game, and you can even win the championship with it. Be sure to leave all your questions regarding our article in the comment section below.

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KGF Musician Great added value in Sasanasabha

Delighted musician Basrur is currently working on the all-India political thriller ‘Sasanasabha’ after completing his work with KGF. He will perform his signature songs for the ambitious film, which will also have upbeat background music. In order to meet the demands of audiences across India, music director Rav Basrur and director Venu Madikanti worked tirelessly on the score.

This film is heavily funded by Thulasi ram Sappani and Shanmugam Sappani through Sapbro Production Pvt Ltd. The amount of music produced is staggering. The music and the re-recording by ravi Basrur are superb. He produces moving and impactful work for “Sasanasabha” after gangster action drama like “KGF”. His BGM for our movie’s Motion poster has already won over audiences, according to producer Shanmugam Sappani.

In other words, the central supports of the Indian film “Sasanasabha” are the music and the re-recording of ravi Basrur. Four huge songs will be in the movie. mangli sings a hot song about Hebah Patel. mangli and ravi Basrur have never worked together before. We anticipate this song to be electrifying. The cast of the film includes Indra Sena, Aishwarya Raj Bhakuni, Rajendra Prasad, Sonia Agarwal, Prudhviraj, “Jabardasth” Apparao, Anish Kuruvilla and Amit. The story of the film was written by raghavendra Reddy. Krishna Murali’s cinematography will be of the highest caliber.

Lowcountry Fish and Grits Music Festival is coming to Hilton Head in October – Lowcountry Weekend


HILTON HEAD ISLAND, South Carolina (Lowcountry Weekend) — The Lowcountry Fish and Grits Music Festival will celebrate the diversity of Gullah Geechee culture next weekend on Hilton Head Island.

It will be held at Celebration Park, 90 Pope Avenue, Saturday from 1 p.m. to 6 p.m. Organizers say this will be the festival of the year.

Family-friendly event features live performances by artists Latrese Bush, Votte Hall, Gwen Yvette, Angela Bonaparte, Latin percussionist Frankie Quinone֘s and new McIntosh County Shouters, spoken word presentations by Louise Cohen, Vascola Stoney and others .

Lowcountry artisans, food trucks and craft breweries will also be present throughout the park.

Click here for more information.

Organizers say that with international and local musical talent, unique craftsmanship and indigenous cuisine not easily accessible outside the Lowcountry, the festival offers a unique cultural experience for everyone.

A portion of the proceeds will be donated to the Hilton Head MLK Committee for Justice.

Is a Lakers trade close after Jazz moves, press conference juggling?


Well, Los Angeles Lakers fans were supposed to have a press conference from Lakers general manager Rob Pelinka and newly acquired head coach Darvin Ham on Wednesday.

That was until yesterday when it was reported by Marc Stein that the tandem would move the event to Monday, the same day the organization’s players would be interviewed.

This begs the question, was this decision really just a postponement? It looked like that might be the case until Lakers Twitter sleuths did their job and found two very intriguing pieces of information.

Five minutes before news of the conference move was released, it was revealed by NBA Insider Shams Charania that the Utah Jazz were making their first of two questionable moves.

Utah also signed Micah Potter to a two-way deal for the 2022-23 season, which was reported shortly after the Zeller news.

These questionable moves from the Jazz, combined with the postponement of the press conference, could signal that a trade from the Lakers is close.

Cody Zeller as an addition to the team makes sense. I mean he is an 8 year veteran in the league who is quite capable of delivering 15-20 quality minutes per game for teams. Micah Potter, a player entering his second year with just three games under his belt, doesn’t make as much sense, however. The situation the Jazz finds itself in now makes these moves even more insane.

After today’s news, that now means Utah has signed two players to its roster, bringing its total roster to eighteen, including two more two-way players.

While yes, offseason teams are allowed 20 players on the roster, as most fans know, when the regular season starts that number is reduced quite drastically to 15. That’s what we leads to conjecture.

With the season approaching so quickly, the question arises as to why the alarming oversupply of players and why has that apparently caused the Lakers to delay the team’s state of the union until Monday? Pelinka works.

With Russell Westbrook’s main draw being his expiring and rather massive contract, it would make sense that a 2-3 player return in a multi-team trade would suffice.

One name that has been thrown around is Bojan Bogdanovic who, with his big frame and 39% career three-point percentage, would make an exceptional addition to the team.

Another would be one of the Laker’s prodigal sons, Jordan Clarkson, who can get hot in a hurry on the offensive side, however, the backcourt is pretty full so that seems less likely.

Whether or not the trade dwindles for those specific players, when Pelinka and Ham finally take the stage on Monday, I have a feeling it could be cause for celebration.

Second week blues? | The Dartmouth


Two Writers’ Guide to Rejection (and Its Unexpected Perks)

by Molly Stevens and Mariel Fulghum | 09/21/22 02:30

If you’re reading this, you’ve probably been kicked out of something in Dartmouth. If you haven’t done so yet, we sincerely hope you will soon. It’s not because we’re sadists and want to see you fail. Instead, we hope to see you succeed. We just know, having experienced painful rejection ourselves, that trying – and failing – is integral to a person’s eventual success.

Most of the students who came to Dartmouth were at the top of their high school class: the star of the debate club, the starter of the football team, the brightest and most involved, the busiest and most complete. These successes are probably what brought them to a school like this in the first place. However, when there are 70 incoming high school debate stars vying for 10 spots on the debate team, it doesn’t take an advanced mathematician to see that someone is going to get cut.

We spoke to David Millman ’23, the current president of Dartmouth’s student government, for some insight into college rejection. It turns out that in his first term at Dartmouth, Millman was voted out by – you guessed it – student government. When he ran for student senator, he lost.

“You have two choices when you get rejected from something,” Millman said. He explained that you can either wallow in your disappointment or practice overcoming that failure and trying again. Millman chose the latter. The following spring, he ran again for the same position, against the same opponent, and won.

Millman also pointed out that the initial rejection allowed him to participate in extracurricular activities he otherwise wouldn’t have had time for.

“Instead of getting involved in student government, I got involved in preventing sexual violence on campus,” he said. “Sometimes the opportunities and experiences you’re exposed to because of rejection and failure end up being even more rewarding than what you were originally trying to do.”

Like Millman, Chandini Peddanna ’25 had freshman rejection. She came to Dartmouth thinking she wanted to take part in the Mock Trial – just like her older sister, a ’20 Dartmouth. But when she tried out for the team, she was rejected.

“I kind of put all my eggs in one basket with this club, in that they had a very late trial, and most of the other clubs that had trials were already over,” Peddanna said. She said she felt like she had missed the opportunity to get involved in extracurricular activities, until one day, on a whim, she went to a Ledyard Canoe Club meeting. Peddanna admitted she wouldn’t have thought of herself as much of the outdoors when she arrived in Dartmouth, but she found an unexpected community in Ledyard.

“I found my place on campus and it wasn’t how I thought it would be,” she said. “I’m glad I kind of found my own path and pushed myself.” Although Peddanna didn’t follow in her sister’s footsteps, she did become a member of a club she truly loved. You could even say that the rejection served Peddanna well.

Ulla Libre ’25 was also able to find value amid the disappointment of the recent rejection of a cappella auditions. After leaving the varsity rowing team, Libre found herself with extra time, so she decided to try a cappella. Libre said she never took singing lessons but always loved singing, and even though she didn’t end up in a band, the audition was worth it.

“I’m obviously sad that I didn’t get into a band, but I feel like that won’t stop me from pursuing music in the future, or singing or something like that,” he said. she declared. At the end of the day, she said she had met some great people in the process and was proud to have tried something outside of her comfort zone.

Many of us avoid doing this because we are afraid of the worst possible outcome. When we derive our self-esteem from success in activities at which we excel, failure seems unbearable. We deprive ourselves of potential successes – or potential lessons learned – by choosing the only surefire way not to fail: not to try.

When you look at rejection from the perspective of personal growth, it becomes almost liberating. Rejection is like a clean slate: you have to start from scratch and you are forced to be introspective and reassess the source of your identity. Do you enjoy debating because you’ve always been praised for your abilities, or is it something you really enjoy doing? Is your skill as a debater really negated by your rejection of a team that only has room for a few? It is difficult to think about these questions, but they are important.

Of course, adopting this mindset is easier said than done. I (Mariel) got kicked off the club tennis team last week, and it sure wasn’t a fun experience. However, I’m glad I tried and I don’t see tennis differently. I still love playing, and I will for a long time. My failure came with some unexpected precious gifts: first, time to pursue other interests; and two, the revelation that being rejected isn’t so bad after all, which made me more willing to try new things and potentially get rejected again.

That being said, we encourage you to see the value of rejection. It’s not something to avoid. It’s uncomfortable and difficult, but it’s a challenge – and perhaps one you’ve never faced before. Rejection asks who you are. Do you have an answer?

Award-winning musical theater composer Adam Gwon and internationally acclaimed folk musician Reggie Harris will perform at the Hermitage’s 2022 Artful Lobster: An Outdoor Celebration!


Arts & Culture

Pictured: Artsy the Artful Lobster and Artistic Director and CEO Andy Sandberg. Photo courtesy of Hermitage.

The Hermitage Artist Retreat, now celebrating its 20th anniversary season, today announced that Hermitage Fellow Adam Gwon, an acclaimed musical theater composer whose work has been described by The New York Times as “funny and courteous with a sweetness that isn’t cloying,” will star at the Hermitage’s fall fundraising event, “The Artful Lobster: An Outdoor Celebration!” Saturday, November 12 from 11:30 a.m. to 2 p.m. at the Hermitage campus in Manasota Key (Sarasota County, Florida). Gwon is joined by Reggie Harris, a Hermitage alumnus, musician and storyteller, and mainstay of the international folk music scene for over 40 years. Harris will also present a community program at Booker High School as part of the “Hermitage @ Booker” series on Friday, November 4.

Pictured: Artsy the Artful Lobster and Artistic Director and CEO Andy Sandberg. Photo courtesy of Hermitage.

5 Jazz Games With Incredible Ticket Value This Season


Tomorrow (Tuesday, September 20) marks a week after the official start of training camp. From there, three weeks will pass in a blur before we enter the regular season. Where did the time go?

This has been one of the most intense and intense offseasons the Utah Jazz has ever had. Trading two All-Stars, racking up picks, and bringing plenty of intriguing players to the roster gives the organization LOTS to say about the start of the season.

With hope restored for the future and an exciting present, stepping out in the arena will be an underrated good time this coming season.

Utah finalized a multi-year rebrand with new jerseys and a matching field. While the outlook on the jerseys has been polarized at best, the arena and field are excellent and offer promising aesthetics.

In the spirit of everything that has changed with the team, we are renewing for a second consecutive year our selections of games that you will want to attend this season.

Last year we suggested 6 games, including thrilling finishes against the Milwaukee Bucks and Houston Rockets, blowouts against the Golden State Warriors and Dallas Mavericks, and entertaining matchups against the Charlotte Hornets and Toronto Raptors.

Last year we focused on the games with the most entertainment potential for the money. This year, we’re looking for the best value so fans can get out into the arena often and create amazing memories with our new team.

Before we dive into our list, a quick disclaimer:

Ticket prices listed are based on 9/18 submissions via Ticketmaster. SLC Dunk cannot guarantee ticket prices. The assessment of value is the opinion of the author.

LA Clippers, November 22 | January 18

If you’re the type to seek out star games and see the best in the league, you’ll be hard pressed to find better value than the Clippers who travel to Utah twice this season.

Kawhi Leonard returns to action after a season out with an ACL injury and Paul George is healthy again. LA has assembled arguably their deepest and most versatile roster ever and plans to be a Western Conference juggernaut.

With all stars, especially Leonard and George, there is a risk of “load management” that keeps stars on the bench. After all, the two trips are the second consecutive nights.

However, out of the 12 B2Bs in the 2020-21 season, Kawhi has played both games 6 times and adapted for a single game 4 times. For a game in mid-January at this value, I’m willing to bet on Leonard getting dressed and putting on a show.

In November, the Clippers will complete a 2-game road trip while in January, they will begin a 4-game road trip against the Jazz.

Tickets start at just $16 in the upper bowl and $69 in the lower bowl. If you’re looking for Upper Bowl tickets, the best value is January 18, while November 22 is the best for a Lower Bowl experience. Don’t spend the nausea inducing money for the Lakers when you can see similar stars on a far superior team with big savings.

Detroit Piston’s, November 23

If you’re the type who wants to play a lot of games, this is a great game to keep you going while still putting on a great show.

These aren’t the Pistons you remember from a few seasons ago. They’ve stockpiled a handful of exciting young players in Cade Cunningham, Jaden Ivey (#5 rookie), Jalen Duren (#13 rookie) and Saddiq Bey.

You’ll see a lot of speed, athleticism and passing in this one which is likely to be an attacking spectacle. The 2022-23 Utah Jazz will likely reflect a similar style with less flashy names. This is a foolproof entertaining game for pennies.

Detroit will be on a back-to-back while Utah will have a single day off. The Pistons will also play the 5th of a 6-game road trip.

Tickets start at $9 in the upper bowl and $47 in the lower bowl. It’s also one of the best games to get premium seats in the top bowl (side view, rows 1-3 starting at $31). It’s my favorite choice for a cheap game to see a fast-paced game full of rising stars, and maybe walk out of the arena with a “W”.

Last season, the Memphis Grizzlies were a staple on television. Between Desmond Bane as a rising star and Jaren Jackson Jr.’s perfect No. 3 hitting his inside-out DPOY, the Grizz were a league darling.

Oh, and not to mention the superhuman highlights of a certain Ja Morant:

JJJ is recovering from injury and although he is progressing well, he is unlikely to be suitable for this game (hence the big deal). But you’re still looking for a strong team with internal expectations to compete in the West.

They were, after all, the No. 2 team in the West that fielded a breakout MVP candidate. You’ll be hard pressed to see an opponent this year with that kind of resume for those awards.

Memphis and Utah will both be 1 day off while Memphis will be Game 3 of a 4 stop road trip.

Tickets can be purchased from $11 in the upper bowl and $54 in the lower bowl…for last year’s second seed in the West. As long as you can bear to watch Desmond Bane, knowing full well that he should be a jazz man, that’s one of the best values ​​for one of the best teams.

Games against the Pelicans practically sell out at this point. Multiple All-Stars in Zion Williamson and Brandon Ingram, capable veterans in CJ McCollum and Jonas Valanciunas, showcase worthy defenders in Herb Jones and Jose Alvarado; it doesn’t get any better than that.

Zion is pretty box office with what it can do. After missing last season, everything indicates that he is ready to resume his dominance in the paint. He’s all-in with a contract extension and in terrific form, by all reports.

Last we saw Zion he was putting 27.0 pts, 7.2 rbs, 3.7 ast on 65% TS. That’s… jaw dropping for a sophomore. What does its 3rd season have in store for us? We could consider an MVP campaign.

The Pelicans will be on 1 day off at Jazz 2 and the first night of a 3-game road trip.

Tickets start at $12 in the upper bowl and $60 in the lower bowl. Few teams feature the combination of stars, highlight reels and young players like New Orleans. You could very well see a crew burst onto the scene as a Western threat to what you spend on the movies.

Another fantastic game featuring rising stars and young talent takes place against the Magic in mid-January. The game will feature No. 1 pick Paolo Banchero and last season’s No. 5 and No. 7 picks Jalen Suggs and German national team standout Franz Wagner.

Paolo is the archetype of the prototypical franchise player and is projected as an immediate contributor. Currently boasting the highest ratings, you can witness a rookie of the year season in person.

The Orlando Magic are also a fascinating comparison team with Utah when they traded Nikola Vucevic and Aaron Gordon two trade deadlines ago to kick off a rebuild. The future looks bright now with a mini-rebuild giving hope for the franchise.

The Magic and Jazz will be on 2 days off, but Orlando will be on Game 4 of a 5-game road trip.

Tickets start at $18 in the upper bowl and $59 in the lower bowl. Be especially diligent in finding the correct tickets as this game has unusual price discrepancies. But if you score them at these prices, you’ll find yourself watching stars in the making, and you’ll have a competitive feel throughout.

Vivint Arena hosts an electric crowd of jazz fans in the best and worst of times
Photo by Jeff Swinger/NBAE via Getty Images

Visiting the arena to cheer on the Jazz is special, and doing so knowing you’ve snagged seats at an incredible price is all the more enjoyable.

I know I will be playing some of the games mentioned above and hope to see you at Viv. Drop a comment below or tag @slcdunk on Twitter tell us which match you hope to attend this season!

The St. Louis Blues’ prospects are very inconsistent in Traverse City


The saying “life is like a box of chocolates – you never know what you’re going to get” applies very well to hockey prospects. The St. Louis Blues showed it off at the 2022 Traverse City Prospects Tournament.

The Blues have often sent a team to Michigan for this annual review of team draft picks and unsigned players on a tryout. The results were as high and low as the game of those involved.

The Blues have “won” a few tournaments in the past. They also ended a bit badly too and that’s more what we got in 2022.

St. Louis ended up going 1-2-0 in its three games in those intersquad matchups. However, it wasn’t the losses themselves that were embarrassing, but the way it happened.

All three games were blowouts. The Blues took their only 8-3 victory and then were destroyed by a combined score of 14-2 – split evenly in two 7-1 defeats – in the other two games.

The victory was sandwiched by the two disappointing projections. However, that’s what you get from guys learning to change the way they play.

Most of these guys are 18 or 19, with a few exceptions. Apart from a few guys with professional experience in Europe, almost everyone involved in Traverse City learns a more professional style after playing as a junior.

Many fans wonder what the difference is. That’s pretty big considering almost everyone who was drafted was a giant fish in a small pond and now has to find a new role.

The number of guys who can go on to be a top player in the NHL is relatively small, so they have to learn to do things that aren’t expected of them in some cases. A guy who’s been a top winger his whole life might not always know how to backcheck 100% or a center might need to learn not to make certain passes when everyone else is as talented as you or more.

The Blues have seen plenty of early mistakes in their three-game outlook. The last one was particularly disappointing.

The outcome of a 7-1 defeat is somewhat intangible. When you take six penalties and the Dallas Stars score on three of them, that’s more of an indicator of where some of those players are.

Talent levels vary, but a lack of maturity and situational awareness is often what leads to penalties at any age. For example, Tyler Tucker can’t take a cross-check penalty 12 seconds after Zachary Bolduc was sent to the box for a high stick. Dallas scored just one goal in that 5-on-3 and subsequent 5-on-4, but you’re not doing your team any favors.

The Blues’ hopes were slightly better in their loss to the Columbus Blue Jackets. They only took three penalties there, even though all three were in the second period. Perhaps the result of a long change?

Even in victory, the Blues went too much to the box. Maybe the umpires called it too tight, but St. Louis had 11 penalties and 19 violations in total against the Toronto Maple Leafs.

Landon Sim, 18, scored the only goal in the first loss. Bolduc got the only goal of the last game. Coincidentally or not, Matt Kessel got the assists on both.

The Blues got tons of goalscorers in their 8-3 win. Sim added two more, Jake Neighbors got on the sheet, Bolduc added his second overall, Kessel hit the back of the net and guest free agent Andrei Bakanov had a hat trick.

On the positive side, it was a very good performance for Sim. He finished with three goals and five points in three games. Not a bad first look for a sixth-round pick.

Bolduc was up and down. He finished with two goals and four points, which is great. He was also minus-3 overall and minus-6 in the team’s two losses. Bolduc himself admitted to not being as involved in all aspects of the opening loss as it should have been.

The neighbors were a bit of a non-factor. Sure, you’d like to see him dominate the guys at this level, but we’ve seen him against pros before and he’s done pretty well. A mere performance of one goal in three games is not too worrying.

Unfortunately, Colten Ellis took a big hit. He was rocked in both losses, allowing nine total goals in two starts and getting shot midway through each. Ellis probably won’t lose any positioning on the depth chart, but he was probably hoping a strong performance could take him up a notch.

In Ellis’ defense, he didn’t get much. Neither will Cranley.

Cranley won the game against the Leafs, but faced 31 shots. He also let a total of eight goals pass, although he may be getting more assists since picking up a win and the other two games were in relief when the team weren’t playing well overall. way.

Kessel looked good offensively. He scored one goal and three points. However, the Blues simply have too many similar players ahead of him for that to have had a significant impact on their plans.

All in all, that’s what it is. You can’t expect perfect performances from a team that was put together about a week ago, playing together for the first time while trying to figure out their individual game.

You feel bad for Ellis getting bombed like this, but it’s hard to tell if he just had the weekend off or if the defense just didn’t show up.

As mentioned, wins and losses aren’t that important to anyone but us, the fans. You would have liked to have had stronger performances though and that just speaks to the inconsistencies of this current group of prospects to win in a blowout and blow out in both losses.

We don’t need to overreact to this particular prospect tournament. A poor showing here doesn’t mean any of these guys won’t be solid pros.

This indicates that some, if not many, are further away than we might have guessed.

Eddie Zar – A highly skilled and up-and-coming EDM producer, artist and musician striving to become a famous face with his next massive hits


A highly skilled musician, Eddie Zar strives to become the premier entertainer.

Growing up as a music fanatic and listening to all genres of music, Eddie Zar began to develop a love and passion for EDM, having an ear for melodies and beats. From the first years of his life, he began to be inclined to create his music and dreamed of becoming a rising face of fame in the United States. Over the years, Eddie Zar has honed his skills and is currently recognized as one of the finest electronic dance music producers, artists and musicians in his state. Eddie Zar started making beats and looping sound sessions in 1998, but soon got stuck in the hassles of life. Later, he decided to reawaken his passion and love for music by producing masterpieces again in 2016. During the pandemic, he had the opportunity to focus on himself and his passion, devoting his time and energy to honing his skills while learning how to cut. state-of-the-art musical techniques of the present day.

As a music enthusiast, Eddie Zar draws inspiration from Armin van Buuren, Calvin Harris, David Guetta and Tiesto when writing songs. He currently has over 50 unreleased music tracks, and he wants to release a song for his fans every week. Additionally, Ed Zar’s analytical skills allow him to figure out when to release the song and how to overcome difficult situations with actionable decisions and action plans. Since effective networking can be beneficial for any up-and-coming artist, Eddie Zar makes diligent efforts to establish vital networking with show organizers and music agencies that can have a massive impact on his musical career.

“I was creating songs for fun that I could listen to in my car. When my friends and family finally heard my music, they said I should release my songs for everyone to enjoy. said Eddie Zar.

Having strong adaptability and perseverance has added practicality in his life, and thus he is ready to face any challenges that may come his way without giving up on his goals. He has a determined mindset and works tirelessly to wow his fans with his upcoming music tracks comprised of techno, drum and bass, progressive house, progressive trance, future rave, dubstep, and trance music. Additionally, as Eddie Zar has all the relevant attributes of an easy-going person, he is well regarded in the EDM music industry and has created beats and songs for some of the most esteemed and well-known artists. of the EDM and Hip-Hop world. .

Besides being a music lover, Eddie Zar has a zeal for snowboarding and enjoys practicing martial arts. He is an inspiration to so many who are striving to achieve their goals. Due to his zealous and determined mindset, Eddie Zar has caught the attention of many renowned producers and artists in the music industry. He is ready to play at all music festivals, especially the Ultra Music Festival (UMF) in Miami, Florida, and the Electric Daisy Carnival (EDC) in Las Vegas. His songs are available on several platforms, including YouTube and Spotify.

For more information, click on the website, https://eddiezar.com/about/.

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The official lineup of the 2023 Stagecoach Country Music Festival


The Stagecoach Country Music Festival offers a unique lineup for the 2023 festival, including RuPaul’s Drag Race alumni Trixie Mattel, EDM/country star Diplo and Grammy Award-winning artist Chris Stapleton. Here’s what we know about the lineup for the 3-day event.

Stagecoach Festival Returns to California April 28-30, 2023

Singer Luke Bryan performs on day one of the 2019 Stagecoach Country Music Festival | Scott Dudelson/Getty Images for Stagecoach

New York has the Governors Ball Music Festival and Austin hosts the Austin City Limits Music Festival. Next year, the Stagecoach Festival will take place April 28-30, 2023 in Indio, California.

This 3-day festival features the best in country music, food, and additional cowboy-themed activities. Stagecoach even hosts Guy Fieri’s Stagecoach Smokehouse, which “celebrates[es] regional barbecue favorites from across the country.

Attendees can tour the air-conditioned dance hall to learn more about line dancing, the two-step round dance, and participate in a “good old country hoedown.” Of course, the highlight of this festival is the music. The 2023 Stagecoach Country Music Festival features Luke Bryan, Kane Brown and Chris Stapleton as headliners.

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The 2023 Stagecoach Festival includes performances from Luke Bryan, Kane Brown and Chris Stapleton

Friday’s lineup includes performances by Jon Pardi, Riley Green, ZZ Top, Elle King, Breland and Melissa Etheridge. This day also includes a performance by RuPaul’s Drag Race: All-Stars winner turned country superstar – Trixie Mattel. “Country Girl (Shake It For Me)” artist Bryan appears as the headliner.

“Each time I’ve played Stagecoach, it’s been even better than the last time,” Bryan said in a statement, according to Billboard. “They have a history of delivering such an amazing fan experience that fans want to come back year after year. It’s the perfect kind of energy, and I can’t wait to be back.

On Saturday, Old Dominion, Gabby Barrett, Nelly, Bryan Adams, Niko Moon and Morgan Wade will appear at Stagecoach. Hot on the heels of his landmark performance at the MTV Video Music Awards, Brown is the featured artist on the date, sharing a photo on Instagram captioned, “About to be lit.”

Brooks & Dunn, Tyler Childers, Diplo, Parker McCollum and Turnpike Troubadours will perform at the Stagecoach Festival on Sunday April 30. “You Should Probably Leave” singer Stapleton headlines the final day of the country music event.

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How to Get Stagecoach Festival 2023 Tickets

Tickets are available directly from the Stagecoach Festival website, some of which include a shuttle pass to and from the venue. The first tier of general admission tickets cost $389 plus fees. Once that sells out, Tier 2 is $429.

Several VIP options are available, giving attendees additional perks, including a “Corral reserved seat in the first 10 rows” with the Desert Diamond VIP package at $2,749 plus expenses.

For those traveling to California, there are hotel packages available for purchase, which include “local resort accommodations and Any Line Shuttle passes for the group.” Merchandise is already available for purchase on the festival website.

RELATED: ‘RuPaul’s Drag Race’ Trixie Mattel Reveals Her Makeup Routine and Why She Travels With a Suitcase Full of Wigs

Jazz musician Kyle Eastwood at the Palladium • St Pete Catalyst


Jazz musician Kyle Eastwood has appeared in several recent films, usually as the bassist in a band playing in the background while the actors chew up sets on the dance floor.

It’s been 40 years, however, since her big moment as a co-star above the title; he was 12 when he played a depression-era rascal in the country music drama Honkytonk Man.

Prior to this, Eastwood had made uncredited cameo appearances in Outlaw Josey Wales and Bronco Billy.

The last name could be a dead giveaway. Kyle’s father is none other than Clint Eastwood, who starred in and directed all three films.

Eastwood the Younger is the son of the movie legend and his first wife, Margaret Neville Johnson.

Image: Internet Movie Database.

Music, not theatre, has always been at the center of his concerns and, as part of a short American tour, he and his band – saxophone, trumpet, piano, drums and bass – will perform on Monday and Tuesday (19 and September 20) at the Palladium Theater. Side door scene.

“Both my parents are big jazz fans and they both play the piano,” said Eastwood, who grew up in Carmel, Calif. Catalyst. “There was always a lot of music in the house. They also listened to R&B, and Ray Charles – and the weird Johnny Cash record here and there, things like that.

“Growing up in the 70s, I listened to the radio all the time, so I was very into rock and pop music. Lots of R&B and funk music too. I’ve always loved music, really.

His earliest memories are the sounds of Basie, Ellington, Brubeck and Sinatra floating around the family home. “And the first gig I remember going to was the Count Basie Big Band, in Monterey, in 1977, I think. When Count Basie was still alive and playing with the band.

He had started, like many children, by taking piano lessons. During the Honkytonk Man shoot, he learned to play the guitar.

Back in the Zeppelin and Van Halen days, however, “I had a lot of friends in high school who were musicians… but of course none of them were bass players. They got together and played all the time, and they always needed someone to play bass.

Eventually, the jazz bug bit him (again) and told him to learn to play the acoustic double bass. After years of study and contributions, he released his first album, From here to herein 1998. Ten more followed.

As a composer, his film scores include deux de papa, Invictus and Letters from Iwo Jima; his music was also featured on the soundtracks of Million Dollar Baby, Mystic River, Gran Torino. J. Edgar and others.

His last album, Cinematic, is a reimagining of classic movie themes, ranging from Bullit and The Eiger Penalty at Gran Torino and Fall from the sky.

“I haven’t really done dates in America since just before Covid,” says Eastwood, who spends most of the year in Europe. “Cinematic came out just before that, so we never really had a chance to go out and play music here.

Nevertheless, he spent that summer in California, working on arrangements for Symphonic, orchestral/jazz versions of tunes from his father’s films, which he will take across the pond for a selection of shows before recording it in Prague for an eventual album release.

“I love playing music by great composers,” he says. “And I like to do original material – I have more or less of it, mostly, on a lot of my records. Cinematic was a tribute to some of my favorite film composers. There were one or two in there that I had something to do with, but all the others were big names.

“The same with the Symphonic thing – it’s going to be tracks by Lalo Schifrin, music by Ennio Morricone, and a couple that I got my hands on.

Everywhere he goes, Kyle Eastwood is asked: what was it like living in Clint’s shadow? “That’s a pretty big shadow,” he laughed.

“Obviously, when you’re linked to someone so famous, it has its pros and cons, like everything, I guess.

“I’ve always tried to stay focused on the music and be the best musician I can be. If it gets attention, I hope people will judge the music on its own merits and not worry so much about everything. the rest.

Find tickets for Palladium shows here.

The Blues are still determined to sign ‘generational talent’


Reporter Dean Jones has insisted that Chelsea’s interest in Declan Rice remains, despite a recent change of dugout.

The Blues have long time admirers of the West Ham star, who believed the 23-year-old himself would prefer a return to his boyhood club in west London amid interest elsewhere from Manchester United.

The rice is under contract until 2024 and the Hammers have the option to extend for a year, which leaves his current employers in a strong negotiating position, hence the £150 million asking price that David Moyes placed on his head.

Nonetheless, it looks like the Blues remain keen on acquiring the midfielder, whom The Athletic journalist Roshane Thomas has dubbed a ‘generational talent‘.

Although Thomas Tuchel is shown the doorChelsea’s attempts to land Rice are unwavering with Jones telling GIVEMESPORT“Thomas Tuchel’s departure won’t really affect Chelsea’s vision of signing Declan Rice.

“There are still people who remain with the club who are ready to leave for Declan Rice when the time comes.”

There is a constant stream of suitors competing for the two places in Chelsea’s engine room with N’Golo Kante, Jorginho, Ruben Loftus-Cheek, Denis Zakaria, Mateo Kovacic and Conor Gallagher all natural options.

However, with Jorginho and Kante in the final year of their contracts and being 31 and 32 respectively this season, a refresh might be in need.

Loftus-Cheek only did 32 Premier League starts during his time at Stamford Bridge, while Gallagher three appearances away in a Chelsea shirt have all come in this campaign.

Both are yet to prove themselves at the top level while Rice has quickly established himself as one of the best midfielders in the country.

His success rate of 91.6% was only bettered by Rodri among players in his position to make 20 or more Premier League appearances last season and at 23, Rice has already become a confident performer for the West Ham side, making 202 senior appearances.

He would be a shoo-in for Chelsea’s roster, on average more or as much tackles and interceptions than any member of the blue side in the top flight this season and he could hold the center of the park for years if he were to cross London.

Mental health of musicians after the pandemic and beyond


Musician and neurologist Dr Joe Barnby is studying how the pandemic has affected the mental health of music makers. Here’s what he found…

by Jessica Letkemann Spotify for Artists

This material has been prepared for informational purposes only, and is not intended to provide, and should not be relied upon for, health advice. You should consult your own counselors and/or mental health professionals before making any personal decisions.

Making music has always been an intense career, often filled with uncertainties – from money to time – that can stress you out. On top of that, the effects of the ongoing pandemic have thrown a wrench in the lives of many artists that continues to be felt. Musician and mental health neuroscientist Dr. Joe Barnby returned with Spotify for Artists to share what he observed about how Covid has added to the profession’s unique stresses.

“Data released during the pandemic has highlighted who is most vulnerable to depression and anxiety,” says Barnby. “The only thing that stands out about musicians compared to other professions is that they [often] don’t have that security of financial stability…and that unfortunately means that when something like Covid happens where there’s a huge change in the way we have to adapt to live, it can be very difficult to continue being a musician in these circumstances .”

Nearly two-thirds of respondents to the MusiCares 2021 “Wellness in Music” survey felt financial stress every day. Meanwhile, more than a quarter reported moderate to severe depression.

“No sort of economic parachute for people with inconsistent incomes makes the stress all the more exaggerated and magnified. Musicians feel like they can’t really afford to exist doing what we love to do, like write music or produce music, in addition to trying to afford an apartment and trying to afford food.

Isolation is a major risk factor for musicians that has multiplied when lockdowns and restrictions have disrupted the social and support networks that are essential for good mental health. Although that has eased this year, Barnby found that “we still weren’t able to talk to people and interact with people in the same way. We didn’t have that social spontaneity that we were used to. To combat this, he says, it’s important “to have people around you who you can count on to be there to talk to you and to be there with you emotionally.”

Your need for a community of like-minded fellow musicians is also essential, as other stresses have piled up. “Having a forum where you can discuss it among yourselves is so powerful,” says Barnby. “Talking about the issues you all face gives you the advantage of having group ideas. It’s not just you thinking about it for yourself.

In addition to having people to rely on, the other “normal things recommended for good mental health – good exercise, good nutrition and good sleep” also apply.

“We know the importance of sleep in regulating things like cognition, our emotions, and our ability to deal with stress during the day,” he says. “If you have a completely irregular sleep schedule, we know that predisposes people to poorer mental health and finding it much more difficult to deal with the stresses of normal life.

“There is new evidence about the relationship between the gut and the brain, and how the things we eat affect our psychology. Our social environments can encourage poorer or better food. If you constantly have a tight schedule, you don’t have time to prepare really nutritious foods. We know that eating foods that don’t support a healthy gut microbiota will predispose you to poorer mental health.

“Art and culture are so important to a healthy and functioning society,” says Barnby. And he feels it underscores the need for “mental health for struggling musicians who might otherwise contribute massively to society.”

Davido announces Are we still African? Festival


Davido has officially revealed the details of his very first ARE WE AFRICAN YET? (AWAY) music festival.

Scheduled to take place at State Farm Arena in Atlanta on November 18, the festival will feature headlining performances from Davido, Kizz Daniel, Pheelz, Lojay, Victony, Oxlade, Bnxn, Focalistic and more. The one-day event aims to “promote and foster cultural export and collaboration between Africa and the world”, with the Afrobeats star being in the perfect position to achieve such an endeavor as he has previously collaborated with many artists. “The AWAY Festival is a
opportunity that inspires the African Diaspora and non-Africans around the world to find and celebrate their roots and experience African culture like never before,” a press release read.

“Growing up, we often felt unworthy as Africans, so many of us didn’t want to claim where we came from and in some cases denied our heritage. This is no longer the case, we are proud Africans and we want to invite people to enjoy our culture – our music, our food and our art. This is what the AWAY festival is,” Davido explained in a statement.

Tickets for the festival will go on sale September 23. The ARE WE AFRICAN YET? festival takes place on November 18 at the State Farm Arena in Atlanta.

Elsewhere in music, Pharrell has launched a new creative advocacy agency.

Jazz announces assistant coaches, appoints coaching consultant Jeff Hornacek


The Jazz made some staff additions. Utah announced in a press release today that the team will be bringing back assistant coaches Alex Jensen, Lamar Skaterand Brian Baileywho all operated as assistants under the former Jazz head coach Quin Snyderto work under the new head coach Will Hardy.

They will join a strong staff of assistants who understand the Jason Terry, Evan Bradd, Irv Roland, and Sean Sheldon. Other staff discussed in the statement include player development coaches Chris Jones and Sanjay Lumpkin, who previously had various gigs under the Snyder regime. Utah is recruiting Neighborhood Becca as the team’s new director of operations. The team video coordinator will be Anthony Beaumontassisted by Andre Warren and Matthew Temple.

In terms of other new additions, the Jazz also announced that the former longtime Utah wing Jeff Hornacek will return to the team as a coaching consultant. Hornacek worked as an assistant coach for Utah from 2011 to 2013 under head coach Tyrone Corbin. Most recently, he was an assistant coach on Stephane SilasRockets staff from 2020 to 2022.

Utah is rebuilding its seismic roster, after already offloading veterans Rudy Gobert, Donovan Mitchell, Royce O’Neale and Patrick Beverly this summer in separate offers. The team appears to be prioritizing a long-term rebuild, hoarding heaps of future draft picks and young players into its trades this summer and building a coaching cadre intended to nurture its youth for years to come.

blues festival returns to John Brown Farm this Sunday | News, Sports, Jobs


LAKE PLACID — John Brown Lives and the Grand Adirondack Hotel are teaming up to host the 7th Annual Blues at Timbuctoo Concert at John Brown Farm State Historic Site in Lake Placid on Sunday.

The one-day festival will take place in the upper meadow of the farm from noon to 5 p.m. Organizers encourage those interested in attending to pack a picnic and water, bring a chair or blanket, and dress for the weather.

Bluesman Jerry Dugger, the inspiration of the blues in Timbuktu, leads the line-up with his bass-baritone voice and musicality, wide repertoire and heartfelt performances. Joining Dugger in the lineup are keyboardist, vocalist and songwriter Dave Keyes; Tana Asili, a New York-based Puerto Rican singer known for her fusion of Afro-Latin, reggae, and rock; Marie Marie, a Westport cover band that plays mostly pop and rock covers and acoustic ballads that span the decades; and Yacouba Sissoko, master kora player from a family line of Malian musicians for centuries.

“As part of our new hands-on history project for teachers and students, we are very pleased that Yacouba is staying an extra day to be a guest artist at Willsboro Central School,” said Martha Swan of John Brown Lives. “Introducing students to the rich histories and cultural contributions of the peoples of West Africa through music will open minds and hearts, and we are so grateful to WCS Music Teacher Jennifer Moore for this opportunity.”

“We are very honored to welcome master musician and culture bearer, Yacouba Sissoko, to Willsboro CSD,” said Moore. “Students will have the opportunity to hear new sounds and experience firsthand the impact of history and song from a distant culture that retains a meaningful connection to some of our own Adirondack history.

“We look forward to learning from Yacouba and thank John Brown Lives! and Blues in Timbuktu for making such an opportunity possible,” she says.

To complement the afternoon of great music at the John Brown Farm, exhibits and the children’s corner in the lower barn will be open to the public and John Brown Farm staff will lead tours of the historic home of the abolitionist family. Brown and the grave. where the remains of John, his sons and other Harpers Ferry Raiders are interred.

Courtesy of Lake Placid Public Library, a StoryWalk featuring Jason Chin’s picture book “Gravity” is installed on the edge of the meadow.

For more information, contact John Brown Lives at [email protected] or 518-744-7112.

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Chinese musician’s wartime friendship with Kazakh composer captivates movie audiences


A still from the film The Composer, a biographical portrait of Chinese composer Xian Xinghai. [Photo/China Daily]

Despite the ongoing pandemic, The Composer – a biographical portrait of Xian Xinghai, one of China’s greatest composers – has won acclaim in Kazakhstan, the country where Xian spent the last five years of his life, according to the film’s producer. ShenJian.

The film, the first Sino-Kazakhstani co-production, is based on a speech President Xi Jinping gave at Nazarbayev University during his visit to Kazakhstan in September 2013. In the speech, he mentioned the friendship of Xian with the Kazakh composer Bakhitzhan Baykadamov during the turbulent war period of the early 1940s.

The film, with Hu Jun playing the Chinese composer and Yuan Quan as the protagonist’s wife, was shot in China, Kazakhstan and Russia and includes 20,000 people in the production. Two years of research preceded the shooting.

The film recounts that Xian was commissioned to take a trip to the then Soviet Union in 1940 to compose the score for a documentary about the Chinese Yan’an Revolutionary Center and the Eighth Route Army. His work was disrupted by the German invasion of the Soviet Union the following year, which stranded him in Almaty during an unsuccessful attempt to return home. With Baykadamov’s help, Xian, then struggling with poverty and hunger, was lodged in Baykadamov’s sister’s house and managed to continue his artistic creation in his later years before dying in a Moscow hospital in 1945. .

The film was released in China and Kazakhstan in 2019. After being screened in cinemas, it has been shown frequently in Kazakhstan over the past three years on six television channels, including Astana TV and El Arna, Kazakhstan .

“The in-person cultural exchange of Chinese and Kazakh artists has been interrupted by the pandemic. makes it one of the most popular international co-productions in Kazakhstan,” Shen said, adding that it has become an important work to strengthen the friendship between the two countries.

In China, the film also received great recognition, as evidenced by its selection for the opening of the 9th Beijing International Film Festival. It has aired several times on China Movie Channel, the country’s most influential TV channel dedicated to movies.

‘Indieplaza’ music festival takes over New York’s Rockefeller Plaza this weekend


It’s pretty surreal that legendary record store Rough Trade – an indie rock mecca that was born in London during the punk era and opened a sprawling location in the hipster haven of Brooklyn Williamsburg in 2013 that sadly hasn’t survived the pandemic – is now located at Rockefeller Plaza in the heart of Midtown Manhattan, literally in the same building as NBC.

Things will get even more surreal this weekend, when “Indieplaza 2022” — a free music festival co-presented by Rockefeller Center and Rough Trade featuring a slew of up-and-coming artists — takes over Rockefeller Plaza on Saturday and Sunday. Highlights include an hour-long DJ set from A Tribe Called Quest’s Ali Shaheed Muhammad, singer-songwriter Claud, rapper-singer Yaya Bey, rockers Horsegirl and Steve Gunn, and more (full lineup and game times appear below).

A live broadcast of the festival will be available on sohoradionyc.com on the NYC + Culture channel.

There will also be an “Artist Market” which will feature live art demos from Steve Keene, Jose Berrio, Daniel Shepard and Madalyn Stefanak, artist signings with Automatic, Horsegirl and Sessa, and all family activities weekend crafts like button making. , bracelet making, design your own 7 inch record cover, and more.


10:50 p.m. – 11:50 p.m. Ali Shaheed Muhammad [DJ Set]

9:40 p.m. – 10:30 p.m. Automatic

8:35 p.m. – 9:20 p.m. Claude

7:30 p.m. – 8:15 p.m. Rider

6:40 p.m. – 7:10 p.m. Yaya Bey

5:50 – 6:20 p.m. Mary Lattimore

5:00 p.m. – 5:30 p.m. They hate change

4:10 p.m. – 4:40 p.m. The Muckers

3:20 p.m. – 3:50 p.m. Sofie Royer

2:30 – 3:00 p.m. King Hannah

1:40 p.m. – 2:10 p.m. Anxious

12:50 p.m. – 1:20 p.m. The Bobby Lees

12:00 p.m. – 12:30 p.m.


7:50 p.m. – 8:30 p.m. Session

6:50 p.m. – 7:30 p.m. Katy Kirby

5:30 – 6:30 pm Aidan Noell from Nation of Language [DJ Set]

4:40 p.m. – 5:10 p.m. Steve Gunn

3:50 p.m. – 4:20 p.m. Cola

2:30 p.m. – 3:30 p.m. They hate change [DJ Set]

1:40 p.m. – 2:10 p.m. Tell her she

12:50 – 1:20 p.m. Annie Hart

12:00 – 12:30 June McDoom


5:30 p.m. – 6:30 p.m. Automatic [Record Signing]

3:30 p.m. – 4:30 p.m. Rider [Record Signing]

11:00 a.m. – 7:00 p.m. Steve Keene [Record Signing]


5:00 p.m. – 6:00 p.m. Session [Record Signing]

4:00 p.m. – 6:00 p.m. Daniel Shepard [Live Art Demonstration]

2:00 p.m. – 4:00 p.m. Madalyn Stefanak [Live Art Demonstration]

12:00 p.m. – 2:00 p.m. Jose Berrio [Live Art Demonstration]

Famous jazz pianist Ramsey Lewis dies at 87


Famed jazz pianist Ramsey Lewis, whose 60-year musical career earned him three Grammy Awards, died on Monday. He was 87 years old.

Lewis, known for his role in the namesake trio Ramsey Lewis, died in his sleep at his Chicago home, his son Bobby Lewis told The Associated Press.

His son said his father was at peace at the time of his death.

“Most people say when they met dad he was a class act,” Bobby Lewis said. “He was like that until his last breath.”

Lewis, a Chicago native, learned the piano from the age of four, when he first took lessons. He used his roots in classical and gospel music to create his own style of jazz, which he played at many Chicago venues that gave young musicians their start.

He then toured the world and performed with other big names in music like Aretha Franklin, Tony Bennett, Al Jarreau and Pat Metheney. He performed at the 1995 State Dinner that President Bill Clinton hosted for President Fernando Henrique Cardoso of Brazil.

Lewis has received seven gold records as well as three Grammys and was named a National Endowment for the Arts Jazz Master in 2007.

“I just know when I put my hands on the piano, it’s going to sink,” Lewis said in a 2011 interview with The Associated Press.

Ramsey Lewis has dedicated time to charities bringing music to young people.

He composed large-scale musical works later in his career, including an eight-movement piece for Chicago’s Joffrey Ballet.

In the 1990s and early 2000s, Lewis also hosted radio and television shows focusing on jazz legends and rising stars such as “Legends of Jazz with Ramsey Lewis”, a weekly program airing on the public television across the country.

He has also dedicated his time to charities that have brought music to young people.

Ramsey Lewis poses next to a piano.
Ramsey Lewis started piano lessons at the age of four.

“Ramsey’s passion for music was truly fueled by the love and dedication of his fans around the world,” his wife, Janet Lewis, said in a Facebook post. “He loved touring and meeting music lovers from so many cultures and backgrounds. It was our family’s great pleasure to share Ramsey in this special way with all who admired his God-given talents.

Lewis has spent the last year of his life finishing his memoir which is due for publication next year, his longtime rep Brett Steele said.

“I believe my father – his love for the piano and his passion for the piano and how he coveted that love and how he protected it – that gave him longevity,” Bobby Lewis said. “He recognized the gift that God had given him.”

In addition to his wife Janet and son Bobby, Lewis is survived by his daughters Denise Jeffries and Dawn Allain; two other sons Kendall Kelly Lewis and Frayne Lewis; and several grandchildren and great-grandchildren.

With post wires

Oprah Winfrey wears pointed pumps for ‘A Jazzman’s Blues’ at TIFF – Footwear News


Oprah Winfrey arrived in sleek style at the Toronto International Film Festival on Sunday. The Emmy-winning talk show host attended the premiere of her new movie, ‘A Jazzman’s Blues,’ to support her close friend Tyler Perry. The film is an epic tale of love and loss with strong musical comedy.

Winfrey made a polished statement on the Roy Thompson Hall red carpet. She stepped out in a black power suit that was streamlined with gold stripes all over. The set consisted of a cropped blazer and matching wide leg pants. The top had a V-neckline, wide lapels and a fitted waistband.

Oprah Winfrey arrives at the ‘A Jazzman’s Blues‘ premiere during the 2022 Toronto International Film Festival at Roy Thompson Hall on September 11, 2022 in Toronto, Ontario.

CREDIT: Getty Images

Tyler Perry, Oprah Winfrey, Tiff, red carpet

(L-R) Tyler Perry and Oprah Winfrey attend the ‘A Jazzman’s Blues’ premiere during the 2022 Toronto International Film Festival at Roy Thomson Hall on September 11, 2022 in Toronto, Ontario.

CREDIT: Getty Images

For glamour, the Tony Award winner opted for neutral makeup and a glossy pout. Winfrey styled her hair in a side ponytail and accessorized with dainty earrings and red square frames.

The philanthropist’s look was completed with a pointed figure that peeked out from under her pants. The shoe style had a black triangle toe and PVC uppers.

Oprah Winfrey, Heels, Tiff, Red Carpet

Oprah Winfrey arrives at the ‘A Jazzman’s Blues’ premiere during the 2022 Toronto International Film Festival at Roy Thompson Hall on September 11, 2022 in Toronto, Ontario.

CREDIT: Getty Images

The 2022 Toronto International Film Festival (TIFF) celebrates the art of Canadian cinema. Held September 8-18, this year’s Festival features a diverse lineup of films, including “The Woman King,” “Weird: The Al Yankovic Story,” “The Fabelmans,” “My Policeman,” “Bros,” and ” Butcher’s Crossing”. .” The occasion also includes the TIFF Industry Conference, which features panels with various industry members and celebrities on the business and art of filmmaking.

PHOTOS: See what other celebrities wore at the 2015 Toronto International Film Festival.

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Who is Robert Smith? The Cure musician had predicted the date of Queen Elizabeth II’s death; watch the video


Britain’s longest-serving monarch, Queen Elizabeth II, died last Thursday, September 8, at the age of 96. the last breath of the monarch.

In the viral video, musician Robert Smith can be seen predicting that the late British monarch will die “the Queen will die…on September 7”. He further jokingly added in the interview clip that he would likely become the king.


Robert Smith is the founding member and guitarist of the 1970s rock band “The Cure”. For the uninitiated, the band would have started when Smith started it with schoolmates Michael Dempsey (bass), Lol Tolhurst (drums) and local guitarist Porl Thompson.

Prince Charles immediately became king after his 70-year reign ended. On Saturday, he was proclaimed Britain’s new monarch in a historic Accession Council ceremony at St James’s Palace in London. “God save the king” were the words with which those gathered reaffirmed the proclamation made by the clerk of the council.

Queen Elizabeth II’s state funeral will take place at Westminster Abbey on September 19, according to a statement from the British Royal Family.

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Top 15 Most Read Stories On The New Jersey Scene September 4-10, 2022


originally published: 09/11/2022

Here’s a look at the 15 most-read articles published at New Jersey Stage from September 4-10, 2022. Each week, we publish about 70 articles, including several original columns and features, as well as press releases for events taking place in statewide and nearby. areas like Philadelphia and New York. This week’s top 15 includes articles from 6 counties in New Jersey (Essex, Hudson, Middlesex, Monmouth, Ocean and Passaic) and one from New York and Philadelphia.

1) Haunt O’Ween NJ will take place at Bell Works – (HOLMDEL, NJ) /PRNewswire/ — The Experiential Supply Co., an innovative experiential productions and attractions company that delivers premium viral destination experiences, and Fever, the global entertainment discovery platform, have today announced their one-of-a-kind innovation – Halloween in-kind experience: Haunt O’Ween NJ will land in New Jersey this Halloween. The fully immersive spooktacular event will take place September 30 through October 31, 2022 at Bell Works, 101 Crawfords Corner Rd. in Holmdel, New Jersey.

2) Jukebox Legends LIVE! on the Seaside Heights boardwalk – The rain stopped and a crowd of music lovers gathered on the boardwalk in Seaside Heights, NJ this Monday, August 22, 2022 evening for a concert of classic hits from The Jukebox Legends.

3) The Middlesex County Health Services Office has issued a rabies advisory – (MIDDLESEX COUNTY, NJ) – On Sept. 2, the Middlesex County Health Services office reported that a raccoon tested positive for rabies in the nearby Borough of Spotswood, Middlesex County. from Burlington Avenue and Kane Avenue. This is the third rabid animal reported in Middlesex County in 2022 and the first rabid animal in Spotswood.

4) Branch Brook Park Alliance will host the festival on Saturday – (NEWARK, NJ) — Branch Brook Park Alliance (BBPA) will host the fourth Branch Brook Park Fest on Saturday, September 10 from 9:00 a.m. to 4:00 p.m. in the Prudential Concert Grove in Branch Brook Park (rain date: Sunday, September 11). Now in its second season, this series of programs brings together community members, local business owners, artists and visitors for an afternoon of family activities. The event features vendors, live music, interactive art and more.

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5) The world premiere of “Chilltown Boogie” will be held in Jersey City – (JERSEY CITY, NJ) — Con Vivo Music presents the world premiere of Chilltown Boogie by Alon Nechushtan on Sunday, October 2, 2022 at 12:30 p.m., from J Owen Grundy Pier, Exchange Place, Jersey City. Chilltown Boogie is a site-specific historical opera set in five vignettes, each performed in a different Jersey City location. This original new opera is inspired by the events surrounding the formation of Hudson County and Jersey City.

6) Parrotbeach LIVE! in Seaside Heights, New Jersey – Music lovers filled with comfy beach chairs, colorful blankets and icy coolers wait by the ocean in Seaside Heights, NJ this Thursday, August 18, 2022 for the start of a free concert by the Jimmy Buffett tribute band, Parrotbeach .

7) A Sussex County resident working to make his community and the planet a better place is featured in NJ PBS’ digital film series 21 – (NEWARK, NJ) – NJ PBS has announced that Sussex County native Jay Fischer is the new subject of the digital movie series, 21, streaming at MyNJPBS.org/21. Produced by the NJ Spotlight News team at NJ PBS, the 21-digital film series investigates life in New Jersey and whether where you live affects how you live through the stories of residents who are making a difference in every county in the Garden State. The short documentaries, six to 10 minutes in length, are accompanied by online snapshots that provide statistics, resources and other essential information for each county.

8) Weequahic Park House Music Festival – (NEWARK, NJ) — This year’s Weequahic Park House Music Festival takes place Saturday, September 10, 2022 from 11:00 a.m. to 8:00 p.m. in beautiful Weequahic Park! The star-studded event is New Jersey’s largest house music festival and also features a splash of festive Caribbean soca music. Lineup includes DJ Punch, DJ T-Wise (Ubiquity Soul), Kevin Lyttle, Evelyn “Champagne” King, CeCe Rogers, DJ Hippie Torrales, DJ Dan Dan, The Basement Boys, Crystal Waters (from “Gypsy Woman (She’s Homeless) “Glory), DJ Martin Gee and Joe Claussell.

9) Harry Styles will play 15 shows at Madison Square Garden – (NEW YORK, NY) – On May 27, international superstar Harry Styles announced that he had sold out all 42 dates of his huge Love On Tour 2022 in support of his new album Harry’s house. This includes the 5 additional dates in New York and 5 in Los Angeles that have just been announced. Following two special One Night Only shows in New York and London, the 2022 tour will give fans access to multiple nights in each major city, transforming iconic locations into Harry’s House for the series of shows.

10) Twenty One Pilots Tour Ices Over Philly – Philly experienced a freezing end to summer on Friday, September 2 at the Wells Fargo Center for the Twenty One Pilots Frozen tourwith band members Tyler Joseph and Josh Dun in support of their home studio project, Scaled and Glazed (a pun on “reduced and isolated”, or what the music was like in its cocoon state). It was at a time when Tyler wasn’t sure the music was dead, he explained, as pandemic-related insecurities forced anthropological change and a kind of desolation. The intention here was to counter this point of isolation by instead emphasizing the escapist and separation aspects of this darkness. The album, released at the height of COVID-19, follows the previous release Level of concern (incepted during quarantine) who helped with relief efforts for the music and the crew. In that vein, though they’ve been doing it for a while now, the band’s unmasking on stage seems to take on a double meaning, mutually symbolic of the new normal.

11) PNC Bank Arts Center presents Shinedown – (HOLMDEL, NJ) – Multi-platinum rock band Shinedown – who were named No. 1 on Billboard’s Most Popular Rock Artists of All Time chart of 2021 – are on the road this year to support their all new album, Planet Zero, with their biggest show yet. The Planet Zero World Tour with special guests Jelly Roll and John Harvie, produced by Live Nation, stops in more than 20 cities across the United States in September and October, including Holmdel on Saturday, September 10 at PNC Bank Arts Center. The concert starts at 7:00 p.m.

12) The 5th Annual Paterson Poetry Festival is October 1-3 – (PATERSON, NJ) – Word Seed Inc. invites you to the fifth annual Paterson Poetry Festival. This three-day poetry extravaganza takes place in downtown Paterson, October 1-3, 2022. The Paterson Poetry Festival is a celebration of words, writers and poetry lovers. The Festival is a multi-day event, which includes Poetry in Motion Car Show with Classic Riderz Car Club, Paterson Poetry Festival Slam with cash prize, Open Mic, The Speak Series/ Homage Stage, Lit Fest, Entertainment creative space for young children, poetry contest for young people, masterclasses, award ceremonies, vendors and food.

13) Jersey City Theater Center presents “The Last Match: A Pro-Wrestling Rock Musical” – (JERSEY CITY, NJ) — Jersey City Theater Center will present two performances of The Last Match: A Pro-Wrestling Rock Musical Monday, September 26 at 2:30 p.m. and 7:30 p.m. at White Eagle Hall in Jersey City. Much like the world of professional wrestling, The last game is packed with colorful and explosive entertainment blending theatre, rock and live wrestling.

14) A Crack In The Mountain Fall 2022 New Jersey Film Festival Video Q+A – Here is A crack in the mountain New Jersey Film Festival Fall 2022 Q&A with director Alaistair Evans and festival director Al Nigrin.

15) Kat Falcey talks about JerseyCana – Kat Falcey is one of those music stalwarts who often end up working in the music industry. His company, Tunes2Ya, helps artists with networking, promotion, PR, booking referrals, and more. She returns to AmericanaFest in Nashville for the first time since the pandemic hit and has three of her New Jersey performers (Arlan Feiles, Mike Montrey and Carmen Sclafani) booked for a show at The Basemenyou Tuesday, September 13 at 8:00 p.m.

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Event previews are still one of the most popular areas of the website. Event previews get noticed when we first post them, and then again when they’re brought back to the main area of ​​the site the week the event takes place – sometimes even months later. Make sure your events are previewed by sending us press releases to [email protected] – for even more promotion check out our advertising rates which range from $50 to $100 for a full month of targeted advertising which includes events listed in our online calendar.

Jazz at the Farmer’s Market Kicks off New Kalamazoo Festival


KALAMAZOO, MI – Jazz music exploded into the night air Saturday as musicians performed for an audience ahead of one of Kalamazoo’s newest music festivals.

The Taste of Jazz 2022 concert took place at the Bank Street Farmer’s Market on the evening of Saturday, September 10 in Kalamazoo. The event serves as an unofficial kickoff before the start of the Edison Jazz Fest on September 12.

Taste of Jazz 2022 was organized by Society For History And Racial Equity, a non-profit organization that seeks to eliminate racism and celebrates black history. The concert is part of SHARE’s annual fundraiser, returning after a two-year hiatus due to COVID-19.

“Jazz is an American genre of music,” said Candy McCorkle, Co-Chair of SHARE’s Board of Directors. “Since SHARE is about the history of race and equity, we thought it would be great to have American music that was fused with marginalized populations but is still enjoyed by all Americans.”

Taste of Jazz featured three jazz musicians during the night: Sir Mark Barnes, Denise Willhite and Bill Cessna Trio. Each artist played for an hour and a half, the concert starting at 6 p.m.

Food for the concert was provided by Josie’s Southern Comfort Food, dessert by Davis Delectables and complimentary wine by Warner Vineyards. There was also a silent auction, with winners receiving a portrait of Nina Simone which was painted throughout the event.

The Taste of Jazz 2022 kicks off the Edison Jazz Festival, which will run throughout the week of September 12-18. The festival is organized by the Edison Neighborhood Association of Kalamazoo.

“I found out about Taste of Jazz 2022 hosted by SHARE, which already had ties to the Edison Neighborhood Association,” festival curator Peter Formanek said. “And I thought rather than competing for an audience, why don’t we try to promote each other.”

The festival will pay tribute to the late Herbie Nichols, a jazz pianist and composer who received more success after his death. Select festival artists will perform interpretations of Nichols’ work.

Throughout the week there will be workshops at Western Michigan University, a local artist performing in smaller venues, and a block party scheduled for Sunday.

The headliners of the festival will take place from Friday to Sunday at the Dormouse Theatre. The headliners of the event are Deanna Witkowski, Fay Victor, Roger Jones.

All festival events will be free for everyone, with no pre-registration required. All performances will also be livestreamed for free on Twitch.

For more information on the Edison Jazz Fest program, click here.

Learn more about MLive:

The Edison Jazz Fest will begin this fall in Kalamazoo, in tribute to Herbie Nichols

Michigan’s Best Local Food: Ty’s Joint Serves Soul Sides in Kalamazoo

The Kalamazoo Italian Festival will feature 2 days of music, pétanque, food and spirits

Tad Stryker: Statesboro Blues – All Huskers


The mood of the crowd as they exited Memorial Stadium and headed home late Saturday night was eerily familiar and completely out of place.

As someone who has covered hundreds of high school games in the state of Nebraska, I recognize the light-hearted conversational feel of people who know not to take their football team too seriously this year. Have you walked away from an eight-a-side game with parents who have dutifully watched and even appreciated their children’s efforts, but know in their hearts that their team is not a threat to win many games? Never in the world did I think I would experience this from the thousands of fans on the University of Nebraska campus.

For someone who covered Cornhusker football when it mattered, who was around during Tom Osborne’s age of stability in the 1970s and 80s, and his golden era of the 90s, it was a strange feeling to see fans made light conversation, some of them laughing, as they left the scene of a 45-42 loss to Georgia Southern. For crying out loud, Georgia Southern! But then again, there’s really no reason to take the Husker football program seriously right now, it’s 1-2 with a loss to Northwestern (who then lost to the hapless Duke) and to a Sun Belt Conference team. The easy part of the schedule is gone now.

For the first time ever, a Nebraska team that scored at least 35 points at Memorial Stadium lost the game. The defense gave up an incredible 642 yards, 34 first downs and six touchdowns to a team with no significant history whose all-new coaching staff is just two games away from making a drastic transition from an offense based on options at a quick pass. offensive. Presented with these nasty facts, it’s hard to imagine a scenario where the Huskers win even two more games, let alone the five it would take to make them eligible for bowling.

The Husker football program is so irrelevant now that ESPN’s website didn’t even mention on its College Football homepage the Huskers’ loss to one of the lowest BCS programs in the nation. Maybe because an ESPN editor didn’t take it as a surprise? If so, it’s hard to argue with that logic.

Indeed, the Huskers under Scott Frost have achieved Bill Jennings-era irrelevance, when there really is more reason for college football writers nationwide to write about the University of Kansas than Nebraska. . In fact, even in the unlikely event that Frost and his team pull off a stunner against Oklahoma next Saturday, why would that be much more in the scheme of things than Jennings’ Halloween 1959 upset against Bud Wilkinson and the Sooners? , a puzzle result that meant relatively little in the aftermath of a 4-6 season? It’s a shame, because the new offensive coaches and special teams coordinator that Frost hired late are starting to make a difference. This year it’s the defensive side of the ball, which has all the training stability you could ask for these days, that squanders all the rapidly diminishing reasons for sporting director Trev Alberts to seriously consider retaining Frost, who, in his fifth season at Lincoln, has yet to string together three wins.

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Frost’s tenure will be remembered as the non-complementary era, when the Huskers had enough talent to win well over half of their games, but instead only captured about a third of them. , because if offense was playing well enough, defense was just losing enough, or vice versa, and if offense and defense were keeping things together, the kicking game found a way to blow it up. Last year, defensive coordinator Erik Chinander and his super seniors guarded Nebraska every game. This year, Chinander’s unit is expected to play the Huskers.

The main story in that loss to the small Statesboro, Georgia team was the complete inability to get a pass against a journeyman quarterback who, a year after failing to engineer a single touchdown with the Buffalo Bulls, returned to the same stage. and looked like Tom Brady throwing to NFL-caliber receivers that Travis Fisher’s defensive backs just couldn’t keep up. It’s debatable whether names like Derwin Burgess Jr., Jeremy Singleton and Khaleb Hood will find their way to the National Football League, but there’s no doubt these wides looked more athletic than the Huskers’ back seven when it mattered.

The Blackshirts couldn’t slow down Georgia Southern with a soft, “bend but don’t break” defense. They couldn’t slow down Southern with lightning and pressing man-to-man coverage. Even two interceptions by Marques Buford Jr. and two favorable video reviews that somehow sustained NU’s impressive 98-yard touchdown in the fourth quarter weren’t enough to secure a victory for the Big Red, who simply couldn’t. not stopping in defense when they needed to. In fact, the whole game had an eight-a-side, “defending is an afterthought” vibe.

I know there are angry fans. They were the ones pounding the Husker radio call shows and venting their frustration. But there was none of that angst in those people walking away from the stadium in the cool of the evening. It was a night of quiet resignation, which is probably the best way to lessen the pain of seeing another winnable game enter the loss column.

We are only at the quarter pole. The season is still young, but it’s a chilling omen when much of America’s most loyal fanbase begins to emotionally check in on something that once meant so much.

Tales Noir: Best Musician Builds


In Black Tales, The musicians charm enemies and allies with their beautiful and harmonious tunes. Musicians are the support and backbone of any team, whether it’s PvE (player versus enemy) or PvP (player versus player) content. The healing, shields, and buffs they provide are invaluable and are something only this class is capable of. They are also needed for the most difficult forms of content, making it easier to find groups to group together, compared to most classes.


Related: Tales Noir: Best Hunter Builds

If healing and saving lives is fun, then the Musician is the perfect class choice. Healing may seem simple from the outside, but it is much more convoluted and complex than players expect. let’s discuss how to develop and use the skills of the musician to their full potential.

Build PvE Musician

  • Praising the melody
  • Aria
  • Concerto
  • healing melody
  • Revive

Praising the melody is a strong single target healing ability with a short cooldown. Heals should generally be used with care, but this one is an exception. This skill is great for keeping allies at top health and is primarily used for the Knight as they are usually the ones who take the most damage in a group.

Aria is probably the best skill the musician has, as it not only heals, but can simultaneously heal everyone in the party. However, that’s not all, this skill purifies all allies, which cleans them of all debuffs. This skill is perfect against bosses that constantly weaken the party, especially guild bosses.

Concerto is an excellent AoE (area of ​​effect) HoT (healing over time) skill. The cooldown is a bit long, but since it heals over time, technically the cooldown ends up being relatively short. This skill is great to use right at the start of a boss battle or before powerful AoE Boss skills. This way, musician players won’t need to panic deciding who to heal, as allies will stay relatively healthy from the HoT.

healing melody is the musician’s most powerful heal, and it also deals quite a bit of damage. However, the cooldown is extremely long and should be used with care. This skill should only be used as a last resort, or during a Boss skill window where players know they will have enough time to take this skill off cooldown. This skill can save an entire group from the brink of death by healing everyone massively, which is why it should be used, only when needed.

Related: Tales Noir: The Best Wizard Builds

Revive is an extremely great skill that can bring allies back from the dead. This skill should also be used wisely as it has a cooldown of almost 2 minutes. It would be best to only use this skill on the knight, as a group will most likely obliterate instantly if the tank is dead for an extended period of time. However, in the event that the tank appears not to die at all in this fight, it can be used on the best DPS (damage per second) member of the party. Knowing who to use this skill on can make or break a dungeon or raid.

FIRST AID is a passive kill that increases the musician’s healing on low health allies. A class that is dedicated to healing and supporting their allies will want the highest healing potential possible, and that’s what this passive helps them achieve. It has great synergy with all of the musician skills in this build, making it the perfect choice as well.

Build PvP Musician

  • Wind from the depths
  • Aria
  • healing melody
  • Strengthening Melody
  • Muse Support

Wind from the depths is one of the musician’s best damage abilities, and it also heals quite a bit. It’s also the only healing ability they can use while simultaneously moving. Learning to aim this ability is crucial as it is a channeled skill that cannot be disabled once cast and players cannot turn around to alter the skill’s trajectory while using it, they cannot than moving left or right. Players should do their best to line up with as many allies or enemies as possible before casting this skill to get the most out of it.

Aria is a strong AoE heal that clears all allies’ debuffs. This skill works wonderfully against Assassins, Knights, and Wizards, as they rely heavily on CC (crowd control) abilities in PvP to succeed.

healing melody is the strongest healing ability musicians possess and should focus more on saving up for themselves if they can. In PvP, most players will focus on taking out musicians since they have low defenses and are so influential when it comes to winning battles for their team. Activating this skill when an assassin blasts a musician can be a game-changer, giving the player’s teammates time to come and rescue them.

Related: Tales Noir: How To Gain Vitality & Why It Matters

Strengthening Melody provides a shield to whoever it is thrown at and should also be kept for the musician in most cases. Even though players want to heal and protect their allies, if the musician is dead, they cannot heal anyone. Knowing how to juggle the priority of everyone’s life is what makes the difference between an average Musician and a great one.

Muse Support is a passive kill that buffs the damage musicians inflict on enemies based on the number of skills used and the order in which they were used. Some skills generate soft and loud notes, depending on the combination of notes the musician has obtained during the fight, they will inflict additional damage.

FIRST AID is a passive skill that increases healing done to allies with low HP (health points). This is a great returning skill and can be used even more if players see an ally approaching the 30% HP threshold. Using heal when they’re at 31% HP will heal them normally, but waiting the extra second or two to drop them to 29% or lower is how players can get the most out of a seemingly simple passive. .

Black Tales is available on Android and IOS devices.

More: Tales Noir: Best Ranked Classes

Hamilton’s biggest arts and music festival, ‘Supercrawl’ is underway downtown – Hamilton


One of Hamilton’s biggest festivals is underway and organizers say they are planning ‘huge’ numbers for the event which had been canceled and scaled back during the pandemic.

Friday marked a full in-person return for Supercrawl to James Street North with the musical stages set to be the “big draw,” according to Sonic Unyon Records COO Lisa La Rocca.

“But there are visual artists, theatrical performances, fashion vendors, food trucks, all sorts of things.”

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Before the 2019 pandemic, Supercrawl drew more than 250,000 visitors over three days and had an economic impact of more than $20 million, according to the Ontario Ministry of Tourism.

La Rocca says the hope is to hit similar numbers again with their first full deal in two years.

“We know that this season some festivals have kind of seen record attendance. People are excited to go out, especially outdoor events,” La Rocca told 900 CHML. Hello Hamilton.

“People are comfortable, more comfortable coming to outdoor events in large numbers.”

Read more:

Supercrawl organizers reveal 2022 music lineup amid early September return for Hamilton festival

The co-owner of Sonic Unyon – the label that puts on Supercrawl – is a little more cautious about his assessment of the number of people who will attend the weekend’s event, but says he “feels the energy”.

“We expect an incredible turnout. We have an incredible time ahead of us and an incredible range of things to do,” Tim Potocic told CHML. Hamilton today.

Tim Baker, The Dirty Nile, Hamilton All-Stars, Sarah Harmer, Lido Pimienta and Charlotte Day Wilson are just some of the more than 40 artists who will take the stage during the full Friday-Sunday return to James Street North.

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The full music lineup can be seen on the Supercrawl website.

Squonk is one of the highlights of the 2022 edition, bringing “Hand to Hand” jazz production to the home stage with a signature twist – the company has made twenty-foot-tall purple hands. Mounted on wheels, the hands interact with the audience with an opportunity for the audience to actually take control of the hands themselves.

Steve O’Hearn, co-art director of Squonk, explains that the idea of ​​hands comes from the ability of multi-fingered appendages “to do things in the world”.

He says they’re modeled after the bio-engineering of the human hand, which has tendons and tendons that run up and down each finger.

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“So it’s rigged like a sailboat,” O’Hearn said. “All the muscles that make your fingers work are in the body of your hand in the palm, and that’s what makes them work…you stand down and pull strings and the fingers move.”

Fashion showcases will include Ark Collective, showcasing BIPOC businesses, and True Hamiltonian which will launch a “Hollywood North” collection.

The Author’s Tent is on Colbourne Street and offers book signings and readings by local authors.

Read more:

A True Hamiltonian to Unveil ‘Hollywood North’ Collection at Supercrawl

The food will include not only local restaurants on James Street, but more than 30 food trucks.

The three-day event closes James Street North from King Street West to Strachan Street as well as York Boulevard from Park to Hughson.

City parking includes the York Boulevard Parkade at Vine Street, which has a capacity of 770 vehicles with a Saturday rate (entry after 6 a.m., exit before 6 p.m.) of $12, an evening rate (entry after 6 p.m., exit before 6:00 a.m. at $8 and all-day pass on Sunday at $8.

Hamilton Street Railway’s MacNab Transit Terminal is located one block west of Supercrawl.

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The south end of Supercrawl is two or three blocks northwest of the Hamilton GO Center and the north end is next to the new West Harbor GO station and a connection to the Lakeshore line West.

© 2022 Global News, a division of Corus Entertainment Inc.

Graham Potter to Chelsea: Why the Blues wanted to bring the Brighton boss’ magic touch to Stamford Bridge | Soccer News


If Chelsea are serious about rebuilding the club from top to bottom, a long-term job, whoever is responsible, they have chosen a man who ticks all the right boxes in Brighton’s Graham Potter.

Six games into the new season, his now-defunct Seagulls side sit three points and two places above Chelsea in the table, despite being significantly inferior in resources to the Blues and every other team around them.

It’s not that small sample though. What Potter built in Brighton took much longer. The obvious product of his philosophy was their mark of passing football, but his work on the south coast went far beyond the tactical chart.

Now his success has proven enough for Chelsea owner Todd Boehly to decide the 47-year-old is better suited to lead his new club than a man who led them to the Champions League a while ago. only 15 months.

That decision to pull the trigger just 100 days after taking possession will raise eyebrows over the nomination of a man like Potter, who finished 15th and 16th in his first two seasons at Amex Stadium.

“If I were Graham Potter, I would find it very hard to believe that they are going to do things differently,” said sky sports Jamie Carragher as the Blues part ways with a sixth permanent manager in 10 years.

But if Boehly’s raison d’etre was, as he has privately stated, to appoint a coach whose long-term vision he can better align with, then the sacking of Thomas Tuchel, albeit still harsh, might turn out to be more sensible than it seemed at the time.

The American billionaire deserves the benefit of the doubt. One of his other sports ventures, the LA Dodgers baseball team, has had the same manager in place since 2015, and it’s not uncommon for new owners to want their own man at the helm.

“At the end of the day, if you can align a good recruiting process and a good identity with a good environment, you can gain conviction and momentum.”

It was Potter who said sky sports on how he sowed the seeds of his managerial career at Ostersunds, the Swedish minnows he took from the fourth tier to European football. But it also rings true to how Boehly wants to run one of the biggest clubs in the world.

Since crossing the door from the Amex in 2019, he has played a major role in transforming Brighton into one of the most cohesive units in the Premier League, while operating with a net spend of 30 million pounds of profit.

The Seagulls made a name for himself for his tactical flexibility and back-forward football passing, all the more impressive given the more pragmatic style favored by his predecessor Chris Hughton. This comes in comparison to Tuchel’s Chelsea who, even in their brightest moments, have always struggled to forge a clear identity.

Look at how far Leandro Trossard has come since joining Potter that same summer. Signed as a winger, he played as a number 10, a false nine, in central midfield and more recently at the back, and impressed in every role.

Would many other managers watch 6ft 6in centre-back Dan Burn in training and convert him to left-back? Pascal Gross, Steven Alzate, Joel Veltman, Alexis MacAllister. His team’s versatility was nearly unmatched in the entire division.

This requires players who can be molded, but it must be a clear sign of a manager who both understands the strengths of his players and can mold them to be better. While Tuchel can be credited with much of Reece James’ development, it still contrasts painfully with his unfortunate decision to deploy his most dangerous cruiser at right centre-back.

“[Graham’s] his biggest strengths are how he plans the game and what he wants us to do,” said Mac Allister Sky Sports News this week.

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Speaking in January 2021, Manchester City manager Pep Guardiola said he was a “big fan” of Brighton head coach Graham Potter.

“Tactically he’s amazing, the coaching staff is really good, they always try to help us in every aspect. He’s really important to us and I’m really happy to work with him.”

Brighton’s bank account saves his credentials. Marc Cucurella, signed just last summer, was sold to his new club Chelsea last month for a profit of £40m. Yves Bissouma has moved to Spurs from the Champions League, while Moses Caicedo is believed to be a January target for Liverpool.

Without a doubt, Potter makes players better and Chelsea’s acquisition of Kyle Macauley, a recruitment analyst who followed him from Ostersunds to the Amex, could prove another bonus.

He is considered the brain behind Cucurella’s signing, as well as the club’s impressive purchases in South America, including Caicedo.

Tuchel’s frayed relationship with new Chelsea owners and his playing staff contributed to his downfall and helped put the writing on the wall inside Cobham as they toyed with the idea of ​​making a change, but Potter’s calm demeanor should serve him better at Stamford Bridge.

Even from his early days in Sweden he prioritized building his players and team as people as much as footballers, and in Ostersunds developed a ‘culture academy’ to challenge them in outside of their normal roles – from creating their own art exhibit to taking part in a performance of the ballet Swan Lake.

“It was about being open to new things, breaking down the barriers that sometimes exist in a team, all the hierarchies, and developing the players as people,” Potter said. sky sports. “You get to see people on a human level.”

Raheem Sterling and Ben Chilwell probably won’t learn to pirouette anytime soon, but Potter’s ethos remains the same and has shown in his relationship with his players in his most recent jobs.

“He’s a player manager,” said former Swansea winger Nathan Dyer. Sky Sports News. “He’s a problem solver. Tactically, he’s amazing at making sure that when you step onto the pitch everyone knows what he’s doing. What he will bring to Chelsea is exactly that.

“He’s a very calm person, and if he wants you to do something on the pitch, he takes responsibility if it goes wrong. He’s never there to throw anyone under the bus.”

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Nathan Dyer looks back on his time under Graham Potter at Swansea, praising his former boss

The topic of motivation also presents its biggest question mark, as it does with every manager without an elite club on their CV. Potter has been tipped for a top job for some time, but with a managerial CV consisting of Ostersunds, Swansea and Brighton, he has largely been untested working with world-class players and the demands they bring on and off the pitch.

He wouldn’t be the first talented manager to struggle to gain the required buy-in from such a side, which can often be difficult to impress, and Chelsea’s long string of managerial appointments owes almost as much to dressing room sentiment. than Roman Abramovich. requests.

But there are promising signs in finding the respect he has built with the likes of Adam Lallana, freshly signed after winning the Premier League with Liverpool in 2020, and Manchester United and Arsenal veteran Danny Welbeck.

While some managers may find it difficult to adapt to the more possession-focused front foot game of top teams, Brighton have been doing so since coming through the door – and on metrics like passing, possession and goals. touches of the opposition box, they were right in the mix with the six best rivals of his new team last season.

“Graham, in my experience with him, is a very deep thinker,” Lallana said earlier this year. “He and his team work 12-hour days, which is what you have to do if you want to be the best, you can’t overlook anything.

“There are so many different dynamics in the squad that you have to look at. You have a squad of 25 players, each at different stages of their careers and lives with different issues, but Graham and his team do that. really. cover all the bases.”

Boehly’s hopes of Potter building a new philosophy in Chelsea’s academy have only a limited history of bringing youth through, although Ben White’s rise to the top and Robert Sanchez’s performances alone constitute a solid argument for his record.

Either way, the creme de la creme in West London will be on another level than what he was used to in Brighton, and his belief in process and joint thinking can only stand him in good stead. to build this unit across Cobham.

There are no certainties in football, let alone taking a risk on an unproven manager at the top level of elite football. But if anyone is ready to make the leap to a club like Chelsea, it’s Potter. Now he just has to hope that we give him time to do so.

Chelsea’s next fixtures

September 10: Fulham (A) – kick off 12:30 p.m.

September 14: Red Bull Salzburg (H) – kick off 8 p.m.

September 18: liverpool (H) – kick off 4:30 p.m.

Sunday, September 18, 4:00 p.m.

Kick off 4:30 p.m.

October 1st: crystal palace (A) – kick off 3 p.m.

October 5: AC Milan (H) – kick off 8 p.m.

Meet a Musician: Lindsey Cole’s Music Career Includes Disney and Her Dad | Entertainment


Lindsey Cole’s great-grandfather had a traveling bluegrass band. His grandfather was a guitarist in this band. And his father also played the guitar.

It was named after Lindsey Buckingham, lead singer of Fleetwood Mac.

“So I really had no choice but to go into the music business,” Cole said. “It was natural for music to become a focal point in my life.”

Over the course of his career, he’s dabbled in multiple genres, from Disney covers to hard-core rock. In a recent interview, he talked about trying to challenge himself in college, playing in a band called Community Service with his dad, and his dread of having multiple romantic interests interact during a show.

How did you get interested in music?

I was born and raised in Winston-Salem, went to school in North Forsyth and later Appalachian State and Methodist University.

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I had always had a guitar but wasn’t very interested in playing it when I was a kid. I played baseball. But I ended up going to another college and didn’t have much in common with the kids at that school. So I took a group. For some reason I thought it would be fun to learn to play the alto saxophone. And I understood quite quickly.

But I realized that the speed at which I understood didn’t matter. You’re in this big class with a bunch of other kids just learning their instruments. And if they don’t get it quickly, you’ll still play “Mary Had a Little Lamb” for three months. So I struggled because I wasn’t challenged.

On Friday we kind of had that free day where we were allowed to hang out and do whatever we wanted. This kid, Sam Robinson, who’s now in a great local band called Marvelous Funkshun, brought his guitar. I told him that I also had a guitar. And Sam, without hearing me play, signed us up for a talent show six weeks later. We played “Twist and Shout” by The Beatles and got a great reaction. That’s when I thought, “This is what I’m supposed to do.”

What are some of your influences?

I am very broad in what I do myself, stylistically. But going back to that first time playing in front of people, the Beatles have always been important to me.

I’m a huge Jason Isbell fan. This guy, I think he’s one of the greatest songwriters of this generation. I love it.

As far as guitarists go, Zakk Wylde is probably my #1. I love how he can walk the bluesy, emotional guitar line, but he still knows how to turn on the afterburner when needed and get dirty a little.

How would you describe your music?

Genre-wise, I’m all over the place, but the two consistent ways I would describe my music are raw and accessible. I write what I feel, and I know what I feel will connect with things someone has felt at some point. And I like to tap into the human experience in that way. I also like to write things that will be digestible. As much as I love progressive, complex compositions, I love writing catchy, direct music, whether it’s rock ‘n’ roll, whether it’s country. It’s kinda my MO

What does your creative process look like?

Generally, when I write, I start first with the musical composition. Almost always, 99% of the time. If I’m practicing or trying to improve, I’ll come across a little melodic phrase or something that resonates with me, and then I’ll sit down and find a main chord progression and the basic structure. Once I get to that point, I try to feel. I try to paint an emotional landscape that I can then add character to.

And at that point, I spend a lot of time singing gibberish over those chords trying to let the melody find itself. But once the melody is found, I come to the lyrical part of the process. I try to write the lyrics according to the motif of the song and the cadence of the melody. What people connect to in music are the lyrics, and it’s important to make sure those lyrics are right for the composition.

How were your Disney covers born?

I spent some time in Orlando working as a photographer for Disney theme parks. A few people contacted me and said it would be fun to do a Disney song cover. I think I did “A Whole New World” first. And that kind of stuff turned into people throwing more Disney suggestions at me. Something about those Disney songs really touched people, so I responded by taking the opportunity to reinvent them a bit.

If you could open an exhibition for any artist, who would it be and why?Have you ever sung karaoke or sung in the shower, and if so, what do you sing?

I’m known for doing karaoke and I’m 100% a shower singer. My favorite is “You Give Love a Bad Name” by Bon Jovi. From time to time, I do “I Want It That Way” by the Backstreet Boys.

Do you have a favorite song that you enjoy performing?

My favorite right now is the one I wrote and recorded with a band called Idol Threat, called “Life Finds a Way.” It’s just a simple, fun rock ‘n’ roll song. And that means a lot to me. The idea is that no matter what kind of adversity has been thrown at you, what has been thrown at you, you are still standing. Either way, we find a way out. Plus, it’s a nice little nod to “Jurassic Park,” which is always fun.

What’s the funniest or weirdest thing that’s ever happened at one of your gigs?

Once, years and years ago, I had two girls I was talking to about coming to the same show. They had a conversation together. You’ve never known fear until you’ve seen two women you’re romantically invested in casually having a conversation while you’re 30 feet away and unable to intervene. It was a learning experience for me not to do stuff like that.

The Community Service band, we’re going to be in the studio getting ready to record another single. One of the exciting things about Community Service is that the other guitarist in this band is my dad. We went into the studio a few years ago and recorded two tracks together. But we didn’t really play together live or do anything like that. So I am delighted to constantly share the stage with my father.

And then I’m also working on new music with Kyle Henson, who’s the other guitarist I formed Idol Threat with. We’re just going to work on good pop rock, power pop. We hope to release some tracks before the end of the year.

— As told to Robert C. Lopez, [email protected]

Villagers flock to new music festival


A MINI music festival has been announced as a success by its organizer.

Around 250 people attended the Harpsden Hoo-Ha festival on Saturday, which included live music, games and food and drink.

Eight local bands performed in a marquee near the village hall with music including jazz, folk, country and rock ‘n’ roll.

The youngest group was the Stormchasers, made up of friends Bertie Caplin, 11, on drums, Jake Earle, 11, on guitar and Dhani Prabhu-Naik, 10, on piano. They performed rock and pop songs.

Girls from the Divas & Dudes Dance Academy also performed.

Mediterranean street food was provided by Olives and Olives catering and ice cream was served by Gelato Henley.

The children beat their parents in a tug of war contest and the face painting was led by staff from Harpsden Nursery School.

Stephen Blackmore, who organized the event with the help of other residents, said: “It was our first year so it was always going to be a bit of an experiment.

“We were expecting around 200 people, so I was delighted with the turnout. There was a nice spread of people ranging from 18 months to 80 years old. There were also people who came from as far away as London.

“Luckily the weather has held up and the feedback I’ve had so far has been great. Obviously I’m biased, but it looks like everyone had a great time.

Mr Blackmore, a musician who has lived in Harpsden for five years, devised the festival in the absence of Harpsden’s party, which has been canceled for the past two years due to the covid-19 pandemic and is not returned this year.

He said: “We were keen to keep the party spirit going. A lot of work has gone into it. »

Knicks lucky Jazz didn’t accept trade offer reported by Donovan Mitchell


Last week, the New York Knicks-Donovan Mitchell saga finally came to an end, but it wasn’t the ending many expected. In a stunning turn of events, the 25-year-old was traded to the Cleveland Cavaliers. Danny Ainge and the Utah Jazz were able to get what they were looking for from another Eastern team.

Ainge was looking for three unprotected first-round picks, which the Knicks apparently didn’t offer, but the Cavaliers did. However, that doesn’t mean Utah got a better overall offer from Cleveland, as it was reported that New York offered a package consisting of RJ Barrett, Obi Toppin, Evan Fournier, two unprotected first-round picks and a couple of protected choices and choice swaps.

Say what? And Ainge refused? That in itself shows that the Jazz were trying to get the most out of the Knicks. Honestly, it’s an offer every New York fan should be grateful for that Utah doesn’t I accept.

The Knicks reportedly offered the Jazz a big package for Donovan Mitchell

For reference, here’s what Utah got in return for Cleveland: Collin Sexton (via sign and trade), Lauri Markkanen, Ochai Agbaji, a 2025 first-round pick, a 2026 pick trade, a first round in 2027, a trade pick in 2028 and a first round pick in 2029.

From what the Knicks reportedly offered, Fournier was the least desirable player included in the deal since the Jazz were looking for younger players. However, Utah should have been happy with Barrett, Toppin and two unprotected picks. With the Jazz fully embracing the rebuilding period after trading Rudy Gobert to the Minnesota Timberwolves in early July, you’d think Ainge would jump at the chance to get both Barrett and Toppin instead of a no-no third pick. protected.

As mentioned, it’s a good thing for New York that Utah didn’t accept the offer. The Knicks then signed Barrett to a four-year, $120 million extension, meaning the poison pill provision would have made it difficult to include the 22-year-old in a trade with the Knicks. Jazz.

New York not negotiating for Donovan Mitchell does not set the Knicks back as many have assumed, and if Utah had accepted the above offer from the Knicks, it likely would have set the organization back.

However, New York should never have been willing to part ways to get Mitchell. It looks like Donovan Mitchell’s failed trade was a blessing in disguise for the Knicks. Due to the young core of the team, as well as the addition of Jalen Brunson, the future is still bright in New York.

Laurent House presents Bourbon, Brisket & Blues – The Rock River Times


Rockford: Guests can eat, drink and listen to music at Bourbon, Brisket & Blues, presented by Laurent House on Saturday, September 24. The event will take place on the back patio of the Laurent House from 4-7 p.m. and includes tours of the Laurent House.

Brisket with accompaniments will be provided by Pitmaster Little Nick’s BBQ with bourbon tasting provided by Artale. The first drink is free but more will be available from Baker Street Burgers. BMR4 Blues Machine, a three-piece blues band from Chicago, will entertain with live music.

Tickets are $100 per person. Dress code will be casual/garden party dress. To celebrate the style of Frank Lloyd Wright and Olgivanna Wright, it is suggested that men wore Frank Lloyd Wright’s signature pork pie hats and women wore straw sun hats. Sensible footwear is suggested for walking on the backyard terrain.

Parking and shuttle service will be located at Womanspace and Cor Mariae Center, 3333 Maria Linden Drive. No parking is available at Maison Laurent or in the surrounding streets. Please call Maison Laurent at 815.877.2952 if you cannot use the shuttle and other accommodations will be made. A wheelchair is available at Maison Laurent upon reservation.

Tickets are available at https://laurenthouse.com/special events.

Maine Musicians at Boothbay Harbor Opera House


On the weekend of September 9-10, two great Maine musical acts will perform on the historic Boothbay Harbor Opera House stage. On Friday September 9, there will be a country and blues concert with Denny Breau & Friends followed by an evening of American roots rock with the Jason Spooner Band on Saturday September 10.

Denny Breau has been called a “musician’s musician”. His rhythmically impeccable, dazzlingly clear style allows him to do amazing things with a six-string guitar. It first draws an audience in with a finely arranged melody, then glides effortlessly into searing fingerplay that sets ears ablaze. Lightning-fast guitar lines that seem almost humanly impossible to accomplish are balanced with ones that have a quiet intimacy and wrap tenderly around his carefully crafted songs. He mixes genres with ease – folk, delta blues, country and jazz – “creating a totally accessible musical mix that captivates while entertaining”, according to Lucky Clark writing for the Kennebec Journal.

As Denny waves to audiences and shakes hands after his performances, guitarists invariably ask how he performs certain techniques and Denny, who has a passion for teaching, is happy to show them off. This is especially true when demonstrating the guitar style of Chet Atkins, who was a family friend and major influence. The evening with Denny Breau will include Pat Pepin, Barney Martin and Bill Baskis playing country, blues, Cajun, folk and more. Advance tickets are $15. Regular tickets are $20.

Portland, Maine-based songwriter, guitarist and producer Jason Spooner has been a visible and respected presence on the Northeast and nationwide live music circuits for nearly two decades. As bandleader of the Jason Spooner Band (Dan Boyden – drums, Stu Mahan – bass and Dawson Hill – keyboards), Spooner has greatly expanded his musical horizons during 5 studio outings. The quartet is distinguished by an interesting American Roots Rock sound, backed by audible musicianship, interesting arrangements and clever, well-crafted songwriting.

Over the past 15 years, Spooner has performed with artists as varied as BB King, John Mayer, Jackson Browne, Michael Franti & Spearhead, Ray LaMontagne, Susan Tedeschi, Brett Dennen, Allen Stone, Everlast, Jackie Greene, G. Love , Guster, Blues Traveler, Peter Rowan and Sara Bareilles. The band performed at Targhee Fest in Jackson Hole, WY – The Gathering of the Vibes in Bridgeport, CT – FloydFest in Floyd, Va – The Festival at Sandpoint – Sandpoint, ID – The Naukabout Festival on Cape Cod, the River City Roots Festival in Missoula, MT – The Rocky Mountain Folk Festival in Lyons, CO and were perennial favorites at the Sundance Film Festival in Park City, UT.

In addition to recent rave press in Guitar World Magazine, No Depression, High Times Magazine, Wood & Steel Magazine, and USA Today, the Jason Spooner Band was recently named one of the coveted “On The Verge – Bands you should know by Relix Magazine. The group has won and received numerous nominations at the New England Music Awards, including Live Act of the Year (winner) and Song of the Year (nominee).

Advance discount tickets for the Jason Spooner concert are $20, with regular tickets at $25. Tickets for all upcoming performances are on sale at the Opera House box office at 86 Townsend Ave., Boothbay Harbor or by calling 633-5159. Tickets are also available online at boothbayoperahouse.com and on the day of the show at the door. Doors to seat both concerts open at 7 p.m., with music starting at 7:30 p.m.

The Arcadia Music Festival took place on Labor Day weekend



ARCADIA – The Minnehaha Brewhaha Music Festival was held in Arcadia on Friday and Saturday at Arcadia Marine.

The two-day event was organized by Music Moves Me, a non-profit organization dedicated to supporting and promoting music education through collaboration with schools and community groups in Northwest Michigan.

The JR Clark Band, Vinyl Tap, Drew Hale and Cousin Curtis were among the artists performing at the festival.

Manchester City give Slippy G a lifeline as the blues fall


Manchester City traveled to Villa Park to take on Slippy G’s Aston Villa on Saturday and were disappointed not to come away with the 3 points as they were held to a 1-1 draw.

Starting XI: Ederson, Walker, Stones, Dias, Cancelo, Rodri, De Bruyne, Gundogan (C), Silva, Foden, Haaland.

Unlike City’s midweek game, their cohesion in the final third was poor. If it hadn’t been for the brilliance of De Bruyne and Haaland, there wouldn’t have been much else ahead of Martinez.

Some brilliant opportunities created in the first half that lacked composure, particularly from Walker who missed a great chance to hand the ball to Haaland and take an early lead.

While Manchester City dominated as we are used to seeing, the game was slow and sloppy. This is bound to happen with match congestion not only with Champions League matches, but also with the Winter World Cup.

Aston Villa set up well, although they didn’t put anything ahead of the blues they hadn’t overcome before. While they seized their chance well, the tactical foul was once again lacking, falling back and allowing Villa to get too close to the box.

The first goal of the game came when De Bruyne forced himself down the right side and whipped a superb cross past the defence, straight to the back post where Haaland was waiting and he slipped it well past Martinez.

As the match looked flat, Pep took off Bernardo in the 73rd minute. We all know that Pep is the best manager that has ever graced us, but we also know that he is capable of making curious decisions.

Mahrez has replaced Bernardo Silva, a replacement that still risks making us vulnerable. While Mahrez has his own qualities and brilliance, he simply lacks the defensive tenacity and control that the Portuguese brings to the team.

Unsurprisingly, Villa scored in the 74th minute. While Ramsey broke down the right side where Bernardo would have returned. The ball was returned to Bailey who hit the ball softly, a great finish.

Minutes later, Coutinho had the ball in the back of the net after the linesman signaled for offside – even if the whistle hadn’t been blown, the goal would likely have stood.

Walker was ripped off in the 80th minute through injury, and we saw the return of Ake who was in excellent form before being injured against Newcastle. Fans will be pleased to see the defense strengthened.

Fans took to social media to question the exclusion of Alvarez who put in a stunning midweek performance, and could have been just what we needed to cause serious problems for the defense of the Villa.

The blues looked long, were battered by stray balls and Alvarez has a spark and energy that has the ability to inspire those around him.

Nonetheless, we sit second tier on points with Spurs, who we face next Saturday. Not before City travel to Spain to start their Champions League campaign against Sevilla. Two tricky games, but we are Manchester City! We are the best team in the country and in the world…..

Eureka musician John Two-Hawks’ new CD has a Celtic flavor


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Inspired by his book of the same title, ‘Of Mist and Stone’ is the 29th album by Indigenous flautist John Two-Hawks – and marks his return from a Covid-induced hiatus.

“After a four-year hiatus from creating new music and a global pandemic that caused so many of us to stop, stand still and rethink things, I think the time for this new music could not be. not be more aligned,” says the Eureka Musician from Springs. “This new album ‘Of Mist and Stone’ is the musical expression of what the words of the book [‘Of Mist and Stone: A Journey into the Mysterious Oneness of Two Ancient Worlds’] allude to: that the ancients had access to great energetic power, and that the secret passageway to reconnect with it is through sacred music, song and sound.

“The song titles are each a line from a 3,500-year-old poem by the mighty Celtic Druid Amhairghin,” he adds. “There are 13 lines, so 13 songs, just like there are 13 lunar cycles in a year. I marvel at the idea that the words of a poem recited by a druid so long ago loop back and forth to express their power in music from another era, music that itself goes back to ancient time from which the words of the poem were first created. pronounced.

Two-Hawks answered four questions for What’s Up!

Q. It’s not unusual for you to bring Aboriginal and Celtic music together. Why do the two work in such good harmony?

A. On this album you will hear native drums and flutes played with a Celtic style. You’ll hear the enchanting way Irish and Native flutes dance together. You will hear the seemingly impossible blend of the sweet native flute with the powerful voice of Scottish bagpipes. And you’ll hear the magical sound of the ancient symbol of Irish resistance – the harp – delicately blended with native flutes. I think the reason Indigenous and Celtic music expresses itself so harmoniously with each other goes back to those ancient threads of synchronicity that the two share. There is an inherent mysticism and earthly energy in both musical expressions. Celts and Native Americans use the drum, flute and voice in a way that speaks to the primal part of our being and reminds us of the sacred circle where wisdom, honor and knowledge await our return.

Q. What other instruments are played on the CD? And which musicians collaborated on these instruments?

A. Brother Seamus Byrne from Wicklow, Ireland, who collaborated with me on our 2002 album “Traditions”, returns once again to deliver the soulful sounds of his boxwood Celtic flute and the energetic rhythms of his Irish bodhran . My right-hand man and longtime musical comrade and collaborator, Van Adams, contributes his soulful guitar compositions to several songs on the album. And I’m so glad to have the powerful Gaelic voice of the Scottish Highland Bagpipe, played by Andy Reid, and the mystical, enchanting music of the Irish Harp, played by Rebecca Hazlitt, each included on two tracks on the album.

Q. Share your hopes for how this CD might impact listeners in this time and place where we live?

A. My hope is that this new music, which expresses the power of ancient alignments and synchronicities, will speak to listeners about the truth of our community. We share much more in common with each other than we differ. At this time, we are too often made to believe that we cannot reconcile our perceived differences. The ancient cosmic alignments from which this music was born teach us that unity is the path to wisdom. We are truly one. We just need to return to the sacred circle and find ourselves.

Q. What did you learn about yourself and your music during the covid break?

A. When I found myself back home with nowhere to go and nothing to do, I thought maybe it would be time to make some new music. This was not the case. Despite several attempts in my studio, nothing came. It turns out that the time spent at home during a raging global pandemic was not for work, but for rest. And now that I walk away with new music to share, I do so with a renewed sense of purpose.



“Of mist and stone”

Album release gala

WHEN — 7 p.m. September 29

WHERE — Crescent Hotel Conservatory in Eureka Springs

COST — $30 to $80

Info — johntwohawks.com

FYI – The CD is also available for $12 on the website.

2022 World Music Festival @ Taiwan Returns in October


The world music festival come back this year!

For its highly anticipated 2022 edition, the coveted Taiwanese music festival is making a comeback this October 14-16 at Taipei Dajia Riverside Park. Organized by the Audiovisual and Music Industry Development Bureau of the Ministry of Culture, this year’s festival will be themed “Music is everywhere” hoping to show that music connects us all.

As in previous editions of the festival, World Music Festival 2022 will present an exciting range of programs including bazaars, workshops, showcases and, of course, live performances. Attendees can expect to see the likes of Pei-Shu Huang x Taipei Philharmonic Chamber Choir, House of Musicians x OVER THE TOP, Sunset Yoga – YK Groupand Trio GIMA-Alex x David Chen x WAKA, as good as Lilium and Paul, Puuluup, Alena Murangand more.

Through their diverse and varied events, World Music Festival 2022 @ Taiwan weave together an extraordinary experience that brings together a range of cultures and genres.

Early bird tickets for the live festival, from 1,470 NTDs for a 3-day pass, are available for purchase on the official festival website until October 13. Regular tickets go on sale October 14 and start to 2,100 NTDs for a three-day pass.

Relive the magic of World Music Festival 2021 @ Taiwan here.

Utah Jazz: Donovan Mitchell is gone and Jazz rebuilding is underway


We knew this was coming.

As soon as the Utah Jazz sent Rudy Gobert to Minnesota, it was only a matter of time before Donovan Mitchell was also traded. There are still dominoes to fall, but the rebuilding of the Jazz is officially underway.

The Jazz entered the offseason with an aging roster, two All-Stars who were clearly not going to be able to win a title at the Jazz, few young players with an advantage going forward, and they were scraping the bottom of the barrel when he came to write assets.

After finalizing a deal to trade Mitchell to the Cleveland Cavaliers, trade Gobert to the Timberwolves, Royce O’Neale to the Brooklyn Nets and Patrick Beverley to the Los Angeles Lakers, the Jazz have already amassed a crazy amount of youth and recruiting capital.

Through those three deals, the Jazz acquired six players 25 or younger (Collin Sexton, Lauri Markkanen, Malik Beasley, Jarred Vanderbilt, Leandro Bolmaro, Talen Horton-Tucker), draft picks No. 14 and No. 22 in 2022. (Ochai Agbaji and Walker Kessler), eight future first-round picks and three future pick trades.

This is the foundation upon which the future of Jazz rests.

There are more building blocks to come. Bojan Bogdanovic, Mike Conley and Jordan Clarkson are all still valuable business assets who could bring in more youngsters and more picks, and the Jazz has plenty of interested parties who seek the services of strong, reliable and proven players.

But any trade involving the rest of the Jazz playoff squad will only serve to reinforce what has already begun.

After six straight years of playoff appearances, the Jazz are tearing it all down in hopes of building it back better. Although the playoff berths were promising, that promise never materialized into anything more, and the Jazz became a team heading into the middle of the playoff pack without a chance to play. to really be in contention for an NBA title.

A complete rebuild of the NBA is not easy for a fanbase. The Jazz will rack up more losses than anything else this season in an effort to increase the odds of turning their own 2023 draft pick into a top pick.

There will be young players going through growing pains and developing on the pitch, in front of everyone, under the lights, rather than behind the scenes with player development coaches.

New head coach Will Hardy will be tested. Not only will his job require him to find sustainable talent for the future and develop those talents, but he will have to find ways to keep a young, losing team motivated and hopeful for what could be.

Jazz’s front office will need to navigate the 2022-23 season and the seasons to come with a sense of patience and poise before choosing the perfect time to step into the fold. Timing will be everything.

There will be fans whose support wavers throughout the rebuilding process, but players will never forget the fans who stand behind them when things aren’t easy and it’s hard to see the light at the end. of the tunnel.

Every game can be seen as a scheduled defeat, but there will also be games where a young player shines brighter than expected and puts on a show that gives a glimpse of what might happen.

Progress is going to be measured differently. For years, the Mitchell and Gobert-led Jazz tried to go from good to great, but it won’t be that team anymore. The NBA playoffs can no longer be used to measure this team’s improvement.

Instead, progress will have to be based on whether one player can reduce his turnovers, whether another can improve his passing, can learn to defend flawlessly. Learning to celebrate small moral victories will be absolutely necessary.

It’s the beginning of a new era of Jazz basketball. Under new owner Ryan Smith, with Danny Ainge and Justin Zanik leading the front office, with Will Hardy in charge of team development, the rebuilding of the Jazz is officially underway.

Utah Jazz CEO Danny Ainge, left, Jazz General Manager Justin Zanik, new Jazz head coach Will Hardy and Jazz owner Ryan Smith pose for a photo during a press conference to introduce the Hardy at Vivint Arena in Salt Lake City on Tuesday, July 5. 2022.

Kristin Murphy, Deseret News

Bring on the blues | News, Sports, Jobs


Above, members of the Flat Broke Blues Band perform on the steps of the Peter White Library in Marquette on Bluesday Tuesday.

On the right, viewers watch from the library lawn. Hundreds of people came to see the band.

The event kicks off the Blues

fest at Mattson Lower Harbor Park.

According to the Marquette Area Blues Society website, the 18th annual event features three days of world-class blues.

The three-day festival begins Friday with a free event for the public.

Tickets for Saturday and Sunday can be purchased in advance at www.nmu.universitytickets.com or by phone at (906) 227-1032.

Tickets are also available at Northern Michigaan University’s Berry Event Center, Marquette Wallpaper & Paint, and Yooptone Music.

The festival also includes food vendors, a beer and wine tent, free workshops, and various arts and crafts stalls.

A list of all performance times can be found on page 8A. (Newspaper photos by Randy Crouch)

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Musician from California returned to play The Tipsy Cow


As a child, Pat Kay ate at Willy’s Pizza with his family.

The California native and one-half of music duo The Kay Brothers returned to the former pizzeria, now home to steakhouse The Tipsy Cow, to play his signature “stompgrass” tunes in a free show on Friday.

On the Facebook event page, stompgrass was described as a type of bluegrass music where “…drums are not only encouraged, but required…”

Jordan Allen, owner of The Tipsy Cow and childhood friend of Pat Kay, said he played as a drummer for Bryan Kay, the other half of the Kay Brothers, in his boyhood band.

“We actually all played in the same music room under John Kay’s (the brothers’ dad) desk,” Allen said.

In addition to being able to perform at a special venue, Pat Kay said Friday’s show was part of “new territory”.

“What I’m doing tonight is, in many ways, new territory,” Pat Kay said Friday. “I’ve had a band forever, and over the past few years and largely based on the performance opportunities available during COVID, I’ve started doing solo shows. I think this is the first time that I’m playing a show in town without a band and that’s just me.”

It was also his first performance at The Tipsy Cow. As an unusual venue, Pat Kay said there was a lot of experimentation to get the show right.

“It’s always interesting to play somewhere, more or less, (for) the first time,” said Pat Kay. “It’s not a traditional music venue. There’s always a certain level of experimentation that goes into what time you play, where you play, how loud your volume is, and things like that … But ultimately, when you’re in a space like this – where there’s a dining side, a bar side, there’s pool tables and a terrace, in a city this size – you have a very large audience of people who hang out and there’s always a certain level of experimentation on how best to meet everybody’s listening needs and I think (The Tipsy Cow) has a lot of potential for it.

The musician was also able to connect with people he hadn’t seen in decades.

“It was really fantastic to see so many familiar faces again after so long,” said Pat Kay.

He also said that some audience members were probably surprised to see his transformation from one genre to another.

“One of the things that interested me about that as well, about the experience of playing there was when I was living in California I had a rock band,” Pat Kay said. . “And a lot of people who were there, a lot of them, hadn’t seen me since then. And I have to imagine some of them were a little surprised to see me playing the banjo.”

Pat Kay said he’s been traveling to the northern Washington border for the past month, but most of his upcoming shows are in the Midwest. He will perform Thursday at The Mission in Jefferson City and travel to Kansas City for shows Friday and Saturday.

Pat Kay’s musical career began when he started a band when he was “probably 13 or 14”. Since then, her goal was to turn her love for music into a career. He continued to play music while working as a talent buyer for Frank Productions Concerts Live, which books talent for venues like The Blue Note in Colombia, as well as events like the annual Roots and Blues festival in Colombia. .

“We had a high school band here, and when I went to college I decided that if I could play music as an occupation – as a job instead of working in the library or something – I would be happy with what I had accomplished in my musical endeavours,” Pat Kay said.

After 15 years, he resigned from his position at FPC Live in October 2021, allowing him to return to music full time. He said the experience had changed dramatically in those 15 years.

“It’s a totally different experience now, as a 40-year-old man with a family and kids, (than) it was when I was in my early twenties,” Pat Kay said. “Some things are harder, some things are easier. Overall, it seems to be a little bit easier because at this point in my life, it’s my job. And I take it a lot more seriously than when I was at the start of my career.” 20s. It’s a lot of work and stuff like that to stay in shape and just to have the stamina to do this kind of show three, four, five nights in a row.

Allen, owner of The Tipsy Cow, said three upcoming shows are planned. Andrea Laray will be there on Friday, with Joker’s Wild scheduled for September 9 and Concannon on October 21.

Pat Kay said he plans to return to California later this year for an as-yet-unannounced show at the Finke Theater — and possibly another show at The Tipsy Cow. In the meantime, he’s grateful to have been given the opportunity to perform at the venue he frequented as a child – by a childhood friend.

“And, to that end, I’m grateful that Jordan gave me the opportunity to play there, so I had an excuse to come home and check it out,” Pat Kay said. “I don’t know how long it’s been open, but I’m really proud of what he’s done there.”

Democrat Photo/Garrett Fuller – California native Pat Kay plays guitar on August 26, 2022, as he prepares for an event at The Tipsy Cow in California.
Photo Democrat Photo/Garrett Fuller – A drum for The Kay Brothers is set up August 26, 2022 for Pat Kay to play solo at The Tipsy Cow in California. Pat is one half of the Kay Brothers, with his brother Bryan Kay being the other half. Pat Kay remembers visiting Willy’s Pizza, a pizzeria that once occupied the same location as The Tipsy Cow, when she was a child. The drum features a modified version of the Missouri state seal, including the motto “United We Stand, Divided We Fall”.
Photo Democrat Photo/Garrett Fuller – A poster for Pat Kay’s solo exhibit is seen August 26, 2022 on a window outside The Tipsy Cow in California.

3-Day Music Festival Tickets Available Now for $100 | News, Sports, Jobs


PENNSBORO, WV — West Virginia isn’t just smut country, it’s also for country music fans.

That’s why the inaugural Jamboree In The Mountains festival brings together some of country music’s hitmakers and fan favorites at Pennsboro Speedway September 8-10.

The country music festival will feature up to 15 acts over three days.

“I was born in Charleston and have deep roots in the West Virginia area. I have worked with so many of these great artists over the years and wanted to bring an event to the region that would be celebrated and not tolerated,” said Dustin Knowlton, president of Big Time Entertainment. “After talking to all the local officials and the site team, we decided this was the perfect location for a three-day festival that would offer camping, showers, food vendors and, of course, good country music.”

The range is:

September 8

3:00 p.m. Davisson Brothers Group

4:30 p.m. Ricochet

6 p.m. Love & Flight

7:30 p.m. Jamie O’Neal

9 p.m. Drake White

September 9

3pm Ray Scott

4:30 p.m. Southern countries

6 p.m. Sammy Kershaw

7:30 p.m. David Lee Murphy

9 p.m. Craig Morgan

September 10

3:00 p.m.

4:30 p.m. Ty Herndon

6pm Chris Cagle

7:30 p.m. Marc Wills

9 p.m. Darryl Worley

Tickets are available now at: tickets.therobinsongrand.com/eventperformances.asp?evt=132&fs=e&s=cl or by calling the Robinson Grand Performing Arts Center in Clarksburg, WV at 855-773-6283

“We are delighted to perform at this festival,” said Ricochet’s Heath Wright. “Doing events like this is so much fun because we as artists don’t always see each other when we’re home, so we spend time catching up on the road. Sometimes we go up even on stage together and doing impromptu jam sessions and having fun like we did when we were recording records. This one is going to be a lot of fun.

Collectively, these artists have scored 17 No. 1 singles and 57 Top 10 singles and sold millions of albums.

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Donovan Mitchell deleted Utah Jazz from his Twitter bio amid trade rumors


Donovan Mitchell is the biggest name left in the market, multiple teams have reportedly been involved in trying to land a deal for him. The New York Knicks were considered favorites throughout the process, and indeed, they remain in the strongest position to acquire Mitchell. They announced a huge extension for RJ Barrett on Monday, and there were some concerns about what that meant for their pursuit of Mitchell, but it looks like they could still acquire custody of Jazz.

The question has long been what Mitchell wants to do, there were whispers earlier in the season that he could even stick around for a quick rebuild. His interest in playing for New York and Miami was also reported, so those destinations were talked about the most when discussing trade scenarios. But in the end, the man himself did not openly say much about his future.

However, he recently dropped a huge hint about how he currently feels on Twitter. Mitchell, who despite all the speculation and the Rudy Gobert trade hadn’t revealed anything, apparently removed the Utah Jazz from his bio on Twitter on Tuesday.

Old biography: “Be humble. Former Louisville Guard #L1C4…Utah Jazz Guard.”

New biography: “Be humble.”

By itself, that wouldn’t be considered a big deal, it’s not like a potential move is a secret at this point. But maybe that signals just how imminent a deal for Mitchell is. Brian Windhorst recently revealed that Utah wanted to trade Mitchell before the start of training camp for next season. Training camp doesn’t start until the end of September, so there’s still time, but with the market for All-Stars reportedly thinning, perhaps a deal could be done sooner than expected.

The biggest problem in a deal according to insiders was the massive asking price that Danny Ainge imposed on Mitchell. The All-Star is a valuable asset and a terrific player, but he doesn’t have the playoff success to justify the sheer haul the Jazz demand. And if Mitchell himself is now ready to make the move, as the removal of the Jazz’s name from his social media bio suggests, it could reduce Utah’s influence and force them to make a trade sooner. .

Northern Beaches Blues Storm Women’s Grand Final – News Of The Area

The Northern Beaches Blues are kicked in their preliminary final. Photo credit: Green Shoots Marketing.

The Northern Beaches Blues stormed into the AFL North Coast Women’s Grand Final with a convincing win over the Port Macquarie Magpies.

The Blues qualified for this season’s premiership with a clinical 35-point victory over the Port Macquarie Magpies in their preliminary round at Ce.x Coffs International Stadium.

The Blues won the territory battle early, with their forward pressure blocking the ball in the Magpies defensive 50, as the port side could barely get the ball over their halfway line as the Blues took a 15-0 quarter-time lead.

It was one-way traffic in the first half as the Magpies struggled to break the Blues’ grip as the constant pressure had the Pies under the pump forcing errors and turnovers which also led to many possessions of balls.

Two early goals to start the third quarter gave the Blues a 31-0 lead that sealed the contest and a big place in the final.

Beaches player and co-coach Gabbi Boyle said her team was starting to peak at the end of the season.

“We only took our place in the middle of the season and we had a lot of players who had never played before,” she said.

“We came out strong today, and it was just our pressure and we tackled well today.

“We all work for each other and support each other, and we play for each other.”

By Aiden Burgess

Joey DeFrancesco, renowned jazz musician who worked with Ray Charles, has died


Joey DeFrancesco has died, confirmed his wife and manager Gloria DeFrancesco.

The famous jazz organist, composer and bandleader who worked with artists such as Ray Charles, Van Morrison and Bette Midler was 51.

“The love of my life is now at peace with the angels,” Gloria wrote on Instagram Friday, August 26. “Right now, I have very few words. Thank you for the outpouring of love and support from everywhere. Joey loved you all.

A cause of death was not provided.

DeFrancesco played trumpet, piano, saxophone and synths but, as Fork points out, was best known for reviving the use of the Hammond B3 organ in the modern jazz scene.

The musician‘s career began to take off in the 1980s. He would go on to release over 30 recordings as a bandleader.

He was born in 1971 in a city outside of Philadelphia. His father is acclaimed organist “Dad” John DeFrancesco, who brought Joey a B3 organ when he was 4 years old.

The prodigious talent was performing in the Settlement Jazz Ensemble at Philadelphia’s Settlement Music School as a teenager, and at 17 he was asked to tour with Miles Davis.

He released his debut album “All Of Me” in 1989 and released dozens more before his final album, “More Music,” in 2021.

Five of his albums received Grammy nominations, including his 2019 LP, “In The Key Of The Universe,” which features songs written by Pharoah Sanders and Billy Hart.

In 2018, DeFrancesco worked with Van Morrison for a collection of originals and standards called “You’re Driving Me Crazy”.

Tributes followed for the late musician, including from jazz fusion pioneer John Mclaughlin who said: “Goodbye to my brother Joey DeFrancesco. We shared some of the greatest concerts of my life We will miss you!!!”

Musician Alex Skolnick wrote: “Sad loss: I’ve seen it many times, always with the best guitarists, well known (John McLaughlin) to local legend (Paul Bollenback).”

This is a developing story – check back for updates

The Porcupine Mountain Music Festival is back | News, Sports, Jobs


Garrett Neese/Daily Mining Gazette The crowd gives a standing ovation to Heather Maloney at the Porcupine Mountains Music Festival on Saturday. The two-day festival has returned after a two-year absence.

PORCUPINE MOUNTAINS WILDERNESS STATE PARK — Even when the Porcupine Mountains Music Festival was suspended, fans didn’t.

“They kept their reservations” said director Cheryl Sundberg. “They came here and they put their chairs on the hill. And they sat there and sang, and they made videos and we saw them on Facebook. It really lifted our spirits. »

After two years without a festival, crowds were back on the hill soaking up the music of folk, rock, blues, bluegrass and more. The Porcupine Mountains Music Festival returned with a slimmed down two-day schedule Thursday and Friday.

Getting the festival back up and running was a Herculean effort, said director Cheryl Sundberg. During the pandemic, organizers and volunteers have come together to decide their future.

“When we had our meeting, it was so clear that everyone was so committed,” she says. “Everyone was there, and when the time was right, we moved forward.”

Two years later, he is back, not without some changes. The festival had been stretched as far as it could go before, Sundberg said. They decided to reduce it to two days.

“Sunday has always been a slower day” she says. “A lot of people went home, and it made sense to focus on a strong two-day event and maintain the quality on stage. And that we would come back roaring, and we did.

And judging by the crowd reaction, they can’t wait to get back.

“Last night was like a Saturday, which is usually our biggest day,” Sundberg said. “And today is bigger.”

The festival chooses its programming by combing through the hundreds of submissions that pass through its website. They also find numbers by listening to public radio or going to concerts.

The acts often say it’s like a vacation for them, Sundberg said.

“Sometimes their cell phones don’t work,” she says. “They can de-stress, they linger and they don’t want to leave. They go out on the tour circuit and tell their friends they have to go to the Porkies.

One of the new artists this year was Heather Maloney, a singer-songwriter from New Jersey, who performed with the High Tea Duo backing vocals. She was amazed by the experience, saying: “The atmosphere is really good here.”

“You can’t beat the view and what you get from the mountain,” she said minutes after finishing her set to a standing ovation. “It’s a nice feedback loop. I’ve never had this, so it definitely stands out.

Throwback to a Joni Mitchell live album where she asked the crowd to sing “off key” Maloney enlisted the audience as background singers.

His directive was even more specific in its release: “Sing this chorus with us as if you were three or four.” (They nailed it.)

After fans loudly applauded the a cappella ending of another song, Maloney returned the favor.

“I think it’s a very beautiful thing when a festival like this comes together and comes together around original music, music you may not have heard before, and connect with words, feelings and stories”, she says. “It’s a really, really special and beautiful thing and I’m so glad we got into it.”

The festival-goers were happy to be back.

Ontonagon’s Kelly Roehm loves being able to get away from it all and expand her horizons with a mix of musical styles. She was very excited to see the psych-rock band The Slambovians, frequent performers at the festival.

This year, she also brought her sister and her husband, who live in Las Vegas.

“They’ve never been here before, and they’re addicted,” she says. “They will be there next year.”

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The impressive performance of the quartet Lenny Robinson and Exploration



The Petworth Jazz Project – returning this year after its pandemic hiatus – brings families and neighbors to the Petworth Leisure Center for a monthly summer jazz night. But with kids running around, people chatting, and bands trying to find places to sneak in, it’s hard to overstate how attention-grabbing the music is. Do these cool people know what a great band they see in someone like drummer Lenny Robinson and his quartet, Exploration?

Robinson’s band headlined Saturday night. They played two 45 minute sets which were smart and infectious. At first glance, the performance seemed to have been designed for jazz nerds: the songs from the first set, for example, included lesser-known tunes by Kenny Garrett and Reuben Brown, as well as a composition by Ellington for those in the know. running. . These choices turned out to be shrewd: each was a very melodic, hummable piece – an earworm – not too complicated to follow, but not so simple that musicians couldn’t find treasures inside.

Vibraphonist Chris Barrick and pianist Janelle Gill notably devoured “The Shade of the Cedar Tree”. Barrick played mostly single-note dart lines interspersed with callbacks to the written melody. Gill, on the other hand, was more chordal, and while her piano figures were sometimes similar to Barrick’s, she set them for a more rhythmic and swinging purpose.

This turned out to be a common theme for Exploration. Gill subtly hinted at a Caribbean beat in parts of his solo “Shade of the Cedar Tree”, which Robinson took over and turned into a full Latin groove in the song’s coda. He then launched a propulsive opening solo to Garrett’s “Boogety Boogety,” in an arrangement that doubled down on the Afro-Caribbean notes Gill had previously offered. It was here that Robinson and bassist Michael Bowie really showed their mettle: they were in perfect harmony, handling the changes of soloists as a single unit and continuing to exciting new heights.

It’s only natural that events like this are social and mingled occasions, especially coming out of two years of silence during the pandemic. A loud and otherwise busy crowd was to be expected, and the only moment of music that really caught everyone’s attention was unfortunate: the PA system briefly crashed during Gill’s solo on an arrangement drama of Ellington’s “African Flower”. (The band couldn’t have been more professional; Gill kept playing, and once the sound was restored, Robinson counted her down to where she left off.) Still, it’s frustrating to think of how many people missed Gill’s “stealth”. African Flower” blues or Barrick’s moving variations on a single vibraphone figure during Reuben Brown’s “Billy”.

But maybe this writer is just a joyless nag: everyone, band and jazz nerds included, clearly had a good time. Who can complain?

Fitness: There’s More Than One Way to Sweat Out the Blues


The more exercise and mood information we have, the more accurate the fitness prescription and the more effective the outcome.

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Managing mental health through exercise has long been recommended by medical professionals, with the American Psychological Association reporting that 43% of Americans use exercise as a strategy to reduce stress. Yet despite the general consensus that physical activity has a positive impact on mental health, the exact prescription remains elusive. Is a 20-minute jog around the neighborhood more effective in alleviating anxiety than a 20-minute walk around the block? Does sweat have to be rolling off your forehead for you to experience the full stimulating effects of a workout?

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The more information we have about exercise and mood, the more accurate the exercise prescription and the more effective the outcome. And since most people find it difficult to fit a workout into a day already full of work and family commitments, the more we know about the type, duration and intensity of exercise needed to relieve anxiety, depression and stress, the better.

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To further our knowledge of exercise and mental health, a team of researchers from the universities of Pepperdine and San Francisco compared the results of two of the most popular forms of exercise – continuous aerobic conditioning and interval training – as well as the less physically demanding activity of coloring. The idea was not only to see how the two types of exercise compared to more sedentary strategies for managing mental health, but also whether trendy interval training was more or less effective in mitigating stress. , anxiety, and depression than traditional steady-state aerobic exercise like running. , cycling and swimming.

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“Understanding the breadth of options one has to positively impact their anxiety and mood states is of particular importance given the recent pandemic (COVID-19), which has resulted in the closure of many recreation centers and other barriers to physical activity, as well as increased levels of anxiety, depression and stress,” the researchers said.

Study subjects included 12 women and 15 men who were in good physical condition and had no diagnosed mental health conditions. Each performed a series of three activities: a 20-minute continuous exercise session on the treadmill with a three-minute warm-up and two-minute cool-down, a 20-minute interval training session on the treadmill (one minute work interval followed by one minute recovery, repeated 10 times) with the same warm-up and recovery time, and 25 minutes of sedentary coloring. Exercise intensity for both workouts was personalized based on a series of fitness tests, with all study subjects maintaining 75% of their maximal aerobic capacity for the exercise period at the end of the day. steady state and 95 and 55% VO2 max for high levels and low intensity intervals.

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Not surprisingly, mood and vigor improved after both types of exercise—a finding consistent with previous studies—with very little difference in effectiveness between steady-state exercise and interval training. The same couldn’t be said for 25 Minutes of Coloring, which failed to improve mood and energy levels. But when it came to reducing anxiety, anger, confusion, fatigue and tension, exercise and coloring were equally effective, which is good news for people who need to manage their anxiety but who cannot make it to the gym.

Another interesting finding from the study is that interval and steady-state training achieved the same results in terms of enjoyment – ​​a surprise given that interval training requires an uncomfortably high level of intensity. But closer examination of the data found that pleasure peaked five to 20 minutes after interval training — a phenomenon not seen after steady-state workouts, but noted in previous studies. . This finding led the researchers to speculate that “although perceived pleasure may be important for adherence to exercise, pleasure from the activity may not be necessary to experience the psychological benefits of exercise.”

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The idea that you don’t have to like exercise to benefit from its mood-enhancing effects suggests that even if you have a rest day at the gym, you’ll likely leave feeling better than when you arrived. And since interval training and steady-state exercise improve mood to the same degree, you can choose to push your limits or stay at a more comfortable intensity.

Even though coloring matched exercise in its ability to alleviate anxiety, anger, confusion, fatigue and tension, the study is a reminder that sweating is more bang for your buck than sedentary activities. Beyond the well-known physical benefits, active people are generally less depressed than inactive people. And it has been observed that people who were active but stopped going to the gym have more mental health issues than those who stick to their exercise routine.

So while regular exercise has been hailed for its ability to improve physical health, it’s also worth focusing on its short- and long-term mental health benefits. With fewer Canadians reporting excellent or very good mental health during the pandemic, it’s something to act on the next time life throws lemons at you.

  1. Eliud Kipchoge runs on his way to breaking the historic two-hour barrier for a marathon in Vienna, Saturday October 12, 2019.

    Fitness: Can “super shoes” give runners super speed?

  2. There's a complexity to exercising that can make it difficult for novices to achieve performance-based goals, writes Jill Barker.  Not only do they have to find the time and motivation to exercise, but they also have to learn the basics, like lifting weights or running a treadmill.

    Fitness: Is it really smart to set SMART exercise goals?

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Texas Red, White & Bayou Music Festival in Dickinson

The Red, White & Bayou Texas Music Festival returns to Dickinson for 2022 | Courtesy of the City of Dickinson

Mark your Labor Day weekend at the Red, White & Bayou Texas Music Festival with live music, markets and more at Dickinson on Saturday September 3 and Sunday September 4, 2022.

Back for the first time since Hurricane Harvey, the Red, White & Bayou Texas Music Festival returns to the town of Dickinson, providing a Labor Day weekend filled with live music, shopping markets, a cooking contest, a children’s zone and more.

Performers include La Porte-native and the Season 6 contestant of The voiceJake Worthington, southern country duo Muscadine Bloodline, bullrider and musician Colten Jesse, plus an all-day kids’ zone with inflatables, crafts, and games.

Order tickets or learn more.

Red, White & Bayou Texas Music Festival 2022 at Dickinson

This article was sponsored by the event organizer. In accordance with our Advertising and Sponsorship Policy, we only accept sponsored content from organizations that meet our editorial standards and genuinely present an activity, event, resource or destination of value to residents and visitors of the greater Houston area. Ad revenue helps support 365 Things to Do in Houston and our contributors, allowing us to expand our coverage of activities and events in the Houston area. Learn more about promoting your event or business.

Joey DeFrancesco, iconic jazz musician, dies at 51, possible cause of death revealed


Iconic jazz musician Joey DeFrancesco died Aug. 25 at his residence, his wife and manager Gloria DeFrancesco announced via social media. He was 51 years old.

“The love of my life is now at peace with the angels. Thank you for the outpouring of love and support from everywhere. Joey loved you all,” the post read.

Reports indicate that DeFrancesco suffered from general health issues, but the exact cause of his death has yet to be revealed by his family. According to Medico Topics, sources have shared that DeFrancesco has been battling “life-threatening health issues for some time” now. As of this writing, this information has been withheld from the public,

DeFrancesco was best known as a genius on the Hammond B3 organ, as well as a brilliant trumpeter and saxophonist, and occasional vocalist. He was named the best player on the Hammond organ, said to have been responsible for the “soul jazz revitalization” of the instrument.

Roots in Jazz

Born and raised in Philadelphia, DeFrancesco began playing at the age of four, under the watchful eye of his father, organist John DeFrancesco.

He comes from a family of musicians that included three generations of jazz musicians. His grandfather and namesake was an organist who received the Living Legend Award in 2013 from the Oklahoma Jazz Hall of Fame.

He began playing alongside saxophonist Hank Mobley and Philly Joe Jones, well-known jazz musicians of the time, at the age of 10.

DeFrancesco’s life was entirely devoted to music. He graduated from high school on a scholarship offered by the Philadelphia Jazz Society and went to the Philadelphia School for the Creative and Performing Arts.

According to reports, he has been very successful in the field and has won many awards. He was a finalist in the first Thelonious Monk International Jazz Piano Competition.

At 16, he already signed his first recording contract under Columbia Records and started touring with his own band at 18.

READ MORE: Dove Cameron takes a stand against Roe V Wade case with ‘Breakfast’ music video

Left too early

In his short life, DeFrancesco has managed to release over 30 albums, with his latest album, “More Music”, released just over a year ago.

He is also a four-time Grammy nominee, a nine-time Down Beat Critics Poll winner for organ, and numerous JazzTimes Awards.

He was inducted into the Hammond Hall of Fame for his groundbreaking and innovative contributions in 2013.

His passing is deeply mourned by musicians and fans: “There is simply no way to understand this loss. […] “He was such a magnificent human being. He was just incomparable. But that’s too soft a word,” said Joel Goldenthal, executive director of the Nash in Phoenix, a venue where DeFrancesco often performed.

“There never was and never will be anyone as accomplished as he was on any instrument.”

Despite his success, Goldenthal also noted that DeFrancesco was a down-to-earth and very modest person. DeFrancesco’s passing is also a loss for the jazz world, he added.

“Few jazz artists in any era have ever dominated the musical language and popular image of an instrument the way DeFrancesco did with the organ,” NPR said.

READ ALSO: Hip-Hop Heartbreak: DJ Akademiks Drops Truth Bomb Amid Young Thug, Gunna RICO’s Arrest

© 2015 MusicTimes.com All rights reserved. Do not reproduce without permission.

Jazz reportedly wants to trade Donovan Mitchell before training camps open


Utah Jazz goaltender Donovan Mitchell could be traded by next month.

The team would be looking to move Mitchell before NBA training camps open in late September, ESPN’s Brian Windhorst said on his podcast.

“[Tim] MacMahon, you said I believe last week that you thought the Jazz would trade Donovan Mitchell before the [regular season] opener,” Windhorst said. “And it seems to me, talking to people in the league, that the Jazz want to try to go even earlier than that. They want to go before training camp.

“…It looks like I’m talking to people in the league that the Jazz are trying to apply the gas here,” Windhorst continued. “To try to take advantage of the offer, especially the New York Knicks offer.”

The Knicks have been the subject of Mitchell trade speculation from the start, and now it looks like they’re the only realistic suitor left standing.

The Cleveland Cavaliers, who were also talking with the Jazz about a deal with Mitchell, have pulled out of talks for the star guard, according to SNY’s Ian Begley. The Washington Wizards and Charlotte Hornets were also participated in discussions for Mitchell as recently as July 29, but it’s unclear if any real offers are or were on the table. The Brooklyn Nets and Miami Heat are other possible destinations, according to Begley, but neither is able to offer the best deal.

“…some members of the Nets organization like where the roster is right now and don’t feel the sense or urgency to pursue Mitchell,” Begley wrote. “Miami would likely need to hire a third team to produce enough draft capital to satisfy Utah. The Heat can currently trade three future first-round picks.”

So, if Begley is to be believed, that leaves the Knicks the last team with the wherewithal and motivation to pull the trigger on a trade for Mitchell. The Knicks and Jazz have apparently been talking for months, but now it looks like the Knicks could offer RJ Barrett in any trade package for Mitchell, according to Begley.

Utah is likely looking for a package similar to what they received when they traded Rudy Gobert to the Minnesota Timberwolves: multiple first-round picks and a few role players. The Jazz have already traded one of the players they received as part of the deal – guard Patrick Beverley – and now appear to be keen to get the ball rolling on a Mitchell trade as soon as possible.

Whether or not the Knicks bite is entirely up to Leon Rose and general manager Scott Perry. A Mitchell and Jalen Brunson backcourt sounds good, but not if they’re the only two players left standing when the dust settles on what the Knicks sent the Jazz.

At the very least, though, it looks like the only thing standing between the New York Knicks and a trade for Donovan Mitchell is, well, the Knicks. And now there’s a hypothetical deadline for closing the deal on either side.

Donovan Mitchell’s departure for Jazz could come sooner than expected. (Photo by Michael Owens/Getty Images)

All Blacks legend back at Blues in new role


All Blacks legend Tana Umaga returns to the Blues ahead of the next Super Rugby Pacific season, as a coaching consultant.

Umaga quit his former coaching job at the Auckland-based franchise to work with his wife in their natural health supplement production business.

However, he has kept his finger in the coaching pie by serving as Samoa’s assistant coach and will now be back with the Blues as they progress towards 2023.

Multi-faceted role

Umaga will establish development programs for assistant coaches, as well as planning, strategy and delivery with the head coach and forward coach.

He must also work on planning and delivery around the culture and environment of the Blues team, review game plans and performances and much more.

“Tana has maintained her contact with the club and we have always said that our door will remain open to her,” CEO Andrew Hore revealed on the Blues website.

“He’s in position now and keen to join our squad, which binds him to the coaches he has a close relationship with.

“Having said that, Tana has a different role with the club and while he will work closely with many aspects of the team and the club, he will also play a helicopter role in critically analyzing key aspects of team performance.

“In this regard, he will work directly with our group and coaching staff as well as our Chief Rugby Officer, Josh Blackie.”

Back to the Blues

Umaga, who has won 74 caps for the All Blacks during his playing days revealed he was delighted to be back in the Super Rugby Pacific squad this season.

“I never lost the interest or the desire to stay as a coach and to be part of the Blues again,” he said before agreeing to a seven-month contract.

“I have enjoyed the challenge with our business, but I have the opportunity to return to rugby, while maintaining my other business interests.

“Part of the role around the team environment and culture is something that I hold dear and appreciate, while the work of developing and evaluating coaches and players is a new challenge, which I look forward to.”

READ MORE: Rugby League preview: All Blacks revival will continue with win over Argentina

How musician Bobi Wine fights tyranny with love


The documentary ‘Bobi Wine: Ghetto President’, which will have its world premiere out of competition at the Venice Film Festival on September 1, centers on one man’s quest for freedom and justice for his country, but at the heart of the film is a love story. Variety talks to the filmmakers and unveils the trailer, the first time any footage has been released.

The film, directed by Christopher Sharp and Moses Bwayo, and produced by Sharp and Oscar winner John Battsek, follows musician Bobi Wine’s attempt to overthrow the repressive regime of Ugandan President Yoweri Museveni.

Sharp has a personal connection to Uganda: he and his father were born there, and he spent much of his childhood in the country. He met Wine, real name Robert Kyagulanyi, in 2017, just after the musician became an MP.

“I was overwhelmed by him: his optimism, his determination, his bravery. And then his wonderful wife, Barbie…I just felt like I had never met someone like them before,” says- he.” I hung out with him and Barbie, and I said, ‘We just need to make a movie about you guys.'”

Sharp started the project with a British cameraman, Sam Benstead, who decided to quit after a short period of time, and Benstead was replaced by an Italian cameraman, Michele Sibiloni, who also quit. Finally, Sharp was introduced to Bwayo, who stuck to the task to the end, at great personal cost to himself. Bwayo says of his predecessors, “Because of the regime and how far they go with torture and intimidation, because of some of these issues, these guys couldn’t continue with the project.

“Bobi and Barbie just gave us full access,” Sharp says. “There was literally nothing they didn’t let us film. We shot thousands of hours of footage and then spent two years in the editing room trying to figure out what movie we were going to make.

The film follows Wine as he steps up his campaign against Museveni, culminating in his running for president himself in the January 2021 election. Along the way, he and his supporters from his National Unity Platform party, part of what Wine dubbed the “People Power” movement, have been subject to repeated arrests and assaults. A police and military crackdown on anti-government protests left dozens dead.

Central to the film’s story is Wine’s relationship with his wife Barbie and their children. “We obviously wanted to give Barbie and the kids as much space as possible. We didn’t want it to be just some kind of political drama about another despot. We wanted it to be a lot more personal,” says Sharp.

Bobi Wine escapes police in Kampala, Uganda

Courtesy of Bobi Wine: Ghetto President

This decision meant that the documentary was less impactful than it could have been.

“When Bobi saw the movie, he said, ‘You made it not so bad. There’s so little violence in it,'” Sharp says. tongue cut out, eyes gouged out, battered. And in the end, we made the decision to really tell the story through Bobi and Barbie and the people around them. We thought it would be more impactful, but it doesn’t nothing to show how brutality [the regime is] and how many bad things happen to many people around [Bobi and Barbie].”

Sharp pays tribute to Bwayo, who he says was “incredible” and “put himself in great danger”. But Bwayo prefers to express his gratitude for the opportunity to tell this story. “It’s been quite a journey, and I have to say it’s been a blessing to be a part of it because I believe Bobi Wine and the People Power movement came at a time when Uganda needed a voice. like his,” he said. “Bobi Wine really appeals to the majority of our population, which is to say the young people.” More than 77% of Uganda’s population is under 30 years old.

He adds: “The people [overall] has been oppressed for a long time. They felt like they had no voice or place in politics; [the country is] economically divided, right now. They feel that, yes, he speaks for them and defends them.

Although Bwayo feels an affinity for Wine and his wife “I learned that, yes, it’s actually a story worth telling, and I fell in love with Bobi and Barbie, and their story,” he says – he held himself distance from the campaign itself, although that did not save him from paying a price for his association with them.

“From the start, of course, it was a very conscious decision not to become an activist myself, or to become a story myself,” he says. “But that said, actually, things happened to me myself. I mean, I’m in Los Angeles right now. I can no longer live in Uganda because of this film. Not in a bad way. I appreciate being part of this film, and it’s a sacrifice and a very conscious decision that I made. Because change is not easy. You have to make sacrifices and to be honest, if you want to be a vehicle [for change]if you want to be involved in change… of course you can’t be reckless, but you have to put your life on the line or [put yourself] in these situations to bring about change in places like Africa and Uganda.

The explicit threats against Bwayo were “multiple”, he says, but he was also physically assaulted and detained. He and his wife are seeking asylum in the United States. “We could no longer live in Uganda. I was shot in the face; I was arrested; I’ve been locked up for a few days. I was followed, intimidated.

Bobi and Barbie in “Bobi Wine: Ghetto President”

Courtesy of Bobi Wine: Ghetto President

However, he considers himself lucky as no footage has been released so far. “Fortunately, when we were making this film, we didn’t release anything [online or on television]. So that really kept me safe, because the regime didn’t really see anything out there.

However, ‘safe’ in Uganda is a relative term. He adds: “Journalists and anyone in Uganda who works to expose the regime, you are a direct threat to the establishment. As such, they are subject to intimidation and attacks. “I mean, I got shot in the face myself. Without the camera I held in front of me, I probably would have lost my eye. Just here [he points to a scar]. My jaw would be broken, or… I don’t know. He was shot on November 6, 2020 and was arrested around the end of February, beginning of March 2020, he adds. “Moses and Bobi and all those guys are just off the brave scale,” Sharp says.

Bwayo says he was lucky enough to leave the project but chose to continue. “More and more I recognized that as a Ugandan I needed to say something, and I needed to be part of this time. Bobi represents a revolution, right?

It refers to the “lawlessness of the state” and the willingness of the military to shoot people who dare to protest in the streets, as they did when Wine was arrested on November 18, 2019.” People lost their lives [including] women, children, people who weren’t really in the streets to demonstrate. So the repression is really at a point where you choose to either… it’s do or die, you know?

Bwayo took great pains to get the footage out of the country, sending Sharp a disc every two weeks via friends. “I would have several [memory] cards during filming, and I would keep them in places where they wouldn’t find them. And at the beginning, I never kept the images with me. I would give it to other people, and people would come around to bring it to Chris. And internet in Uganda is terrible so it was very difficult to send it via internet. There was also bullying, so even people I knew avoided me, so there were very few people around me that you could trust.

Sharp traveled in and out of Uganda himself and handled all filming outside the country, including Wine’s trips to Paris, Berlin and New York.

As mentioned earlier, at the heart of the film is the love story between Wine and his wife, but this was not planned when filming began. “He came out of the editing room to be honest. We really didn’t want to settle for a political struggle: that kind of brave guy who stands up to the dictator,” Sharp says. “And when we started going through the rushes and organizing them, we realized that the most interesting story was their love story, and seeing the pain through them, rather than showing people who made themselves cut off the fingers. And it was so much more poignant. The big goal for me and Moses is that we just wanted people to realize what’s really going on.

In January 2021, Ugandan election officials declared Museveni the winner of the presidential contest with 59% of the vote and Wine with 35%, although Wine alleges widespread voter fraud took place.

Sharp also alleges that the election was fraudulent. “The Americans were unable to send observers, nor the European Union. All the journalists came. They said, ‘It’s fraudulent. This guy has been robbed, the people of Uganda have been robbed,” he said.

Western leaders’ response to the crackdown has been muted, and the United States and the European Union continue to give millions of dollars in aid to the Ugandan government. Where that money ends up is a moot point. The fact that Museveni sent thousands of troops to Somalia has positioned him as a potential Western ally in the region, which may influence how seriously they challenge his brutal behavior at home.

The army is key to Museveni’s grip on power, Bwayo says. “The army is like a tool for [Museveni] to protect himself against the people, and the longer he entrenches himself in power, the longer he becomes a problem for the region, for the world itself,” he says.

“So I hope people will see that this government is not trustworthy. For a long time, he has been saying things and promising things that don’t happen. Uganda is not a democracy. It is a fake democracy. They organize elections, not for elections to take place, but just to show the world that there is a democracy, but it is nothing like that.

“Bobi feels the West has let him down because he’s pro-democracy, doing everything right,” Sharp says. “And he really thought the West would support him. And they didn’t. He’s an optimistic guy, so he pulls himself together. But it was a big disappointment for [Bobi and Barbie], because he thought people would love to have a democratic process, and he thought it would matter. And it didn’t, and it was hard for him.

He adds, “When Bobi saw the movie, he said, ‘You made him so sad.’ [I replied:] ‘Bobi, it’s sad. You won the election and you were robbed. All of your friends have been locked up in military custody for six months. Many of your friends have died, suffered and it’s sad. We can’t shoot it any other way. We just have to tell it like it is. You stay up and carry on, but we can’t make it a happy ending, because it’s not a happy ending.

RadioBOLD Music Festival – Livin’ on the Edge – at Mohegan Sun Pocono on September 10


PLAINS TWP. – An all-day End of Summer Musical Celebration and Ultimate Tribute Night will take place on Saturday, September 10 at Mohegan Sun Pocono.

RadioBOLD Music Festival – Livin’ On The Edge – is a free, one-day music concert featuring Radio Flashback, the Idol Kings, Dustin Douglas & the Electric Gentlemen and more.

This music festival will be held at the Mohegan Sun Pocono Outdoor Concert Hall.

“Mohegan Sun Pocono is thrilled to host this late summer charity music festival with our long-time partners, RadioBOLD Media Group,” said David Parfrey, Vice President of Marketing, Mohegan Sun Pocono. “RadioBOLD Music Fest will be an all-day music festival with prizes, activities, food, drink and amazing rock music from the 60s, 70s and 80s live from our outdoor concert hall. It’s hard to beat that.

In partnership with Mohegan Sun Pocono, BluElefante and the Bold Gold Media Group family of local radio stations, the RadioBOLD Music Festival is a listener appreciation event to celebrate the 10th anniversary of Bold Gold’s award-winning RadioBOLD mobile app.

The one-day music event is free and open to everyone 21 and over, and will include food, fun, drink specials, prizes, contests, magic, surprises and some of the greatest music never broadcast on the radio waves.

A portion of the proceeds raised from the event will go to local NEPA charities: Women’s Resource Center and Here For A Reason.

Contact Bill O’Boyle at 570-991-6118 or on Twitter @TLBillOBoyle. —

New York’s Oldest Jazz Jazzmobiles SUMMERFEST 2022 Series Concludes Season


As part of its ongoing SUMMERFEST 2022 series, Jazzmobile, New York’s oldest jazz education/performance organization, in association with the City Parks Foundation.

Presents the Charlie Parker Festival, featuring Dallas-born, Grammy-nominated singer Jazzmeia Horn and her Noble Force at Marcus Garvey Park on Friday, August 26, 2022 at 7 p.m.

Opening for Ms. Horn will be Brooklyn tap dancer/DJ/educator Calvin Booker and Friends.

Winner of the Sarah Vaughan International Jazz Vocal Competition and Thelonious Monk Institute International Jazz Competition in 2013 and 2015, Horn burst onto the jazz scene by combining the bebop vocal fluidity of Betty Carter and the elegant phrasing of Sarah Vaughan in her own distinct voice. .

Horn has worked with an impressive number of jazz stars, including Wynton Marsalis, Wycliffe Gordon and James Morrison.

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His three recordings as a leader include A social call, Love and Liberation, and Dear lovewhich featured the debut of Noble Force, his 15-piece big band.

Recipient of an NAACP Image Award, Horn published his first book, Strive from within: the Jazzmeia Horn approach in 2020.

A professional tap dancer since the age of seven, Calvin Booker is an alumnus of the famed Fiorello LaGuardia High School Music & Art and the Performing Arts.

He attended SUNY Purchase University and was an original member of Brooklyn’s Creative Outlet: Dance Theater and the tap group The Young Hoofers.

Booker has performed throughout New York City, including the Apollo Theater, Lincoln Center, and Symphony Space, and has taught in Russia, Italy, London, and St. Maarten, WI. A member of Arts-in-Education NYC and the Brooklyn Arts Council, Booker starred in the Broadway hit, “FELA,” and is currently an instructor at Global Dance NYC.

Other Jazzmobile SUMMERFEST 2022 concerts this week at Grant’s Tomb at Riverside Drive and West 122nd St. include Harlem singer, guitarist and songwriter Allan Harris and his quartet on Wednesday, August 24, 2022 at 7 p.m., and multiple Grammy nominee , Latin drummer/percussionist/bandleader/jazz educator Bobby Sanabria and his Multiverse Big Band will perform on Wednesday, August 31, 2022, also at 7:00 p.m.

Jazzmobile’s 58th annual Summerfest 2022 series, New York’s longest continuous jazz festival, features free concerts across New York’s five boroughs, featuring nearly thirty jazz stars and emerging talent from July 6 through August 31, 2022.

Founded in 1964 by the National Endowment for the Arts Jazz Master, pianist, Dr. Billy Taylor, and philanthropist and arts administrator, Ms. Daphne Arnstein, along with NEA Jazz Master, Jimmy Heath, Jazzmobile is America’s premier arts and culture organization non-profit. organization created just for jazz through performances, workshops, masterclasses, lecture demonstrations and artistic enrichment programs.

For more information, please visit www.Jazzmobile.org.

Photo credit: 1) Jazzmeia Horn. 2) Allan Harris. 3) Bobby Sanabria.

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Demi Lovato suggests she wants to have kids after confirming her relationship with musician Jutes


A few days after releasing her eighth studio album, Demi Lovato said she wants to start a family on August 22.

In an interview with Entertainment Tonight, Lovato shared some accomplishments about her life and her music-making process.

A few days after celebrating her 30th birthday, the “29” singer was thrilled to be authentic herself, saying, “It feels so good to be completely authentic in what makes me happy, to perform and sing, and I I’m just really, really excited about it.”

Her latest studio album “Holy Fvck” shows a side of Lovato that she has always wanted to show fans and audiences. “Holy Fvck” presents such a contrast to his previous album “Dancing with the Devil… the Art of Starting Over”, released the year before.

“I went back to my roots and I don’t perform in leotards and stilettos anymore, you know, I try to be someone that I thought people wanted from me,” she told AND.

“Now I can just be myself — my genuine, authentic self — and perform the songs that I want to perform.”

READ MORE: Harry Styles, the ‘new King of Pop’: Fans fume over new magazine cover title

A new and real Lovato

Turning 30 and releasing an album that speaks to her soul, Lovato has reflected on her 20s and the possibilities of her future now that she’s learned to kiss herself.

“I really understood who I was […] “I say that a lot, every time I get older, but it’s like I’ve never felt so confident and grounded,” the ‘Cool For The Summer’ singer said.

Asked about her to-do list, she says it’s no longer things like jumping out of a plane – which she’s done before – but more about family, “Things like having a family are really important. for me […] It is the stuff of life.”

Self love and acceptance

Lovato has struggled with her mental health and substance use, taking trips to rehab in the past. But it looks like she’s finally on the road to recovery.

“I’ve been through a lot, you know, and I’m really proud of myself. And sometimes I look in the mirror and just say, ‘I’m so proud of you. You’re doing great, and I love you,’” she said.

In addition to a new album, Lovato also has a new beau. She was spotted celebrating her 30th birthday with Jute$, a day after confirming their relationship.

Back in May, Lovato spoke about becoming a parent: “I don’t know. I really wanted this, and then, as I’m approaching my thirties without children, it’s kind of nice. I have maternal instincts, I love my animals, and I really thought that one day I would like to be a parent.”

Perhaps Lovato’s change of heart could be attributed to her newfound love interest. Jute$, or Jordan Lutes, a Canadian musician, also helped Lovato with the music. He co-wrote “Substance” with Lovato, a song about his struggle with addiction.

She dedicated “4 EVER 4 ME” to Jute$ and he also seems to be in love with the singer as well as he called himself the “luckiest schmuck in the world”.

READ ALSO: Biggie Smalls’ Daughter T’yanna Wallace Posts $1 Million Bail For Boyfriend, 3-Person Hit And Run [Details + Video]

© 2015 MusicTimes.com All rights reserved. Do not reproduce without permission.

The Porcupine Mountains Music Festival returns this month after a 3-year hiatus


ONTONAGON, MICH. — After a three-year hiatus, the Porcupine Mountains Music Festival returns to Michigan’s remote Porcupine Mountains Wilderness State Park.

The beloved outdoor music festival is known for showcasing a variety of musical styles, including Americana, bluegrass, folk, R&B, rock, blues, world music and more. Now in its 16th year, the festival will take place at the park’s winter sports complex this weekend, August 26-27.

“The downtime has been very difficult for us,” festival director Chery Sundberg said in a statement. “The last three years have given us time to examine our own personal commitments to the festival, consider its future and make the necessary adjustments to help us come back fresh and strong, with the demand for live music now stronger. than ever.”

The festival made state history in 2005 when it became the first music festival held in a Michigan state park. It is presented by Friends of the Porkies, a non-profit organization that supports and promotes the state park, and is also supported by the Michigan Arts and Culture Council.

Tickets are $95 for a two-day pass; daily passes are available at the door for $50. Tickets for children ages 7 to 12 are $10 for a two-day or one-day pass, and children under 6 are admitted free. The festival will take place rain or shine. A State Park Recreation Passport is required for entry. Park employees will be selling passports near the festival entrance.

At 60,000 acres, Porcupine Mountains Wilderness State Park is Michigan’s largest state park, home to more than 40 miles of Lake Superior shoreline and the largest expanse of pristine hardwood maple and pine forest. Midwestern hemlocks.

For more information and to find out about the festival’s program and line-up, go to PorkiesFestival.org. To learn more about Porcupine Mountains Wilderness State Park, visit Michigan.gov/Porkies and to find more information about Friends of the Porkies, visit Porkies.org.


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Cologne Jazzweek 2022 – London Jazz News


Cologne Jazz Week 2022

(Various locations August 13-20. Reporting by Tony Dudley-Evans)

The ‘Bassmasse’ (massive bass) celebrating Dieter Manderscheid in the WDR concert hall. Photo credit: Niclas Weber


The Cologne Jazzweek, which is only in its second year of existence, offers a model of a successful urban jazz festival. Rather than focusing on the big names, the festival, under the artistic direction of a team led by trombonist Janning Trumann, has a healthy mix of local, national and international artists, and brings together no less than fourteen venues across the city. There are young artists, groups from other countries through the NICA exchange program, and also an artist in residence.

This report only covers the period I was there, from Tuesday August 16th to Friday August 19th. The overall impression is of a scene in Cologne with excellent venues well supported by audiences of all ages and with a healthy gender balance. The Stadtgarten is a great venue with a café that looked busy all day and three well-appointed spaces, the main Saal seated, Jaki the standing club and the Green Room, the outdoor venue surrounded by tall trees and with a retractable roof that works a lot faster than that of Wimbledon tennis. The Loft is another beautiful room, located at the top of very steep stairs and with a capacity of around 100 people. Two concerts took place in the more formal setting of WDR’s very comfortable concert hall, the Klaus-von-Bismarck Saal. The festival also used other venues, including the more traditional jazz club, King Georg (pronounced GAY-ork).

It is clear from the large crowds in all the venues visited that the festival plays an important role in bringing clubs back and helping to increase attendance throughout the year after the summer festival.


The Loft program

Drummer Savannah Harris appeared in three concerts as informal artist-in-residence; two of them were in The Loft. She recognizes a strong influence from Tony Williams, and her trio with the pianist Mike King and bassist Or Barket playing in The Loft inhabited the jazz territory of the Blue Note label of the late 1960s, adventurous but not avant-garde. Harris left plenty of space for King and Bareket, but overall it was a well-integrated trio.

Or Bareket and Savannah Harris at the Loft. Photo credit: Niclas Weber

In trio with the saxophonist from Cologne Angelique Niescer and cellist Tomeka Reid, Savannah Harris responded more openly to Niescer’s complex compositions and powerful solo. It was another excellent trio performance with Reid as always creating rhythmically dense melodic lines on the cello. Harris also appeared in the Stadtgarten Saal in Drums Projekt by Petter Eldh but it was outside the period of the visit.

Cologne-based singer Anette von Eichel presented a sophisticated program of songs by her Inland tide album, but left plenty of space for his excellent band with Sebastian Sternal at the piano, Henning Sievert on the double bass and Jonas Burgwinkel to the battery.

The Klaus von Bismark Saal at WDR

Anthony Braxton. Photo credit: Niclas Weber

Anthony Braxton appeared with his Lorraine trio with Susana Santos Silva on the trumpet and Adam Matlock on the accordion. The group interacts normally with the SuperCollider program, but it didn’t seem to work. The focus was therefore on Braxton’s compositions for the trio; there were quite a few, always dramatically signaled by Braxton, and which resulted in passages of free improvisation in which Santos Silva and Matlock excelled. The overall sound and approach was that of contemporary classical music, and there were post-concert discussions with colleagues about the validity of jazz critics reviewing this music.

This was followed by the amazing Bassmass for 23 double basses and two wind players. This one was composed and conducted from the bass by Sebastien Grams, and bassist based in Cologne Dieter Manderscheid. Manderscheid retired earlier this year as a bass teacher at the Hochschule für Musik und Tanz Köln (Cologne University of Music). For a time he headed the jazz department there and he is an absolutely essential and universally respected figure in the musical life of Cologne. This special and unique concert in his honor was a good way to celebrate his legacy: the official role of bass teacher at the university has just passed to the most illustrious of its huge legion of alumni, the bassist Robert Landfermanwho was born a few kilometers south of Cologne, trained as a musician in the city and recently taught in Mannheim.

The Stadtgarten Program

In the two smaller rooms of the Stadtgarten, Jaki and The Green Room, the highlights were provided by the NICA exchange program. The NICA program is named after Baroness Nica (Pannonica de Koenigswarter), the mentor of many bop generation actors, including Thelonious Monk. It offers career advice and playing opportunities to selected players from Cologne and the region, and in the Cologne Jazzweek presents a number of groups from partner organizations across Europe – unfortunately without a group from the UK This year.

Sun Mi Hong. Photo credit: Niclas Weber

At Jaki, the Stadtgarten stand-up, the Sun Mi Hong Quintet led by a Korean drummer based in Amsterdam, participating in the NICA exchange program, impressed a large young and enthusiastic audience with its dynamism and energy, combining elements of free jazz with more traditional approaches.

Outside in The Green Room was another group from the NICA Exchange program, the Amalia Umeda Quartet led by the Polish violinist, played an ensemble that incorporated elements of folk music into their overall sound. The Trio Charley-Rose de France featured Rose on saxophone, often using pedals to manipulate sound; Overall, this set didn’t seem to sit well (already reviewed here).

The last set of the week at Jaki featured a new band led by an American drummer but based in Berlin jim black called Jim Black and the prawns (not part of the NICA program). Again, a large standing audience reacted very positively, even screaming during the solos, to the intricate rhythms created by Black and the bassist. Felix Henkelhausenand the high-energy lines played by the front line of the double saxophone, Asger Nissen on the alto, and Julius Gawlik to tenor.

In the great hall, the Saal, saxophonist Isaiah Collier and the chosen ones featured spiritual jazz-focused music clearly inspired by Coltrane’s A Love Supreme. There were a lot of exciting bits, and some great solos from the whole band (Jordan Williams, piano, Jeremy Hunt, bass and Ode of Shekwoagadrums) but the set lacked shadow and light.

Cologne Jazzweek has a really well-thought-out formula, has the community of local musicians and the year-round venues they perform at its heart, and is definitely a festival to watch.

Tony Dudley-Evans was a guest at Cologne Jazz Week

LINK: Cologne Jazzweek website

Chelsea Transfer News Roundup: Blues take on Manchester United for Brentford striker; Barcelona end pursuit of Marcos Alonso, and more


Chelsea stumbled to a 3-0 loss to Leeds United at Elland Road on Sunday in the Premier League. The loss ended coach Thomas Tuchel’s unbeaten start to the new league season.

Meanwhile, the Blues are battling Manchester United for the signing of a striker from Brentford. Elsewhere, Barcelona have ended their pursuit of Blues full-back Marcos Alonso.

On that note, here’s a rundown of Chelsea’s top transfer stories as of August 21, 2022:

Chelsea beat Manchester United for Ivan Toney

Ivan Toney has admirers at Stamford Bridge.
Ivan Toney has admirers at Stamford Bridge.

Chelsea are locked in a battle with Manchester United over Ivan Toney, according to The mirror.

The Blues are eager to bring in a new No. 9 this summer and are hot on the heels of Pierre-Emerick Aubameyang. However, the club are also keeping a close eye on Toney, who has been very impressive for Brentford recently.

The Englishman has 49 goals in 92 games for the Bees, including two goals in three games this season. The Red Devils are interested in the 26-year-old as they look to strengthen their attack. However, the Old Trafford outfit could face competition from the Blues for the signing of Toney this summer.

Barcelona end pursuit of Marcos Alonso

Marcos Alonso is unlikely to move to Camp Nou this summer.
Marcos Alonso is unlikely to move to Camp Nou this summer.

Barcelona have ended their pursuit of Marcos Alonso, according to reputable journalist David Ornstein.

The Blaugrana were eager to secure the signing of Chelsea full-back as Jordi Alba’s replacement. Alonso has dropped the pecking order at Stamford Bridge since Marc Cucurella’s arrival.

As @FabrizioRomano reports, Barcelona’s interest in Marcos Alonso appears to have cooled + #FCBarcelona still have issues to work out registering existing players, let alone new ones. They want cash, so it seems it comes down to whether clubs can agree a fee on that basis.

The player wants to go in search of regular football and has been linked with a move to Camp Nou all summer. However, it now looks like the La Liga giants have dropped their plans to sign the Spaniard. Barcelona are focused on registering some of their new arrivals and he is unlikely to return for Alonso this summer.

Thomas Tuchel admits striker curse at Stamford Bridge

Thomas Tuchel has spoken out about the striker’s curse at Chelsea. The Blues have seen most of their No.9s struggle over the past two decades.

Romelu Lukaku and Timo Werner are the latest casualties, with both players allowed to leave this summer with the former on loan. The London giants are now scrambling to bring in Pierre-Emerick Aubameyang to lead their line.

Speaking to the press, Tuchel said the club shouldn’t frustrate their next striker:

“That’s a very good question, and I find it difficult to give a straight answer. But we have to make sure it’s not a self-fulfilling prophecy that we create for ourselves. I was ready to improve the situation with Romelu. I was ready to give him new thoughts, new energy. But that was not to be the case. We had a difficult, disappointing year in this relationship with Romelu,” said Tuchel.

He added:

“We expected more; he expected more, and I expected more of myself. Alright, let’s start again. But, still, we shouldn’t create our own self-fulfilling prophecy that the next striker won’t succeed. And, of course, it’s up to me to create an environment and a team that creates enough chances for a striker to finally have the final touch and score!”

Chelsea will face Leicester City in the Premier League on Saturday August 27.

Paul Merson predicted Manchester United v Liverpool and other PL GW3 fixtures! Click here

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Finnish musician Olavi Uusivirta denies any connection with Prime Minister Sanna Marin


The Finnish musician filmed dancing up close with married Finnish Prime Minister Sanna Marin has come out publicly to deny having an affair with the leader.

Olavi Uusivirta made the announcement on Instagram on Friday, saying the two are just friends and writing in Finnish that “nothing inappropriate happened”. The Fin, 28, said he would not comment further on the matter.

“There has been speculation in the public about the quality of the relationship between me and Prime Minister Sanna Marin,” Uusivirta wrote. “Hand on heart, I can just say it like it is: we’re friends and nothing inappropriate has happened.”

A video of the duo surfaced online Friday, showing Marin, 36, dancing closely with Uusivirta as she beamed with music playing in the background. At one point, Uusivirta appeared to whisper something to the chef or, as some Finnish media suggested, kiss him.

The clip, which clearly shows Marin with Uusivirta despite being secretly recorded in a dark nightclub, was just over a minute long. This is the latest video to emerge in recent weeks that shows Marin enjoying Helsinki nightlife with celebrities from the Nordic nation.

Those videos led some of Marin’s voters to pressure the leader, now sometimes dubbed the “party’s PM”, to take a drug test on Friday. The leader said she did so as a sign of good faith towards her critics.

“I didn’t do anything illegal,” Marin said in Finnish, the BBC reported. “Even in my teens, I didn’t use any kind of drugs.”

To support Marin, hundreds of Finnish women have started posting videos of themselves dancing and partying on social media using the hashtag #solidaritywithsanna.

Although Marin has dismissed claims that she used drugs in the nightclub, she has not made a public statement about her relationship with Uusivirta, who posted a photo of himself with Marin on Instagram last week but removed it on Saturday.

Dianne Reeves to headline second free Jazz & Roots Music Festival at Kean University



One of jazz’s greatest living singers, Dianne Reeves, will headline the second annual Jazz & Roots Music Festival, to be held on the lawn outside Kean University’s Enlow Hall in Hillside , September 24 from 4 p.m. to 8 p.m.

Other artists at the free festival will include the Kean University Jazz Ensemble, Blues People (with Mike Griot, Kelton Cooper, Victor Burks and Gene Lake), Big Fun(k) by Don Braden and Karl Latham, and Judah Tribe with Josh David.

Attendees are encouraged to bring lawn chairs or blankets, and can bring their own food and drink or frequent food trucks that will be close at hand.

The rain date will be September 25 from 2 p.m. to 6 p.m.

Last year’s festival featured The Dizzy Gillespie Afro-Latin Experience, jazz guitarist Dave Stryker (who spent much of this summer opening for a Steely Dan tour) and others. .

For more information, visit kean.edu/jazz-roots.

Kean also announced six shows in his 2022-23 Kean Stage series: Mandy Gonzalez and Javier Muñoz, Oct. 15 at Enlow Recital Hall; Chanticleer, Dec. 3 at Enlow Recital Hall; José Feliciano, December 18 at the Wilkins Theatre; Step Afrika!, January 22 at the Wilkins Theatre; Canadian Brass, Jan. 28 at Enlow Recital Hall; and The Kingdom Choir, March 11 at Enlow Recital Hall. Visit keanstage.com.

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Alexander Zonjic’s Shoreline Jazz Festival returns


MUSKEGON, MICH. (WXYZ) – Alexander Zonjic’s 7th Annual Shoreline Jazz Festival returns to Muskegon at lakeside Heritage Landing after a two-year hiatus due to Covid. From Friday, August 26 through Sunday, August 28, the popular music festival will feature three days of the best contemporary jazz, funk, and soul music in America.

Headliners at this year’s festival include Grammy-nominated jazz/soul singer-songwriter MAYSA; Multi-platinum, Grammy-nominated saxophonist and flautist with six #1 albums, NAJEE; master pianist, visionary, writer, producer and leader of the legendary band, Dream Pieces, James Lloyd; and world-class flautist, artistic director and radio personality, Alexander Zonjic and his band.

Other stars of the line-up are Lindsey Webster, a silky-voiced jazz/soul singer and the first singer since Sade to hit No. 1 on Billboard’s smooth jazz chart; Eric Darius, internationally acclaimed elite jazz/R&B/pop saxophonist, songwriter, producer and performer with multiple #1 hits; accomplished artist, producer and live performer with 17 Billboard charting singles, Lin Rountree; one of the top live bands based in Central Michigan, igniting the stages since their 2008 debut, 496 WEST; and infusing elements of funk, gospel, blues, prog rock, and Latin beats into a solid foundation of jazz, Organissimo.

In a unique addition to this year’s festival, Alexander Zonjic and his band will perform with the West Michigan Symphony, led by arranger and conductor Terry Herald, for a Zonjic Dating Motown program featuring Serieux and their Motown Temptations Review on Friday, August 26 at Heritage Landing.

Zonjic pointed out that the festival is a great summer day trip. Heritage Landing is a beautifully landscaped park on the scenic shores of Lake Michigan and Lake Muskegon, right in downtown Muskegon. The popular vacation area is a short drive from Detroit, Toledo, Chicago, Milwaukee, Grand Rapids, Traverse City, Kalamazoo, Lansing, Saginaw, Bay City, Ann Arbor, Jackson, Battle Creek and Flint as well as others regions.

The full Shoreline Jazz Festival lineup is as follows:

friday august 26

Doors open at 5:30 p.m., performance at 7 p.m.

Alexander Zonjic & Friends – Zonjic Meets Motown with the West Michigan Symphony, featuring arranger/conductor Terry Herald and Serieux performing a Motown Temptations Review.

Saturday August 27

Doors open at 11:30 a.m.

1:30 p.m. – 2:30 p.m. – 496 West

3:00 p.m. – 4:15 p.m. – Lindsey Webster

4:45 p.m. – 6 p.m. – Alexander Zonjic & Friends with James Lloyd

6:30 p.m. – 8 p.m. Maysa and Band

Sunday August 28

Doors open at 11:30 a.m.

1:30 p.m. – 2:30 p.m. – Organissimo

3 p.m. – 4:15 p.m. – Eric Darius

4:45 p.m. – 6 p.m. – Lin Rountree

6:30 p.m. – 8 p.m. – NAJEE

Ticket details and information

Bring your own lawn chair.

Food vendors will be on site

The event takes place rain or shine, bring an umbrella

Composition subject to change.

Friday general admission is $25

Saturday general admission is $45

Sunday general admission is $45

For more information, visit www.shorelinejazzfestival.com

Blues Brothers fans pack Joliet Old Jail for first annual convention


Thousands of Blues Brothers fans converged on the Old Jail in Joliet on Friday night for the first annual Blues Brothers Con.

Dan Aykroyd and Jim Belushi – replacing his late brother John – will perform as the Blues Brothers to kick off the festival.

“It’s not great when you break your parole and have to come back, but I have to say being able to go back is great!” said Logan Halliburton, in character Jake Blues. He traveled from Orlando, Florida to attend the event.

“I think it’s beautiful that music is kept alive in this way through film and culture,” Halliburton added.


“I first saw the movie when I was 5. I got all the collectibles. VHS, DVD, CD,” said fellow superfam Justin Applebaum, who was dressed as Ellwood and even owns a disused police car, similar to the Blues. Mobile.

The event continues Saturday with blues performances starting at 10:30 a.m. in the prison yard. The festival will be crowned by a public screening of the film Blues Brothers at 8:30 p.m.

It’s free to the public.

Actor-musician Charles Esten to perform at The Coves Amphitheater in September


ROANOKE, Va. (WDBJ) – When singer-songwriter Charles Esten isn’t on stage entertaining audiences, he plays evil father Ward Cameron on the Netflix hit, “Outer Banks.”

“We’ve almost finished season three and it’s been a crazy, wild ride. It’s been so much fun. This show is such a blessing,” says Esten.

A blessing and a big change from his previous starring role as country singer Deacon Claybourne on “Nashville” television.

Esten had a good laugh when WDBJ7 asked if bad guy Ward Cameron would ever get into a country song on “Outer Banks.”

“I have a pretty vivid imagination. I can think of many things, and how they would work. I can’t think of how Ward would sit down and get on the guitar and play a sweet, sentimental tune about how much he despises the Pogues. It would be tricky,” he said.

Ward won’t sing, but Esten will.

He’s excited to be back on tour, with a return to The Coves Amphitheater at Union Hall on Saturday, September 10.

“I’m the lucky guy who can go play my music when we have a minute. It won’t be long after we return. I’m going to Smith Mountain Lake and I’m so excited,” Esten says.

Virginia has a special place in his heart, ever since he moved to Alexandria as a child and spent time with his grandfather in Buchanan.

Her love for her grandfather is evident in her music, especially in songs like “Do You Good”.

“So that’s why I like to play in kind of a mountainous area of ​​Virginia. He was born near Roanoke in Buchanan. He wasn’t born there. He grew up in Buchanan when he was older and there’s still a family home up there on the hill, so it all means a lot to me and has inspired me a lot over the years,” says Esten.

Speaking of family, his wife, Patty, works alongside him.

“She has become a fan favorite for sure. People see her on the side of the stage or walking around and know her through our live streams and social media and that also makes me very happy. I follow her biggest fan,” says Esten.

The couple also share a labor of love, supporting the Leukemia & Lymphoma Society.

“We have a daughter who, when she was two and a half, was diagnosed with leukemia, so together we dedicated ourselves to the Leukemia and Lymphoma Society and their Light the Night campaign, and we are getting closer to 10 years, I think with that,” Esten explains.

Whether it’s his philanthropy, his TV show, or his music, Esten is a busy guy.

One of his new songs is “Worst Day”, is a duet with singer Julia Cole.

When it comes to his live shows, Esten likes to keep it impromptu and in the moment.

“If I’m in a moment and there’s a vibe, because I don’t know what the public is going to bring in at any given moment and they bring – it’s a partnership. It’s a team that back and forth between us. That’s the beauty of this particular place. Believe me, it will be professional. It won’t just be like sitting around a campfire. But it will be a bit like sitting around a campfire,” he says.

Once again, Esten’s show will take place at The Coves Amphitheater at Union Hall near Smith Mountain Lake on September 10 at 7 p.m.

Click here for a link to purchase tickets.

Fans will also be thrilled to hear that Esten has a new album coming.

He says it will go into pre-production in September.

Dolores Music Festival will feature 13 bands on two stages – The Journal


Local reggae band Niceness, fronted by lead singer Koral Delatierra, will perform at iamMusicFestival in Dolores on August 26-27.

IamMusicFest organizes two days of music

A new music festival will take place in Dolores on August 26 and 27.

The IamMusicFest features 13 bands alternating between two stages.

Evening shows will take place on a lot next to Kokopelli Bike and Board and on the outdoor stage at the Dolores River Brewery across Central Street.

On Friday, the lineup is made up of Lavalanche, Tone Dog, DJ Panacea, Haro in the Dark, Niceness and Hello Dollface.

On Saturdays, performances are given by Bentley Monk, Loki Moon, Cousin Curtiss, Sean Farley, Baracutango, Liver Down the River and Elder Grown, with Sam Kelly of Dolores on saxophone.

IamMusicFest, based in Durango, began eight years ago to promote live music and music education for young people, said director Jesse Ogle.

“We’re branching out into local towns, providing opportunities for professional musicians and artists,” he said. “We like to stay creative and not do the same thing every year.”

So far this year, they have organized eight regional music festivals. Last year, they hosted 12 artists’ concerts and galas.

A portion of the proceeds goes to music programs and workshops at local schools, Ogle said. The Dolores Festival will benefit Dolores Schools music programs.

The organization holds regular concert series in Durango and has recently expanded its events to Mancos, Silverton and now Dolores.

IamMusicFest events typically feature the world of artistic expression, which may include artwork, dancers, comedians, circus acts, and poets, although the Dolores event does not include this aspect.

At Dolores shows, audiences will appreciate the variety of musical genres the festival brings, Ogle said, and there are some hidden gems.

“It’s a chance for people to be exposed to new music that they might not have heard, it’s a great chance for that,” he said.

Styles include blues, soul, reggae, singer-songwriter, electronic dance music, funk, and Americana.

Tickets are $15 on Friday and $20 on Saturday. A two-day pass costs $30.

Visit iammusicfest.us for more information, tickets and to volunteer.

How the LeBron James extension affects Jazz in 2022-23


LeBron James signed a whopping, two-year, $97.1 million contract on Wednesday that will keep the future Hall of Famer with the Los Angeles Lakers through 2024-25 (player option). It’s an incredible contract when you consider that James will be 40 in 2024, but if anyone can maintain an elite level of play at that age, it will be him.

Now, there will be ramifications of the James deal felt around the league, and there may not be a team that feels it more than the Utah Jazz.

First, the odds of Cleveland Cavalier shooting guard Collin Sexton being acquired by the Jazz via sign-and-trade will take a hit.

Sexton is a restricted free agent and Cleveland can match any offer on the table.

It’s still unclear if the Cavaliers think Sexton is worth the contract their young star is seeking, but closing James’ future puts Cleveland in a better position to match if they choose.

What about the likelihood of former MVP Russell Westbrook being traded to Utah as a salary dump? If you believe the rumors that James doesn’t want Westbrook signed up as a Laker in 2022-23, it could happen.

ESPN insider David McMenamin publicly states he doesn’t believe Westbrook is wanted in Los Angeles

“It’s very clear that LeBron has seen enough and has no interest in entering another year with Russ as his teammate,” McMenamin reported.

Westbrook’s future has surely been discussed at the bargaining table. A three-year commitment to James has a pre-season Westbrook trade written all over it.

If the Jazz decide to end the 2022-23 season, a deal with the Lakers makes a lot of sense.

Bojan Bogdanovic, Patrick Beverley and Malik Beasley would be the main candidates for the exchange. They have the salaries to match Westbrook’s contract, and all three are playing at a high enough level to keep the Lakers competitive this year.

Importantly, they all have expiring contracts where the Lakers could reload in next year’s free agent market. This would give James one last chance to play GM in his quest for more rings.

Westbrook would be bought out or given up by Utah, and the tank would be on.

It would come at a cost, but James will be long gone when it’s time to pay. The future capital draft would come Utah’s way, and the Jazz could cash in when it’s the Lakers’ turn to rebuild.

Keep in mind that Utah could tank with or without Donovan Mitchell on the roster. Plus, not having Sexton as an option to build around their All-Star guard would be another reason to bite the bullet in 2022-23.

Closing of these matters is coming soon, with the season only two months away.

Follow Patrick on Twitter @pbyrnesNBA.

Follow Inside The Jazz on Facebook and Twitter.

The Best Moody Blues Albums: A Buyer’s Guide


Curiously underrated to this day, The Moody Blues deserve more credit as one of rock’s foremost innovators. From 1967 to 1972, the quintet released seven studio albums which pioneered a fusion of rock’n’roll, prog-pop and classical, creating richly symphonic pieces forged using a blend of ambition and of technology.

“We broke down a lot of barriers and introduced people to new things,” founding member Ray Thomas said. classic rock in 2013. “We had Genesis and Queen standing backstage watching us, in awe of the sounds we were making.”

They were one of the first bands to use eight-track facilities and quadraphonic sound. It was a journey into the confines of experimentation, thanks in large part to the unlimited range of the Mellotron, which keyboardist Mike Pinder introduced to occasional touring partners, the Beatles.

Commercially, the group struck gold. In a career that spanned six decades, they sold over 70 million records, enjoying dozens of international hits and a concerted string of platinum albums. They were finally inducted into the Rock And Roll Hall Of Fame in 2018, the same year they decided to call it a day after Thomas died a few months earlier.

Formed in Birmingham in 1964, the Moodies signed to Decca as an R&B combo and topped the UK chart with a second single Go now !. In 1967, they had chosen the classical formation of Thomas (flute, harmonica), Pinder (keyboards), Justin Hayward (guitar), John Lodge (bass) and Graeme Edge (drums, percussion). Everyone could write and sing, resulting in diverse creativity that directly fed into the broad panorama of music.

“Each of us had a sustained level of ideas,” Pinder told us. “We listened to everything and everyone had their say. I felt like anything was possible. The release of seven albums in six years, along with a busy touring schedule at home and in the United States, inevitably took their toll.

The band went on hiatus in 1974, returning to action with the disappointing 1978 titles. Octave. But it will be the last hurray with Pinder, whose departure shortly after will spell the end of the dream team. With ex-Yesman Patrick Moraz as a replacement, they continued regardless, recording a series of random albums that grew more sporadic over the years. But by the time Thomas passed away and Edge retired in 2018, the Moodies legend was already assured.


And one to avoid…

Educator, preacher, musician and more among Connecticut’s 2022 ‘100 Colored Men’


A preacher, teaching assistant, award-winning spoken word artist and career counselor were among those celebrated as inspirational community leaders and among the 100 Men of Color for 2022.

The 9th Annual Gala honoring 100 Men of Color was held August 12 at Simsbury Meadows. Winners are nominated by people in the community. This year’s theme was the importance of giving back to others.

In an impromptu moment during the awards ceremony, UConn speaker, entrepreneur, author, and event organizer June Archer of Eleven28 Entertainment Group exemplified this concept by bringing Sam Gray, President and CEO the management of the Boys and Girls Club of Hartford. , and the young men he sponsored, at the stage. .

When the young men joined those on stage, Archer encouraged the 2022 honorees to continue doing the work they are committed to for the community, while also making sure to mentor the next generation of young black and brown men who are turning to them for advice. and support.

“Take a black and brown young man to the Men’s Warehouse, take him to K&G. If you can’t even do that, buy him a wallet, or a tie, or a bow tie, teach them how to tie it.” And I promise you, you will change his life exponentially…” Archer said.

“We need to put our young black and brown boys and black and brown girls on stage, celebrate them and give them everything they need to grow and thrive. You do the work, you all do the work. But we need to do more work. And I hate to tell you that the work is about to begin. Because sometimes what kids need is a little more…” he said.

Other awards highlights include performances by Tarishi “MIDNIGHT” Shuler and Ru-Love Williams, who are also winners of the 2022 Class of 100 Colored Men.

Here are some of the speakers, winners and star performers of the evening:

Apostle Terry L. Holmes – 2022 100 Colored Men Winner

According to his Church website, Holmes is the pastor of Triumph Church in Waterbury. In February 2011, he retired from his service as a police sergeant for the NYPD. He married his wife, Mary Kaye Holmes in October 2015 and has five children; Charity, Alissa, Tracey, Joshua and Matthew. Holmes earned a Doctor of Divinity degree from CICA International Seminary and is currently completing her bachelor’s degree in international business at Post University.

Levey Kardulis – 2022 100 Men of Color Winner

According to his social media page, Kardulis is a community leader. He was the first president of the AFSCME African American Union, Local 566, which represented Hartford public school shopkeepers, custodians and food service workers, he says. Other accomplishments include Commissioner of the Hartford Public Schools Elementary Basketball League, SAND School Basketball Coach, Youth Mentor, and more. Currently, he is a teaching assistant for the Consolidated School District of New Britain and is taking courses to become a social worker.

Tarishi “MIDNIGHT” Shuler – 2022 100 Men of Color Winner

According to his website, Shuler is an award-winning spoken word artist who has opened for celebrities and dignitaries, such as former US President Bill Clinton, Grammy-nominated neo-soul artist Dwele, Abiodun Oyewole of The Last Poets/Def Jam Comedian Talent, and actor Omari Hardwick. Awards include Yale Peabody-MLK Jr. Slam Winner in 2016 and 2017, Nuyorican Grand Slam Finalist in 2017, Brooklyn Jazz Consortium Ambassador Spoken Word in New York in 2019, and MVP Award at Lizard Lounge in 2020 in Cambridge, Massachusetts.

Ru Love Williams – 2022 100 Colored Men Winner

According to his website, Williams is a local R&B artist, who has opened for major artists, such as Ne-Yo, Slim of 112, Keyshia Cole, Trey Songz, Bobby V. and others. He is a two-time champion of the BET network’s 106 & Park television show segment, Wild-Out-Wednesdays. He hosts RU Wednesdays at the Russell in Hartford every first Wednesday night, where he performs with special guests.

Eric Holley – 2017 100 Men of Color Winner

According to the 100 Men of Color program, Holley is an experienced insurance leader with over 19 years of experience. For 14 years, he worked with Aetna on medical products, then moved to The Hartford where he owned the digital process in the group’s employee benefits. He is now a senior director at Mass Mutual, overseeing change management. He earned his bachelor’s degree in communications from Western Connecticut State University and his master’s degree in organizational communications from Central Connecticut State University.

Colin Osborn – 2022 100 Colored Men Winner

According to his LinkedIn account, Osborn is currently a career counselor at Post University. He earned his Bachelor of Fine Arts in Music Performance from Eastern Connecticut State University in 2005. Among his other accomplishments, he served as a New Britain City Councilman for two years and helped create and establish Power Muzic Radio, where the station plays “Southern Soul, Ole’ School, Adult Contemporary, Neo-Soul, Nu-R&B/Ambient, Quiet Storm and incorporates Jazz, House and Hip-Hop music. As a radio host, he is known as “DJ COLLYWOOD”.

For a full list of winners, visit: https://bit.ly/3SRE35U/

Contact Deidre Montague at [email protected]

The Sioux Mountain Music Festival concludes the Blueberry Festival with hours of entertainment


Tim Brody – Editor

The Sioux Mountain Music Festival was back in front of an audience this year and people packed into Town Beach on August 7 to listen to this year’s lineup of artists.
Sponsored by the Nishnawbe-Gamik Friendship Centre, this year’s artists were Daniel Fraser (who also hosted the event), Serena Saudino, Skin and Bones, Rico Belmore, FMJ, Turtle Rock, True North, Mike McCarl, Patty Everson , Carol Wood, Kathy Brunton and Gerri Trimble, Michelle Carter, Classic Humans, Nick Sherman and Hot Mess. Even Blueberry Festival mascot Blueberry Bert performed at the music festival, playing Mary Had a Little Lamb.
Tommy Kuzemczak is the coordinator of the Sioux Mountain Music Festival as well as the coordinator of the Sioux Lookout Multi-Cultural Youth Music Program at the Nishnawbe-Gamik Friendship Centre, which includes five of this year’s artists.
“Having the Sioux Mountain Music Festival in Town Beach was absolutely beautiful. We couldn’t have asked for a nicer day as part of the improved beach,” he said.
“It was an amazing experience to be on the beach with the new stage,” he added. “In the evening, standing on the stage looking at all the lit up areas of the beach was just breathtaking. We have a really nice beach at Sioux Lookout.
Kuzemczak said he received a lot of help for the festival: “Starting with several meetings with the Friendship Center’s Executive Director, Jennifer Thomas, as we had to sort things out for the festival. Our team worked very hard to make the festival a success. The musical performances went very well and the Friendship Center organized a barbecue and games for the children. It was a really fun day!”
“All members of the Multicultural Youth Music Program performed at their best and we had a lot of fun preparing for the event. Due to Covid-19 in winter and spring, the music program only offered online lessons. To prepare for the festival, the musical program had the bands and solo artists who wanted to play the festival in the center from the first week of July. As we all know Covid-19 is still here so the music program made sure we followed all Covid-19 protocols in the centre. The students only had five weeks to rehearse, but they did an amazing job,” Kuzemczak said.
For the past two years, the music festival has been taking place online.
Hot Mess singer McKenna Murphy said it was great to return to perform in front of a live audience at this year’s music festival: “It was a lot of fun. Playing on the new stage was really great.
She repeated, “It was really good to play, again, for the music festival. It was great to be back and see everyone’s faces again. It was really good.”
Nick Sherman, singer-songwriter from Thunder Bay, who grew up in Sioux Lookout, said of his participation in this year’s music festival, “I had a great time at this year’s music festival. . After the past two years, it was good to see everyone getting together again and enjoying a day of music together. I really enjoyed all the local acts and was really impressed with all the talent. And I appreciate all the work that has been done to make this day a success. Can not wait for next year !”
People can view a full video of this year’s Sioux Mountain Music Festival on the Nishnawbe-Gamik Friendship Center YouTube page at https://www.youtube.com/watch?v=MyO20aFy9_w.
“If there are young people who would like to join the music program, they can contact me by e-mail at [email protected] or contact me via Facebook (Tommy Kuzemczak’s Facebook page.) The fall term starts in September, so any interested youth and/or parent should contact me before September,” Kuzemczak concluded.

The Royal Canadian Mint honors jazz giant Oscar Peterson with a $1 coin


The Royal Canadian Mint pays tribute to one of the greatest musicians the world has ever seen by issuing a new $1 commemorative mintage celebrating the life and artistic legacy of Canadians oscar peterson.

Nicknamed “the man with four hands” by the great and admirer of jazz Louis Armstrong, Oscar Peterson has risen to the top of the music world with more than six decades of electrifying piano performances and unforgettable compositions such as “Hymn to Freedom”, “Blues Etude” and “The Canadiana Suite”. The piece was unveiled in front of family and friends gathered at Roy Thompson Hall in Toronto, a stage well known to the jazz giant. It began circulating on August 15, to coincide with his birthday.

“The Mint is passionate about celebrating the stories of exceptional Canadians on its coins and I am thrilled that Oscar Peterson, the first Canadian musician to be featured on a circulation coin, is being celebrated as one of jazz’s most respected artists. and most influential of all time. said Marie Lemay, President and CEO of the Royal Canadian Mint. “Mr. Peterson’s legendary music and performances have brought joy to millions of music lovers in Canada and around the world and we are proud to honor him with this coin for his outstanding contributions to music. and Canadian culture.

The Oscar Peterson Commemorative Circulation Coin was designed by artist Valentine De Landro, an accomplished comic artist, illustrator and draftsman from Ajax, Ontario. Its design features Oscar Peterson at the piano, his hands in full swing, from which emerges a flowing musical scale showing two closing bars of his famous “Hymn to Freedom”. Mr. Peterson’s name completes the design.

“Throughout Oscar’s career, he received many awards and accolades, each of which meant a great deal to him. In the fifteen years since his passing, there have been others. All humble. All a source of pride. The addition of this commemorative circulation coin of his likeness is something neither he nor I could have imagined,” said Kelly Peterson.

“Knowing that Canadians today, and for generations to come, will hold this coin and remember Oscar Peterson or be inspired to learn more about him for the first time evokes emotions that are difficult to describe. I am deeply, deeply honored. Oscar was a great pianist and composer. He was a strong defender of human rights. Above all, he has always been a proud Canadian. As his music is timeless, he will now be part of the Canadian consciousness forever.

Growing up in Little Burgundy, the neighborhood that was the hub of Montreal’s black community, Oscar Peterson was taught by his father and older sister Daisy the value of a musical education at an early age. Raised on the classics, he quickly mastered the piano and honed his craft through popular music to become one of the most acclaimed jazz musicians of all time. In a career spanning over 60 years, he has made over 400 recordings and his famous Oscar Peterson Trio has performed around the world. It won eight Grammy Awards and was inducted into Canada’s Music Hall of Fame in 1978. First nominated for Juno Awards in 1977, it won “Best Jazz Album” as The Oscar Peterson Four in 1987. He was also made a Companion of the Order of Canada by the late Ramon Hnatyshyn, Governor General of Canada.

In 1962, he composed “Hymn to Freedom”, which became an anthem of the civil rights movement of the 1960s whose musical and social influence continues to resonate today. His “Canadiana Suite” was an epic and moving tribute to the country he loved and always called home.

The impact of Oscar Peterson’s work and life story transcends generations: inspiring countless artists who have themselves become musical icons, and always attracting new generations to his music and art. . Many music schools and scholarships have been founded in his honor. Peterson died in 2007 at the age of 82.

“When I was a kid, traveling the world with my father, I remember being curious about the currency figures of each country. It was an opportunity to learn about the history of the place where I was visiting. One thing that has always been important to me is that as Canadians we take the time to explore our history – all of its aspects,” said Céline Peterson.

“Knowing that Canadians at home and all those visiting from abroad will have the opportunity to learn about a great figure in our country’s history in the palm of their hands gives me immense joy. My dad receiving this recognition from the Royal Canadian Mint is something I never thought I would imagine because to me he is and always will be a dad.

The Oscar Peterson circulation coin is limited to a mintage of three million coins, two million of which feature a purple accent, Oscar Peterson’s favorite color. It will reach Canadians throughout their currency as bank branches and businesses replenish their stocks of $1 circulation coins.

Colored and uncolored circulation coins can be purchased together as part of a Collector Keepsake six-coin set. They are packaged in a richly illustrated collector’s card that contains one coin of every coin currently in circulation, from five cents to two dollars.

Other collectibles that add to the celebration of Oscar Peterson’s legacy include special wrapping rolls of 25 one-dollar circulation coins, in colored and uncolored versions, as well as coins of 1 oz. fine silver and pure gold versions of the circulation coin design.

The various products can be ordered today by contacting the Royal Canadian Mint or online at www.mint.ca/oscarpeterson. They are also available at the Royal Canadian Mint’s Ottawa and Winnipeg boutiques, as well as through the Mint’s global network of merchants and distributors, including participating Canada Post outlets.

Listen to the best of Oscar Peterson on Apple Music and Spotify.

Pat Nevin: Exciting debut and best performance from a longtime Blue | News | Official site


Pat Nevin was on hand to see Chelsea’s first game at Stamford Bridge of 2022/23 against Tottenham Hotspur. Here he explains why our performance filled him with so much optimism, especially that of our two wingers, one new to the club and one new to the role but reaching his best form yet.

Sometimes in football you have to have a long-term view, whether you like it or not. After a thrilling 96 minutes at the weekend against Spurs, it was important to see the big picture. There were a number of Chelsea players who played at the top of their game which, to be fair, wasn’t the case against Everton the week before. This tells us that the Goodison Park exit was just rust. Already, a week later, the team is doing very well, all things considered, and that’s a great relief.

It was great to see Reece James back to his unstoppable best. If ever there was a guy who deserved to score the winning goal it was him and, but for some hair growing calls by the officials, he would have celebrated the winner as well as his deserved man of the match award.

Marc Cucurella probably won’t appreciate the “hair-raising” line above and I feel his pain. Well, I would if I had enough hair these days. It was unbelievable that his striker Cristian Romero didn’t receive a second yellow card for what was a pretty dastardly foul. It’s not quite the biting antics of another player that we all remember – and Branislav Ivanovic remembers it vividly – Luis Suarez, but it’s the type of offense that is very frowned upon in the game. That’s an understatement!

Our Spanish left flying machine can however come back to what was an exceptional first tenure for the Blues at Pont. He has already shown that he does almost everything and does it very well. He’s a smart defender and a constant danger in the future, as he’ll always be running into space or battling defenders to get to the line at every opportunity. Doing the commentary with our very own Jason Cundy, Jase called him tenacious. I could think for a fortnight and not find a better word to sum up his style of play.

Add to that passing quality that is on par with the best to have come through Barcelona’s fabulous La Masia youth system and you have to accept that we have a player who is going to be one of our favorites for many years to come. to come. There were times on the left side where he linked up with N’Golo Kante and maybe even more with Mason Mount which almost took his breath away. It looks like a very exciting area of ​​the squad at the moment, which doesn’t take away from Ben Chilwell’s qualities, if and when he is favoured.

I could continue to be lyrical on the left flank and I’m tempted to do so but, in all honesty, while they were extremely good, they were even slightly overshadowed by our right flank. The work done by James and Ruben Loftus-Cheek was nothing short of a triumph. They destroyed the Tottenham defense at will for around three quarters of the game with a sometimes breathtaking display of skill and power. Whisper it, Spurs are a decent side, but they were made to look very average for long stretches, especially on this flank.

If that wasn’t Ruben’s best game in a Chelsea shirt, I want someone to tell me which one was the best. There have been some great performances before, but it was a cut above against the best opponents when he used all his skills, physicality and added a huge dose of confidence. Just as important as anything else, this time he looked just as fit and as strong in the final quarter of the game as he did at the start.

Despite all that Mount and Cucurella had a brilliant understanding of, the bond and danger caused by Loftus-Cheek and James working in tandem was constant and unstoppable. It helps when you’re playing right next to someone you’ve played with since you were a kid and it really showed. This partnership could be one of the great finds of Thomas Tuchel. There was a moment in the first half when Ruben drifted at the back post and was just inches away from scoring with a header. Had he scored there, he might even have outclassed the mighty Reece for man of the match.

Tuchel must also have been delighted with how the two worked together in a subtle visionary tactic that helped thwart the visitors for most of the game. Reece was apparently the third central defender, but when Son Heung-Min fell into the pocket, Reece was tasked with following him in there. When this happened, the void left was immediately filled by Ruben.

It’s one of Spurs’ favorite tricks, but TT and the guys figured it out and smothered it. In the end, Antonio Conte had to change his whole system and live by the seat of his pants by switching to a back four he doesn’t favor. It worked in the end but he got lucky. Chelsea were the better side and should have picked up all three points, Antonio and anyone with their senses watching will know that.

In the end, though, for all the great performances, the odd decisions, the entertainment on and off the pitch and the quality football, and the generally bright and ebullient atmosphere (the new owners must have loved it – just s ‘getting people used to it is the Chelsea way) one thing will stick in the mind more than any other.

Kalidou Koulibaly’s opener and the first of his Chelsea career is already a classic. 20 or 30 years from now, we’ll still be watching this lens and we’ll still love it. There have been difficult days over the past few weeks, months and, in fact, years. Last weekend, I felt like I was finally stepping out into the sun.

Viral video: Pakistani musician Siyal Khan’s Independence Day gift to India


Siyal Khan plays the ‘Jana Gana Mana’ on his rabab in a scenic location.

New Delhi:

As India celebrates its 76th Independence Day, a wish from across the border is winning the hearts of netizens. Siyal Khan, a Pakistani rabab player, posted a video of him playing the Indian national anthem. Rabab is a stringed instrument, similar to the lute. It is very popular in Pakistan, Afghanistan and Kashmir.

In the video, Siyal Khan performs the ‘Jana Gana Mana’ on his rabab with serene mountains and greenery as a backdrop.

“Here’s a gift for my viewers across the border,” he wrote, posting the video.

“Happy #IndependenceDay India. I tried the national anthem of India as a sign of friendship and goodwill for peace, tolerance and good relations between us. #IndependenceDay2022 (sic)”, added the musician.

The video has gone viral and already has over 790,000 views and 46,000 likes on Twitter.

People from India and Pakistan praised the beautiful performance.

Earlier in the day, Prime Minister Modi hoisted the national flag at Delhi’s Red Fort and addressed the nation for the ninth consecutive time.

The ceremony on August 15 this year was particularly significant as it marks the 75th anniversary of India’s independence, with the government launching a host of events to add verve around the celebration.

Lakes Area Music Festival Opera ‘Ariadne auf Naxos’ click! Gallery – Brainerd Dispatch


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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera ‘Ariadne Auf Naxos’ is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera ‘Ariadne Auf Naxos’ is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd.

Kelly Humphrey / Brainerd Dispatch

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Richard Strauss’ opera “Ariadne auf Naxos” is performed on Sunday August 14, 2022 at the Gichi-ziibi Arts Center during the Lakes Area Music Festival in Brainerd. Other upcoming performances at the festival include “Santos & Haydn” on August 17 and “Ogonek and Mahler” on August 20 and 21.

Kelly Humphrey / Brainerd Dispatch

Mitsubishi UFJ Kokusai Asset Management Co. Ltd. owns $2.21 million worth of shares in Jazz Pharmaceuticals plc (NASDAQ:JAZZ)


Mitsubishi UFJ Kokusai Asset Management Co. Ltd. reduced its position in shares of Jazz Pharmaceuticals plc (NASDAQ:JAZZ – Get Rating) by 1.5% during the 1st quarter, according to its latest filing with the Securities and Exchange Commission (SEC). The fund held 14,204 shares of the specialty pharmaceutical company after selling 213 shares during the period. The holdings of Mitsubishi UFJ Kokusai Asset Management Co. Ltd. in Jazz Pharmaceuticals were worth $2,211,000 at the end of the last quarter.

Other institutional investors have also recently changed their stake in the company. Private Capital Group LLC increased its equity stake in Jazz Pharmaceuticals by 1,975.0% during the 1st quarter. Private Capital Group LLC now owns 166 shares of the specialty pharmaceutical company worth $26,000 after purchasing an additional 158 shares during the period. Lloyd Advisory Services LLC. bought a new stake in shares of Jazz Pharmaceuticals during Q1 worth approximately $29,000. Quent Capital LLC purchased a new stake in shares of Jazz Pharmaceuticals during Q4 for a value of approximately $31,000. CWM LLC purchased a new stake in shares of Jazz Pharmaceuticals during Q4 for a value of approximately $43,000. Finally, CM Bidwell & Associates Ltd. bought a new stake in shares of Jazz Pharmaceuticals during Q1 for a value of approximately $45,000. 93.23% of the shares are currently held by institutional investors and hedge funds.

Analysts set new price targets

JAZZ has been the subject of several research analyst reports. Cowen raised his price target on shares of Jazz Pharmaceuticals from $200.00 to $225.00 in a Thursday, May 5 report. StockNews.com moved shares of Jazz Pharmaceuticals from a “hold” rating to a “strong-buy” rating in a report released Wednesday. SVB Leerink raised its price target on Jazz Pharmaceuticals shares from $200.00 to $210.00 and gave the company an “outperform” rating in a Thursday, Aug. 4, report. HC Wainwright cut its price target on shares of Jazz Pharmaceuticals from $210.00 to $204.00 in a Friday, August 5 report. Finally, Piper Sandler cut her price target on Jazz Pharmaceuticals shares from $197.00 to $193.00 in a Thursday, May 5 report. Two equity research analysts gave the stock a hold rating, nine gave the company a buy rating and one gave the company a strong buy rating. According to MarketBeat, Jazz Pharmaceuticals has a consensus rating of “Moderate Buy” and an average price target of $203.69.

Insider Trading at Jazz Pharmaceuticals

In related news, CEO Bruce C. Cozadd sold 6,362 shares of the company in a trade that took place on Wednesday, June 1. The shares were sold at an average price of $146.87, for a total transaction of $934,386.94. Following completion of the transaction, the CEO now directly owns 351,987 shares of the company, valued at approximately $51,696,330.69. The transaction was disclosed in a filing with the SEC, which is available on the SEC’s website. In related news, CEO Bruce C. Cozadd sold 8,775 shares of the company in a trade that took place on Tuesday, July 5. The shares were sold at an average price of $157.28, for a total transaction of $1,380,132.00. Following completion of the transaction, the CEO now directly owns 351,912 shares of the company, valued at approximately $55,348,719.36. The transaction was disclosed in a filing with the SEC, which is available on the SEC’s website. Additionally, CEO Bruce C. Cozadd sold 6,362 shares of the company in a trade that took place on Wednesday, June 1. The stock was sold at an average price of $146.87, for a total transaction of $934,386.94. As a result of the transaction, the CEO now owns 351,987 shares of the company, valued at $51,696,330.69. The disclosure of this sale can be found here. In the past 90 days, insiders have sold 48,093 shares of the company valued at $7,436,900. Insiders of the company hold 4.40% of the shares of the company.

Jazz Pharmaceuticals stock performance

Shares of Jazz Pharmaceuticals opened at $157.08 on Friday. The company has a 50-day moving average of $153.67 and a 200-day moving average of $152.44. Jazz Pharmaceuticals plc has a 1-year low of $117.64 and a 1-year high of $169.98. The company has a current ratio of 3.67, a quick ratio of 2.45 and a debt ratio of 1.87. The company has a market capitalization of $9.81 billion, a PE ratio of -184.80, a growth price-earnings ratio of 1.30 and a beta of 0.69.

About Jazz Pharmaceuticals

(Get an assessment)

Jazz Pharmaceuticals plc, a biopharmaceutical company, identifies, develops and markets pharmaceutical products for a variety of unmet medical needs in the United States, Europe and globally. The Company has a portfolio of products and product candidates focused on areas of neuroscience, including sleep medicine and movement disorders; and in oncology, including hematologic and solid tumors.

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Institutional ownership by quarter for Jazz Pharmaceuticals (NASDAQ:JAZZ)

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Photos and Video: Celebrating the Blues at Bayfront – Duluth News Tribune


DULUTH – The blues are back at Bayfront Festival Park with the 33rd annual Bayfront Blues Festival, or “Blues Fest” as many informally call it. The annual gathering features three days of outdoor music on two stages, featuring around 30 acts and attracting nearly 20,000 fans.

Based on the Bayfront Blues Festival


, nearly 500 artists have performed at the Bayfront Blues Festival since its inception. Some of the notable acts have included Little Richard, Blues Traveler, Jonny Lang, Buddy Guy, Delbert McClinton, Robert Cray, Wilson Picket and Solomon Burke.

This year, the Bayfront Blues Festival kicked off on Friday and ends on Sunday.

Blues artist Gabe Stillman of Williamsport, Pa. watches the crowd while performing with the Gabe Stillman Band Saturday afternoon at the 33rd Annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

Gabe Stillman plays guitar on stage
Blues artist Gabe Stillman of Williamsport, Pa. plays guitar onstage with the Gabe Stillman Band Saturday afternoon at the 33rd Annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

Gabe Stillman plays
Blues artist Gabe Stillman of Williamsport, Pennsylvania raises his arms above his head while singing during the band Gabe Stillman’s performance Saturday afternoon at the 33rd Annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

Inflatable saxophone and musical notes on a pole
An exhibit featuring an inflatable saxophone along with musical notes attached to a pole blown in the wind at Bayfront Festival Park in Duluth during the 33rd annual Bayfront Blues Festival.

Dan Williamson/Duluth News Tribune

Rhythm and blues artist Eddie 9V smiles
Rhythm and blues artist Eddie 9V of Atlanta, Georgia smiles while performing onstage during his Saturday afternoon set at the 33rd Annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

A musical number performs on stage in front of a crowd
Rhythm and blues artist Eddie 9V of Atlanta, Georgia, left, performs with his bandmates onstage Saturday afternoon at the 33rd annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

Rhythm and blues artist Eddie 9V
Rhythm and blues artist Eddie 9V of Atlanta, Georgia sings while playing guitar on stage during his set Saturday afternoon at the 33rd Annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

Rhythm and blues artist Eddie 9V
Rhythm and blues artist Eddie 9V of Atlanta, Georgia sings into a microphone while playing guitar onstage during his Saturday afternoon set at the 33rd Annual Bayfront Blues Festival at Bayfront Festival Park in Duluth .

Dan Williamson/Duluth News Tribune

Melvis, Mark and Fish
The band Melvis, Mark and Fish, who have local ties, performed on stage inside the big tent Saturday afternoon during the 33rd annual Bayfront Blues Festival at Bayfront Festival Park in Duluth. From left to right are ace harmonica Mark Howley, drummer Curt “Fish” Anderson and vocalist and guitarist Mel Sando.

Dan Williamson/Duluth News Tribune

The crowd is sitting under a tent and listening to music
A crowd listens to the band Melvis, Mark and Fish perform inside the big tent Saturday afternoon at the 33rd annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

Mel Sando sings
Two Harbors’ Mel Sando sings onstage while performing with the band Melvis, Mark and Fish inside the big tent Saturday afternoon at the 33rd Annual Bayfront Blues Festival at Bayfront Festival Park in Duluth.

Dan Williamson/Duluth News Tribune

The man is posing while making a peace sign
Erwin Laitala, also known as ‘Boogie Cat Erwin’, of Ely, strikes a pose at Bayfront Festival Park in Duluth during the 33rd annual Bayfront Blues Festival. Laitala has attended every Bayfront Blues festival and dances to as many songs as he can.

Dan Williamson/Duluth News Tribune

Man wearing a shirt that says Boogie Cat speaks with two spectators at the Bayfront Blues Fest.
Erwin Laitala, also known as ‘Boogie Cat Erwin,’ of Ely, center, talks to two other spectators at Bayfront Festival Park in Duluth during the 33rd annual Bayfront Blues Festival. Laitala has participated in every Bayfront Blues Festival. Her outfit includes a T-shirt that says “Boogie Cat” as well as a tail.

Dan Williamson/Duluth News Tribune

A couple attending the Bayfront Blues Festival
Dana and Kevin Klander of Eveleth pose Saturday afternoon at Bayfront Festival Park in Duluth on day two of the 33rd annual Bayfront Blues Festival. The Klanders have participated in numerous Bayfront Blues festivals.

Dan Williamson/Duluth News Tribune

Egyptian musician Ali Loka gets his own Spotify mini-documentary


Egyptian Mohammed Tarek is ‘on a roll’ as he lends his voice to Warner Bros. ‘DC League of Super-Pets’

DUBAI: It’s a strange life being a content creator. Take Egyptian social media star Mohammed Tarek, for example. He is a day dentist – graduating earlier this year after six years of extensive study in Egypt – but in his spare time he makes humorous videos, often speaking directly on his phone. He puts on vocals and does parodies from his bedroom, gathering whatever comes to mind when he wakes up in the morning before work. By all accounts, he is a humble and normal person who spends his time with his friends and family. But you would never know when he goes to the mall. Over there, he is a superstar, invaded by fans.

“I still remember the first time I was arrested in 2016,” Tarek told Arab News. “I was walking with my sister in the mall, and this girl came up to me. She said, ‘Hey! I love your videos!’ I was like, ‘What? Are you really watching my videos?’ She said, ‘Yes, I would love to take a picture.’ I was stunned. I said, ‘No, I want to take a picture with you!’ »

Getting arrested by strangers has become a habit for Mohammed Tarek. (Provided)

Since then, getting arrested by strangers has become a regular occurrence for Tarek, who has gained legions of fans across the region, amassing 4.3 million followers on TikTok, another 2.3 million on Instagram and more. half a million on YouTube. He’s even caught the eye of the world’s biggest movie studios, recently getting the green light to voice Aquaman in the Arabic-dubbed version (reanimated so the character’s mouth moves properly with spoken Arabic) of the blockbuster movie. Warner Bros. Summer Animation League of Super-Pets” – a role played by New Zealand comedian Jermaine Clement in the English version. It was a call he never saw coming.

“It’s not the most random thing that’s ever happened in my life, but it’s pretty random,” he says. “The call I got to get the role was crazy. I was sitting in college, minding my business, and someone just called me from this random number, didn’t I answered it, and they were like, ‘Hey, you want to be Aquaman?’ I was like, ‘Yeah, that sounds good!’ »

Mohammed Tarek voices Aquaman (second from left) in the Arabic version of “DC League of Super-Pets”. (Provided)

Dubbing has always been one of Tarek’s dreams. He’s amassed dozens of his own personas who poke fun at different Egyptian cultural archetypes.

“I’ve always been a fan of voiceover work. Growing up, I found it crazy how people could convey so much emotion just through their voice. The animation is there, of course, to express something, but the voice is the main thing. The voice is what you remember. I would grow up watching cartoons and movies dubbed in Arabic, so being able to step into that world is really full circle for me, and I love it as much as I thought,” Tarek says.

Like most comedians, growing up, Tarek’s first audience was his family, using his personality to cheer them up in their darkest times.

“I am the youngest, with two older sisters. I remember one day my sister came home crying from school. She was really devastated. My father tried to calm her down, but nothing helped. I said to myself: ‘I have to fix this’. So all I did was walk up to her and meet my eyes. I said, ‘Hey, look at me!’ She burst out laughing. I said to myself: “That’s what I’m going to do from now on”, says Tarek.

Tarek was born in Saudi Arabia and moved to Egypt as he entered his teens. There he used comedy to fit in with his new classmates, who were very different from those he had known who had initially bullied him. His plan worked and he even won over his teachers in the process.

After six years of extensive study, Tarek recently graduated from MSA University in Egypt. (Provided)

“I used to write songs about my teachers, taking the melody of popular songs and rewriting the lyrics to fit each one. The students laughed, but the teachers laughed with us too. I stood on a podium in front of the class and they would sit behind me and love it. My parody songs have become a yearly ritual at our school,” he says.

Tarek first got into content creation in the early days of YouTube on the now-defunct short-video platform Vine. But he didn’t really expect to find an audience beyond his own home.

“Each of my videos would have five views,” he says. “Four of them would be me, and the other view would be my mother.”

But in 2016, Tarek did two covers that were similar in spirit to the ones he used to write about his teachers, taking popular songs from Adele and Hozier and singing new lyrics from the point. sight of one of his Egyptian characters. He thought nothing of it – until the number of views started to climb.

“I woke up one day and thought, ‘What’s going on? Why do I have 100,000 views?’ Then it was ‘Why do I have five million views? What’s going on?’ That’s when people really started responding to me,” says Tarek.

As his star rose, he refused to give up on his plans and fully embark on content creation, deciding to stay in school and make videos when he found the time. It’s a choice he doesn’t regret, even now that he’s finally practicing dentistry, but it’s been more exhausting to balance than he usually admits to people.

“I have a lot of friends who are in the social media business, and they are exhausted from everything they do. I have a lot of friends in the dentistry field, and they are all exhausted. None of them can’t really relate to what I’m going through. I’m tired of being a content creator and I’m tired of being a dentist every day. Who does that? Whenever I’m feeling low, everything hits me. But right now, I’m fine,” he said with a smile. “Right now, I’m on a roll.”

Tarek isn’t content with social media and dentistry either. The move into action with “DC League of Super-Pets” is one that Tarek takes seriously and plans to pursue fully.

“Right now, I’m trying. I start to follow theater workshops, which is a big step for me, because I would never have done that at the time. No one believes him, but naturally I’m a very shy person. I was the shy, naive guy sitting in the corner because I didn’t want to deal with people. Part of me doesn’t understand me right now, but that doesn’t mean I’m going to quit,” Tarek says.

“I have no idea where I will be in five years. I will just continue. If I’m offered an audition, I’ll go. I will take every opportunity that comes my way. You just gotta work, you know what I mean? I really believe it,” he said. “And I know it’s going to take me where I’m meant to be.”

KRDO Chats With Dierks Bently About Upcoming Seven Peaks Music Festival In The San Luis Valley


SAN LUIS VALLEY, Colo. (KRDO) — In a few weeks, country music fans will flock to the San Luis Valley for a country music festival created by one of the genre’s biggest stars.

Dierks Bentley is bringing back its Seven Peaks music festival after a two-year hiatus due to the pandemic. In previous years, the festival was held in Buena Vista. This year, however, it’s happening at Villa Grove.

This week, KRDO’s Riley Carroll got the chance to sit down with Bentley virtually and chat about the upcoming festival.

During this interview, Bentley explained that Colorado was his favorite place this time of year. He said he loves performing in the Centennial State and can’t wait to greet festival-goers at the gate.

This year the venue is near a lake that people can enjoy before the music. Bentley strongly encourages everyone to camp on site. He said it was the best way to have the full experience and some of the best memories were made at the campsite.

When asked what he was looking forward to, Bentley said he was excited to perform songs like “5-1-5-0” with a live crowd again.

“Songs like that work better with a crowd,” Bentley remarked.

Watch Bentley’s full interview below, he talks about the festival, why he loves Colorado and performs here.

The festival takes place over Labor Day weekend, September 2-4. Passes start at $219.

This year’s lineup includes Hardy, Morgan Wallen, Tracy Lawrence, Ashley McBryde, Jordan Davis, Dierks Bentley and more.

For the full lineup, passes and venue information, click here.